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                  <text>Examples de documents de notre collection d'archives des femmes.</text>
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                  <text>Les archives des femmes comprennent plus de 170 fonds et collections de documents d'archives portant sur l'histoire des femmes au Canada et plus particulièrement sur le mouvement féministe depuis les années 1960. On trouve plusieurs fonds d'organismes mais également d'individus qui ont oeuvré à l'amélioration de la condition politique, sociale et économique des Canadiennes</text>
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                <text>Angela Davis. Journée internationale de la femme.</text>
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                <text>Cette petite affiche annonce la programmation d’une conférence d’Angela Davis proposée à l’occasion de la Journée International des femmes de 1985. Angela Davis fut invitée par le « Committee for March 8 » de Toronto. Angela Davis activiste et alors co-présidente de la National Alliance Against Racist and Political Repression aux États-Unis, proposa une présentation intitulée « The End of the U.N. Decade for Women ».</text>
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                <text>Réalisé par Ogresco.&#13;
Réalisée pour le Comité torontois March 8th Colation</text>
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                <text>Allied Printing. Trades Union Label Council. Toronto, Ontario.</text>
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        <name>International Women's Day</name>
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                  <text>Examples de documents de notre collection d'archives des femmes.</text>
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                  <text>Les archives des femmes comprennent plus de 170 fonds et collections de documents d'archives portant sur l'histoire des femmes au Canada et plus particulièrement sur le mouvement féministe depuis les années 1960. On trouve plusieurs fonds d'organismes mais également d'individus qui ont oeuvré à l'amélioration de la condition politique, sociale et économique des Canadiennes</text>
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                <text>Feuille de chant des Red Berets</text>
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                <text>Ce document consiste en une feuille de chant du groupe torontois « Red Berets ». Cette feuille de chant fut utilisée à l’occasion de la Journée Internationale des Femmes de 1983 à Toronto.</text>
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                <text>Journée internationale de la femme</text>
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                <text>March 8th Coalition.</text>
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        <name>International Women's Day</name>
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            <description>A name given to the resource</description>
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                <text>Recueil d’histoire tragique et de reflexions sur les differans caractheres recueillies et ecrites</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This manuscript has a relatively simple outer binding, but its interior is decorated with paper embossed in gold, probably dating to the 20th century. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ce papier décoré a probablement été fabriqué de façon industrielle. Le motif de fleurs avec filets d’or pourrait même faire penser à un papier destiné à emballer des cadeaux ou à un papier peint, ces formes de papiers décorés ayant cohabité depuis le XVIIIe siècle avec les papiers servant à la décoration des livres.</text>
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                <text>Robert, François</text>
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                <text>Archives and Special Collections, University of Ottawa [DC 133.8 .R63 1751]/Archives et collections spéciales, Université d'Ottawa [DC 133.8 .R63 1751]</text>
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                <text>NA</text>
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                <text>ca. 1750</text>
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            <description>The nature or genre of the resource</description>
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              <description>A name given to the resource</description>
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                  <text>Livres rares</text>
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                  <text>Examples de documents du collection de livres rares </text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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            <description>A name given to the resource</description>
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                <text>Gulistan ou L'empire des roses : traité des moeurs des rois</text>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;This first example is that of what is termed an “armorial binding”, where the coat of arms of an aristocratic family will serve to indicate ownership on a book’s binding. Such bindings are executed with exquisite care and a family’s arms are tooled into the covers and then gilded. In the case of this “essay on the conduct of kings”, the leather covers have been embossed with the coat of arms of Jeanne Antoinette Pompadour (1721-1764), chief mistress of Louis XV, King of France.&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Cette première marque de provenance dite « aux armes » est le propre des propriétaires de livres issus de grandes familles aristocratiques. La reliure est soignée et les armoiries du propriétaire ou de sa famille y sont estampées à froid puis dorées. Dans le cas de ce « traité des mœurs des rois », la propré́taire n’est nulle autre que Jeanne-Antoinette Poisson, marquise de Pompadour qui sera, notamment, la favorite de Louis XV, roi de France.&lt;/p&gt;</text>
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                <text>Saadī, Musladini</text>
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                <text>Archives and Special Collections, University of Ottawa [PK 6542 .F5 G225 1704]/Archives et collections spéciales, Université d'Ottawa [PK 6542 .F5 G225 1704]</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>A Paris, par la Compagnie des libraires</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1704</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Archives and Special Collections, University of Ottawa/Archives et collections spéciales, Université d'Ottawa</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Book/Livre</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;A laced-case binding in limp parchment with no support of boards; this was likely a temporary binding. The “laces “ that are visible through the cover are actually slips or supports that are sewn into the spine to support the textblock. The fact that the textblock is laced to the cover by means of the slips allows for a quick and easy removal and replacement of the binding. One should also note that the title is written in ink horizontally across the length of the spine, indicating that this is how the book would have been stored on its owner’s shelves. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Cette reliure de parchemin sans plats solides était une pratique courante pour la création de reliures temporaires. Les rubans qui sont visibles sur la couverture sont en quelque sorte des équivalents des rubans servant de support à la couture des cahiers mais qu’on a positionné différemment. Le fait que le corps de l’ouvrage soit lié à la couverture par des rubans facilite le démontage de la reliure en vue d’en produire une nouvelle. On peut également remarquer le titre tracé à l’horizontal sur le dos du livre indiquant la façon dont il était sans doute rangé dans la bibliothèque de son propriétaire.</text>
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                <text>Lyon, Par Antoine de Harsy</text>
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                <text>Programme  de la cérémonie de réception du prix Milán R. Štefánik décerné à Emanuel T. Böhm, 27 April 1986</text>
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                <text> Centenaire du décès de Milán R. Štefánik</text>
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                <text>Ce pamphlet, du fonds Joseph Staško (20-002), comprend le program de la cérémonie du prix Milán R. Štefánik décerné à Emanuel T. Böhm, chez l'institut Ukrainian Institute of America à New York (New York), le 27 avril 1986</text>
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                <text>Slovak-American Cultural Center</text>
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Slovaque</text>
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                <text>Documents textuel </text>
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                <text>Papinii Surculi Statii Opera quae extantai [...]</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;In a fine and elegant script, the annotations appearing in the margins of the work by Papinus are of the hand of a French reader. Due to the distance of several centuries, it is difficult to identify the commentator, but the annotations appear to be an attempt to summarize the contents of certain paragraphs of this Latin text. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt; D’une graphie fine et élégante, les annotations qui apparaissent en marges de l’œuvre de Papinus sont abondantes. Difficile à quelques siècles de distance d’identifier le commentateur, mais il s’agit vraisemblablement d’une tentative de résumer, en français, le contenu de certains paragraphes de cet ouvrage écrit en latin.</text>
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                <text>Statius, P. Papinius (Publius Papinius)</text>
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                <text>Parisiis, Ex officina Plantiniana. Apud Hadrianvm Perier, via Iacobaea</text>
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                <text>C. Suetonii Tranquili XII Caesares.[…]</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Printed by Sebastian Gryphius in 1547, this item is an example demonstrating a binding repair in which the owner took special care to retain as many elements of the original binding as possible. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Imprimé par Sebastian Gryphus en 1547, cet ouvrage de Suétone présente une reliure qui a subi une restauration. Le relieur responsable de l’opération a tenté de retenir le plus d’éléments possibles de la reliure originale qui a été superposée sur le nouveau cuir.</text>
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                <text>Suetonius (ca. 69-ca. 122)</text>
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            <description>Information about rights held in and over the resource</description>
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&lt;p&gt;This printed ex-libris, attached to the “von Ende” family of Altjessnitz, Germany, appears on the interior pastedown of this book. It serves to remind us that the ex-libris was also considered an art form during certain eras for bibliophiles, who collected just these with a passion. The vignette format as seen in this example appeared in Nuremberg, Germany, at the beginning of the 16th century. Even today there are as- sociations of collectors who indulge their passion for this tiny works of art at sometimes premium prices.&lt;/p&gt;
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&lt;p&gt;Cet ex-libris imprimé est attaché à la famille von Ende de Altjessnitz en Allemagne. Il apparaît sur le plat intérieur et nous rappelle que les ex-libris sont devenus à une certaine époque un art dont les bibliophiles étaient friands. Le format vignette, comme celui-ci, apparaît à Nuremberg en Allemagne au début du XVIe siècle.&lt;/p&gt;</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Embossed on the cover of a fine example of mottled calf, we see as of yet unidentified, elaborate coat of arms, embossed in gold. For those who love enigmas: do not hesitate to inform us of your findings! &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Il s’agit encore d’un exemple d’armoirie dorée apposée sur la couverture de cuir. Malheureusement, le propriétaire correspondant n’a pas encore été identifié... ou heureusement pour les amateurs d’énigmes. À vous de jouer!</text>
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