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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Recueil des opéra, des balets, &amp; des plus belles pièces en musique, qui ont été représentées depuis dix ou douze ans jusques à présent devant Sa Majesté Tres-Ché́tienne,  suivant la copie de Paris</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;In this work and in others, we see very fine lines in red that delineate different spaces on the page for the printed text. This work carries over the medieval practice used by manuscript copyists, that is, the ruling of spaces in the text in preparation for script to be recopied. These lines are unnecessary for the typesetting and printing processes, but it is an aesthetic acknowledgement of the printing technique used by medieval scribes. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;On peut voir dans cet ouvrage et dans quelques autres, de fines lignes rouges qui délimitent les divers espaces d’impression. Cette pratique dérive directement de la pratique médiévale de l’écriture des copistes qui préparaient la mise en page du texte à recopier. Bien que peu utile dans le cas de l’imprimerie, cette pratique montre la lente transition sur le plan esthétique qui s’opère entre l’ère du manuscrit et celle de l’imprimerie, le texte étant plutôt délimité par le typographe au moment de la mise en forme.</text>
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                <text>Archives and Special Collections, University of Ottawa [ML48 .R27 1690] /Archives et collections spéciales, Université d'Ottawa [ML48 .R27 1690]</text>
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                <text>Amsterdam, Chez Abraham Wolfgang</text>
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                <text>I dilettevoli sermoni, altrimenti satire, e le morali epistole, insieme con La poetica [...]</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;A Venetian, Gabriele Giolito de Ferrari (1508-1578), established a bookstore and printing shop in Venice with his father, named “Liberia del Fenice” (the Phoenix bookstore). As we have seen with other printer’s devices, the mark may illustrate the locale or name of the shop or of the printer. Giolito de’ Ferrari’s mark depicts a Phoenix (i.e. Fenice) rising from the fire below. Giolito’s motto is “Semper eadem”, which translates as “Always the same”. It describes, most certainly, the fate of the Phoenix, which rejuvenates itself on a perpetual basis, but, perhaps, also the nature of printing: but for the wearing out of type, a text can be printed in relative perpetuity once set. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Gabriele Giolito de Ferrari (1508-1578) avait établi une librairie et une boutique d’imprimerie à Venise avec son père sous le nom de « Liberia del Fenice » (La librairie du Phoenix). Comme on l’a vu avec d’autres imprimeurs, la marque de Giolito de Ferrari représente un phoenix sortant des flammes. Sa devise est « Semper eadem », qui peut se traduire par « toujours le même ». Elle décrit très certainement le sort du phoenix, qui se regénère perpétuellement. Mais c’est peut-être aussi un clin d’œil à la nature même de l’imprimerie qui se doit de reproduire à l’infini le même texte à̀ l’identique.</text>
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                <text>Horace (65 BC-8 BC)</text>
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                <text>Vinegia, Apresso Gabriel Giolito de Ferrari</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>L'Éloge de la Folie</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This item is on display to show the exquisite richness of the engraving shown. Note the texture and pristine whiteness of the paper used; this was intended for a reader seeking luxury. The engraving would have been passed through the press at a different time to the printing of the text and been bound in the final states of collation and sewing of the gatherings of text. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ce portrait montre la richesse, la précision et la qualité de la gravure qui pouvait être produite au XVIIIe siècle. On notera la texture et la blancheur immaculée du papier utilisé́. Cette gravure a été créée à part et ajoutée au texte lors de la reliure afin d’enrichir l’ouvrage.</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Le Nouveau Testament de Nostre Seigneur Jesus Christ, traduit en François selon l'edition Vulgate, avec les differences du Grec</text>
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                <text>&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;This book offers a typical example of the classic formula of “promise” and “reward” that one regularly finds in books of the 15th and 16th centuries. The phrasing varies as per the personality and humour of the owner and how much value he assigns to his book. Certain owners promise blessings or rewards to those who return his property in cases of loss, as is the case here with citizen Jean-Baptiste Fortin le Jeune, who will “pay a reasonable reward”. Others seem more vindictive, promising eternal damnation to anyone who dares to not return his property.&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Ce livre offre un exemple typique de la formule classique de promesse de écompense que l’on retrouve régulèrement dans les livres des XVe et XVIe siècles. Cette formule varie selon l’humeur du proprétaire et en fonction de la valeur qu’il confè̀re à̀ son livre. Certains promettent bénédiction ou récompense à celui qui rapportera le livre à son propriétaire, en cas de perte, comme c’est le cas du citoyen Jean-Baptiste Fortin le Jeune qui « paiera pour salaire raisonnablement ». D’autres seront plus vindicatifs, promettant malédiction éternelle à celui qui en revanche ne le remettrait pas à son propriétaire.&lt;/p&gt;</text>
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                <text> A Mons, Chez Gaspard Migeot, à l'enseigne des trois vertus,</text>
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                <text>1672</text>
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                <text>Archives and Special Collections, University of Ottawa/Archives et collections spéciales, Université d'Ottawa</text>
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                <text>Book/Livre</text>
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                <text>ARSC_RB_BS21281672</text>
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                <text>  &#13;
Archives and Special Collections, University of Ottawa [BS2128 1672] /Archives et collections spéciales, Université d'Ottawa [BS2128 1672]&#13;
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Hai tou Aischylou Choéphoroi. Aeschyli Choephoroe. Ex recensione Porsoniana</text>
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                <text>&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;This exquisite example of a mark of ownership is not even that of a book owner but that of a bookseller in Glasgow, Scotland, who had this item for sale in their shop. This practice ensured that this item could be traced back to its original point of sale after leaving the shop’s shelves, and the connection back to booksellers James and Andrew Duncan could not be better indicated!&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;French&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Cette magnifique marque de propriété n’est pas celle du propriétaire/lecteur du livre, mais plutôt des libraires James et Andrew Duncan de Glasgow en Écosse, qui avaient cet ouvrage en vente dans leur boutique. Façon de s’assurer de laisser sa trace sur un livre qui quittera nécessairement les étagères, l’attachement des libraires pour leur inventaire ne saurait être si bien illustré.&lt;/p&gt;</text>
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                <text>Aeschylus</text>
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                <text>Archives and Special Collections, University of Ottawa [PA3825 .C5 1811]/Archives et collections spéciales, Université d'Ottawa [PA3825 .C5 1811]/</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="896">
                <text>Edinburgi, Eprelo academic, veneunt apud Gulielum Blackwood; Londini, Apud Longman, Hurst, Rees et Orme</text>
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            <name>Date</name>
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                <text>1811</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="898">
                <text>Archives and Special Collections, University of Ottawa Archives et collections spéciales, Université d'Ottawa</text>
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            <name>Format</name>
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                <text>Book/Livre</text>
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            <name>Identifier</name>
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                <text>ARSC_RB_PA3825 .C5 1811</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Theocriti, Bionis et Moschi Carmina bucolica graece et latine</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Classical texts, authors and classical languages formed the majority of texts printed in the early days of printing. While this item is not as old as its counterparts in the Collection, it does display, very richly, the elaborate Greek fonts that would have been designed by typefounders. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Les classiques grecs et latins, ainsi que leurs traductions ont été les plus populaires au cours des premières années de l’histoire de l’imprimerie. Bien que cette édition ne soit pas très ancienne (1779), elle montre la richesse, la diversité et la qualité des caractères d’imprimerie produits par les fondeurs.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Therocritus</text>
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                <text>Archives and Special Collections, University of Ottawa [PA 4442 .A2 1779] /Archives et collections spéciales, Université d'Ottawa [PA 4442 .A2 1779]</text>
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            <name>Date</name>
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              <elementText elementTextId="907">
                <text>1779</text>
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              <elementText elementTextId="908">
                <text>Archives and Special Collections, University of Ottawa /Archives et collections spéciales, Université d'Ottawa </text>
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                <text>Book/Livre</text>
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                <text>Text/Texte</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="913">
                <text>Papinii Surculi Statii Opera quae extantai [...]</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;span style="text-decoration:underline;"&gt;English &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;In a fine and elegant script, the annotations appearing in the margins of the work by Papinus are of the hand of a French reader. Due to the distance of several centuries, it is difficult to identify the commentator, but the annotations appear to be an attempt to summarize the contents of certain paragraphs of this Latin text. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt; D’une graphie fine et élégante, les annotations qui apparaissent en marges de l’œuvre de Papinus sont abondantes. Difficile à quelques siècles de distance d’identifier le commentateur, mais il s’agit vraisemblablement d’une tentative de résumer, en français, le contenu de certains paragraphes de cet ouvrage écrit en latin.</text>
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                <text>Statius, P. Papinius (Publius Papinius)</text>
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                <text>Archives and Special Collections, University of Ottawa [PA 6697 .A2 1600]/Archives et collections spéciales  [PA 6697 .A2 1600]</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Parisiis, Ex officina Plantiniana. Apud Hadrianvm Perier, via Iacobaea</text>
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            <name>Date</name>
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            <name>Format</name>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text> Le Francophile, pour très-grand, très chrestien, très-magnanime &amp; très-belliqueux prince Henry Auguste IIII, roy de France &amp; de Navarre, contre les conspirations du roy d'Espagne, du pape &amp; des rebelles de France</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;Anglais&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;The endleaves of this book house a text on the wars of religion which occurred during the reign of Henri IV, specifically on the war that was titled the “Guerre des trois Henri” in 1585. The text speaks primarily of the Huguenots. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt; Les pages de garde de ce livre contiennent un texte sur les guerres de religion qui ont eu cours avant le règne d’Henri IV, au moment de la guerre dite des trois Henri. On y parle principalement des Huguenots.</text>
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                <text>&lt;span style="text-decoration:underline;"&gt;English&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Robert Estienne (1503-1559) was the second son of printer Henri Estienne. After his father’s death in 1520, he collaborated with his older brother François and Simon de Colines (whose printer’s device we see in another item on display in this cabinet). Estienne was renowned for being one of the most erudite of his century, notably being named royal printer for Hebrew and Latin. Robert’s device is that of a serpent wrapped around an olive tree, alluding, most likely, to the tree of knowledge. However, there is a more personal meaning hidden within the device, perhaps something of an “in joke”, the Estienne printing shop was on Rue St-Jean-de-Beauvois in Paris, “at the sign of the Olive”. The motto contained within the device reads “Noli altum sapere, sed time” (“Be not high-minded, but fear”), a quote which stems from St. Paul’s Epistle to the Romans. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Robert Estienne (1503-1559) était le second fils de l’imprimeur Henri Etienne. Après la mort de son pè̀re en 1520, il a collaboré avec son frère aîné François et Simon de Colines. Il est reconnu comme l’un des plus éminents savants de son sè̀cle. Il fut nommé́ imprimeur du roi pour l’Hébreu et le Latin. La marque de Robert Estienne représente un serpent enlaçant un olivier. Si l’arbre fait penser à l’arbre de la connaissance, le clin d’œil à l’enseigne d’Estienne « au signe de l’Olivier » a sans doute joué sur ce choix. La devise « Noli altum sapere, sed time » est tirée de l’épître de Saint-Paul aux Romains et signifie « Ne t’abandonne pas à l’orgueil, mais crains ».</text>
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                <text>Archives and Special Collections, University of Ottawa [PC 2645 .L3 E78 1539] /Archives et collections spéciales, Université d'Ottawa [PC 2645 .L3 E78 1539]</text>
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                  <text>La collection de livres rares comprend près de 14000 livres imprimés et manuscrits datant du XVe au XXIe siècle.  Incluant des milliers d'ouvrages touchant différents sujets comme la médecine, le droit, la littérature, la philosophie, les sciences naturelles, la géographie, les sciences, l'architecture, l'histoire, les arts, la collection comprend des ouvrages publiés en Europe et en Amérique mais également des Canadiana. On y trouve en majorité des monographies mais également des périodiques européens et canadiens des 17e, 18e et 19e siècle.</text>
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                <text>Ciceronis eloqventiae parentis epistolae breviores, odoci Badii Ascensii conficiendarum epiftolarum compendium, Michael Alchouer Patauien lectors</text>
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                <text>&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;English&lt;br /&gt;&lt;/span&gt;The eloquence of Cicero appears to have wildly inspired a number of readers. However, in one case, someone seems less inspired by the art of discourse than infused with a burining desire to go Spear-fiching. If the messy and free-spirited penmanship on this post-incunabulum of 1516 seems sacrilegious to our eyes, it cannot be denied that it is also a great source of wry amusement. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Français&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Cet ouvrage de Cicéron semble avoir grandement inspiré son lecteur. Toutefois, c’est moins l’art de discourir qu’une envie soudaine d’évasion à la pêche au harpon qui semble avoir eu raison de son cœur. Si la plume griffonnant sur un post-incunable de 1516 nous semble aujourd’hui un véritable sacrilège, on ne peut qu’esquisser un sourire en s’imaginant le jeune étudiant de rhé́torique d’une autre époque.&lt;/p&gt;</text>
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                <text>Cicero, Marcus Tullius. </text>
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                <text>Archives and Special Collections, University of Ottawa [PA6297.A2 1516]/Archives et collections spéciales, Université d'Ottawa [PA6297.A2 1516]</text>
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                <text> Viennae Pannoniae, per Hieronymum Vietorem expenfis Leonardi I Lucae A lantfae fratru</text>
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