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                  <text>Archives des femmes</text>
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                  <text>Examples de documents de notre collection d'archives des femmes.</text>
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                  <text>Les archives des femmes comprennent plus de 170 fonds et collections de documents d'archives portant sur l'histoire des femmes au Canada et plus particulièrement sur le mouvement féministe depuis les années 1960. On trouve plusieurs fonds d'organismes mais également d'individus qui ont oeuvré à l'amélioration de la condition politique, sociale et économique des Canadiennes</text>
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                <text>March 8th Coalition - Still ain't satisfied! - booklet</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;This item is a booklet entitled &lt;em&gt;Still ain't satisfied!&lt;/em&gt; It contains a walking tour of downtown Toronto with profiles on locations that were seen as oppressive to women.&lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;br /&gt;&lt;/span&gt;Ce livret intitulé &lt;em&gt;Still ain't satisfied! (Pas encore satisfaites!) &lt;/em&gt;contient une visite guidée du centre ville de Toronto indiquant les localisations où les femmes ont vécu de l'oppression.</text>
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                <text>Document written by women of the March 8th Coalition.&#13;
Logo designed by Liz Martin / &#13;
Document écrit les femmes de March 8th Colation.&#13;
Logo réalisé par Liz Martin. </text>
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                <text>Archives and Special Collections, University of Ottawa, 10-001-S1-F1650-I1 / Archives et collections spéciales, Université d’Ottawa, 10-001-S1-F1650-I1</text>
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                <text>Logo designed by Liz Martin</text>
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                <text>International Women's Day / Journée Internationale des Femmes. </text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text> Le vray et parfait guidon de la langue Françoise avec quatre dia- logues François &amp; allemands &amp; un bouquet de sentences : der Rechte vnd vollkommene Weg-weyser zu der Frantzösischen Sprach, Sampt vier Frantzösischen vnd Teutschen Gesprächen vnd etlichen aus- serlesenen</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Elsevier, perhaps the most well-known name in electronic publishing today, takes it name from the much earlier and, perhaps, comparably successful Dutch printing house. It is renowned for its meticulous printing and a series of duodecimal format books, examples of which are still prized by collectors today. The pages on display in French is second a language manual for German speakers which show the close physical juxtaposition of not only two languages but that of Gothic and Roman-style types. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Elsevier, probablement le nom le plus connu aujourd'hui dans le monde de l’édition électronique, prend son nom de l’une des plus anciennes entreprises de presse hollandaise qui ait existé. Elle est reconnue pour la finesse de ses impressions et une importante production d’in-12. Malheureusement, notre collection ne comprend pas à notre connaissance, d’exemple de ce format très recherché d’ailleurs par les collectionneurs. Ce livre de Duez est un manuel d’apprentissage de la langue française à l’usage des Allemands et montre la juxtaposition des deux langues qui se distinguent par l’utilisation du caractère gothique d’un coté et du caractère roman de l’autre.</text>
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                <text>Duez, Nathanael (1609-1669)</text>
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                <text>Archives and Special Collections, University of Ottawa [PC 2109 .D7 1657] /Archives et collections spéciales, Université d'Ottawa [PC 2109 .D7 1657]</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Le processionnal romain, l'usage du Diocèse de Québec</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This religious work was published in Québec City by Samuel Neilson (1800-1837) and William Cohen. Samuel Neilson inherited his printing studio from his father, printer John Neilson (1776-1848), who was the printer for the Gazette de Québec, and the most important source of printing, binding, bookselling and office supplies in Lower Canada. William Cohen was an employee of John Neilson’s printing house and would collaborate with Samuel Neilson until 1833. This work is displayed to show the techniques involved in printing music. In the earliest days of printing, when music had to appear within text, the musical passage was engraved by hand onto a metal plate and printed separately from the text. As musical works gained popularity, especially those devoted to sacred music, musical notes were cast into type. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Cet ouvrage religieux a été publé́ à Québec par Samuel Neilson (1800-1837) et William Cohen. Samuel Neilson est l’héritier de l’imprimerie de son père, John Neilson (1776-1848), alors imprimeur de la Gazette de Québec, la plus importante officine d’imprimerie, de reliure, de librairie et d’articles de bureau du Bas-Canada. William Cohen était un emploé́ de l’imprimerie de Neilson père et collabora avec Samuel Neilson jusqu’en 1833. Cet ouvrage montre l’impression de partitions musicales qui accompagnent les chants religieux. Pendant plusieurs années, les passages musicaux qui devaient faire partie des ouvrages imprimés étaient généralement gravés à la main sur des plaques de métal et imprimés séparément. En raison de la popularité des ouvrages musicaux, notamment ceux consacrés aux chants religieux, des caractères d’imprimerie représentant les notes ont été fondus au même titre que les lettres de l’alphabet.</text>
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                <text>Église catholique</text>
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                <text>Archives and Special Collections, University of Ottawa [M 2133 .P96 1825] /Archives et collections spéciales, Université d'Ottawa [M 2133 .P96 1825]</text>
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                <text>Québec, Neilson &amp; Cowan</text>
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              <description>The topic of the resource</description>
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                  <text>Examples de documents de notre collection d'archives des femmes.</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Les archives des femmes comprennent plus de 170 fonds et collections de documents d'archives portant sur l'histoire des femmes au Canada et plus particulièrement sur le mouvement féministe depuis les années 1960. On trouve plusieurs fonds d'organismes mais également d'individus qui ont oeuvré à l'amélioration de la condition politique, sociale et économique des Canadiennes</text>
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                <text>Femmes : agentes de changement! Semaine Internationale des Femmes, 1988</text>
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                <text>Cette affiche annonce la tenue de nombreuses activités organisées à l’occasion de la célébration de la Semaine Internationale des Femmes à Lansdowne au Canada, du 27 février au 12 mars 1988.</text>
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            <name>Creator</name>
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                <text>Emerging Design</text>
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                <text>Archives et collections spéciales, Université d’Ottawa, 10-001-S5-I87.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="1423">
                <text>Utilisation non commerciale / Attribution requise</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Affiche :  43 x 28 cm</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>Anglais, Français</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Document iconographique</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ARSC-WOM-CWMAColl-10-001-S5-I87</text>
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            <name>Publisher</name>
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                <text>Emerging Design</text>
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    <tagContainer>
      <tag tagId="10">
        <name>International Women's Day</name>
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        <name>Journée internatioanle des femmes</name>
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              <description>A name given to the resource</description>
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                  <text>Livres rares</text>
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              <description>An account of the resource</description>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>L'Éloge de la Folie</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This item is on display to show the exquisite richness of the engraving shown. Note the texture and pristine whiteness of the paper used; this was intended for a reader seeking luxury. The engraving would have been passed through the press at a different time to the printing of the text and been bound in the final states of collation and sewing of the gatherings of text. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ce portrait montre la richesse, la précision et la qualité de la gravure qui pouvait être produite au XVIIIe siècle. On notera la texture et la blancheur immaculée du papier utilisé́. Cette gravure a été créée à part et ajoutée au texte lors de la reliure afin d’enrichir l’ouvrage.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Erasme (ca. 1467-1536)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Archives and Special Collections, University of Ottawa [PA 8514.F7 1751] /Archives et collections spéciales, Université d'Ottawa [PA 8514.F7 1751]</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Paris </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="876">
                <text>1751</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="877">
                <text>Archives and Special Collections, University of Ottawa /Archives et collections spéciales, Université d'Ottawa </text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Book/Livre</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>French/Français</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Text/Texte</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ARSC_PR_PA 8514.F7 1751</text>
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        <name>Imprimeurs</name>
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      <tag tagId="8">
        <name>Printers</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Livres rares</text>
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              <description>An account of the resource</description>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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            <description>A name given to the resource</description>
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                <text>Colloquiorum: Desid. Erasmi Roterodami familiarium decerpta, cum notis illustrata. […]</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Two hundred and twenty years younger than its display case neighbour Les Ordonnances et édicts du très chrestien roy de France Charles neufiesme du nom […], this item is a good example of the economic measures taken to reduce the costs of bookbinding. This item is sewn on only two supports, as opposed to the three double sewing supports seen on the spine of the previous example. The supports appear to have been lost over time, as well as the entire outer binding, although their loss allows for yet another stellar demonstration of the book sewing process. This particular sewing style shows the “sawn-in” sewing tech-nique. As to be seen in Les Ordonnances, sewing supports were raised from the spine and had to be ac-commodated in the outer leather binding of the spine. Changes in aesthetic tastes had an influence in bookbinding techniques. To ensure that a spine would not display raised bands, cuts would first be made into the spine with a saw. The supporting sewing cords would then be aligned with, and inserted into, the cuts, allowing the sewing supports to be hidden and providing for a flat spine. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Deux cents ans plus jeune que son voisin, Les Ordonnances et édicts du très chrestien roy de France Charles neufiesme du nom [...] est un bon exemple des mesures prises pour réduire les coûts de production. La couture est faite sur deux rubans, contrairement aux trois rubans doubles de l’exemplaire précédent. Les rubans utilisés semblent d’ailleurs avoir disparu, tout comme la couverture, ce qui laisse voir les traces de l’utilisation du grecquage. Il s’agit d’une technique qui consiste à creuser, en quelque sorte, à l’aide d’une scie à grecquer, le corps de l’ouvrage afin que les nerfs, généralement visibles sur le dos du livre, s’intègrent à celui-ci, offrant ainsi un dos complètement lisse.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Erasmus, Desiderius (1467-1536)</text>
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                <text>Moriae encomium id est Stulticiae laudatio, ludicra declamatione [...]</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This work is open to the printer’s device of Swiss printer, Johann Froben (1460-1527). Based in Basel, Froben was a Humanist scholar himself, and was acquainted with Erasmus, as well as Hans Holbein the Younger, who would not only paint Froben’s portrait but is purported to have designed Froben’s printer’s device, as well. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;La page montre la marque de l'imprimeur Suisse Johann Froben (1460-1527). Basé à Bâle, Froben était un humaniste très proche d’Érasme et d’Hans Holbein Le Jeune à qui il donna ses premiers contrats. Holbein a non seulement réalisé le portrait de Froben, mais il aurait également dessiné et gravé sa marque d’imprimeur que l’on peut voir ici.</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The edge of this book displays a decorative technique used fairly often. Instead of a marbled edge, here one has opted for a light sprinkling effect, achieved by drops of colour being “tapped” from the bristles of the brush. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;La tranche de ce livre présente une technique de décoration simple parfois utilisée. Plutôt que de marbrer la tranche (on imagine les difficultés associées à la marbrure qui demande de déposer la tranche délicatement à la surface de l’eau), ici on a opté́ pour un léger effet moucheté probablement réalisé en projetant des goutelettes de couleurs avec un pinceau.</text>
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                <text>Parisiis, Ex officina Roberti Stephani</text>
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                <text>Dictionaire francoislatin, contenant les motz &amp; manieres de parler francois, tournez en latin</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Robert Estienne (1503-1559) was the second son of printer Henri Estienne. After his father’s death in 1520, he collaborated with his older brother François and Simon de Colines (whose printer’s device we see in another item on display in this cabinet). Estienne was renowned for being one of the most erudite of his century, notably being named royal printer for Hebrew and Latin. Robert’s device is that of a serpent wrapped around an olive tree, alluding, most likely, to the tree of knowledge. However, there is a more personal meaning hidden within the device, perhaps something of an “in joke”, the Estienne printing shop was on Rue St-Jean-de-Beauvois in Paris, “at the sign of the Olive”. The motto contained within the device reads “Noli altum sapere, sed time” (“Be not high-minded, but fear”), a quote which stems from St. Paul’s Epistle to the Romans. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Robert Estienne (1503-1559) était le second fils de l’imprimeur Henri Etienne. Après la mort de son pè̀re en 1520, il a collaboré avec son frère aîné François et Simon de Colines. Il est reconnu comme l’un des plus éminents savants de son sè̀cle. Il fut nommé́ imprimeur du roi pour l’Hébreu et le Latin. La marque de Robert Estienne représente un serpent enlaçant un olivier. Si l’arbre fait penser à l’arbre de la connaissance, le clin d’œil à l’enseigne d’Estienne « au signe de l’Olivier » a sans doute joué sur ce choix. La devise « Noli altum sapere, sed time » est tirée de l’épître de Saint-Paul aux Romains et signifie « Ne t’abandonne pas à l’orgueil, mais crains ».</text>
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                <text>El Salvador El Pueblo Vencera [(The People will win) A film by the film institute of Revolutionary El Salvador F.M.L.N.]</text>
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                <text>F.M.L.N. [Farabundo Martí National Liberation Front]</text>
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                <text>Wendy McPeake fonds</text>
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