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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Suite des Remarques nouvelles sur la langue française</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This title by Bounhours demonstrates the reuse of the materials by bookbinders. In this particular case, a very refined and aesthetically pleasing handwriting adds to the charm of this “recycled” bookbinding. The hand is unknown; does it stem from an important author in his own right? A puzzle for sharp eyes; solutions and clues most welcome. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Avec ce livre, on constate l’importance de la récupération des papiers. Dans ce cas, la beauté de l’écriture manuscrite donne tout son charme à cette reliure de fortune. À moins que le manuscrit lui-même ne soit celui d’un auteur célèbre... Avis aux yeux avisés!</text>
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                <text>&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;The endpapers of this accounting “textbook” by François Barrême, a very popular work in its time, was used by its owner to puzzle out practical exercises of calculation, including problems and answers.&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;French&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Les pages de gardes du livre de comptabilité de François Barrême, livre fort populaire à son époque, ont été utilisées par son propriétaire pour faire quelques exercices pratiques de calcul incluant questions et solutions.&lt;/p&gt;</text>
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                <text>A Paris, Chez Denys Thierry, rue S. Jacques, à la Ville de Paris</text>
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                <text>C. Cornelii Taciti Opera quæ exstant, ex recensione et cum animadversion- ibus Theodori Ryckii</text>
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                <text>&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;This printed ex-libris, attached to the “von Ende” family of Altjessnitz, Germany, appears on the interior pastedown of this book. It serves to remind us that the ex-libris was also considered an art form during certain eras for bibliophiles, who collected just these with a passion. The vignette format as seen in this example appeared in Nuremberg, Germany, at the beginning of the 16th century. Even today there are as- sociations of collectors who indulge their passion for this tiny works of art at sometimes premium prices.&lt;/p&gt;
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&lt;p&gt;Cet ex-libris imprimé est attaché à la famille von Ende de Altjessnitz en Allemagne. Il apparaît sur le plat intérieur et nous rappelle que les ex-libris sont devenus à une certaine époque un art dont les bibliophiles étaient friands. Le format vignette, comme celui-ci, apparaît à Nuremberg en Allemagne au début du XVIe siècle.&lt;/p&gt;</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;This first example is that of what is termed an “armorial binding”, where the coat of arms of an aristocratic family will serve to indicate ownership on a book’s binding. Such bindings are executed with exquisite care and a family’s arms are tooled into the covers and then gilded. In the case of this “essay on the conduct of kings”, the leather covers have been embossed with the coat of arms of Jeanne Antoinette Pompadour (1721-1764), chief mistress of Louis XV, King of France.&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Cette première marque de provenance dite « aux armes » est le propre des propriétaires de livres issus de grandes familles aristocratiques. La reliure est soignée et les armoiries du propriétaire ou de sa famille y sont estampées à froid puis dorées. Dans le cas de ce « traité des mœurs des rois », la propré́taire n’est nulle autre que Jeanne-Antoinette Poisson, marquise de Pompadour qui sera, notamment, la favorite de Louis XV, roi de France.&lt;/p&gt;</text>
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                <text>Saadī, Musladini</text>
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                <text>A Paris, par la Compagnie des libraires</text>
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                <text>L'utopie, traduicte par Samuel Sorbière</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Text/Texte</text>
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            <name>Identifier</name>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;This bookplate of Fréderic Lachèvre (1855-1943), French bibliophile, literary critic, editor, and specialist in 17th century literature of the Libertines, is remarkable for the finesse of its engraving. The image of the skull resting on a pile of books invokes the imagery of the Latin motto “Memento Mori”, a warning about the vanity of all things earthly and the inevitability of death. This image is reminiscent of several Baroque paintings of the 17th century, with which Lachèvre would have been familiar. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Cet ex-libris de Fréderic Lachèvre (1855-1943), un bibliophile, critique littéraire et éditeur français, spécia- lisé dans la littérature des libertins du XVIIe siècle, est remarquable pour la finesse de la gravure. L'image du crâne reposant sur une pile de livres rappelle la locution latine «Memento Mori» qui évoque « la vanité des choses terrestres » et la mort inexorable mais qui rappelle plusieurs tableaux baroques du XVIIe siècle que Lachèvre connaissait sans doute.</text>
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        <name>Ownership</name>
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              <name>Title</name>
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                  <text>Livres rares</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Political disquisitions</text>
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            <description>An account of the resource</description>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;An ex-libris embossed on a leather over was one way of indicating ownership of a book. In this example, however, we do not see a familial coat of arms, as can be seen in image no.8, but the “Quebec Library” choosing to simply spell out its name in capital letters. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;L’ex-libris gravé sur la couverture de cuir est l’une des façons utilisées pour marquer la propriété. Ici, contrairement aux armoiries de famille généralement utilisées (comme c’est le cas de l’image no. 8) la Quebec Library a opté pour l’inscription de son nom en lettres d’or.</text>
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            <name>Creator</name>
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                <text>Brugh, James (1714-1775)</text>
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                <text>London, E.and C. Dilly</text>
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                <text>1774-1775</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Archives and Special Collections, University of Ottawa/Archives et collections spéciales, Université d'Ottawa</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Discours de l'estat de paix &amp; de guerre / de M.N. Machiavelle, secretaire &amp; citoyen de Florence. Traduicts d'Italien en François. Ensemble vn traité du mesme auteur, intitulé le Prince. De nouueau corrigez, &amp; illustrez de maximes politiques en marge</text>
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                <text>Machiavelli, Niccolo (1469-1527)</text>
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                <text>A Paris, Chez Claude Rigaud, ruë sainct Iacques au Chesne verd, &amp; au Palais pres la Chappelle sainct Michel</text>
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                <text>&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;English&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
This binding in blonde calf, with hand-tooled motifs generated by many decorative finishing tools, is an example of “fanfare” binding. A “frame” is generated by a series of straight lines tooled into the leather, while the covers are completely decorated in a complicated geometric pattern that was been executed with straight and curved lines by “gouges” and “fillets”. This style of decorative binding was popular in France at the end of the 16th century.
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&lt;p&gt;Cette reliure en veau blond au riche décor à petits fers est une reliure dite « à la fanfare ». On y voit un encadrement de filets droits avec des couvertures, entièrement ornés d’une composition géométrique de filets droits et courbes réalisés aux petits fers. Ce type de décor apparaît en France à partir des années 1570.&lt;/p&gt;</text>
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                <text>Dialogues des courtisanesages</text>
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                <text>&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;This binding is a geometric juxtaposition of blue and red morocco leathers with a centerpiece, also sporting tooled decoration in gilt, in white parchment. The binding is signed by G. Samucewicz, and although one sees mention of the binder in various auction catalogues, no further information on her/him has been found. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Cette reliure moderne montre une juxtaposition de pièces de maroquin bleu et rouge ainsi qu’une pièce centrale en vélin décoré d’or. Il s’agit d’une reliure signée G. Samucewicz. Bien qu’il semble exister plusieurs reliures signées par cet artiste sur le marché, nous n’avons trouvé aucune information permettant de l’identifier précisément.&lt;/p&gt;</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This speckled calf binding is created using a technique of depositing fine drops of acid on the binding’s leather to achieve the visual effect. A late 19th or early 20th century rebinding, this binding is executed in the “Cambridge” style. Very popular at the end of the 17th century, Cambridge bindings were generated using different panels of leather of contrasting colours or designs. The designs stamped in the panel corners are also typical of this style of binding. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;Cette reliure en veau moucheté présente une technique qui consiste à déposer de fines gouttelettes d’acide sur le cuir pour créer des motifs. Créé à la fin du XIXe siècle ou au début du XXe siècle, mais exécuté dans le style dit de Cambridge, un style très populaire à la fin du XVIIe siècle en Angleterre, elle consiste en l’utilisation de panneaux de cuir de diverses couleurs ou de motifs contrastants. Les décorations tamponnées dans les coins sont également typiques de ce type de reliure.</text>
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