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                <text>Brecht work(s)/oeuvre(s): Die Hochzeit</text>
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                <text>A reading script of the translation is located in the Toronto Workshop Productions Archive, University of Guelph, permalink: https://ocul-gue.primo.exlibrisgroup.com/permalink/01OCUL_GUE/1gg5hgs/alma9924039833505154.</text>
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                <text>Brecht, Bertolt. The Wedding. Translated by Martin Kastner and Rose Kastner. In: Collected Plays: One. Edited by Ralph Manheim and John Willett. New York: Vintage, 1971, pp. 257-282.</text>
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                <text>Brecht work(s)/oeuvre(s): Der Fischzug</text>
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                <text>Brecht, Bertolt. The Catch. Translated by Martin Kastner and Rose Kastner. In: Collected Plays: One. Edited by Ralph Manheim and John Willett. New York: Vintage, 1971, pp. 323-340.</text>
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Alternate titel: He drives out a devil [see References]</text>
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                <text>Brecht, Bertolt. He drives out a devil. Translated by Martin Kastner and Rose Kastner. In: Collected Plays: One. Edited by Ralph Manheim and John Willett. New York: Vintage, 1971, pp. 291-304.</text>
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                <text>Brecht work(s)/oeuvre(s): Die Dreigroschenoper</text>
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                <text>Annonce pour "L'Opéra de Quat'Sous", L’Artisan: Hebdomadaire de Repentigny et du Comte de L’Assomption, 27 mai 1970, p. 5. BanQ Numérique, https://collections.banq.qc.ca/ark:/52327/2454199.</text>
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                <text>Event notice for "Brecht on Brecht". Ottawa Citizen, 11 April 1970, p. 54.</text>
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Heller, Zelda. “Threepenny Opera adopted by new generation.” Montreal Star, 10 March 1970, p. 36.
Kilgour, Don. “Threepenny Opera worth more.” Montreal Star, 10 March 1970, p. 38.</text>
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Rubin, Don. “Hart House deserves thanks for this Brecht work.” Toronto Daily Star, 22 Jan. 1970, p. 68.
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                <text>“Blain Fairman Stars in Brecht Title Role.” Victoria Daily Times, 28 March 1970, p. 20.
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Affiche, BAnQ Numérique, https://collections.banq.qc.ca/ark:/52327/4361808.</text>
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Czarnecki, Mark. “Gambling with the Greasepaint.” Maclean's, 21 July 1980, https://archive.macleans.ca/article/1980/7/21/gambling-with-the-greasepaint. 
Schmidt, Klaus M., and Daniela Fromann. “Survey on Brecht Productions in the US and Canada from 1975/76 to 1985/86 with Comparative Figures in the FRG, GDR, and Austria.” Gestus: A Quarterly Journal of Brechtian Studies, vol. 2, no. 3, 1987, pp. 237-250, see p. 248.</text>
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                <text>Affiche pour "T'es pas tannée, Jeanne D'Arc ?" BanQ Numérique, https://collections.banq.qc.ca/ark:/52327/3746078. 
Chantraine, Pol. “Le Grand Cirque Ordinaire, Ou Les Tréteaux Retrouvés.” La Presse, 14 mars 1970, Perspectives, pp. 11-12.
Cloutier, Mario. “Le Grand Cirque Ordinaire : Jeanne d’Arc célèbre 50 ans de liberté théâtrale.” La Presse, 13 nov. 2009, https://www.lapresse.ca/arts/theatre/2019-11-13/le-grand-cirque-ordinaire-jeanne-d-arc-celebre-50-ans-de-liberte-theatrale. Consulté le 6 juin 2022.
David, Gilbert. “Brecht Au Québec : Au-Delà Des Malentendus.” Jeu, vol. 43, 1987, pp. 115–29, voir p. 123 et p. 128.
Photographies de scènes de "T'es pas tannée, Jeanne D'Arc ?"  BanQ Numérique, https://numerique.banq.qc.ca/patrimoine/details/52327/3291167?docref=xtnDrTYuUYk3aOrYHe2eKQ.
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“Theatre News.” Ottawa Journal, 29 March 1969, p. 48.</text>
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                <text>Moser, Karin. “‘Cool Pierre’ warms dancers.” Ottawa Citizen, 24 Feb. 1969, p. 15.
Siskind, Jacob. “Orff’s Triumph of Aphrodite premiered triumphantly during weekend of ballet at PdA.” The Gazette [Montreal], 24 Feb. 1969, p. 14.</text>
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Dorrell, Robin. “‘Three Penny Opera’ Fascinating for Audacity.” Ottawa Journal, 22 Feb. 1969, p. 45.
Dorrell, Robin. “Threepenny Opera Revisited.” Ottawa Journal, 1March 1969, p. 46.
“Theatre News.” The Ottawa Journal, 18 Jan. 1969, p. 37.
Production notes for The Threepenny Opera, Department of Theatre, University of Ottawa, 1969, University of Ottawa Archive, GIA-IAM/Department of Theatre/Faculty of Arts/University of Ottawa/Fonds 10-3790.
Production notes for The Threepenny Opera, Department of Theatre, University of Ottawa, 1969, University of Ottawa Archive, GIA-IAM/Department of Theatre/Faculty of Arts/University of Ottawa/Fonds 10-AUO-PHO-NB-10-40.</text>
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“‘Epic’ theatre in rehearsal.” Windsor Star, 18 Jan. 1969, p. 37.
Jaunzems, Dagmar. “Brecht interpreted - University Players superb.” Windsor Star, 15 Feb. 1969, p. 41.
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                <text>Portman, Jamie. “Much To Admire In Brecht Production.” Calgary Herald, 15 Feb. 1969, p. 21.
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Ramsden, Russell. “‘Hitler’ on stage.” The Albertan [Calgary], 15 Feb. 1969, p. 26.
Scene photographs of "Arturo Ui". University of Calgary Archive, Reference Code: CA ACU ARC F0208-S0006-FL0063, https://searcharchives.ucalgary.ca/the-resistible-rise-of-arturo-ui-brecht.
“University Produces Brecht Play.” Calgary Herald, 7 Feb. 1969, Magazine, p. 9.</text>
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Event notice. The Chevron, vol. 9, no. 31, 1968-69, p. 17. https://issuu.com/uw_imprint/docs/1968-69_v9-n31_chevron. Accessed 26 July 2022.
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                <text>Event notice. Star-Phoenix [Saskatoon], 31 Aug. 1968, p. 16.
Miller, Ross. “The Good Woman long on words but Brecht’s genius holds sway.” The Leader-Post [Regina], 12 Oct. 1968, p. 12.
“New idea sparks Globe Theatre.” The Leader-Post [Regina], 8 Oct. 1968, p. 6.
Wright, Bunny. “Globe production has shortcomings.” Star-Phoenix [Saskatoon], 8 Oct. 1968, p. 10.</text>
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                <text>Affiche de Homme pour homme, TNM, 1968. BanQ Numérique, https://collections.banq.qc.ca/ark:/52327/1994818. 
David, Gilbert. “Brecht Au Québec : Au-Delà Des Malentendus.” Jeu, vol. 43, 1987, pp. 115–29, voir p. 127.
"Homme pour homme." Rappels.ca, https://rappels.ca/fr/homme-pour-homme.
Programme de Homme pour homme, TNM, 1968. BanQ Numérique, https://collections.banq.qc.ca/ark:/52327/3659410.
English Program for Homme pour homme, TNM, 1968. BanQ Numérique, https://collections.banq.qc.ca/ark:/52327/3659411.</text>
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“Grass play at McGill.” Montreal Star, 17 Feb. 1968, p. 37.
Johnson, Sydney. “Grass drama at McGill.” Montreal Star, 1 March 1968, p. 21.</text>
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Event notice for The Caucasian Chalk Circle, The Montreal Star, 21 Feb. 1968, p. 67.
Siskind, Jacob. “Bishop’s U Presents Brecht Drama.” The Gazette [Montreal], 4 March 1968, p. 18.</text>
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“German Professor Will Present Show.” Edmonton Journal, 1 Dec. 1967, p. 3.</text>
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Ottawa Journal, 21 Feb. 1968, p. 43. 
Ottawa Citizen, 21 Feb. 1968, p. 23.</text>
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                <text>Festival Schedule. The Province [Vancouver], 24 June 1966, p. 9.
Watmough, David. “Brecht Play Flays Cant.” Vancouver Sun, 14 July 1966, p. 8.</text>
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                <text>The Ottawa Journal, 28 June 1966, p. 31.</text>
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                <text>The production was performed on 26 March 1966 in the Western Ontario Drama League Festival in Niagara Falls, Ontario. The adjudicator was Barry Morse. The production won qualification for the Dominion Drama Festival in Victoria, British Columbia, where it was performed on 20 May 1966 at McPherson Playhouse. The adjudicator was Marius Goring. The show "took the award for the best production in English and won Stan Lacey the best supporting actor award for his portrayal of a chaplain in Brecht’s chronicle of the Thirty Years War. The prize was awarded by The Canadian Association of French-Language Radio and Television Stations.” (Brauckmann)</text>
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              <elementText elementTextId="925">
                <text>Barber, James. "Mother Courage wildly applauded." The Province [Vancouver], 21 May 1966, p. 13.
Bill, Desmond. "'Dear Little Peter' Likes Them Tough." Victoria Daily Times, 20 May 1966, p. 19.
Brauckmann, Jack. "Calgary Production Heads Festival List." Montreal Star, 24 May 1966, p. 10.
Johnson, Audrey. "Shouts of Approval For Mother Courage." Times Colonist [Victoria, BC], 21 May 1966, p. 9.
"London wins bid to DDF." Sault Daily Star, 29 March 1966, p. 15.
Richards, Jack. "Goring Has Praise, Blame For Brecht’s War Epic." Vancouver Sun, 21 May 1966, p. 8.</text>
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                <text>Catalog.: Joerg Esleben, University of Ottawa</text>
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                <text>1966-03-14 [représentation, Théâtre Cartier de Hull]; 1966-06-28 [représentation, Parc Lafontaine, Montréal]; 1966-11-17 à 1966-11-20 [représentations, La Comédie Canadienne, Montréal]; 1966-12-02 [représentation, L'Académie, Ville de Québec]; 1967-05-14 [représentation, Théâtre Expo, Montréal]</text>
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                <text>Carrier, Louis-Georges; dir./metteur en scène</text>
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              <elementText elementTextId="906">
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                <text>Demers, Edgar. "Le rideau se lève … ." Le Droit, 16 mars 1966, p. 30.
Irwin, Joan. "Excellent Program By Pauline Julien." Montreal Star, 18 Nov. 1966, p. 34.
Irwin, Joan. "Excellent Recital, But … Pauline Sings to Empty Seats." Montreal Star, 15 May 1967, p. 35.
Royer, Jean. "La vraie Pauline Julien." L’Action : quotidien catholique, 5 déc. 1966, p. 7.
Theriault, Jacques. "Pauline Julien: pureté de l’expression." Le Devoir, 19 nov. 1966, p. 14.</text>
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                <text>Catalog.: Joerg Esleben, Université d'Ottawa</text>
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                <text>Kinderlieder [Regina, 1966]</text>
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                <text>The Brecht songs in the recital program were based on the poems "Mailied"/"May Song", "Der Pflaumenbaum"/"The Plum Tree", "Die Maske des Bösen/"Mask of the Evil Demon", "Hollywood", "Die Vögel im Winter"/"The Birds in Winter", "Die Pappel vom Karlsplatz"/"The Poplar in Karlsplatz", and "Wiegenlied"/"Lullaby". The event included a showing of paintings by Douglas Morton and further music by Telemann and P. Taffanel.</text>
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                <text>Graham-Smith, Beric. “Touch of freshness, delicacy.” The Leader-Post [Regina], 23 Feb. 1966, p. 48.</text>
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                <text>Program for The Threepenny Opera, Citadel Theatre, 1966. On Stage: The Magazine in the Theatre, 1966, https://issuu.com/citadel-theatre-edmonton/docs/the-threepenny-opera-playbill. Accessed 21 July 2022.
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Horton, John; act. | Knapp, Budd; act. | Reiser, Anna; act. | Sinclair, Patrick; act. | Thomas, Gwen; act. | Webster, Hugh; act. (role: Brecht) | Wiggins, Chris; act.</text>
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                <text>"Festival presents a study of Bertolt Brecht, illustrated by his poems and songs and excerpts from some of his plays." (Gazette)
The broadcast was presented "as a revue rehearsal Brecht was conducting" (Stoneham).
Broadcast duration: 30 minutes</text>
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                <text>"Bert Brecht: A Threepenny Profile." Library and Archives Canada, http://central.bac-lac.gc.ca/.redirect?app=filvidandsou&amp;id=184451&amp;lang=eng. Accessed 21 July 2022.
"My Lost Saints/Brecht: A Threepenny Profile." IMDb, https://www.imdb.com/title/tt6266338/?ref_=ttfc_fc_tt. Accessed 21 July 2022.
Pearce, Pat. "Festival Slithers into Soap Opera." The Montreal Star, 1 Dec. 1966, p. 34.
Program Note for "Brecht:  A Threepenny Profile", The Gazette [Montreal], 30 Nov. 1966, p. 20.
Stoneham, Gordon. "Realism and the simple life." Ottawa Citizen, 1 Dec. 1966, p. 33.</text>
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        <name>Agostini, Lucio; dir. music.</name>
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      <tag tagId="731">
        <name>Ashworth, Tom; lighting/éclairage</name>
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      <tag tagId="381">
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      <tag tagId="873">
        <name>Ferry, Antony; author/auteur.</name>
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        <name>Festival (tv series)</name>
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      <tag tagId="877">
        <name>Horton, John; act.</name>
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      <tag tagId="878">
        <name>Knapp, Budd; act.</name>
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        <name>lang.: English / anglais</name>
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        <name>Lawrence, Les; sets/scénogr.</name>
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      <tag tagId="874">
        <name>Reis, Curt; dir./réalisat.</name>
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      <tag tagId="879">
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      <tag tagId="880">
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        <name>Thomas, Gwen; act.</name>
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      <tag tagId="270">
        <name>Webster, Hugh; act.</name>
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      <tag tagId="754">
        <name>Wiggins, Chris; act.</name>
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                <text>Galileo [Winnipeg, 1966]</text>
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                <text>theatre production / spectacle de théâtre</text>
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                <text>Dominion Theatre, 175 Portage Avenue East, Winnipeg, Manitoba</text>
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                <text>1966-11-30 to 1966-12-17 [performances]</text>
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              <elementText elementTextId="838">
                <text>Sprott, Eoin; sets/scénogr.</text>
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                <text>Bede, Claude; act. | Blake, Mervyn; act. (role: Sagredo, Old Cardinal) | Cooper, Maurey; act. (role: Cardinal Inquisitor) | Donkin, Eric; act. | Gislason, Garth; act. (role: Street Singer) | Helpmann, Max; act. | Ivey, Dana; act. (role: Virginia) | Kenyon, Joel; act. | Lerner, Malka; act. | Lewis, Lillian; act. | Newton, Christopher; act. (role: Andrea Sarti) | Patterson, Ted; act. | Phipps, Jennifer; act. | Thomas, Powys; act. | Van Bridge, Tony; act. (role: Galileo) | Verden, Paul; act. | Welsh, Kenneth; act. (role: Little Monk) | Whitehead; Paxton; act.</text>
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                <text>Brecht work(s)/oeuvre(s): Leben des Galilei</text>
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                <text>The production received financial support from the Canadian Centennial Commission as part of Festival Canada.</text>
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            <elementTextContainer>
              <elementText elementTextId="844">
                <text>Cohen, Nathan. “Some stirring dimensions.” Toronto Daily Star, 1 Dec. 1966, p. 83.
“Galileo.” Royal Manitoba Theatre Centre - Production History, https://royalmtc.ca/About/History/Production-History.aspx. Accessed 19 July 2022.
Morriss, Frank. “Galileo a ponderous pageant.” Winnipeg Tribune, 1 Dec. 1966, p. 25.
Scott, Michael. “Old wine and new thoughts.” The Manitoban, 9 Dec. 1966, p. 13.
Theaterdokumentation 4558, Bertolt Brecht Archiv, Berlin, Germany, https://archiv.adk.de/objekt/2584558.</text>
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