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                <text>Toronto Women's Bookstore</text>
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                <text>Toronto Women’s Bookstore est la plus grande librairie féministe à but non lucratif au Canada jusqu’à sa fermeture en novembre 2012. Elle ouvre tout d’abord ses portes sur le site de Kensington Market, où elle est tout d’abord associée à une imprimerie féministe et un collectif d’autodéfense. Le 29 juillet 1983, la librairie est presque entièrement ravagée par un incendie déclenché par une attaque criminelle visant la clinique d’avortement de Morgentaler de Toronto. Elle déménage alors au 73 Harbord St. La librairie a été parmi l’un des premiers espaces ouverts facilitant non seulement la vente d’ouvrages promouvant les écrits de femmes ou d’intérêts pour les femmes, mais aussi l’organisation et le déploiement de communautés féministes qui ont gravité autour d’elle.</text>
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                <text>Amanda Bankier&#13;
Toronto Women's Bookstore</text>
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                <text>Collection CWMA photographies 10-001_S3_I0913, 10-001_S3_I0914&#13;
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                <text>© Amanda Bankier&#13;
© Toronto Women's Bookstore&#13;
© Bibliothèque de l'Université d'Ottawa</text>
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                  <text>Archives des femmes</text>
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                  <text>Examples de documents de notre collection d'archives des femmes.</text>
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                  <text>Les archives des femmes comprennent plus de 170 fonds et collections de documents d'archives portant sur l'histoire des femmes au Canada et plus particulièrement sur le mouvement féministe depuis les années 1960. On trouve plusieurs fonds d'organismes mais également d'individus qui ont oeuvré à l'amélioration de la condition politique, sociale et économique des Canadiennes</text>
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                <text>Macaron rond gris avec lettrage blanc, violet et rose. Le Conseil consultatif canadien de la situation de la femme a créé 100 000 de ces macarons et les a diffusés début avril 1985. Ils les ont envoyés au Comité canadien d'action sur le statut de la femme pour les faire distribuer aux groupes de femmes affiliés.</text>
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                <text>Le Conseil consultatif canadien sur la situation de la femme</text>
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                <text>CWMA Poster collection. 10-001-S5-I547</text>
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                  <text>Les archives des femmes comprennent plus de 170 fonds et collections de documents d'archives portant sur l'histoire des femmes au Canada et plus particulièrement sur le mouvement féministe depuis les années 1960. On trouve plusieurs fonds d'organismes mais également d'individus qui ont oeuvré à l'amélioration de la condition politique, sociale et économique des Canadiennes</text>
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                <text>University of Ottawa Association of Women and the Law: talk with Marguerite Ritchie</text>
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                <text>The file consists of a draft mock-up and printed poster for a talk to raise awareness of women's treatment under the law.</text>
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                <text>[Shirley Greenberg]</text>
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                <text>For non-commercial use only./ Permission required for reproduction.</text>
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                  <text>Livres rares</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;William Morris (1834-1896), product of an upper-middle class upbringing of the 19th century, was actually a socialist with a great reverence for the skilled craftsman whose output was a product of labour done by hand, rather than that of mass-produced mechanization. Disgruntled with the uniform and shoddy artistic production of the Age of Industrialization of the London of his time, Morris looked back to the artists of the past for inspiration. A true Renaissance man if ever there was one, Morris was involved in almost every branch of the Arts : textiles, metal work, furniture making, architecture, stained glass, decorative arts, painting, literature, and indeed, book production. As with his other endeavours within the Arts, Morris turned to the pre-mechanized age for inspiration with book printing: the era of the hand-press. Morris founded the Kelmscott Press in 1891. All aspects of Kelmscott Press books were produced by hand : the paper, the binding, the pressing of an edition, and the fonts. Morris designed the fonts used at his Press himself, with Chaucer (designed for his magnum opus “The Kelmscott Chaucer”, Golden (designed for his printing of Voraigne’s Golden Legend) and Troy being his most famous. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Issu des classes sué́rieures et instruites de Londres, William Morris (1834-1896) était un socialiste, grand amateur du travail manuel ré́alisé avec patience par les artisans, en réaction à l’industrialisation de la société londonienne de la seconde moitié du XIXe sècle. En véritable humaniste de la Renaissance, il s’est intéressé à̀ tous les arts : textile, métallurgie, fabrication de meubles, architecture, verrerie, arts décoratifs, peinture, littérature et bien sûr à la production des livres. Morris a fondé la Kelmscott Press en 1891 avec laquelle il allait produire des livres entièrement fabriqués à la main : le papier, l’impression, les caractères d’imprimerie, la reliure, etc. Il a d’ailleurs créé lui-même plusieurs polices de caractères dont les plus célèbres sont la police Chaucer créée spécialement pour l’édition des œuvres de Chaucer et le Golden, pour son édition de la Légende dorée de Voraigne.</text>
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                <text>More, Thomas, Saint (1478-1535)</text>
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                <text>Archives and Special Collections, University of Ottawa [HX811 1516. E893 1893] /Archives et collections spéciales, Université d'Ottawa [HX811 1516. E893 1893]</text>
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