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                <text>Moriae encomium id est Stulticiae laudatio, ludicra declamatione [...]</text>
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                <text>This work provides an example of the printer’s device of Swiss printer, Johann Froben (1460-1527). Based in Basel, Froben was a Humanist scholar himself, and was acquainted with Erasmus, as well as Hans Holbein the Younger, who would not only paint Froben’s portrait but is purported to have designed Froben’s printer’s device, as well. </text>
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                <text>Basileae, Apud Hieronymum Frobenium et Nicolaum Episcopium</text>
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                <text>Histoire de l'ancienne France en ligne droite</text>
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                <text>The design here imitates that of a peacock’s fanned tail. After one has deposited the colours on the thickened solution of water and used the comb to create the first series of designs, one then uses a stylus to refine the design. The marbler is required to have a mastery of this technique for this artistic endeavour to be a success. </text>
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                <text>Archives and Special Collections, University of Ottawa [DC39 H5 1907] /Archives et collections spéciales, Université d'Ottawa [DC39 H5 1907]</text>
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                <text>Instruction générale donnée</text>
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                <text>The marbling technique for this decorative paper has been achieved with the use of the comb tool. The colours used are also date to the mid-19th century and are not the classic and uniform blues, reds, yellows and whites colours typical of the 18th century.</text>
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                <text>Bourdaloue, Louis (1632-1704)</text>
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                <text>Archives and Special Collections, University of Ottawa [BX2349 .B62 1819]</text>
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                <text>Paris, Impr. de F. Didot</text>
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                <text> Le Tusculane di M. Tullio Cicerone recate in Italiano : con la tauola nel fine di tutte le cose degne d'annotatione</text>
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                <text>Cicero, Marcus Tullius (106 BC-43 BC)</text>
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                <text>In Vinegia, Apresso Vicenzo Vaugris a'l segno d'Erasmo</text>
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                <text>This particular motif was the most popular in the 18th century. With this text dating to the mid 16th century, we have clear example of the time lags that can occur between a book’s date of printing and it's binding. This work may have also been rebound more than once in its lifetime. A book’s owner had the freedom to customize his possession at will, funds permitting, and have it decorated to the exacting requirements of his own taste.</text>
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                <text>La Vie de Mademoiselle Le Gras : fondatrice et premie gravere supeacuterieure de la Compagnie des Filles de la Chariteacute;, Servantes des pauvres malades</text>
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                  <text>The Rare Book Collection includes  over 14,000 printed books from the 15th to the 20th centuries which cover subjects such as medicine, law, literature, philosophy, natural sciences, geography, science, architecture, history, arts, etc. The collection includes books published in Europe and America, but there is also a significant collection  of Canadiana, including periodicals.</text>
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                <text> Biographie de Mme Anna de La Grange</text>
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            <description>An account of the resource</description>
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                <text>Here we see the introduction of gold into the manufacturing process of marbled paper. In this case, it is difficult to say whether this is an example of handmade paper or one produced mechanically given that the date of printing and the fact that the binding dates to the end of the 19th century.</text>
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            <name>Creator</name>
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                <text>Chevalier, H. Emile (1828-1879)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Archives and Special Collections, University of Ottawa [ML420 .L25C5 1856]</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Montréal, Sénécal et Daniel</text>
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                <text>Archives and Special Collections, University of Ottawa</text>
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        <name>Papermakers and marblers</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Rare Books Collection </text>
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                  <text>Examples of items from the Rare Books Collection at uOttawa ARCS</text>
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                  <text>The Rare Book Collection includes  over 14,000 printed books from the 15th to the 20th centuries which cover subjects such as medicine, law, literature, philosophy, natural sciences, geography, science, architecture, history, arts, etc. The collection includes books published in Europe and America, but there is also a significant collection  of Canadiana, including periodicals.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Père Marquette's Illinois prayer book</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Here we see yet another type of decorative paper, probably achieved through a mechanized process. The design of flowers with tendrils of gold is reminiscent of wrapping paper for gifts or even wallpaper, which is of no surprise, as these types of papers simultaneously coexisted in the 18th century with the decorative papers destined for bookbinding.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="718">
                <text>Archives and Special Collections, University of Ottawa [FC 362.1 .M35 A75 1908]</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Hubert Neilson, Québec, Quebec Literary and Historical Society</text>
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            <name>Date</name>
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                <text>1908</text>
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                <text>Archives and Special Collections, University of Ottawa </text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Book</text>
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            <description>A language of the resource</description>
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                <text>French</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Text</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ARSC_FS_FC 3621M35A751908</text>
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        <name>Papermakers and marblers</name>
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