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                <text>Réglement de la Confrerie de l'adoration perpétuelle du S. Sacrement, et de la bonne mort : erigée dans l'eglise paroissiale de Ville-Marie, en l'Isle de Montréal en Canada</text>
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                <text>Published by Fleury Mesplet (1734-1794), this physically tiny work would be the first work printed by Mesplet after his arrival in Montréal in 1776. After leaving Lyon for Avignon, London and Philadelphia, Mesplet settled in Montréal on the recommendation of Benjamin Franklin (1706-1790}, with whom he had collaborated on printing ventures for the American Congress. Mesplet’s luggage contained the first non-governmental press to be established in the “Province of Québec”. Mesplet published many utilitarian works, with this title being distributed to members of the Confrerie, who could boast a membership of 1000 in late-18th century Montréal. Mesplet would go on to found the La Gazette littéraire with journalist Valentin Jautard (1736-1787) (known by the pseudonym “le Spectacteur tranquille”) in 1778, but both would be thrown into prison without trial, which would put an abrupt end to their literary adventure. The wife of Mesplet, Marie Maribeau,(1746-1789) would take over the publishing reins during his imprisonment. Mesplet would establish the Gazette de Montréal in 1785, which would be bought by an Anglophone editor, eventually becoming the Montreal Gazette. </text>
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                <text>A journey from Aleppo to Jerusalem at Easter, A. D. 1697,</text>
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                <text>Archives and Special Collections, University of Ottawa [DS 106 .M38 J6 1707] </text>
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                <text>Recueil des opéra, des balets, &amp; des plus belles pièces en musique, qui ont été représentées depuis dix ou douze ans jusques à présent devant Sa Majesté Tres-Ché́tienne,  suivant la copie de Paris</text>
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                <text>In this work and in others, we see very fine lines in red that delineate different spaces on the page for the printed text. This work carries over the medieval practice used by manuscript copyists, that is, the ruling of spaces in the text in preparation for script to be recopied. These lines are unnecessary for the typesetting and printing processes, but it is an aesthetic acknowledgement of the printing technique used by medieval scribes. </text>
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                <text>I dilettevoli sermoni, altrimenti satire, e le morali epistole, insieme con La poetica [...]</text>
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                <text>A Venetian, Gabriele Giolito de Ferrari (1508-1578), established a bookstore and printing shop in Venice with his father, named “Liberia del Fenice” (the Phoenix bookstore). As we have seen with other printer’s devices, the mark may illustrate the locale or name of the shop or of the printer. Giolito de’ Ferrari’s mark depicts a Phoenix (i.e. Fenice) rising from the fire below. Giolito’s motto is “Semper eadem”, which translates as “Always the same”. It describes, most certainly, the fate of the Phoenix, which rejuvenates itself on a perpetual basis, but, perhaps, also the nature of printing: but for the wearing out of type, a text can be printed in relative perpetuity once set. </text>
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                <text>Archives and Special Collections, University of Ottawa [PA 6399 .A1 1559] </text>
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                <text>Vinegia, Apresso Gabriel Giolito de Ferrari</text>
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                <text>Le Nouveau Testament de Nostre Seigneur Jesus Christ, traduit en François selon l'edition Vulgate, avec les differences du Grec</text>
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                <text>This book offers a typical example of the classic formula of “promise” and “reward” that one regularly finds in books of the 15th and 16th centuries. The phrasing varies as per the personality and humour of the owner and how much value he assigns to his book. Certain owners promise blessings or rewards to those who return his property in cases of loss, as is the case here with citizen Jean-Baptiste Fortin le Jeune, who will “pay a reasonable reward”. Others seem more vindictive, promising eternal damnation to anyone who dares to not return his property.</text>
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                <text> A Mons, Chez Gaspard Migeot, à l'enseigne des trois vertus,</text>
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                <text>Hai tou Aischylou Choéphoroi. Aeschyli Choephoroe. Ex recensione Porsoniana</text>
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                <text>This exquisite example of a mark of ownership is not even that of a book owner but that of a bookseller in Glasgow, Scotland, who had this item for sale in their shop. This practice ensured that this item could be traced back to its original point of sale after leaving the shop’s shelves, and the connection back to booksellers James and Andrew Duncan could not be better indicated!</text>
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                <text>Edinburgi, Eprelo academic, veneunt apud Gulielum Blackwood; Londini, Apud Longman, Hurst, Rees et Orme</text>
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                <text>Theocriti, Bionis et Moschi Carmina bucolica graece et latine</text>
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                <text>Therocritus</text>
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                <text>Parisiis, Ex officina Plantiniana. Apud Hadrianvm Perier, via Iacobaea</text>
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                <text> Le Francophile, pour très-grand, très chrestien, très-magnanime &amp; très-belliqueux prince Henry Auguste IIII, roy de France &amp; de Navarre, contre les conspirations du roy d'Espagne, du pape &amp; des rebelles de France</text>
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                <text>The endleaves of this book house a text on the wars of religion which occurred during the reign of Henri IV, specifically on the war that was titled the “Guerre des trois Henri” in 1585. The text speaks primarily of the Huguenots.</text>
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