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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Le terze rime di Dante</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Aldus Manutius (1449-1515), active in Venice, was an Italian printer, credited for the invention of Italic type, as well as “pocket” format books (chiefly the octavo, which was easily portable, in contrast to the very large formats popular at the time). He was also said to have established the modern use of the semi- colon and revived the use of the comma. Manutius’ printing efforts were concentrated primarily on the texts of the Ancient Greek authors, such as Aesop, Xenophon, Theocritius and Homer, among others. Manutius first used his printer’s device in 1501. It depicts a dolphin wrapped around an anchor. This emblem would be copied by various dubious printers, hoping to piggyback on Manutius’ fame. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Aldus Manutius (1449-1515), était un imprimeur italien actif à Venise et créateur de plusieurs innovations techniques comme l’italique et l’utilisation l’in-octavo, un très petit format qui fait contraste avec les plus grands formats populaires à l’époque. On lui devrait également l’usage moderne du point-virgule et la relance de l’utilisation du point. Manutius a surtout imprimé les textes d’auteurs de la Grèce antique comme É́sope, Xénophon, Théocrite et Homère, notamment. Il a utiliseé sa marque d’imprimeur pour la premieère fois en 1501, soit le dauphin enroulé autour d’une ancre. Elle a éé́ à mainte fois copiée et trafiquée par des imprimeurs sans scrupule qui voulaient profiter de sa notoriété.</text>
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                <text> In aedib[us] Aldi accuratis- sime,|cmen[se] aug[usti] M. DII</text>
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                <text>D. Justiniani impertoris pp. augusti Institutionum juris civilis expostiomethodica</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This example shows the “mottled” style of marbling, attempting to reproduce the effect of natural stone, here in a spectacular combination of blue tones. The edges have been gilded and are in remarkable shape.</text>
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                <text>Francisci Lorry opus posthumum [...]</text>
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                <text>Parisiis, Apud Mequignon, nâtu majorem, Bibliopolam, via Scholae Medici- nae, no. 9, M.DCCC.IX.</text>
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                <text>Miscellaneous poems</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The page on display, the reverse side of an engraved portrait of the author, Andrew Marvell, offers a wonderfully clear and visible example of the watermark embedded into the paper. Watermarks were designs woven into the mould used by papermakers to cast fresh pieces of paper. Watermarks can be used to identify the papermaker, the size of paper or even the date of its manufacture. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Sur cette page on peut voir le verso de la feuille sur laquelle le portrait de l’auteur, Andrew Marvell, a été gravé. On voit facilement le filigrane créé lors de la production du papier. Les filigranes sont des dessins cousus au fil de laiton dans les formes sur lesquelles la pâte de papier est déposée au moment de la fabrication. Les filigranes permettent d’identifier le papetier, le format du papier et parfois sa date de fabrication.</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Epitome graecae palaeographiae et de recta Graeci sermonis pronunciatione : dissertatio</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This is an example of paste paper, most specifically one generated with the “pull “(i.e. “pull-paper”) technique. A mixture of glue and colour pigments are applied with a brush to two sheets of paper that are imposed upon each other. Before the glue dries, the two pages are pulled apart, creating a relatively uniform design with little effort. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;On voit ici un exemple de papier dit à la colle et plus particulièrement un exemple de papier tiré. Le mélange de colle et de pigments de couleur est étendu au pinceau sur deux feuilles qui sont ensuite apposées l’une sur l’autre. Avant que la colle ne soit sèche, les deux pages sont séparées l’une de l’autre en tirant créant ainsi un motif relativement régulier avec peu d’effort.</text>
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                <text>Piacentini, Dionisio Gregorio (1684-1754)</text>
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                <text>Archives and Special Collections, University of Ottawa [Z 114 .P58 1735]/Archives et collections spéciales, Université d'Ottawa [Z 114 .P58 1735]</text>
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            <name>Publisher</name>
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                <text>Romae, Typis Jo. Mariae Salvioni</text>
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            <name>Identifier</name>
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        <name>Papermakers and marblers</name>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Les prouinciales, ou, Les lettres écrites par Louis de Montalte : a un prouincial de ses amis, et aux RR. PP. Jesuites : sur le sujet de la moral &amp; de la politique de ces pères</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Here we have yet another example of hand printblock paper. However, in contrast to the previous example, this is a relatively recent paper, a product of a highly mechanized process. We can see the regularity of the design and the uniformity of the colours. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Il s’agit encore d’un exemple de papier dominoté. Toutefois, contrairement au précédent, il s’agit d’un papier de facture plus récente, produit de façon industrielle. On peut voir la régularité du motif et l’uniformité des couleurs.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Pascal, Blaise (1623-1662)</text>
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                <text>Archives and Special Collections, University of Ottawa [BX 4720 P28 1657]/Archives et collections spéciales, Université d'Ottawa [BX 4720 P28 1657]</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Cologne [i.e. Amsterdam], Chés Pierre de la Vallée [i.e. Louis &amp; Daniel Elzevier], MDCLVII</text>
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                <text>Archives and Special Collections, University of Ottawa/Archives et collections spéciales, Université d'Ottawa</text>
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                <text>ARSC_PM_BX 4720 P28 1657</text>
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        <name>Papermakers and marblers</name>
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                  <text>Livres rares</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>L’intrigue des filous : comédie</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The paper that makes up the cover for this little French comedy of the 17th century has been created with a technique new for this era: hand blockprinted paper, termed “dominoté” in French. The motif used here has been printed and then the colours added later, either by hand or via a stencil. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Le papier qui sert de couverture à cette petite comédie du XVIIe siècle offre une forme nouvelle de décoration à cette époque appelée papier dominoté. Le motif est imprimé en noir et blanc et les couleurs sont ensuite ajoutées à la main ou au pochoir.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>L’Estoile, Claude de (1597-1652)</text>
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                <text>Leiden, Bonaventure et Abra- ham Elzevier</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;he smaller size of the comb that is passed through the coloured solution. The smallness of the comb allows for the creation of the spiral designs in this particular pattern. Adding to the aesthetic beauty of this item are the gilt edges. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Le motif utilisé ici offre un exemple de papier marbré au petit peigne. Le peigne consiste en une baguette de bois dans laquelle ont été insérées de petites pointes de métal. La petitesse du peigne permet de réaliser des tourniquets ce qui donne cette combinaison particulière. La tranche ici a été dorée.</text>
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                <text>Racine, Jean (1639-1699)</text>
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                <text>Amsterdam, Wolfgang</text>
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                <text>Les Amoureux brandons de Franciarque et Callixène : roman dramatique en cinq actes et en prose [...]</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This title, dating the end of the 19th century, offers the viewer a fine example of “combed” marble. The colours chosen in this example, however, are unusual and demonstrate the limitless creativity that surrounded the manufacturing of marbled paper at this time. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Cet exemplaire de la fin du XIXe siècle offre un bel exemple du motif au peigne, qu’on appelle aussi papier d’Allemagne en raison de l’introduction de ce motif par les frères Lebreton en Allemagne. Les couleurs sont toutefois inusitées et témoignent du fourmillement de créativité entourant la fabrication du papier marbré à partir du XIXe siècle.</text>
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                <text>J. Gay, Genève </text>
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            <name>Date</name>
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                <text>1868</text>
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                <text>ARSC_PM_PQ1710.A1A5 1868</text>
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                <text>Marcus Tullius, Le Tusculane di M. Tullio Cicerone recate</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This item offers us a glance at marbled paper very typical of the 18th century, with its traditional choice of colours and a design typical of the era; many similar examples are to be found in the collection. The Encyclopedie by Diderot and D’Alembert goes into great detail as to the necessary steps of creating colours and designs for marbled papers. What sets this particular example apart and why it has been chosen for display is the fact that the marbled paper is not found where typically expected, that is, as interior “endpapers” within the book. It is, in fact, covering and thus forming the exterior of the book’s binding. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;On trouve ici un exemple typique de papier marbré du XVIIIe siècle. Les couleurs traditionnelles et le motif sont très populaires à cette époque et on trouve une multitude de papiers décorés similaires dans la collection. D’ailleurs l’Encyclopédie de Diderot et d’Alembert explique en détail les étapes nécessaires à la création des couleurs et du motif. L’originalité ici vient du fait que ce papier est utilisé non pas sur les plats intérieurs, mais bien comme couverture de la reliure.</text>
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                <text>Cicero</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Archives and Special Collections, University of Ottawa [PA6314 T8 F38 1544]/Archives et collections spéciales, Université d'Ottawa [PA6314 T8 F38 1544]</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Vinegia, Apresso Vicenzo Vaugris a'l segno d'Erasmo, MDXLIIII</text>
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            <name>Date</name>
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                <text>1544</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Archives and Special Collections, University of Ottawa/Archives et collections spéciales, Université d'Ottawa</text>
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            <name>Format</name>
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                <text>Italian/Italien</text>
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            <name>Identifier</name>
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                <text>ARSC_PM_PA6314 T8 F38 1544</text>
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                <text>Oeuvres de monsieur Boindin</text>
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            <description>An account of the resource</description>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The use of marbling reaches its pinnacle with this example, with its swirling motif, which appear to be created in a “freestyle” manner. Of special note with this work is the fact that the edges of the book have been decorated using a similar pattern, a technique that is relatively common. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;La beauté de l’utilisation de la marbrure atteint ici son paroxysme par l’utilisation de motifs tourniquet ou frison en forme libre, mais surtout par l’application sur la tranche d’un motif similaire. C’est une technique relativement fréquente utilisée par les relieurs qui sont aussi souvent marbreurs de papier.</text>
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                <text>Boindin, Nicolas (1676-1751)</text>
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                <text>Archives and Special Collections, University of Ottawa [PQ1957 .B538 1753]/Archives et collections spéciales, Université d'Ottawa [PQ1957 .B538 1753]</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Paris, Chez Prault, fils, quai de Conti, vis-à-vis la descente du Pont-Neuf, à la Charité, MDCCLIII</text>
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