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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Elégie au génocide des nasopodeses</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This collection of poetry from Québec poet, musician and actor Michel Garneau, is printed on loose leaves of paper and illustrated by Maureen Maxwell. All is housed in a leather “case” of a mosaic design, executed by artist Lise Rodrigue. This is copy 51 of a total 60 copies created for this edition. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ce recueil de poésie du poète, musicien et comédien québécois Michel Garneau, a été imprimé sur des feuilles volantes et illustré par Maureen Maxwell. Il a été inséré dans un étui de cuir mosaïqué réalisé par l’artiste Lise Rodrigue. Cette copie de livre d’artiste porte le no 51 de 60 copies.</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This exquisite binding in red morocco is a modern binding, probably dating to 350-400 years after the book was initially printed. Tooled and stamped in gilt, with elaborately gilded edges, this was a binding executed for someone with a love of luxury and a disposable income of note. Its interior also sports a spectacular endpapers with embossed gold, an image of which can be seen in image 15 in the “Printers and Marblers” frame. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Cette magnifique reliure en maroquin rouge est une reliure moderne, réalisée probablement au XXe siècle, soit 350 à 400 ans après l’impression du livre en Italie. Richement décorée, cette reliure a été réalisée pour un propriétaire ayant un amour du luxe évident... et un revenu tout aussi important. On peut d’ailleurs voir un papier doré embossé sur les plats intérieurs, reproduit dans le cadre d’exposition consacré aux « Papetiers et Marbreurs » (no 15).</text>
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                <text>Le festin nuptial dressé dans l'Arabie heureuse au mariage d'Esope, de Phèdre &amp; de Pilpai avec trois fées</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Bringing to life the adage of “waste not, want not”, this book’s binding is made of parchment that originally was someone’s correspondence. With paper and leather being expensive commodities due to the ever-increasing amount of titles being published and the demand by binders for materials to cover these in, it makes perfect sense for binders to reuse materials whenever possible. In general, bindings made of “recycled” materials were generally so chosen by the person requesting an item be bound. The owner of this item may have even supplied this piece of used parchment himself. The book owner ordering such a binding would have had economy at the top of list of priorities. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Cette reliure donne tout son sens au proverbe « waste not, want not », qu’on pourrait traduire de façon approximative par « ne pas gaspiller pour ne pas être dans le besoin ». La couverture est composée d’un parchemin usagé sur lequel on peut encore voir l’ancienne écriture. Les matériaux étant devenus de plus en plus chers, en raison de la demande provoquée par la multiplication des livres par les imprimeurs et, par conséquent par la demande de reliures, les relieurs tentaient autant que possible de réutiliser toutes les retailles disponibles. Le relieur étant au service de son client, celui-ci avait son mot à dire dans le choix des matériaux recyclés et il est possible que ce parchemin ait été fourni par le propriétaire lui-même, qui pouvait s’en tirer à moindre coût.</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Fulviae Moratae foeminae doctissimae ac plane divinae Opera omnia quae hactenus inueniri potuerunt […]</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Leathers and parchments could be dyed so as to add colour to their external covers; they could also be painted. This third edition of the works of Olympia Morata, humanist, poet and linguist, of Italian origin, is an example of a parchment that has actually been painted green, by hand, which was a technique much used in the Germanic lands. This is a lace-cased binding of limp parchment, perhaps originally meant to be a temporary binding. However, it has been much embellished and clearly meant by it owners to remain in this particular housing. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Les parchemins peuvent également être teints en différentes couleurs ou encore peints à la main, comme en témoigne cette couverture colorée en vert. Cette troisième édition des œuvres d’Olympia Morata, humaniste, poète et linguiste d’origine italienne, offre un bel exemple de cette technique plus largement utilisée dans les pays germaniques. La couture est réalisée sur des rubans. La reliure était peut-être considérée au départ comme une reliure d’attente, mais celle-ci a été enjolivée et conservée de façon permanente.</text>
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            <name>Creator</name>
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                <text>Morata, Olympia Fulvia (1526-1555)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Archives and Special Collections, University of Ottawa [PQ 4630 .M79 O69 1570]/Archives et collections spéciales, Université d'Ottawa [PQ 4630 .M79 O69 1570]</text>
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            <name>Date</name>
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                <text>1570</text>
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            <name>Format</name>
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                <text>Book/Livre </text>
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            <description>A language of the resource</description>
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                <text>Latin </text>
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            <name>Type</name>
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                <text>Text/Texte </text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ARSC_RB_PQ 4630 .M79 O69 1570</text>
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        <name>Bookbinders</name>
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        <name>Relieurs</name>
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              <name>Title</name>
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                  <text>Livres rares</text>
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              <description>The topic of the resource</description>
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                  <text>Examples de documents du collection de livres rares </text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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            <description>A name given to the resource</description>
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                <text>La Bulle d'Or, suivie De la Sanction Pragmatique et Loi perpétuelle</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;In the 20th century, in addition to the pasted-in ex-libris bookplate, we find many different styles and formats of ex-libris indications. The stamped ex-libris turns out to be not only a less onerous form but also one that is much more practical. We find them chiefly in library materials (don’t hesitate to search for the stamp of the University of Ottawa in its collections, chiefly found in pink), but they were also used by private owners, as in this example, Jean-Claude Dubé. M. Dubé used many ways to signal ownership of his items, one of these being this stamp with stylized letters. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Au XXe siècle, en plus des ex-ibris de type vignette, on trouve des ex-libris de divers styles et formats. La création de tampon s’avère une forme moins onéreuse mais également plus pratique. On les trouve principalement dans les livres de bibliothèque (ne manquez pas de jeter un coup d’œil aux livres de la bibliothèque de l’Université d’Ottawa lors de votre prochaine virée. Ils sont généralement tamponné à l’encre- rose). Toutefois certains individus en feront usage comme c’est le cas de Jean-Claude Dubé qui utilise diverses autres façons de signaler l’appartenance de ses livres, dont ce tampon très stylisé.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="270">
                <text>Archives and Special Collections, University of Ottawa [KK 253 1356]/Archives et collections spéciales, Université d'Ottawa [KK 253 1356]</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="271">
                <text>Luxembourg, Chez André Chevalier &amp; Marchand Librairie</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="272">
                <text>1741</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="273">
                <text>Archives and Special Collections, University of Ottawa/Archives et collections spéciales, Université d'Ottawa</text>
              </elementText>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="274">
                <text>Book/Livre</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="275">
                <text>French/Français</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Text/Texte</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="277">
                <text>ARSC_RB_KK2531356</text>
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        <name>Ownership</name>
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        <name>Propriétaires</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Livres rares</text>
                </elementText>
              </elementTextContainer>
            </element>
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              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
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                  <text>Examples de documents du collection de livres rares </text>
                </elementText>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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    </collection>
    <elementSetContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Aiegidii Menagii juris civilis amoenitates ad Ludov. Mublaeum, advocatum Parisiensem</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="258">
                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Published in Paris, this work does not have an ex-libris per se, but it does have a note written on the inner cover which might offer some insight into the person that owned it. The inscription reads “Il y a deux éditions postérieures l’une de Paris 1677 in-8 estimée 3 à 4 fr. L’autre de Francfort 1737 in-8. Ce livre est intéressant il y a beaucoup d’érudition” (“There are two previous editions, one from Paris 1677 in octavo, estimated at 3 to 4 francs. The other is from Frankfurt 1737 in octavo.”) The annotation undoubtedly stems from a bibliophile or bookseller who had this book in their possession. The note serves to indicate which was the first edition of this work and notes the prices of subsequent editions. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Cet ouvrage publié à Paris ne comprend pas d’ex-libris à proprement parlé mais la note inscrite sur le plat intérieur supérieur peut quand même offrir une idée de la personne qui l’a eu entre ses mains à un certain moment. L’inscription; « Il y a deux éditions postérieures l’une de Paris 1677 in-8 estimée 3 à 4 fr. L’autre de Francfort 1737 in-8. Ce livre est intéressant il y a beaucoup d’érudition » est sans doute une annotation de bibliophile ou de libraire. Cette note permet d’indiquer qu’il s’agit là de la première édition et de noter le prix des éditions subséquentes.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Ménage, Gilles (1613-1692)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="260">
                <text>Archives and Special Collections, University of Ottawa [K0 .M 45 1664]/Archives et collections spéciales, Université d'Ottawa [K0 .M 45 1664]</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="261">
                <text> Luteciae Parisiorum, apud guillelmun de Luyne</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="262">
                <text>1664</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="263">
                <text>Archives and Special Collections, University of Ottawa/Archives et collections spéciales, Université d'Ottawa</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="264">
                <text>Book/Livre</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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                <text>Latin/Latin</text>
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          </element>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="266">
                <text>Text/Texte</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ARSC_RB_K0.M451664</text>
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        <name>Ownership</name>
      </tag>
      <tag tagId="3">
        <name>Propriétaires</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Livres rares</text>
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            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
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                  <text>Examples de documents du collection de livres rares </text>
                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1596">
                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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    <elementSetContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Almanach nécessaire, ou, Porte-feuille de tous les jours</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Like their modern cousins still available today, almanacs contained information necessary for the carrying out of many aspects of everyday life. Their biggest asset was their portability. The item held by Archives and Special Collections is in remarkably good shape, its calf leather, but more importantly, the long, leather tie that was wrapped around to secure it is still intact. Typical of the almanac and visible in the item on the display is a large open pocket on one inner edge of the binding: this was intended for the storage of personal notes, invoices, correspondence etc. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;À l’instar des almanachs actuels, les almanachs anciens contenaient des informations utiles à la gestion des affaires quotidiennes. Leur plus grande caractéristique est sans doute leur portabilité. Contre toute attente, cet almanach est en très bon état. Le veau et les attaches en cuir de la reliure originale sont encore intacts. C’est probablement pour cette raison que l’on peut encore voir, à l’intérieur de la reliure, la pochette de cuir qui permettait de conserver des notes, des reçus, de la correspondance, etc.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Aesopi Phrygis Fabulae elegantissimis eiconibus [B. Salomon] veras animalium species ad viuum adumbrantes […]</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This item has been rebound at least once since its initial binding, this being demonstrated by evidence that the textblock has been cut to fit a newer binding. The current binding is of calf, one which has been dyed green. While it is usually morocco leathers, that is, goatskin leathers, that are dyed a variety of colours, it is not unknown for calf to undergo a similar aesthetic treatment. Calf being a less expensive leather than morocco, this was probably an attempt by the book’s owner to have a colourful binding at less cost. The colour of the original calf is to be seen along the edges, most likely due to the loss of dye on exposure to sunlight. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ce livre semble avoir été relié à plusieurs reprises puisque le corps de l’ouvrage a été ajusté pour s’intégrer à un nouveau format de reliure de veau teint en vert. De façon générale, seuls les maroquins (cuir de chèvre) étaient destinés à être teints de la sorte. Le veau étant un matériau moins cher, il s’agit probablement d’une tentative d’obtenir un effet similaire à moindre coût. La rareté de ce type de technique s’explique sans doute par son faible succès. On peut voir la couleur du veau original en bordure, sur les parties du cuir exposées à la lumière.</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This work, published in Barcelona at the end of the 16th century, has two 20th century ex-libris labels affixed to its interior cover. These two ex-libris are associated with the same owner, namely Isodoro Fernandez, a Spanish collector and bibliophile. Fernandez’ spectacular library was sold in 2013, and his books have ended up in diverse collections across the globe. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Cet ouvrage publié à Barcelone en Espagne à la fin du XVIe siècle montre deux ex-libris différents apposés sur le plat intérieur. Ces deux ex-libris sont pourtant associés au même propriétaire soit le grand collectionneur et bibliophile espagnol Isodoro Fernandez. La riche bibliothèque de Fernandez a été vendue en 2013 et on trouve maintenant ses livres éparpillés dans diverses collections à travers le monde.</text>
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