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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>[Leshon lemudim] = Lingva ervditorvm; sive Methodica institutio linguæ sanctæ [...]</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Elizabeth Flesher was the widow of printer James Flesher (? - 1670), himself son of printer Miles Flesher. The Fleshers, father and son, were most renowned for their printing of Arabic texts, so it would be quite appropriate for this text containing yet another Semitic language, in this case, Hebrew, to originate from their inherited Press. Elizabeth inherited her husband’s printing business upon his death in 1670 and is known to have been active in London from about the time of her husband’s death to just before 1680. She was no stranger to the bibliographic world even before her marriage, as she was the daughter of Cornelius Bee, a London bookseller! &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Elizabeth Flesher était la veuve de l'imprimeur James Flesher (?-1670), lui-même fils de Miles Flesher aussi imprimeur. Le père et le fils étaient réputés pour leurs éditions de textes en arabe. Ce livre, publié à Londres par la veuve de Flesher est imprimé en caractères sémitiques, soit l’Hébreu. Elizabeth a hérité de l’entreprise de presse à la mort de son mari en 1670 et aurait éé́ active à Londres jusqu’en 1680. Elle venait elle-même d’une famille impliquée dans l’industrie de l’édition, son père Cornelius Bee était un libraire londonien.</text>
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                <text>Bythner, Victorinus (ca. 1605-ca.1670)</text>
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                <text>Archives and Special Collections, University of Ottawa [BS 1430.B95 1679] /Archives et collections spéciales, Université d'Ottawa [BS 1430.B95 1679]</text>
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                <text>Londini, Typis Elizabethæ Flesher, MDCLXXIX.</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Moriae encomium id est Stulticiae laudatio, ludicra declamatione [...]</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This work is open to the printer’s device of Swiss printer, Johann Froben (1460-1527). Based in Basel, Froben was a Humanist scholar himself, and was acquainted with Erasmus, as well as Hans Holbein the Younger, who would not only paint Froben’s portrait but is purported to have designed Froben’s printer’s device, as well. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;La page montre la marque de l'imprimeur Suisse Johann Froben (1460-1527). Basé à Bâle, Froben était un humaniste très proche d’Érasme et d’Hans Holbein Le Jeune à qui il donna ses premiers contrats. Holbein a non seulement réalisé le portrait de Froben, mais il aurait également dessiné et gravé sa marque d’imprimeur que l’on peut voir ici.</text>
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                <text>Erasmus, Desiderius (ca.1467-1536)</text>
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                <text>Archives and Special Collections, University of Ottawa [PA 8512 1532] /Archives et collections spéciales, Université d'Ottawa [PA 8512 1532]</text>
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                <text>Basileae, Apud Hieronymum Frobenium et Nicolaum Episcopium</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Histoire de l'ancienne France en ligne droite</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The design here imitates that of a peacock’s fanned tail. After one has deposited the colours on the thickened solution of water and used the comb to create the first series of designs, one then uses a stylus to refine the design. The marbler is required to have a mastery of this technique for this artistic endeavour to be a success. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Après avoir apposé les couleurs à la surface de l’eau contenue dans la cuve, et utilié́ le peigne pour créer une première série de motifs à l’aide d’un petit stylet et d’une bonne maîtrise de la technique, le marbreur procède à l'élaboration de motifs plus complexes. On peut voir ici un exemple du motif queue de paon.</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The marbling technique for this decorative paper has been achieved with the use of the comb tool. The colours used are also date to the mid-19th century and are not the classic and uniform blues, reds, yellows and whites colours typical of the 18th century. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;La technique utilisée pour la décoration de ce papier à la cuve est la marbrure au peigne. Les couleurs sont également celles du milieu du XIXe siècle et non plus les bleus, rouges, jaunes et blancs classiques et réglementés du XVIIIe siècle.</text>
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            <name>Creator</name>
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                <text>Bourdaloue, Louis (1632-1704)</text>
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                <text>Archives and Special Collections, University of Ottawa [BX2349 .B62 1819 ]/Archives et collections spéciales, Université d'Ottawa [BX2349 .B62 1819]</text>
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                <text>Paris, Impr. de F. Didot</text>
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                <text> Le Tusculane di M. Tullio Cicerone recate in Italiano : con la tauola nel fine di tutte le cose degne d'annotatione</text>
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                <text>Cicero, Marcus Tullius (106 BC-43 BC)</text>
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                <text>Archives and Special Collections, University of Ottawa [PA6314 T8F38 1544]/Archives et collections spéciales, Université d'Ottawa [PA6314 T8F38 1544]</text>
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            <name>Publisher</name>
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                <text>In Vinegia, Apresso Vicenzo Vaugris a'l segno d'Erasmo</text>
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            </elementTextContainer>
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            <name>Date</name>
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                <text>1544</text>
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                <text>Book/Livre</text>
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                <text>Italian/Italien</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Text/Text</text>
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            <name>Identifier</name>
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                <text>ARSC_RB_PA6314 T8F38 1544</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="1133">
                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This particular motif was the most popular in the 18th century. With this text dating to the mid 16th century, we have clear example of the time lags that can occur between a book’s date of printing and its binding. This work may have also been rebound more than once in its lifetime. A book’s owner had the freedom to customize his possession at will, funds permitting, and have it decorated to the exacting requirements of his own taste. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ce motif est parmi les plus répandu au XVIIIe sècle. Cet ouvrage datant du XVIe siècle est représentatif des délais pouvant être observés entre la parution d’un ouvrage et sa reliure, ou encore du fait qu’un nouveau propriétaire fera relier sa nouvelle acquisition à son image.</text>
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        <name>Papermakers and marblers</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Livres rares</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1596">
                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="661">
                <text> Henrici Hoogeveen Doctrina particvlarvm graecarvm [...]</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;A further example of paste paper where the colour scheme has been generated by the “pulled” technique. In this case, one clearly sees the “pulling” or stretching effect that the glue has undergone in producing this design.  This example carries an irregular pattern. The end design created is dependant on the amount of the glue mixture placed on the paper, but more importantly, on the skill and steadiness of the artist’s movements when pulling apart the sheets. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Cet ouvrage propose un exemple de papier à la colle suivant la technique du papier tiré. Dans ce cas, on voit très bien l’effet de l’étirement de la colle, qui cette fois offre un motif irrégulier. Le motif créé dépend de la quantié́ de mé́lange de colle apposée sur le papier mais surtout de l’habileté et de la régularité de celui qui contrôle le mouvement.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="663">
                <text>Hoogeveen, Hendrik (1712-1791)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Archives and Special Collections, University of Ottawa [PA351 .H63 1782]/Archives et collections spéciales, Université d'Ottawa [PA351 .H63 1782]</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="665">
                <text>Schütz, In Bibliopolio ervditorvm</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="666">
                <text>1782</text>
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            </elementTextContainer>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="667">
                <text>Archives and Special Collections, University of Ottawa/Archives et collections spéciales, Université d'Ottawa</text>
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            </elementTextContainer>
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            <name>Format</name>
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                <text>Book/Livre</text>
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            <name>Type</name>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>La Vie de Mademoiselle Le Gras : fondatrice et premi&amp;egrave;re sup&amp;eacute;rieure de la Compagnie des Filles de la Charit&amp;eacute;, Servantes des pauvres malades</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This image shows a very fine mottling scheme, where the white/cream colours are omnipresent on a background of red and blue. In this example, the dark colours had been deposited on the surface of the liquid mixture before the white. It is this last colour, the white/cream, which then has a chance to expand over the surface of the water and dominate the colour scheme. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;On peut voir ici un papier marbré au motif caillouté très fin ou le blanc/crème est omniprésent sur fond de rouge et de bleu. Dans ce cas, les couleurs foncées ont été́ mises à la surface de l’eau avant le blanc/crème qui a pris de l’expansion.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Gobillon, Nicolas</text>
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            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>Archives and Special Collections, University of Ottawa [BX4463.8 .L67 G626 1676]/Archives et collections spéciales, Université d'Ottawa [BX4463.8 .L67 G626 1676]</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Paris, A. Pralard</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1676</text>
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            </elementTextContainer>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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            </elementTextContainer>
          </element>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The edge of this book displays a decorative technique used fairly often. Instead of a marbled edge, here one has opted for a light sprinkling effect, achieved by drops of colour being “tapped” from the bristles of the brush. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;La tranche de ce livre présente une technique de décoration simple parfois utilisée. Plutôt que de marbrer la tranche (on imagine les difficultés associées à la marbrure qui demande de déposer la tranche délicatement à la surface de l’eau), ici on a opté́ pour un léger effet moucheté probablement réalisé en projetant des goutelettes de couleurs avec un pinceau.</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Here we see the introduction of gold into the manufacturing process of marbled paper. In this case, it is difficult to say whether this is an example of handmade paper or one produced mechanically given that the date of printing and the fact that the binding dates to the end of the 19th century. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;On voit ici un exemple de l’introduction de l’or dans la décoration du papier marbré. Dans ce cas, il est difficile de dire s’il s’agit d’un papier fabriqué la main ou de façon industrielle.</text>
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