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              <description>A name given to the resource</description>
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                  <text>Archives des femmes</text>
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                  <text>Examples de documents de notre collection d'archives des femmes.</text>
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                  <text>Les archives des femmes comprennent plus de 170 fonds et collections de documents d'archives portant sur l'histoire des femmes au Canada et plus particulièrement sur le mouvement féministe depuis les années 1960. On trouve plusieurs fonds d'organismes mais également d'individus qui ont oeuvré à l'amélioration de la condition politique, sociale et économique des Canadiennes</text>
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                <text>Women Stood United – Women Stand United – Our Power Will Free Us – International Women’s Day, March 7th, 1981. </text>
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            <name>Subject</name>
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                <text>Journée Internationale des femmes</text>
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            <description>An account of the resource</description>
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                <text>Cette affiche a été réalisée pour la marche organisée pour la Journée Internationale des Femmes à Toronto en 1981. Cette affiche présente cinq ombres de femmes alignées constituées d’un fonds rose et de symboles de femmes blancs. Le thème majeur de cette année était le pouvoir des femmes ensemble.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text> Assemblée par Pinktype.&#13;
Réalisée pour le Comité torontois de la Journée Internationale des Femmes.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Imprimée avec Union Labour à Muskox Press&#13;
&#13;
</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>7 Mars, 1981</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Affiche, 42 x 28 cm</text>
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            <description>A language of the resource</description>
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                <text>Anglais</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text> Document iconographique</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ARSC-WOM-CWMAColl-10-001-S5-I85</text>
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                <text> Archives et collections spéciales, Université d’Ottawa, 10-001-S5-I85</text>
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        <name>International Women's Day</name>
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        <name>Journée internationale des femmes</name>
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            <description>A name given to the resource</description>
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                <text>La Vie de Mademoiselle Le Gras : fondatrice et première supérieure de la Compagnie des Filles de la Charité, Servantes des pauvres malades</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This book offers us an example of a new owner actually wishing to keep the traces of previous ownership. Besides the wish to keep track of the origin and physical journey of the book, it was also a way to assert ownership of the copy to anyone who might want to usurp that. Here we read: “Ce livre nous a été donné de nottre maison de Paris il nous appartient aux sœurs de Vilenne” in another hand: “Ce livre Appartient” et finally, it in yet another ink: “Ce livre appartient aux sœurs de la charité de Villenne”. (“This book was given to our House in Paris; it belongs to the Sisters of Vilenne”; “This book belongs to”; “This book belongs to the Sisters of Charity of Vilenne”). The Sisters of Clarity of Villennes were located near Saint-Germain en Laye in France. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ce livre offre un exemple du type d’inscription que l’on retrouve parfois dans les livres des communautés religieuses et qui vise à démontrer la propriété à qui voudrait la revendiquer. Ici on peut lire « Ce livre nous aétté donné de nottre maison de Paris il nous appartient aux sœurs de Vilenne ». Puis d’une autre main « Ce livre Appartient » et finalement avec une encre différente encore. « Ce livre appartient aux sœurs de la charité de Villenne ». Il s’agit en fait des sœurs de la Charité de Villennes, près de Saint-Germain en Laye en France.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text> Gobillon, Nicolas (1661-1706)</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Archives and Special Collections, University of Ottawa [BX4463 .8 .L67G626 1676]/Archives et collections spéciales, Université d'Ottawa [BX4463 .8 .L67G626 1676]</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Paris, A. Pralard</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1676</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Archives and Special Collections, University of Ottawa/Archives et collections spéciales, Université d'Ottawa</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Book/Livre</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>French/Français</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Text/Texte</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ARSC_RB_BX4463.8.L67G6261676</text>
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        <name>Ownership</name>
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        <name>Propriétaires</name>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Diploma</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Diplôme de donateurs "Fonds Slovak Freedom", Hamilton (Ontario), 1964</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Centenaire du décès de Milán R. Štefánik</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Ce document, du Fonds John A. Ivančo, comprend un diplôme de donateurs, recueilli par l'organisme Milán R. Štefánik Literary Circle, Hamilton (Ontario), 1964&#13;
&#13;
</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text> Inconnu</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text> Archives et collections spéciales, 20-020-H46-I1</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Slovenské vydavateľstvo</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1964</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1583">
                <text>Utilisation non commerciale / Attribution requise</text>
              </elementText>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1584">
                <text>Anglais&#13;
Slovaque</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Document textuel</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ARSC-SLO-20-020-H46-I1</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Andrej Rolík debout devant une statue Milán R. Štefánik, [Cleveland, Ohio?]</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Centenaire du décès de Milán R. Štefánik</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Cette photographe, du fonds L'udovit Kandra (20-003), comprend Andrej Rolík debout devant une statue de Milán R. Štefánik à [Cleveland, Ohio?), avril 1968</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text> Photographe inconnu</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Archives et collections spéciales, 20-003-SS4.6-F24-I1</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Avril 1968</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Utilisation non commerciale / Attribution requise</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>1 photographie : n&amp;b ; 3.5 x 6 in.</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>Anglais</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Materiel iconographique</text>
              </elementText>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ARSC-SLO-20-003-SS4.6-F24-I1</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Protest Party. Boycott Cunninghams</text>
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                <text>Boycott, Strike, Union, Working Women's Workshop, SORWUC</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>"Protest Party", article from "The Pedestal", Volume 2, Issue 10, p.3. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>"The Pedestal" </text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>"The Pedestal"</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>"The Pedestal"</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>September 1970</text>
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                <text>Audience à l'Université de Toronto lors du rallye de la Journée internationale de la femme en 1978. </text>
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                <text>Cette photographie représente une vue générale de l’audience rassemblée à l’Université de Toronto à l’occasion du rallye organisé lors de la Journée Internationale des Femmes à Toronto en 1978.</text>
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                <text>[Nancy Adamson (Photographe)]</text>
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                <text>Archives et collections spéciales, Université d’Ottawa, 10-001-S3-I210.</text>
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                <text>11 Mars 1978</text>
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                <text>Utilisation non commerciale / Attribution requise</text>
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                <text>Photographie :  n&amp;b ; 9 x 12.5 cm</text>
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                <text>ARSC-WOM-CWMAColl-10-001-S3-I210</text>
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        <name>International Women's Day</name>
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              <description>An account of the resource</description>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Histoire de l'ancienne France en ligne droite</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The design here imitates that of a peacock’s fanned tail. After one has deposited the colours on the thickened solution of water and used the comb to create the first series of designs, one then uses a stylus to refine the design. The marbler is required to have a mastery of this technique for this artistic endeavour to be a success. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Après avoir apposé les couleurs à la surface de l’eau contenue dans la cuve, et utilié́ le peigne pour créer une première série de motifs à l’aide d’un petit stylet et d’une bonne maîtrise de la technique, le marbreur procède à l'élaboration de motifs plus complexes. On peut voir ici un exemple du motif queue de paon.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Paris, A. Centil</text>
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                <text>Archives and Special Collections, University of Ottawa [DC39 H5 1907] /Archives et collections spéciales, Université d'Ottawa [DC39 H5 1907]</text>
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              <description>An account of the resource</description>
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                <text>Hai tou Aischylou Choéphoroi. Aeschyli Choephoroe. Ex recensione Porsoniana</text>
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                <text>&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;This exquisite example of a mark of ownership is not even that of a book owner but that of a bookseller in Glasgow, Scotland, who had this item for sale in their shop. This practice ensured that this item could be traced back to its original point of sale after leaving the shop’s shelves, and the connection back to booksellers James and Andrew Duncan could not be better indicated!&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;French&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Cette magnifique marque de propriété n’est pas celle du propriétaire/lecteur du livre, mais plutôt des libraires James et Andrew Duncan de Glasgow en Écosse, qui avaient cet ouvrage en vente dans leur boutique. Façon de s’assurer de laisser sa trace sur un livre qui quittera nécessairement les étagères, l’attachement des libraires pour leur inventaire ne saurait être si bien illustré.&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Aeschylus</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Edinburgi, Eprelo academic, veneunt apud Gulielum Blackwood; Londini, Apud Longman, Hurst, Rees et Orme</text>
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            <name>Date</name>
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                <text>1811</text>
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                <text>Archives and Special Collections, University of Ottawa Archives et collections spéciales, Université d'Ottawa</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ARSC_RB_PA3825 .C5 1811</text>
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              <name>Title</name>
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                  <text>Livres rares</text>
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              <description>The topic of the resource</description>
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                  <text>Examples de documents du collection de livres rares </text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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            <name>Title</name>
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                <text>Aesopi Phrygis Fabulae elegantissimis eiconibus [B. Salomon] veras animalium species ad viuum adumbrantes […]</text>
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            <description>An account of the resource</description>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This item has been rebound at least once since its initial binding, this being demonstrated by evidence that the textblock has been cut to fit a newer binding. The current binding is of calf, one which has been dyed green. While it is usually morocco leathers, that is, goatskin leathers, that are dyed a variety of colours, it is not unknown for calf to undergo a similar aesthetic treatment. Calf being a less expensive leather than morocco, this was probably an attempt by the book’s owner to have a colourful binding at less cost. The colour of the original calf is to be seen along the edges, most likely due to the loss of dye on exposure to sunlight. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ce livre semble avoir été relié à plusieurs reprises puisque le corps de l’ouvrage a été ajusté pour s’intégrer à un nouveau format de reliure de veau teint en vert. De façon générale, seuls les maroquins (cuir de chèvre) étaient destinés à être teints de la sorte. Le veau étant un matériau moins cher, il s’agit probablement d’une tentative d’obtenir un effet similaire à moindre coût. La rareté de ce type de technique s’explique sans doute par son faible succès. On peut voir la couleur du veau original en bordure, sur les parties du cuir exposées à la lumière.</text>
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                <text>Aesop</text>
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                <text>Archives and Special Collections, University of Ottawa [PA 3855 .A2 1582]/Archives et collections spéciales, Université d'Ottawa [PA 3855 .A2 1582]</text>
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            <name>Date</name>
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                <text>1582</text>
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                <text>Archives and Special Collections, University of Ottawa/Archives et collections spéciales, Université d'Ottawa</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Book/Livre </text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <description>The nature or genre of the resource</description>
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                <text>Text/Texte </text>
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            <description>An unambiguous reference to the resource within a given context</description>
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