3 10 23 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interview with Mercedes Sosa | From Head to Toe Subject The topic of the resource Artist testimony; Exile; Censorship; Music and politics Description An account of the resource A video interview in which Mercedes Sosa reflects on her career, exile, and the political role of music in Argentina. Serves as a primary source illustrating the lived experience of censorship and resistance. Creator An entity primarily responsible for making the resource TVN (Televisión Nacional de Chile) Source A related resource from which the described resource is derived YouTube: https://www.youtube.com/watch?v=nUFkCzXUq1I Publisher An entity responsible for making the resource available YouTube platform Date A point or period of time associated with an event in the lifecycle of the resource Video uploaded on April 30th, 2024, but the interview took place in 1983 shortly after Sosa returned from exile. Rights Information about rights held in and over the resource Standard YouTube license- accessible to the public. Language A language of the resource Spanish Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nunca Más (Report of the National Commission on the Disappearance of Persons) Subject The topic of the resource Disappearances; State terror; Human rights violations; Argentine Dirty War; Memory Description An account of the resource The official report produced by Argentina’s truth commission documenting thousands of forced disappearances carried out during the military dictatorship (1976–1983). It provides detailed testimonies and evidence of state repression, forming a crucial historical record of the violence referenced in protest music. Creator An entity primarily responsible for making the resource National Commission on the Disappearance of Persons (CONADEP) Source A related resource from which the described resource is derived Truth commission report https://www.tandfonline.com/doi/pdf/10.1080/03064228608534053 Publisher An entity responsible for making the resource available Government of Argentina Date A point or period of time associated with an event in the lifecycle of the resource 1984 (about events from 1973 onwards) Rights Information about rights held in and over the resource Public unclassified government documents Language A language of the resource English (translation from Spanish) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gracias a la vida Subject The topic of the resource Exile; Memory; Political resistance; Latin American protest music; Cultural identity Description An account of the resource A widely recognized song performed by Mercedes Sosa, one of the most important voices of Latin American protest music. “Gracias a la vida” became symbolic of resilience and survival under political repression and exile. Sosa’s interpretation turned the song into an anthem of emotional resistance, often associated with solidarity movements and anti-dictatorship struggles across Latin America. Creator An entity primarily responsible for making the resource Mercedes Sosa Source A related resource from which the described resource is derived Album recordings Publisher An entity responsible for making the resource available Various labels (e.g., CBS, Philips depending on release) Date A point or period of time associated with an event in the lifecycle of the resource 1971 (composition); widely performed 1970s–2000s Contributor An entity responsible for making contributions to the resource Song is originally composed by Violeta Parra Rights Information about rights held in and over the resource Copyright is placed by the recording label, but accessible to the public for listening Format The file format, physical medium, or dimensions of the resource Audio recording Language A language of the resource Spanish Type The nature or genre of the resource Sound (music)