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Logo designed by Liz Martin</text>
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                <text>This religious work was published in Québec City by Samuel Neilson (1800-1837) and William Cohen. Samuel Neilson inherited his printing studio from his father, printer John Neilson (1776-1848), who was the printer for the Gazette de Québec, and the most important source of printing, binding, bookselling and office supplies in Lower Canada. William Cohen was an employee of John Neilson’s printing house and would collaborate with Samuel Neilson until 1833. This work is displayed to show the techniques involved in printing music. In the earliest days of printing, when music had to appear within text, the musical passage was engraved by hand onto a metal plate and printed separately from the text. As musical works gained popularity, especially those devoted to sacred music, musical notes were cast into type.</text>
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                <text>Women are changing the world! International Women’s Week, 1988</text>
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                <text>This poster announces activities organized during the International Women’s Week at Lansdowne in Canada, from February 27th to March 12th, 1988.</text>
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                <text>Dictionarium proprioru[m] nominum virorum mulierum, populoru[m], idolorum, urbium, fluviorum, montium, cæterorúmque locoru[m] quæ passim in libris prophanis legu[n]tur</text>
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                <text>The edge of this book displays a decorative technique used fairly often. Instead of a marbled edge, here one has opted for a light sprinkling effect, achieved by drops of colour being “tapped” from the bristles of the brush. </text>
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                <text>Parisiis, Ex officina Roberti Stephani</text>
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                  <text>Rare Books Collection </text>
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                  <text>The Rare Book Collection includes  over 14,000 printed books from the 15th to the 20th centuries which cover subjects such as medicine, law, literature, philosophy, natural sciences, geography, science, architecture, history, arts, etc. The collection includes books published in Europe and America, but there is also a significant collection  of Canadiana, including periodicals.</text>
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                <text>Dictionaire francoislatin, contenant les motz &amp; manieres de parler francois, tournez en latin</text>
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                <text>Robert Estienne (1503-1559) was the second son of printer Henri Estienne. After his father’s death in 1520, he collaborated with his older brother François and Simon de Colines (whose printer’s device we see in another item on display in this cabinet). Estienne was renowned for being one of the most erudite of his century, notably being named royal printer for Hebrew and Latin. Robert’s device is that of a serpent wrapped around an olive tree, alluding, most likely, to the tree of knowledge. However, there is a more personal meaning hidden within the device, perhaps something of an “in joke”, the Estienne printing shop was on Rue St-Jean-de-Beauvois in Paris, “at the sign of the Olive”. The motto contained within the device reads “Noli altum sapere, sed time” (“Be not high-minded, but fear”), a quote which stems from St. Paul’s Epistle to the Romans. </text>
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                <text>Paris, De l'imprimerie de Robert Estienne</text>
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