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                <text>Brecht work(s)/oeuvre(s): Die Dreigroschenoper</text>
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                <text>File Card, Bertolt-Brecht-Archiv, Berlin, Germany.
Johnson, Audrey. “Opera: Haunting Tunes, Seething Action.” Times Colonist, 22 Jan. 1985, p. D4.
“Newsletter.” The Kurt Weill Foundation for Music, https://www.kwf.org/newsletter/. 
“Opera Modernized.” Times Colonist, 12 Jan. 1985, p. C4. </text>
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                <text>Brecht work(s)/oeuvre(s): Die Hochzeit</text>
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                <text>David, Gilbert. “Brecht Au Québec : Au-Delà Des Malentendus.” Jeu, vol. 43, 1987, pp. 115-129, voir p. 116.</text>
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                <text>Canada on Stage: 1982-1986. Toronto: Communications Centre, Professional Association of Canadian Theatres, 1989, p. 423.</text>
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                <text>Schmidt, Klaus M., and Daniela Fromann. “Survey on Brecht Productions in the US and Canada from 1975/76 to 1985/86 with Comparative Figures in the FRG, GDR, and Austria.” Gestus: A Quarterly Journal of Brechtian Studies, vol. 2, no. 3, 1987, p. 244.
“Stage.” The Expositor, 9 Mar. 1984, p. 18.</text>
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David, Gilbert. “Brecht Au Québec : Au-Delà Des Malentendus.” Jeu, vol. 43, 1987, pp. 1115-129, voir p. 117, p. 128, p. 129.
Lévesque, Robert. “Le Mois Brecht. Heureux Hasard: Trois Pièces Du Grand Dramaturge Allemand Prennent l’affiche Presque En Même Temps.” Le Devoir, 14 Jan. 1984, pp. 13, 18.
Programme de “Mère Courage et ses enfants”, Nouvelle Compagnie Théâtrale, 1984. BAnQ Numérique, https://collections.banq.qc.ca/ark:/52327/3659785.</text>
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                <text>Donnelly, Pat. "Broadway Treatment for Preachy Classic." The Gazette, Jun 14, 2001, pp. D9.
Hays, Matthew. “Mack the Knife Shreds Language Barriers.” Globe and Mail, 27 June 2001, www.theglobeandmail.com/arts/mack-the-knife-shreds-language-barriers/article4149957/.
Hustak, Alan. "New Take on Threepenny Opera: Saidye Bronfman Takes the Original Text of the Brecht-Weill Musical for a Spin - in Yiddish."The Gazette, Jun 03, 2001, p. A11.</text>
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Burke, Jim. “Nuclear Sky Brings Brecht to a New High-Tech Horizon.” Montreal Gazette, 15 July 2020.
Esleben, Joerg. “Channeling Brecht in Two Recent Canadian Ecocritical Theatre Productions.” ecibs: Communications of the International Brecht Society, no. 1, 2021, e-cibs.org/issue-20211/#esleben.
Fillion, Pamela. “Printemps Numerique Fest Review of Nuclear Sky: The Experiment.” Forget the Box Media, 16 June 2015, forgetthebox.net/printemps-numerique-fest-review-of-nuclear-sky-the-experiment.
Fuerstenberg, Anna. “Brecht Retold Boldly: Review of Nuclear Sky: The Experiment.” Montreal Rampage, montrealrampage.com/brecht-retold-boldly-review-of-nuclear-sky-the-experiment. Accessed 10 Aug. 2022.
Meconnus2. “Nuclear Sky : The Experiment: en attendant la fin.” Les Méconnus, 5 June 2015, lesmeconnus.net/nuclear-sky-the-experiment-en-attendant-la-fin.
“NUCLEAR SKY.” Title66, www.title66.com/nuclear-sky-the-experiment. Accessed 10 Aug. 2022.
“Nuclear Sky: The Experiment.” Smr’S Blogs, SMR Culture Plus, 12 Aug. 2022, smrcultureplus.blogspot.com/2015/06/nuclear-sky-experiment.html#.VZqSdhNVikp.
“Nuclear Sky.” 9to5 (Dot Cc), 3 Aug. 2022, 9to5.cc/tag/nuclear-sky.
Segal, Jeremy Michael and Logan Williams. Interview conducted online by Joerg Esleben, 12 Nov. 2020.</text>
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Performance dates and venues:
9-18 March 2017: Gateway Theatre, 6500 Gilbert Rd, Richmond, British Columbia
10-20 January 20018: Firehall Arts Centre, 280 E Cordova St, Vancouver, British Columbia
22-25 January 2018: Anvil Centre, 777 Columbia St, New Westminster, British Columbia
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7-10 February 2018: Arts Court Theatre, 2 Daly Avenue, Ottawa, Ontario</text>
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                <text>Archibald, Sebastien and Chelsea Haberlin. Interview conducted by Joerg Esleben online, 1 Dec. 2020.
Esleben, Joerg. “Channeling Brecht in Two Recent Canadian Ecocritical Theatre Productions.” Paper in the panel “Brecht and Ecocriticism / Ecocriticism of Brecht: Theater and Media”, Annual Conference of the Modern Language Association, Online, 9 January 2021.
Esleben, Joerg. “Channeling Brecht in Two Recent Canadian Ecocritical Theatre Productions.” ecibs: Communications of the International Brecht Society, no. 1, 2021, e-cibs.org/issue-20211/#esleben.
Loring, Kevin. Interview conducted by Joerg Esleben, online, 9 March 2021.
“The Pipeline Project.” Neworld Theatre, 20 July 2022, neworldtheatre.com/projects/the-pipeline-project.
“The Pipeline Project: March 9–18, 2017 at Gateway Theatre.” Issuu, 27 Feb. 2017, issuu.com/gatewaytheatre8/docs/gatewaytheatre_-_the_pipeline_proje.</text>
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                <text>Carter, Jill. “Kicking the Heroin Habit: Memorializing the Survivance Skirmishes and Little Victories of the Merely Mortal Women Who Fought Them.” Solo Performance, edited by Jenn Stephenson. Playwrights Canada Press, 2011, pp. 191-199.
Esleben, Joerg and Ecem Yucel. “Indigenous Theatre meets Brecht in Sucker Falls and Red Mother.” Annual Conference of the Canadian Association of University Teachers of German, University of British Columbia, Vancouver, June 2019.
Esleben, Joerg. “Brechtian Theatre in Canada between Domestication and Alienation.” Congress of the International Brecht Society, Leipzig, Germany, June 2019.
“LaMaMa presents the premiere of Red Mother.” Press release, LaMaMa Theatre, New York City, 2010. URL: http://www.loosechangeproductions.org/wp-content/uploads/2016/08/RedMother_PR.pdf. Accessed 12 June 2019.
Red Mother. Touring Brochure by Spiderwoman Theater, 2013. http://mail.spiderwomantheater.org/docs/RM_Brochure2013.pdf. Accessed 7 May 2019.</text>
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                <text>Esleben, Joerg. “Du petit B.B. : Brecht in der gegenwärtigen Kleinkunst in Quebec.“ Annual Conference of German Studies Canada, online, 17 May 2022.
Ifergan, Ariel. Entretien avec Joerg Esleben en ligne, 28 avril 2022.
Ifergan, Ariel. Le Petit Arturo. Manuscript. 2018. Bibliothèque Famille Bleviss, École nationale de théâtre du Canada, http://thalia.ent-nts.ca/in/faces/details.xhtml?id=p%3A%3Ausmarcdef_0000082366.
“Le petit Arturo." Séquences – La revue de cinéma, mars 2018, www.revuesequences.org/2018/03/le-petit-arturo. Accessed 3 Aug. 2022.
“Le Petit Arturo.” Pas de panique, pasdepanique.ca/le-petit-arturo. Accessed 15 Mar. 2022.
Le Petit Arturo - Dossier Pédagogique. Pas de panique, 2018, pasdepanique.ca/file/si152107/download/Le%20Petit%20Arturo%20-%20Programme%20p%c3%a9dagogique-fi9084037.pdf.
Le Petit Arturo Au Centre Segal Dès Le 7 Mars, Communiqué de Presse, mailchi.mp/f82267f083cd/le-petit-arturo-au-centre-segal-ds-le-7-mars-communiqu-de-presse-1492773?e=5c39514e8b. Accessed 15 Mar. 2022.
“MonTheatre - Le Petit Arturo.” www.montheatre.qc.ca/archives/16-saidye/2018/arturo.html. Accessed 3 Aug. 2022.</text>
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Lévesque, Robert. “Le Mois Brecht. Heureux Hasard: Trois Pièces Du Grand Dramaturge Allemand Prennent l’affiche Presque En Même Temps.” Le Devoir, 14 Jan. 1984, pp. 13, 18.</text>
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                <text>File Card, Bertolt-Brecht-Archiv, Berlin, Germany.
University News, Dalhousie University, 19 October 1972, p. 12, https://findingaids.library.dal.ca/uploads/r/dalhousie-university-archives/8/e/8/8e80e9ab2ab31348b4f317948320df7e56bb14bb587863bf54097c76349a052d/ms-1-ref_227_3_4.pdf. </text>
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22 Oct. 1972: Algoma College auditorium, Sault St. Marie, Ontario
17 Nov. 1972: Red Deer College, Red Deer, Alberta
1 Dec. 1972: James Cowan Theatre, Burnaby Arts Centre, British Columbia, as part of the National Young Companies Theatre Festival
15 and 17 March 1973: Open Space, 510 Fort St., Victoria, British Columbia
24-30 April 1973: The Western Front, 303 East Eighth St., Vancouver, British Columbia</text>
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                <text>Barber, James. “2 thin, lacklustre productions.” The Province [Vancouver], 2 Dec. 1972, p. 47. 
Kapica, Jack. “Theatre that declines to be in ‘theatre business’.” The Gazette [Montreal], 2 Sept. 1972, p. 42.
“Montreal troupe will do 3 plays here.” Sault Star, 19 Oct. 1972, p. 18.
Zemanek, Rick. “Drama workshop more a workout.” Red Deer Advocate, 18 Nov. 1972, p. 3.</text>
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Theaterdokumentation 1917, Bertolt-Brecht-Archiv, Berlin, Allemagne, permalien: https://archiv.adk.de/objekt/2582913.</text>
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                <text>Canada on Stage: 1982-1986. Toronto: Communications Centre, Professional Association of Canadian Theatres, 1989, p. 261.
David, Gilbert. “Brecht Au Québec : Au-Delà Des Malentendus.” Jeu, vol. 43, 1987, pp. 115-129, voir p. 129.
“La Compagnie De L'Échiquier Et La Compagnie De Quat'sous Présentent Grandeur Et Décadence De La Ville De Mahagonny, Opéra De B. Brecht Et K. Weill.” BAnQ, 1984, https://collections.banq.qc.ca/ark:/52327/2456427. 
Lévesque, Robert. “Le Mois Brecht. Heureux Hasard: Trois Pièces Du Grand Dramaturge Allemand Prennent l’affiche Presque En Même Temps.” Le Devoir, 14 Jan. 1984, pp. 13, 18.
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Larventz, Don. “Mother the life of the Party.” Solidarity Times (Vancouver), vol. 1, no. 6, 23 Nov. 1983, p. 14, https://www.labourheritagecentre.ca/wp-content/uploads/2019/04/Solidarity-Times_1983-11-23.pdf.</text>
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                <text>Kremer, Johanna. Die Geschichte des deutschsprachigen Theaters in Montreal von seinen Anfängen 1953 bis 1997. 1998. McGill University, MA Thesis, pp. 25, 38, 77.</text>
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                <text>Brecht work(s)/oeuvre(s): Die Dreigroschenoper</text>
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                <text>Program for "The Threepenny Opera", Stratford Festival, 1972. Bertolt-Brecht-Archiv, Berlin, Germany.
Theaterdokumentation 1239, Bertolt-Brecht-Archiv, Berlin, Germany, permalink: https://archiv.adk.de/objekt/2588090.</text>
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                <text>Toronto Free Theatre was absorbed with another theatre company in 1988 to form Canadian Stage Company. </text>
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                <text>Canada on Stage: 1982-1986. Toronto: Communications Centre, Professional Association of Canadian Theatres, 1989, p. 253.
Czarnecki, Mark. “Windy City surrealism.” Maclean’s 19 Dec. 1983, p. 77, https://archive.macleans.ca/article/1983/12/19/windy-city-surrealism.</text>
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Canada on Stage: 1982-1986. Toronto: Communications Centre, Professional Association of Canadian Theatres, 1989, p. 119.
David, Gilbert. “Brecht Au Québec : Au-Delà Des Malentendus.” Jeu, vol. 43, 1987, pp. 115-129, voir p. 129.
Programme de “Arturo Ui”, Théâtre de Quat'Sous, 1983. BAnQ Numérique, https://collections.banq.qc.ca/ark:/52327/2456508.</text>
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                <text>McCracken, Rosemary. “Labor drama still relevant.” Calgary Herald, 15 Feb. 1983, p. D10.
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                <text>“Brecht at Theatre School.” The Gazette, 17 Dec. 1982, p. C14. 
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                <text>Côté, Isabeau; régie | Gagnon, Martin; objets | Lefrançois, Dany; conseiller à la manipulation | Moisan, Gatien; aide aux patines | Moisan, Sara; objets | Ouellet, Christian; assistance à la mise en scène | Potvin, Serge; régie | Renaud, Marilyne; aide chorégraphique | Rivard, Guylaine; conseiller au jeu | Simard, Patrick; graphisme | Simard, Patrick; photographie</text>
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2014:
12-13 septembre: Micro-festival de marionnettes inachevées, Trois-Rivières, Québec
2015:
9-18 avril: Studio théâtre de l’UQAC, Saguenay, Québec
juillet: Festival international des arts de la marionnette (FIAMS), Saguenay, Québec
octobre: Petit théâtre de l’UQAC, Saguenay, Québec
2016:
Petit théâtre de l’UQAC, Saguenay, Québec
8-13 novembre: La Maison théâtre, Montréal, Québec
27 novembre: Théâtre Léonard Saint-Laurent, Sherbrooke, Québec
2017:
8 juin: Pyka Puppet Estival, Fontenay-sous-Bois, France
24-26 octobre: Maison de la culture de Pointe-aux-trembles, Montréal, Québec
Biennale internationale des arts de la marionnette à Paris, Gennevilliers, France
Bourse Rideau, Ville de Québec, Québec
2018
15-19 janvier: Salle polyvalente de la Bibliothèque Hélène-Pedneault, Jonquières, Québec
17 avril: Festival Rencontre Théâtre Ados, Maison des arts, Laval, Québec
25-27 avril: Théâtre jeunesse Les gros becs, Ville de Québec, Québec
Auditorium La Porte du Nord, Chibougamau, Québec
Salle Murdock du Centre des arts de Chicoutimi, Saguenay, Québec
Théâtre Outremont, Montréal, Québec
2019:
Salle polyvalente de la Bibliothèque Hélène-Pedneault, Jonquières, Québec
Théâtre des Deux Rives, Saint-Jean-sur-Richelieu, Québec
Salle Murdock du Centre des arts de Chicoutimi, Saguenay, Québec
2020:
25 février au 15 mars: Mouffetard-Théâtre des arts de la marionnette, Paris, France</text>
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                <text>Dossier Accompagnement "Le petit cercle de craie". http://lemouffetard.com/sites/default/files/08%20dossier%20accompagnement%20LE%20PETIT%20CERCLE%20DE%20CRAIE.pdf. Consulté le 26 avril 2021.
Esleben, Joerg. “Du petit B.B. : Brecht in der gegenwärtigen Kleinkunst in Quebec.“ Conférence annuelle d'Études allemandes Canada, en ligne, 17 mai 2022.
"Le petit cercle de craie." La Tortue Noire, https://latortuenoire.com/evenements/le-petit-cercle-de-craie/. Consulté le 15 oct. 2022.
Moisan, Sara et Christian Ouellet. Interview menée par Joerg Esleben en ligne, 7 mai 2021.</text>
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                <text>Event notice, Montreal Star, 25 May 1972, p. 67.
Event notice, Montreal Star, 23 Sept. 1972, p. E2.
Siskin, Jacob. “A delightful twin bill.” The Gazette [Montreal], 25 May 1972, p. 38.</text>
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                <text>Canada on Stage: 1982-1986. Toronto: Communications Centre, Professional Association of Canadian Theatres, 1989, p. 100-101.
Leroux, Louis Patrick. “Brigitte avant Haentjens : un engagement artistique en Ontario français.” L’Annuaire théâtral, no. 61, Aug. 2018, pp. 15–41, https://www.erudit.org/en/journals/annuaire/1900-v1-n1-annuaire03941/1051025ar/.
“L’opera Du Gros Cinq Cennes.” Théâtre Du Nouvel-Ontario, 1982, https://letno.ca/programmation/cinq/.</text>
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                <text>Ce spectacle était aussi sous le nom "Brecht ébréché". (David)</text>
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                <text>David, Gilbert. “Brecht Au Québec : Au-Delà Des Malentendus.” Jeu, vol. 43, 1987, pp. 115-129, voir p. 116, pp. 125-126, p. 129.
Dassylva, Martial. “Madame Puntila et Son Chauffeur Matti : Un Spectacle Inachevé.” La Presse, 20 Oct. 1982, p. B6.
File card, Bertolt-Brecht-Archiv, Berlin, Germany.
Sabourin, Jean-Guy, and André Bédard. M. Matti. DVD, 2017. UQAM, Open WorldCat, DVD 36471.</text>
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                <text>Schmidt, Klaus M., and Daniela Fromann. “Survey on Brecht Productions in the US and Canada from 1975/76 to 1985/86 with Comparative Figures in the FRG, GDR, and Austria.” Gestus: A Quarterly Journal of Brechtian Studies, vol. 2, no. 3, 1987, p. 244.</text>
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                <text>Brecht work(s)/oeuvre(s): Die Ausnahme und die Regel</text>
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Il y avait 5 représentations.</text>
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                <text>Canadian Theatre Review Yearbook 1981-82. Edited by Don Rubin, CTR Publications, York University, p. 160.
“L’exception et la règle”, Rappels.ca, https://rappels.ca/fr/lexception-et-r%C3%A8gle.</text>
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                <text>Peterson, Maureen. “NTS Students Put on Polished Brecht.” The Gazette, 6 May 1982, p. C15.
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                <text>“Theatre News.” Ottawa Journal, 26 Feb. 1972, p. 43.
“Workshop ‘Jam-Nite’.” Ottawa Citizen, 26 Feb. 1972, p. 30.</text>
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“Drama Guild using puppets.” Ottawa Journal, 27 Nov. 1971, p. 26.
Gates, Ilse-Marie. “Puppets not just toys.” Ottawa Citizen, 11 Sept. 1971, p. 35.
Production notes for The Trial of Lucullus, Department of Theatre, University of Ottawa,1971, University of Ottawa Archive, GIA-IAM/Department of Theatre/Faculty of Arts/University of Ottawa/Fonds 10-5618.10.</text>
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Event notice, Montreal Star, 26 Nov. 1971, p. 13.
Heller, Zelda. “Centaur’s stunning double bill.” Montreal Star, 27 Nov. 1971, p. 12.</text>
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                <text>Adamson, Kenneth; act. | Allan, Roger; act. | Barron, John; act. (role: Cardinal Barberini, Pope Urban VIII) | Bede, Claude; act. (role: Mathematician) | Benson, Robert; act. (role: Cardinal Bellarmin) | Bishop, Ronald; act. (role: Doge, Fat Prelate) | Bleviss, Alan; act. (role: Matti) | Branton, Milton; act. (role: Prince Cosimo de’Medici) | Christopher, Patrick; act. (role: Lord Chamberlain) | Chudley, Ronald; act. (role: A Peasant) | Clement, David; act. | Cole, Vincent; act. (role: Curator) | Coulter, Clare; act. (role: Lady of the Court) | Donohue, Brenda; act. | Douglas, James B.; act. (role: Sagredo) | Galloway, Carole; act. (role: Lady of the Court, Ballad Singer’s Wife) | Gross, Gene; act. (role: Federzoni) | Hastings, Ron; act. (role: Philosopher, Rector) | Hogan, Dominic; act. (role: Inquisition Official) | Howay; Robert; act. (role: Ludovico) | John, Linda; act. | Kovacs, Geza; act. | Leary, Tim; act. | McKennitt, Robert; act. (role: Cosimo’s Dwarf, Dwarf) | Miller, Colin; act. (role: First Secretary) | Morse, Hayward; act. (role: Second Secretary) | Munro, Neil; act. (role: Andrea as a young man) | Palmer, Anthony; act. (role: Galilei) | Phipps, Jennifer; act. (role: Mrs. Sarti) | Pirie, Mary; act. (role: Virginia) | Reineke, Gary; act. (role: Cardinal Inquisitor) | Rottenberg, Deborah; act. | Saville-Read, Geoffrey; act. (role: Clavius) | Schurmann, David; act. (role: Infuriated Monk, Informer) | Tyrell, David; act. (role: Andrea as a boy) | Webster, Hugh; act. (role: Little Monk) | Welsh, Jonathan; act. (role: Ballad Singer) | White, Jonathan; act. (role: Old Cardinal) | Windsor, Robert; act.</text>
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                <text>St. Simon’s Church Children’s Choir</text>
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              <elementText elementTextId="2208">
                <text>Engleman, Robin; musician/musicien. (percussion) | Loman, Judy; musician/musicien. (harp) | White, Dorothy; musician/musicien. (harp)</text>
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            <description>A language of the resource</description>
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                <text>lang.: English / anglais</text>
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          <element elementId="41">
            <name>Description</name>
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                <text>Brecht work(s)/oeuvre(s): Leben des Galilei</text>
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                <text>Program Notes for "Galileo", Toronto, 1971. Bertolt-Brecht-Archiv, Berlin, Germany.
Theaterdokumentation 1574, Bertolt-Brecht-Archiv, Berlin, Germany, permalink: https://archiv.adk.de/objekt/2582978.
Whittaker, Herbert. “Centre’s Galileo recalls historic production.” Globe and Mail, 23 Oct. 1971, p. 25.
Whittaker, Herbert. “St. Lawrence exudes a new authority.” Globe and Mail, 26 Oct. 1971, p. 15.</text>
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                <text>Catalog.: Joerg Esleben, University of Ottawa</text>
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