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                <text>L'utopie, traduicte par Samuel Sorbière</text>
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                <text>Archives and Special Collections, University of Ottawa [HX 810.5 .F7 1643]</text>
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                <text>This bookplate of Fréderic Lachèvre (1855-1943), French bibliophile, literary critic, editor, and specialist in 17th century literature of the Libertines, is remarkable for the finesse of its engraving. The image of the skull resting on a pile of books invokes the imagery of the Latin motto “Memento Mori”, a warning about the vanity of all things earthly and the inevitability of death. This image is reminiscent of several Baroque paintings of the 17th century, with which Lachèvre would have been familiar.</text>
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                <text>Gulistan ou L'empire des roses : traité des moeurs des rois</text>
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                <text>This first example is that of what is termed an “armorial binding”, where the coat of arms of an aristocratic family will serve to indicate ownership on a book’s binding. Such bindings are executed with exquisite care and a family’s arms are tooled into the covers and then gilded. In the case of this “essay on the conduct of kings”, the leather covers have been embossed with the coat of arms of Jeanne Antoinette Pompadour (1721-1764), chief mistress of Louis XV, King of France.</text>
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                <text>Saadī, Musladini</text>
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                <text>C. Cornelii Taciti Opera quæ exstant, ex recensione et cum animadversion- ibus Theodori Ryckii</text>
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                <text>This printed ex-libris, attached to the “von Ende” family of Altjessnitz, Germany, appears on the interior pastedown of this book. It serves to remind us that the ex-libris was also considered an art form during certain eras for bibliophiles, who collected just these with a passion. The vignette format as seen in this example appeared in Nuremberg, Germany, at the beginning of the 16th century. Even today there are associations of collectors who indulge their passion for this tiny works of art at sometimes premium prices.</text>
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                <text>Archives and Special Collections, University of Ottawa [PA 6705 .A2 1687]</text>
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                <text>Le Livre nécessaire pour les comptables, avocats, notaires, procureurs, négociants, et généralement à toute sorte de conditions</text>
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                <text>The endpapers of this accounting “textbook” by François Barrême, a very popular work in its time, was used by its owner to puzzle out practical exercises of calculation, including problems and answers.</text>
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                <text>This title by Bounhours demonstrates the reuse of the materials by bookbinders. In this particular case, a very refined and aesthetically pleasing handwriting adds to the charm of this “recycled” bookbinding. The hand is unknown; does it stem from an important author in his own right? A puzzle for sharp eyes; solutions and clues most welcome. </text>
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                <text>The use of marbling reaches its pinnacle with this example, with its swirling motif, which appear to be created in a “freestyle” manner. Of special note with this work is the fact that the edges of the book have been decorated using a similar pattern, a technique that is relatively common.</text>
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                <text>Paris, Chez Prault, fils, quai de Conti, vis-à-vis la descente du Pont-Neuf, à la Charité, MDCCLIII</text>
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                <text>Marcus Tullius, Le Tusculane di M. Tullio Cicerone recate</text>
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                <text>This item offers us a glance at marbled paper very typical of the 18th century, with its traditional choice of colours and a design typical of the era; many similar examples are to be found in the collection. The Encyclopedie by Diderot and D’Alembert goes into great detail as to the necessary steps of creating colours and designs for marbled papers. What sets this particular example apart and why it has been chosen for display is the fact that the marbled paper is not found where typically expected, that is, as interior “endpapers” within the book. It is, in fact, covering and thus forming the exterior of the book’s binding. </text>
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                <text>Vinegia, Apresso Vicenzo Vaugris a'l segno d'Erasmo, MDXLIIII</text>
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                <text>Les Amoureux brandons de Franciarque et Callixène : roman dramatique en cinq actes et en prose [...]</text>
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                <text>This title, dating the end of the 19th century, offers the viewer a fine example of “combed” marble. The colours chosen in this example, however, are unusual and demonstrate the limitless creativity that surrounded the manufacturing of marbled paper at this time. </text>
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                <text>J. Gay, Genève </text>
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