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These are lyrics for a song that was sung as part of the 9th Annual International Women's Day March in Edmonton, Alberta in 1986. There is a note that instructs that it is to be "sung to the tune of "Fire's Burning".

This flyer advertises an International Women's Week Dance held in Ottawa on 11 March, 1995.

The binding seen here is characteristic of the style of leather bindings where the calf leather is manipulated to give it texture. In this example, the leather is stained with drops of diluted acid to give the binding a mottled look. There are a…

This is a typical example of the decoration of binding using the technique of gilding. While generally ornamental decorations were applied by means of gilding irons and rolls onto the spine, here we have a something of a portrait, a personification…

This is likely a 20th century rebinding of a work stemming from 500 years earlier. This binding most likely dates to the first half of the 20th century and is stamped “e stato rilegato da Campari e De Marco, Modena”: the book has been bound by…

The binding of this work has been elaborately blind-stamped with a number of decorative tools. Note the manuscript waste visible at the top of the spine; again, materials were reused wherever possible to add in the binding process, especially in…

Here we see the remnants of the leather straps that would have served to keep the book closed. More often than not, these fragile closures have not stood the test of time.

This book is a post incunabula and was printed in 1512. It shows with more abundance, almost exaggeration, the use of printed ornamental initials of different sizes and formats.

This shows us a variation in the rendering of roman numerals. Using a format scholar Paul Lewis calls “deep parenthesis”, an “I” flanked between by both a forward facing C and an upside down, backward facing C, would represent “1000”. And “I” before…

The printer’s device of Nicolo Pezzana (162?-170?) recalls that of the Giunta printers where Pezzana carried out part of his apprenticeship in Venice and which he ended in 1657. Without an inscription or personalized device, this mark depicts a…