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                <text> Le vray et parfait guidon de la langue Françoise avec quatre dia- logues François &amp; allemands &amp; un bouquet de sentences : der Rechte vnd vollkommene Weg-weyser zu der Frantzösischen Sprach, Sampt vier Frantzösischen vnd Teutschen Gesprächen vnd etlichen aus- serlesenen</text>
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                <text>Elsevier, perhaps the most well-known name in electronic publishing today, takes it name from the much earlier and, perhaps, comparably successful Dutch printing house. It is renowned for its meticulous printing and a series of duodecimal format books, examples of which are still prized by collectors today. The pages on display in French is second a language manual for German speakers which show the close physical juxtaposition of not only two languages but that of Gothic and Roman-style types. </text>
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                <text>Archives and Special Collections, University of Ottawa [PC 2109 .D7 1657] </text>
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                <text>Boetij Seuerini De diuisionibus &amp; diffinitionibus libri emendatiùs quàm antea editi. Additis scholiorum vice adnotationibus vtilissimis</text>
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                <text>This work displays the printer’s device of Simon de Colines. De Colines (ca. 1475-1546) was active in Paris from about 1520 until his death in 1546. De Colines had actually collaborated with printer Henri Estienne (1528-1598), continuing printing operations of Henri Estienne’s shop with Estienne’s sons François and Robert (and marrying Henri’s widow, as well) upon the death of their father in 1520. De Colines is known for publishing texts of the Greek and Latin classical authors in especially elegant Greek and Italic fonts.</text>
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                <text>Archives and Special Collections, University of Ottawa [B 659 .D525 1540] </text>
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                <text>Parisiis, Ex officina Simonis Colinaei</text>
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                <text>Le terze rime di Dante</text>
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                <text>Aldus Manutius (1449-1515), active in Venice, was an Italian printer, credited for the invention of Italic type, as well as “pocket” format books (chiefly the octavo, which was easily portable, in contrast to the very large formats popular at the time). He was also said to have established the modern use of the semi- colon and revived the use of the comma. Manutius’ printing efforts were concentrated primarily on the texts of the Ancient Greek authors, such as Aesop, Xenophon, Theocritius and Homer, among others. Manutius first used his printer’s device in 1501. It depicts a dolphin wrapped around an anchor. This emblem would be copied by various dubious printers, hoping to piggyback on Manutius’ fame. </text>
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                <text>Archives and Special Collections, University of Ottawa [PQ 4302 .B02] </text>
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                <text> In aedib[us] Aldi accuratis- sime,|cmen[se] aug[usti] M. DII</text>
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                <text>D. Justiniani impertoris pp. augusti Institutionum juris civilis expostiomethodica</text>
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                <text>This example shows the “mottled” style of marbling, attempting to reproduce the effect of natural stone, here in a spectacular combination of blue tones. The edges have been gilded and are in remarkable shape.</text>
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                <text>Francisci Lorry opus posthumum [...]</text>
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                <text>Archives and Special Collections, University of Ottawa [KJA 1082.2 1809]</text>
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                <text>Parisiis, Apud Mequignon, nâtu majorem, Bibliopolam, via Scholae Medici- nae, no. 9, M.DCCC.IX.</text>
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                <text>This is an example of paste paper, most specifically one generated with the “pull “(i.e. “pull-paper”) technique. A mixture of glue and colour pigments are applied with a brush to two sheets of paper that are imposed upon each other. Before the glue dries, the two pages are pulled apart, creating a relatively uniform design with little effort. </text>
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                <text>Les prouinciales, ou, Les lettres écrites par Louis de Montalte : a un prouincial de ses amis, et aux RR. PP. Jesuites : sur le sujet de la moral &amp; de la politique de ces pères</text>
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                <text>Here we have yet another example of hand printblock paper. However, in contrast to the previous example, this is a relatively recent paper, a product of a highly mechanized process. We can see the regularity of the design and the uniformity of the colours. </text>
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                <text>The paper that makes up the cover for this little French comedy of the 17th century has been created with a technique new for this era: hand block printed paper, termed “dominoté” in French. The motif used here has been printed and then the colours added later, either by hand or via a stencil. </text>
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                <text>The motif used here is an example of marbled paper with a small comb. The comb consists of a wooden stick with small metal spikes inserted into it. The smallness of the comb makes it possible to make turnstiles, which gives this particular combination. The edge here has been gilded.</text>
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