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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Theocriti, Bionis et Moschi Carmina bucolica graece et latine</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Classical texts, authors and classical languages formed the majority of texts printed in the early days of printing. While this item is not as old as its counterparts in the Collection, it does display, very richly, the elaborate Greek fonts that would have been designed by typefounders. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Les classiques grecs et latins, ainsi que leurs traductions ont été les plus populaires au cours des premières années de l’histoire de l’imprimerie. Bien que cette édition ne soit pas très ancienne (1779), elle montre la richesse, la diversité et la qualité des caractères d’imprimerie produits par les fondeurs.</text>
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                <text>Therocritus</text>
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                <text>Archives and Special Collections, University of Ottawa [PA 4442 .A2 1779] /Archives et collections spéciales, Université d'Ottawa [PA 4442 .A2 1779]</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Hai tou Aischylou Choéphoroi. Aeschyli Choephoroe. Ex recensione Porsoniana</text>
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                <text>&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;This exquisite example of a mark of ownership is not even that of a book owner but that of a bookseller in Glasgow, Scotland, who had this item for sale in their shop. This practice ensured that this item could be traced back to its original point of sale after leaving the shop’s shelves, and the connection back to booksellers James and Andrew Duncan could not be better indicated!&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;French&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Cette magnifique marque de propriété n’est pas celle du propriétaire/lecteur du livre, mais plutôt des libraires James et Andrew Duncan de Glasgow en Écosse, qui avaient cet ouvrage en vente dans leur boutique. Façon de s’assurer de laisser sa trace sur un livre qui quittera nécessairement les étagères, l’attachement des libraires pour leur inventaire ne saurait être si bien illustré.&lt;/p&gt;</text>
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                <text>Aeschylus</text>
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                <text>Archives and Special Collections, University of Ottawa [PA3825 .C5 1811]/Archives et collections spéciales, Université d'Ottawa [PA3825 .C5 1811]/</text>
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                <text>Edinburgi, Eprelo academic, veneunt apud Gulielum Blackwood; Londini, Apud Longman, Hurst, Rees et Orme</text>
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                <text>1811</text>
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                <text>Archives and Special Collections, University of Ottawa Archives et collections spéciales, Université d'Ottawa</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Le Nouveau Testament de Nostre Seigneur Jesus Christ, traduit en François selon l'edition Vulgate, avec les differences du Grec</text>
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                <text>&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;This book offers a typical example of the classic formula of “promise” and “reward” that one regularly finds in books of the 15th and 16th centuries. The phrasing varies as per the personality and humour of the owner and how much value he assigns to his book. Certain owners promise blessings or rewards to those who return his property in cases of loss, as is the case here with citizen Jean-Baptiste Fortin le Jeune, who will “pay a reasonable reward”. Others seem more vindictive, promising eternal damnation to anyone who dares to not return his property.&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Ce livre offre un exemple typique de la formule classique de promesse de écompense que l’on retrouve régulèrement dans les livres des XVe et XVIe siècles. Cette formule varie selon l’humeur du proprétaire et en fonction de la valeur qu’il confè̀re à̀ son livre. Certains promettent bénédiction ou récompense à celui qui rapportera le livre à son propriétaire, en cas de perte, comme c’est le cas du citoyen Jean-Baptiste Fortin le Jeune qui « paiera pour salaire raisonnablement ». D’autres seront plus vindicatifs, promettant malédiction éternelle à celui qui en revanche ne le remettrait pas à son propriétaire.&lt;/p&gt;</text>
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                <text> A Mons, Chez Gaspard Migeot, à l'enseigne des trois vertus,</text>
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                <text>Archives and Special Collections, University of Ottawa/Archives et collections spéciales, Université d'Ottawa</text>
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                <text>  &#13;
Archives and Special Collections, University of Ottawa [BS2128 1672] /Archives et collections spéciales, Université d'Ottawa [BS2128 1672]&#13;
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This item is on display to show the exquisite richness of the engraving shown. Note the texture and pristine whiteness of the paper used; this was intended for a reader seeking luxury. The engraving would have been passed through the press at a different time to the printing of the text and been bound in the final states of collation and sewing of the gatherings of text. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ce portrait montre la richesse, la précision et la qualité de la gravure qui pouvait être produite au XVIIIe siècle. On notera la texture et la blancheur immaculée du papier utilisé́. Cette gravure a été créée à part et ajoutée au texte lors de la reliure afin d’enrichir l’ouvrage.</text>
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        <name>Imprimeurs</name>
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              <description>An account of the resource</description>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;A Venetian, Gabriele Giolito de Ferrari (1508-1578), established a bookstore and printing shop in Venice with his father, named “Liberia del Fenice” (the Phoenix bookstore). As we have seen with other printer’s devices, the mark may illustrate the locale or name of the shop or of the printer. Giolito de’ Ferrari’s mark depicts a Phoenix (i.e. Fenice) rising from the fire below. Giolito’s motto is “Semper eadem”, which translates as “Always the same”. It describes, most certainly, the fate of the Phoenix, which rejuvenates itself on a perpetual basis, but, perhaps, also the nature of printing: but for the wearing out of type, a text can be printed in relative perpetuity once set. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Gabriele Giolito de Ferrari (1508-1578) avait établi une librairie et une boutique d’imprimerie à Venise avec son père sous le nom de « Liberia del Fenice » (La librairie du Phoenix). Comme on l’a vu avec d’autres imprimeurs, la marque de Giolito de Ferrari représente un phoenix sortant des flammes. Sa devise est « Semper eadem », qui peut se traduire par « toujours le même ». Elle décrit très certainement le sort du phoenix, qui se regénère perpétuellement. Mais c’est peut-être aussi un clin d’œil à la nature même de l’imprimerie qui se doit de reproduire à l’infini le même texte à̀ l’identique.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Horace (65 BC-8 BC)</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Archives and Special Collections, University of Ottawa [PA 6399 .A1 1559] /Archives et collections spéciales, Université d'Ottawa [PA 6399 .A1 1559]</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Vinegia, Apresso Gabriel Giolito de Ferrari</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1559</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Archives and Special Collections, University of Ottawa /Archives et collections spéciales, Université d'Ottawa </text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Text/Texte</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ARSC_PR_PA 6399 .A1 1559</text>
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        <name>Imprimeurs</name>
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        <name>Printers</name>
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              <name>Title</name>
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                  <text>Livres rares</text>
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              <description>The topic of the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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            <name>Title</name>
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                <text>Recueil des opéra, des balets, &amp; des plus belles pièces en musique, qui ont été représentées depuis dix ou douze ans jusques à présent devant Sa Majesté Tres-Ché́tienne,  suivant la copie de Paris</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;In this work and in others, we see very fine lines in red that delineate different spaces on the page for the printed text. This work carries over the medieval practice used by manuscript copyists, that is, the ruling of spaces in the text in preparation for script to be recopied. These lines are unnecessary for the typesetting and printing processes, but it is an aesthetic acknowledgement of the printing technique used by medieval scribes. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;On peut voir dans cet ouvrage et dans quelques autres, de fines lignes rouges qui délimitent les divers espaces d’impression. Cette pratique dérive directement de la pratique médiévale de l’écriture des copistes qui préparaient la mise en page du texte à recopier. Bien que peu utile dans le cas de l’imprimerie, cette pratique montre la lente transition sur le plan esthétique qui s’opère entre l’ère du manuscrit et celle de l’imprimerie, le texte étant plutôt délimité par le typographe au moment de la mise en forme.</text>
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                <text>Archives and Special Collections, University of Ottawa [ML48 .R27 1690] /Archives et collections spéciales, Université d'Ottawa [ML48 .R27 1690]</text>
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                <text>Amsterdam, Chez Abraham Wolfgang</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Printed in Oxford in 1707, at the Sheldonian Theatre, which is seen in the printing device on the title page (not seen here). A travelogue of a journey through the Holy Land, the text is open to an architectural plan, which like engravings, would have been printed at a different time than the printing of the text, and this folded leaf would have been collated and sewn into the textblock only just before sewing. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Imprimé à Oxford en 1707 au Sheldonian Theatre (que l’on peut voir sur la marque d’imprimeur), ce récit de voyage en terre sainte montre un plan architectural. À l’instar des gravures qui ornaient les textes publiés à l’époque, celui-ci a été imprié́ à part en vue d’être ajouté plus tard au corps de l’ouvrage au moment de la reliure.</text>
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                <text>Archives and Special Collections, University of Ottawa [DS 106 .M38 J6 1707] /Archives et collections spéciales, Université d'Ottawa [DS 106 .M38 J6 1707]</text>
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              <description>An account of the resource</description>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Réglement de la Confrerie de l'adoration perpétuelle du S. Sacrement, et de la bonne mort : erigée dans l'eglise paroissiale de Ville-Marie, en l'Isle de Montréal en Canada</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Published by Fleury Mesplet (1734-1794), this physically tiny work would be the first work printed by Mesplet after his arrival in Montréal in 1776. After leaving Lyon for Avignon, London and Philadelphia, Mesplet settled in Montréal on the recommendation of Benjamin Franklin (1706-1790}, with whom he had collaborated on printing ventures for the American Congress. Mesplet’s luggage contained the first non-governmental press to be established in the “Province of Québec”. Mesplet published many utilitarian works, with this title being distributed to members of the Confrerie, who could boast a membership of 1000 in late-18th century Montréal. Mesplet would go on to found the La Gazette littéraire with journalist Valentin Jautard (1736-1787) (known by the pseudonym “le Spectacteur tranquille”) in 1778, but both would be thrown into prison without trial, which would put an abrupt end to their literary adventure. The wife of Mesplet, Marie Maribeau,(1746-1789) would take over the publishing reins during his imprisonment. Mesplet would establish the Gazette de Montréal in 1785, which would be bought by an Anglophone editor, eventually becoming the Montreal Gazette. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ce petit ouvrage serait le premier livre imprimé par Fleury Mesplet (1734-1794) après son arrivée à Montréal en 1776. Après avoir quitté Lyon pour transiter par Avignon, Londres et Philadelphie, Mesplet s’installe à Montréal sous la recommandation de Benjamin Franklin (1706-1790) avec qui il avait été imprimeur pour le compte du Congrès américain. Il apportait dans ses bagages la première presse non gouvernementale à s’installer dans la « Province of Qué́bec ». Mesplet publiera plusieurs ouvrages utilitaires dont ce petit livret distribué aux membres de la confrérie qui a compté́ jusqu’à près de 1000 membres à Montréal au XVIIIe siècle. Il fonde La Gazette littéraire avec le journaliste Valentin Jautard (1736-1787), dit le Spectateur tranquille, en 1778, mais ils seront tous deux jetés en prison sans procès ce qui mettra fin à l’aventure littéraire. C’est l’épouse de Mesplet, Marie Mirabeau (1746-1789), qui reprendra l'administration de l'imprimerie pendant ces trois années d’emprisonnement.</text>
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                <text>Archives and Special Collections, University of Ottawa [BX816 .C3 C65 1776] /Archives et collections spéciales, Université d'Ottawa [BX816 .C3 C65 1776]</text>
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                <text>Montréal, Chez F. Mesplet &amp; C. Berger</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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              <description>An account of the resource</description>
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                  <text>Les archives des femmes comprennent plus de 170 fonds et collections de documents d'archives portant sur l'histoire des femmes au Canada et plus particulièrement sur le mouvement féministe depuis les années 1960. On trouve plusieurs fonds d'organismes mais également d'individus qui ont oeuvré à l'amélioration de la condition politique, sociale et économique des Canadiennes</text>
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                <text>Women say no to racism from Toronto to South Africa -  International Women's Day 1986</text>
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            <description>An account of the resource</description>
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                <text>&lt;span&gt;&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;This item consists of a yellow t-shirt with a design of three women in profile and "Women say no to racism from Toronto to South Africa" and "International Women's Day - March 8, 1986" written in green lettering.&lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;</text>
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                <text>Archives and Special Collections, University of Ottawa, 10-001_S8_SS14_I1/Archives et collections spéciales, Université d’Ottawa, 10-001_S8_SS14_I1</text>
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                <text>Non commercial use/Attribution required</text>
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                  <text>Les archives des femmes comprennent plus de 170 fonds et collections de documents d'archives portant sur l'histoire des femmes au Canada et plus particulièrement sur le mouvement féministe depuis les années 1960. On trouve plusieurs fonds d'organismes mais également d'individus qui ont oeuvré à l'amélioration de la condition politique, sociale et économique des Canadiennes</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt; &lt;br /&gt;Light-blue t-shirt with pink image and "Fighting Racism and Sexism Together! - International Women's Day 1987" written in white text.&lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;</text>
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                <text>Non commercial use/Attribution required</text>
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