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                <text>The Threepenny Opera [Winnipeg, 1966]</text>
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                <text>1966-02-09 to 1966-02-26 [performances]</text>
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                <text>Armstrong, Pat; act. (role: Betty) | Cariou, Len; act. (role: Street Singer) | Cartwright, Lyn; act. | Dight, Kenneth; act. | Donkin, Eric; act. (role: Mr. Peachum) | Galloway, Pat; act. (role: Polly Peachum) | Gordon, Lewis; act. | Haas, Maara; act. | Hecht, Evelyn; act. | Henry, Martha; act. (role: Jenny) | Jewell, Bill; act. | Karasevitch, Joan; act. (role: Lucy Brown) | Kozlik, Al; act. | Leighton, Betty; act. (role: Mrs. Peachum) | Maxwell, Roberta; act. | Petchey, Brian; act. (role: Jake) | Pogue, Kenneth; act. | Pownall, Leon; act. | Rain, Douglas; act. (role: Macheath) | Roden, George; act. | Smith, Charles; act. | Thatcher, Dennis; act. (role: Tiger Brown) | Van Der Tol, Pat; act. | Verden, Paul; act. | West, Muriel; act.</text>
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                <text>Brecht work(s)/oeuvre(s): Die Dreigroschenoper</text>
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                <text>Chusid, Harvey. “Hirsch in His Element.” The Manitoban, 11 Feb. 1966, p. 6.
“Mack the Knife soon back in town.” Winnipeg Tribune, 29 Jan. 1966, p. 10.
Robertson, Heather. “Brecht with a Gilbert and Sullivan flavor.” Winnipeg Tribune, 10 Feb. 1966, p. 29.
“The Threepenny Opera.” Royal Manitoba Theatre Centre - Production History, https://royalmtc.ca/About/History/Production-History.aspx. Accessed 19 July 2022.</text>
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                <text>Ashford, Jane; confection de costumes | Bohdanetzky, Polly; accessoires de décor et de costumes | Butler, Maurice; accessoires de décor et de costumes | Choquette, Normand; direct. de la scène | Doyle, Robert; confection de costumes | Garceau, Annette; confection de costumes, refaçon des costumes | Grisé, Claude; assistant. à la production | Harrison, Fernande; habill. | Harrison, Louis; chef électricien | Hawrysh, Kay; confection de costumes | Lalonde, Gilles; accessoires de décor et de costumes | Mahé, Roland; accessoiriste | McBane, Ken; accessoires de décor et de costumes | Peacock, David; direct. technique | Poulin, Léo; Chef machiniste | Roy, Jean-Guy; accessoiriste | Sanche, Yvon; direct. de production | Tutaj, Miroslaw; accessoires de décor et de costumes</text>
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                <text>Aubert, Louis; act. (rôle: Le Recruteur, Le Sergeant-Chef, Le Paysan) | Briand, Dominique; act. (rôle: Le Borgne, Deuxième Soldat) | Cottel, Marc; act. (rôle: Le Vieux Colonel, Le Lieutenant) | Donahue, Thomas; act. (rôle: Le Jeune Soldat, Le Jeune Homme) | Dufour, Yvon; act. (rôle: Le Capitaine Suedois) | Galipeau, Jacques; act. (rôle: L'Aumonier) | Gascon, Jean; act. (rôle: Le Cuisinier) | Grisé, Claude; act. (rôle: Le Secrétaire, Fils du Paysan) | Hébert, Marjolaine; act. (rôle: Yvette) | L'Écuyer, Guy; act. (rôle: Le Caporal, Le Vieux Soldat) | Millaire, Albert; act. (rôle: Eilif) | Morelle, Denise; act. (rôle: Femme du Paysan) | Mousso, Dyne; act. (rôle: Catherine) | Pelletier, Denise; act. (rôle: Mère Courage) | Peuvion, Patrick; act. (rôle: Le Soldat) | Renaud, Paul; act. (rôle: Premier Soldat) | Richard, Jean; act. (rôle: Petit Suisse) | Royer, Raymond; act. (rôle: L'Intendant, Le Paysan Blessé) | Val, Barbara; act. (rôle: La Vieille Paysanne, Vieille Femme)</text>
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                <text>Balta, Freddy; musician/musicien. (accordéon) | Le Sourd, Roger; musician/musicien. (piano) | Lévèque, Marcel; musician/musicien. (trompette) | O'Neil, Collin; musician/musicien. (percussion) </text>
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                <text>Brecht work(s)/oeuvre(s): Mutter Courage und ihre Kinder</text>
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                <text>David, Gilbert. “Brecht Au Québec : Au-Delà Des Malentendus.” Jeu, vol. 43, 1987, pp. 115–29, voir p. 122 et p. 127.
“Mère Courage.” RAPPELS.ca,  https://rappels.ca/fr/m%C3%A8re-courage-0. 
Programme de Mère Courage, Théâtre du Nouveau Monde, 1966. BAnQ Numérique, https://collections.banq.qc.ca/ark:/52327/3659642.
Theaterdokumentation 3312, Bertolt Brecht Archiv, Berlin, Allemagne, https://archiv.adk.de/objekt/2584619.</text>
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                <text>Catalog.: Joerg Esleben, Université d'Ottawa</text>
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“War and Survival Theme of Brecht Play.” The Ottawa Journal, 16 Jan. 1965, TV Journal January 16-22, p. 10.</text>
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Theaterdokumentation 886, Bertolt Brecht Archive, Berlin, Germany, https://archiv.adk.de/objekt/2583620.
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“German Playwright Was A Gifted Poet.” The Gazette [Montreal], 2 Feb. 1957, p. 33.
“MRT Club to Stage Brecht.” The Gazette [Montreal], 26 Jan. 1957, p. 30.</text>
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                <text>“‘L’Exeption et la règle’ de Brecht.” La Semaine à Radio-Canada, 3 mars 1956, p. 2.
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Program for Mother Courage, University of Toronto 1965. Theaterdokumentation 871, Bertolt Brecht Archiv, Berlin, Germany, https://archiv.adk.de/objekt/2583609.
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                <text>1946-06-25 to 1946-06-26 [performances]</text>
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                <text>Brecht work(s)/oeuvre(s): Furcht und Elend des III. Reiches</text>
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                <text>The Village Players performed the two self-contained scenes from Brecht's montage play in a double bill with Federico Garcia Lorca's "The Shoemaker's Prodigious Wife" (directed by Frances Halpenny).</text>
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              <elementText elementTextId="633">
                <text>“Current Events.” Globe and Mail 22 June 1946, p. 19.
Dora Mavor Moore Papers, MS Coll. 207, Thomas Fisher Rare Books Library, University of Toronto.
Macdonald, Rose. “ ‘Barn’ Theatre Presents Fine Stage Efforts.” Evening Telegram [Toronto], 27 June 1946.
McElheran, Brock. “Village Players Carry Art to Barn in Housing Crisis.” Globe and Mail, 26 June 1946, p. 10.</text>
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                <text>Catalog.: Joerg Esleben, University of Ottawa</text>
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                <text>Brecht work(s)/oeuvre(s): Die Dreigroschenoper</text>
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                <text>The adaptation of "The Threepenny Opera" seems to have remained unproduced and unpublished.</text>
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              <elementText elementTextId="621">
                <text>“Herschel Hardin: School for Swindle.” dollee.com – The Playwrights Database. URL: http://doollee.com/PlaywrightsH/hardin-herschel.php#15481. Accessed 5 January 2022.
Wallace, Robert. “Hardin, Herschel.” The Oxford Companion to Canadian Theatre, edited by Eugene Benson and L.W. Connolly. Oxford UP, 1989, pp. 254-255.</text>
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                <text>Catalog.: Joerg Esleben, University of Ottawa</text>
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                <text>The World of Kurt Weill in Song [Montreal, 1964]</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Holt, Will; singer/chant. | Schlamme, Martha; singer/chant.</text>
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              <elementText elementTextId="611">
                <text>Siskind, Jacob. “World of Weill in Song.” Montreal Star, 30 Nov. 1964, p. 20.</text>
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                <text>Catalog.: Joerg Esleben, University of Ottawa</text>
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                <text>Duhaime, Georgette; act. | Fortierre, Pierre; act. (rôle: Puntila) | Gervais, Louise; act. | Joly, Madeleine; act. | Lafond, André; act. | Lavin, Michelle; act. (rôle: Eva) | Melanson, Audrée; act.  | Pezet, Gerard; act. | Robineau, Gaetanne; act. | Sabourin, Jacques; act. (rôle: Matti) | St. Laurent, Louiselle; act. | Trudeau, Guy; act.</text>
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                <text>Occasion: Quonta Regional Three Act Drama Festival</text>
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              <elementText elementTextId="597">
                <text>Tipton, Mary Jane. “Mother tongue?” The Sault Star, 20 March 1964, p. 15.</text>
              </elementText>
              <elementText elementTextId="598">
                <text>Catalog.: Joerg Esleben, Université d'Ottawa</text>
              </elementText>
            </elementTextContainer>
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Mavor Moore, Dora. Circular letter advertising the Directors’ Stage series. New Play Society Papers, MS Coll. 228, Thomas Fisher Rare Book Library, University of Toronto.
New Play Society. Press releases on "The Caucasian Chalk Circle". New Play Society Papers, MS Coll. 228, Thomas Fisher Rare Book Library, University of Toronto.
Program for "The Caucasian Chalk Circle" by the New Play Society. Dora Mavor Moore Papers, MS Coll. 228, Thomas Fisher Rare Books Library, University of Toronto.
Whittaker, Herbert. “It’s Un-Brechtian But a Fine Romp.” Globe and Mail, 28 Nov. 1959, p. 13.</text>
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Hamelin, Jean. “ ‘Maître Puntila’ : un grand Brecht et un grand spectacle.” Le Devoir, 8 oct. 1963, p. 6.&#13;
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                <text>Johnson, Sydney. “Brecht’s Good Woman.” Montreal Star, 8 Aug. 1963, p. 26.
Marsters, Jack. “Paupers Do Good Job Of Brecht Play.” The Gazette, 8 Aug. 1963, p. 11.
Stanstead, Phillip. “Brecht and the Paupers.” Montreal Star, 3 Aug. 1963, p. 25.</text>
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                <text>Annonce de "Tambours dans la nuit". La Presse, 30 mars 1963, Supplément 1, p. 4.
Sabbath, Lawrence. “French High School Students Launch Season of Plays.” Montreal Star, 6 avril 1963, p. 31.</text>
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“Galileo.”, IMDb, https://www.imdb.com/title/tt5532004/?ref_=ttep_ep8.
Gardiner, Bob. “Televiews.” Ottawa Citizen, 26 March 1962, p. 23.
Marsters, Jack. “Dial Turns.” Gazette, Montreal, 26 March 1963, p. 31.</text>
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Burke, Martin J. “Huron College Presentation Termed Courageous Effort.” London Free Press, 25 Jan. 1963.
Theaterdokumentation 2596, Bertolt Brecht Archive, Berlin, Germany, https://archiv.adk.de/objekt/2585210.</text>
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Johnson, Sydney. “Brecht is a Cult Off-Broadway.” Montreal Star, 16 Feb. 1963, p. 18.</text>
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Eakins, Rosemary. “Brecht ‘Epic Drama’ Rejects Tradition.” Montreal Star, 24 Feb. 1962, p. 31.
“Final Cast for McGill Production of Brecht.” Montreal Star, 2 March 1962, p. 13.
“McGill Planning Brecht.” The Gazette, 9 March 1962, p. 10.
“McGill Show to Open Tonight.” Montreal Star, 15 March 1962, p. 26.
Whitehead, Harold. “Brecht Offering Student ‘Task’.” The Gazette, 16 March 1962, p. 9.</text>
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La première représentation de la production le 10 novembre 1961 avait lieu dans le cadre de la célébration du 10e anniversaire de la fondation du Théâtre du Nouveau Monde.
68 représentations</text>
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David, Gilbert. “Brecht Au Québec : Au-Delà Des Malentendus.” Jeu, vol. 43, 1987, pp. 115–29, voir p. 115, p. 117, p. 118, pp. 119-120 et p. 127.
“L’Opéra de Quat’sous.” Rappels.ca, https://rappels.ca/fr/lop%C3%A9ra-quatsous-3.
Programme de L’Opéra de Quat’sous, Théâtre du Nouveau Monde 1961. BanQ Numérique, https://collections.banq.qc.ca/ark:/52327/3659613.</text>
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                <text>Kraglund, John. “Threepenny Opera Long Delayed.” Globe and Mail, 7 Sept. 1961, p. 8.
Kraglund, John. “1920s’ Bitter Satire Can Confuse in 1961.” Globe and Mail, 20 Sept. 1961, p. 9.
Theaterdokumentation 3617, Bertolt Brecht Archive, Berlin, Germany, https://archiv.adk.de/objekt/2587401. </text>
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Sabbath, Lawrence. “Montreal to See Brecht in Translation.” Montreal Star, 23 sept. 1961, p. 27.
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                <text>David, Gilbert. “Brecht Au Québec : Au-Delà Des Malentendus.” Jeu, vol. 43, 1987, pp. 115–29, voir p. 116 et p. 127.
Dufaux, Paule-France. “La ‘bonne âme’ ne suffit pas pour monter du Brecht.” Le Soleil, 20 mars 1961, p. 19.
Sirois, A. “‘La bonne âme de Sé-Tchouan’ avec la troupe ‘Les Treize’.” La Presse, 21 mars 1964, p. 24.</text>
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Theaterdokumentation 4515, Bertolt Brecht Archive, Berlin, Germany, https://archiv.adk.de/objekt/2584541.
Whittaker, Herbert. “Centre’s Galileo recalls historic production.” Toronto Globe, 23 Oct. 1971.
Whittaker, Herbert. “The Lives of Galileo.” Whittaker’s Theatricals, Toronto: Simon &amp; Pierre, 1993, pp. 18–27.</text>
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                <text>David, Gilbert. "Brecht Au Québec : Au-Delà Des Malentendus." Jeu, vol. 43, 1987, pp. 115–129, voir p. 128.
Programme de "Tambours et trompettes", Théatre du Nouveau Monde, 1971. BAnQ Numérique, https://collections.banq.qc.ca/ark:/52327/3659414.</text>
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              <elementText elementTextId="570">
                <text>Armstrong, William; act. (role: Shu Fu) | Battle, David; act. | Berthiaume, Jeanne; act. (role: Mrs. Yang) | Blair, Gwendolyn; act. | Boland, Charles; act. | Brewer, Griffith; act. (role: Wang) | Chenier, Gilbert; act. | Cunningham, Andrée; act. (role: Shen Te, Shui Ta); Drewery, Joan; act. | Edwards, William; act. (role: Yang Sun) | Gates, Noel; act. | Goodhue, Clesson; act. (role: Third God) | Jones, Kirk; act. (role: The Carpenter) | Kingston, Marie; act. | Leduc, Anne; act. | McCreath, Jack; act. (role: First God) | McIlhinney, George; act. | Morriset, David; act. | O'Brien, Joe; act. (role: Husband) | Periard, Roger; act. | Petrie, Hugh; act. (role: Second God) | Sproule, Gladya; act. (role: Mrs. Mi Tzu) | Stacey, Doris; act. (role: Mrs. Shin) | Von Eicken, Helga; act. (role: Wife) | Wiegand, Philip; act. (role: The Policeman)</text>
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              <elementText elementTextId="148">
                <text>Harrold, Bill. “Fantasy by Brecht Ambitious Effort.” The Ottawa Journal, 13 Aug. 1955, p. 5.
Le Droit, 18 June 1955, p. 8.
Le Droit, 10 Aug. 1955, p. 16.
“Ottawa Scene.” Globe and Mail, 9 July 1955, p. 12.
Vicq, Victor. “Première, Ce Soir, à 8.30, de ‘The Good Woman of Setzuan.’” Le Droit, 13 Aug. 1955, p. 7.
Vicq, Victor. “‘Yerma’, de Lorca, Dernière Pièce de La Saison Estivale.” Le Droit, 19 Aug. 1955, p. 9.</text>
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      <tag tagId="111">
        <name>Der gute Mensch von Sezuan</name>
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                <text>The itinerary of the tour included the following performance dates and venues:
22 Oct. 1960: dress rehearsal, Toronto, Ontario
24 Oct. 1960: Brockville, Ontario
late Oct. 1960: Quebec City
St. John, New Brunswick
Charlottetown, Prince Edward Island
7 December: Arvida High School, Arvida, Saguenay, Quebec; sponsor: University Women’s Club
Jan. 1961: Armoury Theatre, Sault St. Marie
13 and 15 Feb. 1961: Capitol Theatre, Regina, Saskatchewan; sponsor: University Women’s Club
18 Feb. 1961: Gymnasium, University of Saskatchewan, Saskatoon; sponsor: Saskatoon Art Centre
4 March 1961: Jubilee Auditorium, Calgary, Alberta
7 March 1961: Senior High School, Nanaimo, British Columbia
23 March 1961: Red Deer, Alberta
25 March 1961: Jubilee Auditorium, Edmonton, Alberta
7 April 1961: Auditorium, Glebe Collegiate, Ottawa, Ontario; sponsor: Theatre Foundation Ottawa
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                <text>Behrens, Bernard; act. (role: Simon) | Cass, Deborah; act. (role: Governor's Wife, Sister-in-Law, Old Lady, Story Teller, Wedding Guest) | Coates, Judith; act. (role: Nursemaid, Peasant) | Fitzgerald, Maureen; act. (role: Cook, Elder Lady, Mother-in-Law, Ludowika) | Foster, Herbert; act. (role: Schauwa, Ironshirt) | Jenoff, Art; act. (role: Corporal, Jussup, Irakli) | Kozlik, Al; act. (role: Doctor, Architect, Nephew, Lawyer) | Lerner, Yafa; act. (role: Grusha) | Maher, Joseph; act. (role: Shalva, Farmer, Lavrenti) | Nixon, Lester; act. (role: Governor, Ironshirt, Monk) | Shaffner, Nancy; act. (role: Servant, Young Lady, Old Woman) | Shannon, Jay; act. (role: Doctor, Peasant, Ironshirt, Old Man) | Webster, Hugh; act. (role:  Story Teller, Azdak) | White, David; act. (role: Duke Kazbeki, Landlord, Lawyer)</text>
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                <text>Advertisement for The Caucasian Chalk Circle, Canadian Players 1960. Star Phoenix [Saskatoon], 10 Nov. 1960, p. 4.
Blakely, Edna. “Canadian Players Plan Four Plays for Road.” Brantford Expositor, 21 Sept. 1960, p. 19.
“Canadian Players Are Brilliant in Brecht, Sag in Shakespeare.” Le Lingot, 15 Dec. 1960, p. 19.
“Canadian players.” Leader Post [Regina], 19 Dec. 1960, p. 7.
“Caucasian Chalk Circle Has Twofold Plot.” Le Lingot, 10 November 1960, p. 21.
“Chalk Circle Stirs Up Controversy on Players’ Tour.” Sault Daily Star, 17 Jan. 1961, p. 12.
Cobb, Dave. “Players’ Offering Theatrical Treat.” Calgary Herald, 6 March 1961, p. 19.
Creighton, Martha. “Canadian Players Draw Enthusiastic Audience.” Nanaimo Daily News, 8 March 1961, p. 9.
Forrest, Al. “Canadian Players Thrill City Audience.” Red Deer Advocate, 24 March 1961, p. 5.
Keatley, G. “Webster’s Azdak Is Brillian.” Sault Daily Star, 21 Jan. 1961, p. 16.
Luhde-Brecht, Ingeborg. “Brecht in Kanada. Zum erstenmal: Der Kaukasische Kreidekreis.” Darmstädter Echo, 23 Nov. 1960.
“Players End Edmonton Stay.” Edmonton Journal, 27 March 1961, p. 3.
“Stark realism startles first nighter audience.” Leader Post [Regina], 14 Feb. 1961, p. 6.
Thistle, Lauretta. “Player’s Chalk Circle Funny, Folksy Satire.” Ottawa Citizen, 8 April 1961, p. 7.
Twardowski, Astrid. “Hugh Webster Stands Out In Bertolt Brecht Work.” The Albertan [Calgary], 6 March 1961, p. 29.</text>
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              <elementText elementTextId="90">
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              <elementText elementTextId="92">
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              <elementText elementTextId="97">
                <text>Cooper, Roy; act. (role: Cook) | Dobby, Allan; act. (role: Chaplain) | Dobby, Margaret; act. | Elliott, Donn; act. (role: Yvette's Servant, Third Soldier) | Gallant, Hartmut; act. (role: Eilif) | Graham, Robert; act. (role: Soldier with Fur Coat, Drunk Soldier, First Soldier) | Irwin, Michael; act. (role: Swedish Commander) | Ishkanian, Vahan; act. (role: Swiss Cheese) | Johvicas, Oscar; act. (role: Young Man, Second Soldier) | Legare, Henry; act. | Ludwick, Patricia; act. (role: Kattrin) | MacMillan, Myrtle; act. (role: Old Woman) | McCooey, Derek; act. (role: Recruiting Officer) | McWorter, William; act. (role: Protestant Sergeant) | Nelson, Marjorie; act. (role: Mother Courage) | Paisley, Brian; act. (role: Soldier with Cannon, Soldier without Loot, Singing Soldier, Young Peasant) | Pearson, David; act. (role: One-Eye, Peasant) | Pryce-Jones, Ellis; act. (role: Ordnance Officer) | Reid, James; act. (role: Young Soldier, Lieutenant) | Surtees, Margaret; act. (role: Peasant Woman) | Van Campen, Mariko; act. (role: Singer) | Watson, Joy; act. (role: Peasant Woman) | Weese, Stanley; act. (role: Yvette's Colonel, Regimental Clerk) | White, Kerry; act. (role: Catholic Sergeant, Old Soldier, Peasant) | Wilson, Patricia; act. (role: Yvette)</text>
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              <elementText elementTextId="568">
                <text>Adamson, Phillip; musician/musicien. | Baker, Susan; musician/musicien. | Block, Jean; musician/musicien. | Dunham, Susan; musician/musicien. | Gilmore, Beverly; musician/musicien. | Rinforth, John; musician/musicien. | Sim, Sharon; musician/musicien.</text>
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                <text>Barmer, James. “Money, people two sides of war.” The Province [Vancouver], 20 Nov. 1965, p. 15.
Moore, Jack. “Marjorie Nelson should know Brecht’s aims in his plays.” The Province [Vancouver], 20 Nov. 1965, Entertainment, p. 3.
Program for Mother Courage at the University of British Columbia 1965. University of British Columbia Archives, Open Collections, https://dx.doi.org/10.14288/1.0118798.
Richards, Jack. “Marjorie Talks About Brecht: Seattle Actress Explains Role In Her Mother Courage.” Vancouver Sun, 12 Nov. 1965, p. A7.</text>
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                <text>“B. Brecht Caught Mood of Post-War Germany.” Ottawa Citizen, 6 Dec. 1958, p. 30.
“Play by Bertold Brecht.” Ottawa Citizen, 29 Nov. 1958, p. 32.
“Three Excellent Plays By Fisher Park Group.” Ottawa Citizen, 15 Dec. 1958, p. 20.</text>
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                <text>“B.B. alias Bertold Brecht.” La presse, 9 nov. 1963, supplément 1, p. 2.
David, Gilbert. “Brecht Au Québec : Au-Delà Des Malentendus.” Jeu, vol. 43, 1987, pp. 115–29, voir p. 127.
“En avant-première au Salon des Arts : L’Égrégore samedi soir.” L’Écho du St-Maurice, 2 oct. 1963, p. 9.
Hamelin, Jean. “Quand Bertolt Brecht s’en va-t’en guerre.” Le Devoir, 13 nov. 1963, p. 6.
“La révolte gronde dans 2 théâtres.” Le petit journal, 17 nov. 1963, p. A55.
Sabbath, Lawrence. “Bertholt Brecht Play Takes Second Place.” Montreal Star, 15 nov. 1963, p. 16.</text>
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                <text>Catalog.: Joerg Esleben, Université d'Ottawa</text>
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                <text>Le Théâtre de L'Égrégore, 188 Boulevard Dorchester Est, Montréal, Québec</text>
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                <text>L’Égrégore</text>
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                <text>Maître Puntila et son valet Matti [École nationale de théâtre, 1964]</text>
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                <text>“B. Brecht à l’École nationale de Théâtre.” La Presse, 24 jan. 1964, p. 15.
David, Gilbert. “Brecht Au Québec : Au-Delà Des Malentendus.” Jeu, vol. 43, 1987, pp. 115–29, voir p. 116.
Randal, Linda. “NTS French Section Hit in Brecht Play.” The Gazette [Montreal], 30 jan. 1964, p. 10.
Siskind, Jacob. “An Echt Brecht Production.” Montreal Star, 31 jan. 1964, p 9.
Theaterdokumentation 5808, Bertolt Brecht Archiv, Berlin, Allemagne, https://archiv.adk.de/objekt/2585549.</text>
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                <text>Catalog.: Joerg Esleben, Université d'Ottawa</text>
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                <text>Bromidge, Dave. “Caucus Caucasian.” The Ubyssey, 24 Sept. 1959, p. 4.
Richards, Jack. “Acting Skill Marks UBC Drama School Presentation.” Vancouver Sun, 12 Aug. 1959, p. 25.
Wedman, Les. “Ciceri flamboyant, likeable.” The Province [Vancouver], 13 Aug. 1959, p. 37.</text>
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