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                  <text>The Rare Book Collection includes  over 14,000 printed books from the 15th to the 20th centuries which cover subjects such as medicine, law, literature, philosophy, natural sciences, geography, science, architecture, history, arts, etc. The collection includes books published in Europe and America, but there is also a significant collection  of Canadiana, including periodicals.</text>
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                <text>Dictionaire francoislatin, contenant les motz &amp; manieres de parler francois, tournez en latin</text>
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                <text>Robert Estienne (1503-1559) was the second son of printer Henri Estienne. After his father’s death in 1520, he collaborated with his older brother François and Simon de Colines (whose printer’s device we see in another item on display in this cabinet). Estienne was renowned for being one of the most erudite of his century, notably being named royal printer for Hebrew and Latin. Robert’s device is that of a serpent wrapped around an olive tree, alluding, most likely, to the tree of knowledge. However, there is a more personal meaning hidden within the device, perhaps something of an “in joke”, the Estienne printing shop was on Rue St-Jean-de-Beauvois in Paris, “at the sign of the Olive”. The motto contained within the device reads “Noli altum sapere, sed time” (“Be not high-minded, but fear”), a quote which stems from St. Paul’s Epistle to the Romans. </text>
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                <text>Archives and Special Collections, University of Ottawa [PC 2645 .L3 E78 1539] </text>
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                <text>Ciceronis eloqventiae parentis epistolae breviores, odoci Badii Ascensii conficiendarum epiftolarum compendium, Michael Alchouer Patauien lectors</text>
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                <text>&lt;p&gt;The eloquence of Cicero appears to have wildly inspired a number of readers. However, in one case, someone seems less inspired by the art of discourse than infused with a burining desire to go Spear-fiching. If the messy and free-spirited penmanship on this post-incunabulum of 1516 seems sacrilegious to our eyes, it cannot be denied that it is also a great source of wry amusement. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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                <text>Cicero, Marcus Tullius. </text>
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                <text>Archives and Special Collections, University of Ottawa [PA6297.A2 1516]</text>
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                <text> Viennae Pannoniae, per Hieronymum Vietorem expenfis Leonardi I Lucae A lantfae fratru</text>
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                  <text>The Rare Book Collection includes  over 14,000 printed books from the 15th to the 20th centuries which cover subjects such as medicine, law, literature, philosophy, natural sciences, geography, science, architecture, history, arts, etc. The collection includes books published in Europe and America, but there is also a significant collection  of Canadiana, including periodicals.</text>
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                <text>Diui Thomae Aquinatis, ordinis praedicatorum, viri &amp; vitae sanctimonia, de sacraum literarum peritia praeclari In omnes beati Pauli apostoli epistolas commentaria [...]</text>
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                <text>This item shows the printer’s device of Jean Petit (14.. - 1533). Petit was a very prolific printer, and was said to have printed one-tenth of all books printed in Paris from approximately 1493-1530, that is, about 1000 titles. Petit also collaborated with a number of other printers, where they might print their works at his studio or he at theirs. Noted collaborations were with Josse Bade (1461-1535) (or Badius) and Thelmann Kerver (14...-1522). Petit’s device varies over time, but it is usually depicted as a shield containing his initials held up by two heraldic animals: usually lions, as is the case here; Archives and Special Collections has an example where the device is held up by two monkeys.</text>
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                <text>Thomas, Aquinas, Saint (ca.1225-1274)</text>
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                <text>Archives and Special Collections, University of Ottawa [BS 2649 .T477 1541] </text>
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                <text>Parisiis, Ex officina honesti viri Oudini Petit, sub signo Floris lilij, via ad Diuum Iacobum</text>
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                <text>1541</text>
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                <text>Archives and Special Collections, University of Ottawa </text>
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                  <text>The Rare Book Collection includes  over 14,000 printed books from the 15th to the 20th centuries which cover subjects such as medicine, law, literature, philosophy, natural sciences, geography, science, architecture, history, arts, etc. The collection includes books published in Europe and America, but there is also a significant collection  of Canadiana, including periodicals.</text>
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                <text>Moralia Hieronymi ab Hangesto, philosophi, sacraéque theologiae professoris</text>
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                <text>Many hands and many quills have annotated this work by Jerome de Hangest, a theologian hailing from Compiègne and a contemporary of Erasmus. The marginalias annotation, as is the text itself, are in Latin, which would indicate a certain amount of erudition on the part of the text's readers.</text>
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                <text>Hangest, Jerome de (14..-1538)</text>
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                <text>Archives and Special Collections, University of Ottawa [BJ 1240 .H36 1519]</text>
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                <text>Parisiis, Venundatur ab Joanne Parvo sub lilio aureo in via Jacobea</text>
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                <text>This image depicts the bookplate of Bernard Coleridge, 2nd Baron Coleridge. If the name Coleridge sets off the ringing of bells, it should, as Bernard’s grandfather was the nephew of famed English Romantic poet Samuel Taylor Coleridge (1772-1834). While it cannot be proven that the book was handled by the famed poet, an inscription the inner flyleaf does say “bought in Padua” in 1814, which was during Samuel’s lifetime. The bookplate depicts what is surely the Coleridge’s family library in Chanter’s House, Devon, England. </text>
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                <text>The pages that serve to form the inner boards of this work are actually composed of printer’s waste (printed sheets that could not be used by the printer or binder in a final copy). Boards of this nature were created by gluing several sheets of paper together, offering a lighter form of cover than the boards of thick wood which were generally used in this era. Here we see a sheet that has come straight from the printer’s press; it has not been folded or cut into a gathering, allowing us to infer it is printer’s waste and not something salvaged from a previously bound book. This sheet was probably from a “trial run” of the printer’s; the first printings from an imposition would be verified in order to see that no typographical or other errors were to be found in the setting of frame of type. Anything that did not pass would be recycled. </text>
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                <text>Visible is the printer’s mark of printer and bookseller François l’Honoré (1673?-1748?), originally from the town of Sedan, Alsace. Initially basing himself in Den Haag where he collaborated with Etienne Foulque, he subsequently set up a printing shop in Amsterdam with his brother Jonas, his father-in-law, and eventually his son, Zacharias. He had a prolific career as printer and bookseller.</text>
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