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                <text>L'Imprimeur</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>L'utopie, traduicte par Samuel Sorbière</text>
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                <text>Morus, Thomas (1478-1535)</text>
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                <text>Archives and Special Collections, University of Ottawa [HX 810.5 .F7 1643]/Archives et collections spéciales, Université d'Ottawa [HX 810.5 .F7 1643]</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1643</text>
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            <description>An account of the resource</description>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;This bookplate of Fréderic Lachèvre (1855-1943), French bibliophile, literary critic, editor, and specialist in 17th century literature of the Libertines, is remarkable for the finesse of its engraving. The image of the skull resting on a pile of books invokes the imagery of the Latin motto “Memento Mori”, a warning about the vanity of all things earthly and the inevitability of death. This image is reminiscent of several Baroque paintings of the 17th century, with which Lachèvre would have been familiar. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Cet ex-libris de Fréderic Lachèvre (1855-1943), un bibliophile, critique littéraire et éditeur français, spécia- lisé dans la littérature des libertins du XVIIe siècle, est remarquable pour la finesse de la gravure. L'image du crâne reposant sur une pile de livres rappelle la locution latine «Memento Mori» qui évoque « la vanité des choses terrestres » et la mort inexorable mais qui rappelle plusieurs tableaux baroques du XVIIe siècle que Lachèvre connaissait sans doute.</text>
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            <description>A name given to the resource</description>
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                <text>L’ambassadeur et ses fonctions</text>
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            <description>An account of the resource</description>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Visible is the printer’s mark of printer and bookseller François l’Honoré (1673?-1748?), originally from the town of Sedan, Alsace. Initially basing himself in Den Haag where he collaborated with Etienne Foulque, he subsequently set up a printing shop in Amsterdam with his brother Jonas, his father-in-law, and eventually his son, Zacharias. He had a prolific career as printer and bookseller. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Sur cette image, on peut voir la marque du libraire-imprimeur François l’Honoré (1673?-1748?), originaire de Sedan en Alsace. D’abord installé́ à La Haye, où il s’associe avec Etienne Foulque, il se déplace ensuite à Amsterdam pour continuer son travail d’imprimeur avec son frère Jonas, son beau-père puis avec son fils Zacharias. Il a eu une carrière prolifique comme imprimeur et libraire.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Wicquefort, Abraham van (1606-1682)</text>
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                <text>Archives and Special Collections, University of Ottawa [JZ1426.W525 1746] /Archives et collections spéciales, Université d'Ottawa [JZ1426.W525 1746]</text>
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                <text>Amsterdam, Chez François l’Honoré et Fils</text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>L’intrigue des filous : comédie</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The paper that makes up the cover for this little French comedy of the 17th century has been created with a technique new for this era: hand blockprinted paper, termed “dominoté” in French. The motif used here has been printed and then the colours added later, either by hand or via a stencil. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Le papier qui sert de couverture à cette petite comédie du XVIIe siècle offre une forme nouvelle de décoration à cette époque appelée papier dominoté. Le motif est imprimé en noir et blanc et les couleurs sont ensuite ajoutées à la main ou au pochoir.</text>
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                <text>L’Estoile, Claude de (1597-1652)</text>
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                <text>Archives and Special Collections, University of Ottawa [PQ1817 .L66 1649]/Archives et collections spéciales, Université d'Ottawa [PQ1817 .L66 1649]</text>
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                <text>Leiden, Bonaventure et Abra- ham Elzevier</text>
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                <text>La Bulle d'Or, suivie De la Sanction Pragmatique et Loi perpétuelle</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;In the 20th century, in addition to the pasted-in ex-libris bookplate, we find many different styles and formats of ex-libris indications. The stamped ex-libris turns out to be not only a less onerous form but also one that is much more practical. We find them chiefly in library materials (don’t hesitate to search for the stamp of the University of Ottawa in its collections, chiefly found in pink), but they were also used by private owners, as in this example, Jean-Claude Dubé. M. Dubé used many ways to signal ownership of his items, one of these being this stamp with stylized letters. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Au XXe siècle, en plus des ex-ibris de type vignette, on trouve des ex-libris de divers styles et formats. La création de tampon s’avère une forme moins onéreuse mais également plus pratique. On les trouve principalement dans les livres de bibliothèque (ne manquez pas de jeter un coup d’œil aux livres de la bibliothèque de l’Université d’Ottawa lors de votre prochaine virée. Ils sont généralement tamponné à l’encre- rose). Toutefois certains individus en feront usage comme c’est le cas de Jean-Claude Dubé qui utilise diverses autres façons de signaler l’appartenance de ses livres, dont ce tampon très stylisé.</text>
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                <text>Archives and Special Collections, University of Ottawa [KK 253 1356]/Archives et collections spéciales, Université d'Ottawa [KK 253 1356]</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="271">
                <text>Luxembourg, Chez André Chevalier &amp; Marchand Librairie</text>
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            <name>Date</name>
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                <text>1741</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>La Vie de Mademoiselle Le Gras : fondatrice et premi&amp;egrave;re sup&amp;eacute;rieure de la Compagnie des Filles de la Charit&amp;eacute;, Servantes des pauvres malades</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This image shows a very fine mottling scheme, where the white/cream colours are omnipresent on a background of red and blue. In this example, the dark colours had been deposited on the surface of the liquid mixture before the white. It is this last colour, the white/cream, which then has a chance to expand over the surface of the water and dominate the colour scheme. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;On peut voir ici un papier marbré au motif caillouté très fin ou le blanc/crème est omniprésent sur fond de rouge et de bleu. Dans ce cas, les couleurs foncées ont été́ mises à la surface de l’eau avant le blanc/crème qui a pris de l’expansion.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Gobillon, Nicolas</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Archives and Special Collections, University of Ottawa [BX4463.8 .L67 G626 1676]/Archives et collections spéciales, Université d'Ottawa [BX4463.8 .L67 G626 1676]</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Paris, A. Pralard</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1676</text>
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            <name>Format</name>
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                <text>Book/Livre</text>
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                <text>ARSC_RB_BX4463.8 .L67 G626 1676</text>
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            <description>A name given to the resource</description>
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                <text>La Vie de Mademoiselle Le Gras : fondatrice et première supérieure de la Compagnie des Filles de la Charité, Servantes des pauvres malades</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This book offers us an example of a new owner actually wishing to keep the traces of previous ownership. Besides the wish to keep track of the origin and physical journey of the book, it was also a way to assert ownership of the copy to anyone who might want to usurp that. Here we read: “Ce livre nous a été donné de nottre maison de Paris il nous appartient aux sœurs de Vilenne” in another hand: “Ce livre Appartient” et finally, it in yet another ink: “Ce livre appartient aux sœurs de la charité de Villenne”. (“This book was given to our House in Paris; it belongs to the Sisters of Vilenne”; “This book belongs to”; “This book belongs to the Sisters of Charity of Vilenne”). The Sisters of Clarity of Villennes were located near Saint-Germain en Laye in France. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ce livre offre un exemple du type d’inscription que l’on retrouve parfois dans les livres des communautés religieuses et qui vise à démontrer la propriété à qui voudrait la revendiquer. Ici on peut lire « Ce livre nous aétté donné de nottre maison de Paris il nous appartient aux sœurs de Vilenne ». Puis d’une autre main « Ce livre Appartient » et finalement avec une encre différente encore. « Ce livre appartient aux sœurs de la charité de Villenne ». Il s’agit en fait des sœurs de la Charité de Villennes, près de Saint-Germain en Laye en France.</text>
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                <text> Gobillon, Nicolas (1661-1706)</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1676</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Latinitatis Probatae Et Exercitae Liber Memorialis: Naturali Ordine Dispositus; ...In Usum Scholarum Episcopatus Merseburgensis Et Scholae Hannoveranaeoetij</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Printed in Merseburg (Germany) in 1753 by Christian Ludwig Forberger, this work displays an outstanding and perhaps mindboggling combination of font sizes and styles, as well as a mixture of red and black lettering, on one title page. (With no proof of the fact, one could easily assume the printer was showing off as per the richness of his font collection.) &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Imprimé à Merseburg (Allemagne) en 1753 par Christian Ludwig Forberger, cet ouvrage est un exemple particulièrement original de la combinaison de diverses polices et formats de caractères, ainsi qu’un mélange d’encre rouge et noire sur une page couverture de livre. On peut présumer que l’imprimeur faisait ainsi montre de son savoir-faire, de sa vaste collection de polices mais aussi de son grand sens artistique pour de futurs clients.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Cellarius, Christoph (1638-1707)</text>
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                <text>Archives and Special Collections, University of Ottawa [PA2365 .G5 C4 1753] /Archives et collections spéciales, Université d'Ottawa [PA2365 .G5 C4 1753]</text>
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                <text>Merseburgi, Sumpt Christ Ludovic Forbergari</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Le festin nuptial dressé dans l'Arabie heureuse au mariage d'Esope, de Phèdre &amp; de Pilpai avec trois fées</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Bringing to life the adage of “waste not, want not”, this book’s binding is made of parchment that originally was someone’s correspondence. With paper and leather being expensive commodities due to the ever-increasing amount of titles being published and the demand by binders for materials to cover these in, it makes perfect sense for binders to reuse materials whenever possible. In general, bindings made of “recycled” materials were generally so chosen by the person requesting an item be bound. The owner of this item may have even supplied this piece of used parchment himself. The book owner ordering such a binding would have had economy at the top of list of priorities. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Cette reliure donne tout son sens au proverbe « waste not, want not », qu’on pourrait traduire de façon approximative par « ne pas gaspiller pour ne pas être dans le besoin ». La couverture est composée d’un parchemin usagé sur lequel on peut encore voir l’ancienne écriture. Les matériaux étant devenus de plus en plus chers, en raison de la demande provoquée par la multiplication des livres par les imprimeurs et, par conséquent par la demande de reliures, les relieurs tentaient autant que possible de réutiliser toutes les retailles disponibles. Le relieur étant au service de son client, celui-ci avait son mot à dire dans le choix des matériaux recyclés et il est possible que ce parchemin ait été fourni par le propriétaire lui-même, qui pouvait s’en tirer à moindre coût.</text>
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                <text>Bruslé de Montpleinchamp, Jean Chrysostôme (1641-1724)</text>
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                <text>Archives and Special Collections, University of Ottawa [PN 984 .B78 1700]/Archives et collections spéciales, Université d'Ottawa [PN 984 .B78 1700]</text>
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                  <text>Les archives des femmes comprennent plus de 170 fonds et collections de documents d'archives portant sur l'histoire des femmes au Canada et plus particulièrement sur le mouvement féministe depuis les années 1960. On trouve plusieurs fonds d'organismes mais également d'individus qui ont oeuvré à l'amélioration de la condition politique, sociale et économique des Canadiennes</text>
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                <text>Le groupe des Red Berets en train de chanter</text>
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                <text>Journée internationale de la femme</text>
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                <text>Cette photographie représente le groupe des « Bérets Rouges » chantant devant une bannière du Comité de la Journée Internationale des Femmes de Toronto, à l’occasion du forum « Rise of Right » qui s’est tenu le 7 mai 1981.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Nancy Adamson (Photographe)</text>
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                <text>Archives et collections spéciales, Université d’Ottawa, 10-001-S3-I865.</text>
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                <text>7 mai, 1981</text>
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                <text>Utilisation non commerciale / Attribution requise</text>
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                <text>Photographie : n&amp;b ; 9 x 12.5 cm</text>
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                <text>Anglais</text>
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                <text>Document iconographique</text>
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                <text>ARSC-WOM-CWMAColl-10-001-S3-I865</text>
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        <name>International Women's Day</name>
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        <name>Journée internationale des femmes</name>
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