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                <text>Aurelii Cor. Celsi De re medica libri octo:Item Q. Sereni Liber de medicina. […]</text>
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                <text>The binding consists of parchment on boards, with the parchment having been painted in brown ink to simulate a marbling effect. The spine label is of yellow morocco, with title tooled in gold (partially illegible due to remnants of a former label that was once superimposed). Where the parchment has loosened from its supporting boards shows the impressive thinness of the parchment used. </text>
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                <text>Archives and Special Collections, University of Ottawa [R 127 .C3 1549]</text>
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                <text>El ingenioso Hidalgo Don Quijote de la Mancha</text>
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                <text>This leather binding sports a large floral ornament blind-tooled into the centre of each cover, with double borders in gilt. Although printed in Madrid, this item contains the stamp of a bookseller in “Habana”. Is this perhaps a Cuban binding. </text>
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                <text>Here we see the introduction of gold into the manufacturing process of marbled paper. In this case, it is difficult to say whether this is an example of handmade paper or one produced mechanically given that the date of printing and the fact that the binding dates to the end of the 19th century.</text>
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                <text>Montréal, Sénécal et Daniel</text>
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                <text>Marcus Tullius, Le Tusculane di M. Tullio Cicerone recate</text>
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                <text>Vinegia, Apresso Vicenzo Vaugris a'l segno d'Erasmo, MDXLIIII</text>
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                <text> Le Tusculane di M. Tullio Cicerone recate in Italiano : con la tauola nel fine di tutte le cose degne d'annotatione</text>
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                <text>Cicero, Marcus Tullius (106 BC-43 BC)</text>
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                <text>In Vinegia, Apresso Vicenzo Vaugris a'l segno d'Erasmo</text>
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                <text>This particular motif was the most popular in the 18th century. With this text dating to the mid 16th century, we have clear example of the time lags that can occur between a book’s date of printing and it's binding. This work may have also been rebound more than once in its lifetime. A book’s owner had the freedom to customize his possession at will, funds permitting, and have it decorated to the exacting requirements of his own taste.</text>
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                <text>Ciceronis eloqventiae parentis epistolae breviores, odoci Badii Ascensii conficiendarum epiftolarum compendium, Michael Alchouer Patauien lectors</text>
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                <text>&lt;p&gt;The eloquence of Cicero appears to have wildly inspired a number of readers. However, in one case, someone seems less inspired by the art of discourse than infused with a burining desire to go Spear-fiching. If the messy and free-spirited penmanship on this post-incunabulum of 1516 seems sacrilegious to our eyes, it cannot be denied that it is also a great source of wry amusement. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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                <text>Cicero, Marcus Tullius. </text>
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                <text>Archives and Special Collections, University of Ottawa [PA6297.A2 1516]</text>
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                <text> Viennae Pannoniae, per Hieronymum Vietorem expenfis Leonardi I Lucae A lantfae fratru</text>
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                  <text>Women's Archives</text>
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                  <text>The Women’s Archives contain more than 170 archival fonds and collections related to the history of women in Canada, with particular emphasis on the feminist movement since the 1960s. Both individuals and grassroots organizations who worked to improve the political, social, and economic conditions of Canadian women are represented in this unique collection. </text>
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                <text>Cover of the millenium edition of "Birth Control Handbook"</text>
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                <text>This cover is from one of the last editions of the Montreal Health Press handbooks.</text>
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                <text>Cover photograph by Angela Campaneli</text>
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                <text>Montreal Health Press Inc.</text>
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                <text>2000</text>
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                <text>Written by Donna Cherniak; Photograph coordination by Judith Lermer Crawley</text>
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                <text>For non-commercial use only / Permission required for reproduction</text>
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                <text>eng</text>
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                <text>University of Ottawa Archives and Special Collections: women's movement monograph collection</text>
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                <text>Cover of May 1988 edition of "A Book about Menopause"</text>
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                <text>This is the cover of the first edition of this Montreal Health Press publication.</text>
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