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                  <text>Livres rares</text>
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                  <text>Examples de documents du collection de livres rares </text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt; &lt;br /&gt;Here we see yet another type of decorative paper, probably achieved through a mechanized process. The design of flowers with tendrils of gold is reminiscent of wrapping paper for gifts or even wallpaper, which is of no surprise, as these types of papers simultaneously coexisted in the 18th century with the decorative papers destined for bookbinding. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt; &lt;br /&gt;Ce papier décoré a probablement été fabriqué de façon industrielle. Le motif de fleurs avec filets d’or pourrait même faire penser à un papier destine à emballer des cadeaux ou à un papier peint, ces formes de papiers décorés ayant cohabite depuis le XVIIIe siècle avec les papiers servant à la décoration des livres.</text>
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                <text>Archives and Special Collections, University of Ottawa [FC 362.1 .M35 A75 1908]/Archives et collections spéciales, Université d'Ottawa [FC 362.1 .M35 A75 1908]</text>
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                <text>Hubert Neilson, Québec, Quebec Literary and Historical Society</text>
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                <text>Recueil d’histoire tragique et de reflexions sur les differans caractheres recueillies et ecrites</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This manuscript has a relatively simple outer binding, but its interior is decorated with paper embossed in gold, probably dating to the 20th century. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ce papier décoré a probablement été fabriqué de façon industrielle. Le motif de fleurs avec filets d’or pourrait même faire penser à un papier destiné à emballer des cadeaux ou à un papier peint, ces formes de papiers décorés ayant cohabité depuis le XVIIIe siècle avec les papiers servant à la décoration des livres.</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;Large light blue button with design of woman in red dress holding a purple flag. In black lettering: "International Women's Day, March 5, 1983".&lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The title page displays the printer’s device of Sébastian Nivelle (1523-1603). Nivelle was active in Paris from the mid-1500s to 1603, and was at least approaching 80 years of age at the time of his passing, making him the literal “old man” in the Parisian printing trade of his day. Nivelle’s mark is yet another instance of a printer using his device to drive home his shop’s location. As the imprint indicates, Nivelle is on Rue S. Jacques, aux Cycognes (i.e. cigognes, “storks” in English). It’s no surprise, then, that two storks are the prominent creatures in the centre of Nivelle’s device. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;La page titre montre la marque de Sébastien Nivelle (ca. 1523-1603) qui fut actif à Paris du milieu du XVIe siècle au tournant du XVIIe siècle. Sa longévité, pour l’époque, lui avait valu le surnom de « vieil homme » dans le monde de l’imprimerie parisien. Cette marque présente une fois de plus cette caractéristique typique de diriger le client vers sa boutique. Comme l’indique la marque, la boutique de Nivelle est située sur la « Rue S. Jacques, aux Cycognes ». Sans surprise, deux cigognes sont l’élément central de sa marque.</text>
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                <text>Paris, Chez Sebastien Niuelle</text>
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                <text>ARSC_PR_DC 37 .V54 1579</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This religious work was published in Québec City by Samuel Neilson (1800-1837) and William Cohen. Samuel Neilson inherited his printing studio from his father, printer John Neilson (1776-1848), who was the printer for the Gazette de Québec, and the most important source of printing, binding, bookselling and office supplies in Lower Canada. William Cohen was an employee of John Neilson’s printing house and would collaborate with Samuel Neilson until 1833. This work is displayed to show the techniques involved in printing music. In the earliest days of printing, when music had to appear within text, the musical passage was engraved by hand onto a metal plate and printed separately from the text. As musical works gained popularity, especially those devoted to sacred music, musical notes were cast into type. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Cet ouvrage religieux a été publé́ à Québec par Samuel Neilson (1800-1837) et William Cohen. Samuel Neilson est l’héritier de l’imprimerie de son père, John Neilson (1776-1848), alors imprimeur de la Gazette de Québec, la plus importante officine d’imprimerie, de reliure, de librairie et d’articles de bureau du Bas-Canada. William Cohen était un emploé́ de l’imprimerie de Neilson père et collabora avec Samuel Neilson jusqu’en 1833. Cet ouvrage montre l’impression de partitions musicales qui accompagnent les chants religieux. Pendant plusieurs années, les passages musicaux qui devaient faire partie des ouvrages imprimés étaient généralement gravés à la main sur des plaques de métal et imprimés séparément. En raison de la popularité des ouvrages musicaux, notamment ceux consacrés aux chants religieux, des caractères d’imprimerie représentant les notes ont été fondus au même titre que les lettres de l’alphabet.</text>
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                <text>Église catholique</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt; &lt;br /&gt;Light-blue t-shirt with pink image and "Fighting Racism and Sexism Together! - International Women's Day 1987" written in white text.&lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;</text>
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                <text>&lt;span&gt;&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;This item consists of a yellow t-shirt with a design of three women in profile and "Women say no to racism from Toronto to South Africa" and "International Women's Day - March 8, 1986" written in green lettering.&lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;</text>
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                <text>Réglement de la Confrerie de l'adoration perpétuelle du S. Sacrement, et de la bonne mort : erigée dans l'eglise paroissiale de Ville-Marie, en l'Isle de Montréal en Canada</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Published by Fleury Mesplet (1734-1794), this physically tiny work would be the first work printed by Mesplet after his arrival in Montréal in 1776. After leaving Lyon for Avignon, London and Philadelphia, Mesplet settled in Montréal on the recommendation of Benjamin Franklin (1706-1790}, with whom he had collaborated on printing ventures for the American Congress. Mesplet’s luggage contained the first non-governmental press to be established in the “Province of Québec”. Mesplet published many utilitarian works, with this title being distributed to members of the Confrerie, who could boast a membership of 1000 in late-18th century Montréal. Mesplet would go on to found the La Gazette littéraire with journalist Valentin Jautard (1736-1787) (known by the pseudonym “le Spectacteur tranquille”) in 1778, but both would be thrown into prison without trial, which would put an abrupt end to their literary adventure. The wife of Mesplet, Marie Maribeau,(1746-1789) would take over the publishing reins during his imprisonment. Mesplet would establish the Gazette de Montréal in 1785, which would be bought by an Anglophone editor, eventually becoming the Montreal Gazette. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ce petit ouvrage serait le premier livre imprimé par Fleury Mesplet (1734-1794) après son arrivée à Montréal en 1776. Après avoir quitté Lyon pour transiter par Avignon, Londres et Philadelphie, Mesplet s’installe à Montréal sous la recommandation de Benjamin Franklin (1706-1790) avec qui il avait été imprimeur pour le compte du Congrès américain. Il apportait dans ses bagages la première presse non gouvernementale à s’installer dans la « Province of Qué́bec ». Mesplet publiera plusieurs ouvrages utilitaires dont ce petit livret distribué aux membres de la confrérie qui a compté́ jusqu’à près de 1000 membres à Montréal au XVIIIe siècle. Il fonde La Gazette littéraire avec le journaliste Valentin Jautard (1736-1787), dit le Spectateur tranquille, en 1778, mais ils seront tous deux jetés en prison sans procès ce qui mettra fin à l’aventure littéraire. C’est l’épouse de Mesplet, Marie Mirabeau (1746-1789), qui reprendra l'administration de l'imprimerie pendant ces trois années d’emprisonnement.</text>
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                <text>Archives and Special Collections, University of Ottawa [BX816 .C3 C65 1776] /Archives et collections spéciales, Université d'Ottawa [BX816 .C3 C65 1776]</text>
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                <text>Montréal, Chez F. Mesplet &amp; C. Berger</text>
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                <text>ARSC_PR_BX816 .C3 C65 1776</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>A journey from Aleppo to Jerusalem at Easter, A. D. 1697,</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Printed in Oxford in 1707, at the Sheldonian Theatre, which is seen in the printing device on the title page (not seen here). A travelogue of a journey through the Holy Land, the text is open to an architectural plan, which like engravings, would have been printed at a different time than the printing of the text, and this folded leaf would have been collated and sewn into the textblock only just before sewing. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Imprimé à Oxford en 1707 au Sheldonian Theatre (que l’on peut voir sur la marque d’imprimeur), ce récit de voyage en terre sainte montre un plan architectural. À l’instar des gravures qui ornaient les textes publiés à l’époque, celui-ci a été imprié́ à part en vue d’être ajouté plus tard au corps de l’ouvrage au moment de la reliure.</text>
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                <text>Maundrell, Henry (1665-1701)</text>
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                <text>Archives and Special Collections, University of Ottawa [DS 106 .M38 J6 1707] /Archives et collections spéciales, Université d'Ottawa [DS 106 .M38 J6 1707]</text>
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