Brecht work(s)/oeuvre(s): Die Dreigroschenoper
Gay, John; author/auteur. | Hauptmann, Elisabeth; author/auteur.
Event notice, The Gazette, 6 Dec. 1974, p. 38.
Catalog.: Sedigheh Hormozzadeh Ghalati, University of Ottawa
musical theatre production / spectacle de théâtre musical|theatre production / spectacle de théâtre
Vanier College, 821 Ste. Croix Blvd, Saint-Laurent, Montreal, Quebec
Baldridge, Harold; dir./metteur en scène
Armstrong, Judy; act. (role: Polly Peachum) | Bard, Margaret; act. (role: Dolly) | Campbell, Graeme; act. (role: Mac the Knife) | Crofoot, Alan; act. (role: Mr. Peachum) | Dyer, Sharon; act. (role: Betty) | Farrell, Richard; act. (role: Tiger Brown) | Franklin, Barbara; act. (role: Jenny Diver) | Freeman, Ken; act. (role: Beggar) | Fusco, Angela; act. (role: Lucy Brown) | Hall, Kim; act. (role: Beggar) | Hewitt, Sean; act. (role: The Streetsinger) | Hughes, Helen; act. (role: Mrs. Peachum) | James, Michael; act. (role: Walt Dreary) | Jobb, Rick; act. (role: Constable/Beggar) | Kittleson, Carol; act. (role: Coaxer) | Lawrence, Shawn; act. (role: Readymoney Matt) | Lynch, Dianne; act. (role: Molly) | Menczel, Tom; act. (role: Reverend Kimball/Constable) | Reid, Gregory; act. (role: Crookfinger Jake) | Spear, Peter; act. (role: Beggar) | Stebbings, Alan; act. (role: Constable Smith) | Torpe, Brian; act. (role: Bob the Saw) | Walker, Tim; act. (role: Filch)
Billington, Dave. “Birth pains of musical tale of two cities.” Edmonton Journal, 11 Dec. 1974, p. 102. Canadian Theatre Review Yearbook 1974, p. 63. Hepher, Paul. “Cast outstanding in comedy opera.” Calgary Albertan, 28 Nov. 1974, p. 11. “The Threepenny Opera: 1974-1975 Season.” Theatre Calgary, https://www.theatrecalgary.com/archive/1974-1975-the-threepenny-opera.
Betty Mitchell Theatre, Allied Arts Centre, 9th Ave and 8th St SW, Calgary, Alberta
Event notice, Montreal Star, 10 Oct. 1974, p. B11.
theatre production / spectacle de théâtre
Cave Marlowe, 3838 Marlowe Ave., Montreal, Quebec
Herr Puntila und sein Knecht Matti [Montreal, 1974]
Brecht work(s)/oeuvre(s): Herr Puntila und sein Knecht Matti
Fleck, Max; act. (role: Puntila) | Pottit, Erwin; act. (role: Matti) | Koch, Birgit; act. (role: Eva) | Reymont, John; act. (role: Der Attaché) | Roth, Suzanne; act. (role: Laina) | Galtier, Irene; act. (role: Kuhlisu)
Roth, Ernest; musician/musicien. (accordion, ukulele)
Canadian Theatre Review Yearbook 1974, p. 193. Kremer, Johanna. Die Geschichte des deutschsprachigen Theaters in Montreal von seinen Anfängen 1953 bis 1997. MA Thesis, Department of German Studies, McGill University, Montreal, March 1998. Richmond, John. “Brecht gets fine direction.” Montreal Star, 3 Oct. 1974, p. C13. Scheede, Karl H. “Brecht’s Puntila shocks.” The Gazette, 2 Oct. 1974, p. 46. Theaterdokumenation 5892, Brecht Archive, Permalink: https://archiv.adk.de/objekt/2587015.
La Poudrière, St. Helen's Island, Montreal, Quebec
The Seven Deadly Sins [National Arts Centre, 2001]
Brecht work(s)/oeuvre(s): Die sieben Todsünden der Kleinbürger
Performance with German guest Ute Lemper.
Becker, Peter; singer/chant. | Bleeke, Mark; singer/chant. | Edlund, Eric; singer/chant. | Lemper, Ute; singer/chant. (Anna 1/Anna 2) | Pauley, Wilbur; singer/chant.
Mazey, Steven. "Ute Lemper's Walk on the Weill Side: German Songstress Joins NACO for Seven Deadly Sins." The Ottawa Citizen, Nov 10, 2001, pp. J1.
Catalog.: Annika Sauer, University of Ottawa
National Arts Centre / Centre nationale des Arts
Southam Hall, National Arts Centre, 1 Elgin St, Ottawa, Ontario
The Good Person of Setzuan [National Theatre School, 2001]
Brecht work(s)/oeuvre(s): Der gute Mensch von Sezuan
Maja Ardal was a guest director for this production.
Berlau, Ruth; author/auteur. | Steffin, Margarete; author/auteur.
Allen, Sarah; act. (role: God) | Brown, Jared; act. (role: Wang) | Busch, Ginger; act. (role: God) | Cottingham, Joel; act. (role: God) | Gowdy, Charlotte; act. (role: Shen Te, Shui Ta) | Grant, Carmen; act. (role: Mrs. Shin)
Radz, Matt. "Fierce Individual Efforts Converge in Brecht Classic."The Gazette, Dec 14, 2001, pp. C8.
National Theatre School / École nationale de théâtre
Monument-National, 1182 Saint Laurent Boulevard, Montréal, Québec
Part of BrechtFest, a festival that took place in Winnipeg from 2002-01-22 to 2002-01-26, organized by the Department of Theatre and Drama at the University of Winnipeg.
MacDonald, Robert; transl./traduct. | Sams, Jeremy; transl./traduct.
Boulet, Michelle; act. (role: Matt-of-the-Mint, Beggar) | Constible, Sarah; act. (role: Celia Peachum) | Jackson, Krista; act. (role: Polly Peachum, Beggar) | McArton, Megan; act. (role: Smith, Weeping Willow, Walter, Vixen, Beggar) | Nicklas, Wayne; act. (role: Tiger Brown) | Patterson, Debbie; act. (role: Ned, Jenny, Beggar) | Przibislawsky, Csilla; act. (role: Lucy, Reverend Kimball, Dolly, Beggar) | Pyrz, Gene; act. (role: Macheath) | Schroeder, Lora; act. (role: Filch, Crook-Fingered Jake, Nelly, Beggar) | Sigurdson, Christopher; act. (role: Jonathan Jeremiah Peachum)
Kozub, Tusia; musician/musicien. (piano)
“The Threepenny Opera.” SIR, https://shakespeareintheruins.com/the-threepenny-opera/.
Shakespeare in the Ruins | Royal Manitoba Theatre Company | Department of Theatre and Drama, University of Winnipeg
theatre production / spectacle de théâtre|musical theatre production / spectacle de théâtre musical
Manitoba Theatre Centre, 174 Market Ave, Winnipeg, Manitoba
Third Congress of the International Brecht Society [McGill University and Université de Montréal, 1974]
Multiple Brecht works / plusieurs œuvres de Brecht
The 1974 congress of the International Brecht Society included academic as well as artistic events.
Esleben, Joerg. “The 1974 Brecht Congress in Montreal as Political Performance.” Discussion paper for the Seminar “States of Performance”, Annual Conference of the German Studies Association, Portland, Oregon, 3-6 Oct. 2019, https://biblio.uottawa.ca/omeka1/brecht-canada/exhibits/show/analyses/histories-histoires/montreal-congress-1974. “Un congrès international sur Brecht.” La Presse, 2 oct. 1974, p. B5.
lang.: English / anglais|lang.: German / allemand
The Exception and the Rule [Vancouver, 1974]
Brecht work(s)/oeuvre(s): Die Ausnahme und die Regel
The production was performed in conjunction with a local satirical revue by Thomas Cone entitled "Our Town".
Burri, Emil; author/auteur. | Hauptmann, Elisabeth; author/auteur.
Allen, Bob. “Acting fare improves: It’s a better Market-Place.” The Province, 16 Aug. 1974, p. 15. Dafoe, Christopher. “Cone outsells Brecht in Market-Place.” Vancouver Sun, 16 Aug. 1974, p. 39. Event notice, Vancouver Sun, 7 Aug. 1974, p. 39.
1974-08-14 to 1974-08-17 [performances, Vancouver Art Gallery]; 1974-08-26 to 1974-08-30 [performances, Pacific Centre Plaza]
Vancouver Art Gallery, 750 Hornby St., Vancouver, British Columbia
Fear and Misery of the Third Reich [Winnipeg, 2002]
Brecht work(s)/oeuvre(s): Furcht und Elend des III. Reiches
This production featured 13 current and former University of Winnipeg Honours Theatre students. Part of BrechtFest, a festival that took place in Winnipeg from 2002-01-22 to 2002-01-26, organized by the Department of Theatre and Drama at the University of Winnipeg.
“UWinnipeg Brechtfest Play Portrays Nazi Oppression.” University of Winnipeg News, 3 Jan. 2002, https://news.uwinnipeg.ca/uwinnipeg-brechtfest-play-portrays-nazi-oppression/.
Department of Theatre and Drama, University of Winnipeg
Eckhardt Gramatté Hall, 515 Portage Ave, Winnipeg, Manitoba
Production based on Brecht's poems. Part of BrechtFest, a festival that took place in Winnipeg from 2002-01-22 to 2002-01-26, organized by the Department of Theatre and Drama at the University of Winnipeg. Previewed at Windsor Theatre, Mount Allison University, 152 Main St, Sackville, New Brunswick.
Bayne, Adam; act. | Dempster, Tracey; act. | Eaton, Jonathan; act. | Whitt, Lisa ; act.
“Brecht Poems Pound Home Message.” The Free Press, Winnipeg Free Press, 24 Jan. 2002, https://www.winnipegfreepress.com/historic/31343384.html. Hunger, Revisioning, Fire Visions. http://www.sarasvati.ca/shows.html.
Colin Jackson Studio Theatre, 393 Portage Ave, Winnipeg, Manitoba
Power Mother [University of Ottawa, 1974]
Brecht work(s)/oeuvre(s): Mutter Courage und ihre Kinder
Minichiello, Richard; dir./metteur en scène
Event notice, Ottawa Citizen, 3 Aug. 1974, p. 66
Canadian Art Laboratory | University of Ottawa | Research Institute of the Plague
adaptation|theatre production / spectacle de théâtre
Room 326, Fellowes High School, 420 Bell St, Pembroke, Ontario
The Caucasian Chalk Circle [St. Thomas University, 2002]
Brecht work(s)/oeuvre(s): Der kaukasische Kreidekreis
Barlow, John; set assistant | Bedford, Allison; stage manager | Bell, Jeanette; assistant stage manager | Fry, George; mask creator director | Miller, Janis; costume assistant | Tabor, Matthew; lighting assistant | White, Tania; assistant stage manager
Baker, Lisa; act. (role: Neighbour, Limping Woman) | Barrieau, Peggy; act. (role: Servant to Governor’s Wife) | Batt, Maureen; act. (role: Alleko’s Niece, Chorus) | Bosse, Emily; act. (role: Servant, Ludovica) | Bosse, Juliette; act. (role: Aniko, Old Woman) | Butler, Jill; act. (role: Maro, Neighbour) | Colwell, Clark; act. (role: Storyteller, Arkadi Tsheidse) | Cutler, Andrew; act. (role: Ironshirt) | Dogan, Mehmet; act. (role: Georgie Abashvili) | Dorey, Crystal; act. (role: Peasant Woman) | Doucette, Brad; act. (role: The Grand Duke, Blackmailer) | Flanagan, Martha; act. (role: Alleko, goat breeder of the Galinsk cooperative farm) | Fournier, Drew; act. (role: Niko Mikadse, Illo Shuboladze) | Francis, Josh; act. (role: Corporal of the Ironshirts) | Gale, Krista; act. (role: Peasant Woman with Milk) | Grant, Amy; act. (role: Nephe, Sosso) | Gregory, Anne; act. (role: Mother-in-Law) | Griffith, Ryan; act. (role: Azdak) | Hallihan, Jennifer; act. (role: Cook) | Hayes, Sarah; act. (role: The Agriculturist) | Howe, Meaghan; act. (role: Surab (fruit grower of the Rosa Luxemberg), Innkeeper) | Hull, Kevin; act. (role: Shalua, The Adjutant) | Jeffries, Sarah; act. (role: The Expert, Chorus) | Kean, Ben; act. (role: Simon Chachava) | Lenarczyk, Paul; act. (role: Lavrenti, Old Man) | MacDonald, Jane; act. (role: Neighbour, Invalid) | MacKinnon, Terry; act. (role: Grusha Vaschnadze) | Mesheau, Darrell; act. (role: The Fat Prince, Arsen Kazbeki) | Peters, Kyle; act. (role: Monk, Bishop, Stableboy) | Savoie, Mark; act. (role: Jussup, Shauva) | Stone, Rhonda; act. (role: Beaten Servant) | Trethewey, Jordan; act. (role: Mikha Loladze, Sandro Oboladze) | Wojcik, Angelique; act. (role: Natella Abashvili)
Bowden, Jane; musician/musicien. | Doherty, Michael; musician/musicien. | Vipond, Douglas; musician/musicien.
“Caucasian Chalk Circle (2002).” Website of Theatre St. Thomas, https://wp.stu.ca/tst/2000s/caucasian-chalk-circle-2002/.
Theatre St. Thomas | St. Thomas University
Black Box Theatre, 51 Dineen Drive, St. Thomas University, Fredericton, New Brunswick
The Caucasian Chalk Circle [Montreal, 1974]
Bienstock, Steve; act. (role: Azdak) | Mantel, Bronwen; act.
Event notice, The Gazette [Montreal], 1 June 1974, p. 45. Galloway, Myron. “Chalk Circle crumbles: Brecht play falls flat.” Montreal Star, 17 July 1974, p. D4. Kapica, Jack. “The Chalk Circle too slow in tempo.” The Gazette [Montreal], 17 July 1974, p. 42.
Theatre Encounter, Saidye Bronfman Centre
Playwrights’ Workshop Theatre, 329 rue de la Commune, Montreal, Quebec
A Man’s A Man [University of Calgary, 1974]
Fellows, Jim; act. | Gordon, Neil; act. (role: Sergeant Bloody Five Fairchild) | Jess, Dale; act. | Jones, Ken; act. | Randall, Gene; act. (role: Galy Gay) | Simons, Merton; act. | Spooner, Terilyn; act. (role: Widow Begbick)
“Brecht play set at university.” Calgary Herald, 29 March 1974, p. 23. Portman, Jamie. “Brecht play yields some rewards.” Calgary Herald, 5 April 1974, p. 21.
Department of Drama, University of Calgary
University Theatre, 230 University Ct NW, Calgary, Alberta
Mother Courage [National Theatre School, 1974]
De Pefia, Katia; act. (role: Katrin) | Gabriel, Norma; act. (role: Yvette) | Huffman, Linda; act. (role: Yvette) | Seale, Robert; act. (role: Cook) | Seattle, Dixie; act. (role: Mother Courage)
Galloway, Myron. “Brecht production well performed.” Montreal Star, 3 April 1974, p. D2. Kapica, Jack. “National Theatre School misses Brecht’s rhythms.” The Gazette, 4 April 1974, p. 34.
Monument-National, 1182 St. Lawrence Blvd., Montreal, Quebec
Brecht on Brecht [University of Alberta, 1974]
Baker, Bob; act. | Ferley, Susan; act. | Green, Janet; act. | Guberman, Sandee; act. | Law, Fiona; act. | Megill, Sheelah; act. | Wood, Tom; act.
"Brecht portrait ends U theatre’s season." Edmonton Journal, 26 March 1974, p. 49. Event notice, Edmonton Journal, 29 Feb. 1974, p. 78. Woolner, Dave. “Endearing portrait of Bertolt Brecht.” Edmonton Journal, 1 April 1974, p. 19.
Humanities Centre Theatre, University of Alberta, Edmonton, Alberta
The Good Woman of Setzuan [Toronto, 1974]
Ardal, Maja; act. (role: Mrs. Wung) | Bannerman, Guy; act. (role: Wung) | Bede, Claude; act. (role: God Two) | Benson, Robert; act. (role: Mr. Shu Fu) | Board, Jason; act. (role: Child of Lin To) | Braunstein, Jeff; act. (role: Mr. Deng) | Campion, Joyce; act. (role: Mrs. Deng) | Cutts, John; act. (role: The Nephew) | Douglas, James B.; act. (role: Unemployed Man) | Eveson, David; act. (role: The Boy) | Fergusson, Denise; act. (role: Shen Te/Shui Ta) | Foster, Christine; act. (role: The Niece) | Hastings, Ron; act. (role: Ma Fu) | Johnstone, James; act. (role: Worker) | Lacasse, Lloyd; act. (role: Child of Lin To) | Leighton, Betty; act. (role: Mrs. Yang) | Leighton, Betty; act. (role: The Old Prostitute) | Mascall, Blair; act. (role: The Waiter) | Mawson, Howard; act. (role: The Grandfather) | McCann, Sean; act. (role: The Policeman, The Pries) | Mina, Mina Erian; act. (role: Lin To) | Monette, Richard; act. (role: God Three) | Moore, Tedde; act. (role: Mrs. Ma Fu) | Parkes, Gerard; act. (role: God One) | Paulin, Jacques; act. (role: Worker) | Phipps, Jennifer; act. (role: The Widow Shin) | Reineke, Gary; act. (role: Yang Sun) | Rubinek, Saul; act. (role: Wang) | Shepherd, Elizabeth; act. (role: Mrs. Mi Tzu) | Smithson, Jim; act. (role: Child of Lin To) | Taggart, Tommy; act. (role: Worker)
Canadian Theatre Review Yearbook 1974, p. 162. Chusid, Harvey. “Tragedy a redeeming feature of this Good Woman of Setzuan.” Vancouver Sun, 16 April 1974, p. 35.
St. Lawrence Centre for the Arts, 27 Front St. East, Toronto, Ontario
The Resistible Rise of Arturo Ui [Vancouver, 2002]
Brecht work(s)/oeuvre(s): Der aufhaltsame Aufstieg des Arturo Ui
Ewart, Justin; make-up | Greenwood, Robin; painter | Hales, Darren W.; technical director | Mikada, Kirsti; stage manager
Cummer, Anna; act. (role: Young Dogsborough) | Henderson, Adam; act. (role: Arturo Ui) | Nelson, Ryan; act. (role: Ernesto Roma) | Steinmanis, Bert; act.
Fox, Rick; musician/musicien. (keyboards, percussion) | Trion, Michele; musician/musicien. (violin) | Whitelaw, Rick; musician/musicien. (guitar)
Penistan, Jane. “The Resistible Rise of Arturo Ui.” Reviewvancouver, 2002, https://www.reviewvancouver.org/arturoui.htm.
Jericho Arts Centre, 1675 Discovery St, Vancouver, British Columbia
The Threepenny Opera [University of Victoria, 1974]
The production was also performed at the Theatre Canada Festival, St. John’s, Newfoundland in May 1974.
Adelberg, Marge; act. | Dunn, Jim; act. (role: Tiger Brown) | Goldwater, Susan; act. (role: Jenny Diver) | Heath, John; act. (role: Street Singer) | Jenkins, Anthony; act. (role: Mr. Peachum) | Krich, John; act. (role: Macheath) | Smith, Helen; act.
Gerhardt, George. “‘The Threepenny Opera’: Deft touches of delicious whimsy.” The Victorian, 25 March 1974, p. 6. “Saskatoon play, Home, goes east.” Star-Phoenix, 27 March 1974, p. 12.
1974-03-21 to 1974-03-30 [performances]; 1974-05 [performances, St. John's, Newfoundland]
Victoria Theatre Guild | Department of Theatre, University of Victoria
Langham Court Theatre, 805 Langham Ct, Victoria, British Columbia
Feheregyhazi, Tibor; dir./metteur en scène
Kennedy, Laura; stage manager | Sremac, Marina; guest set designer | Sremac, Marina; guest costume designer
Allan, Mark; act. | Balkan, Lisa; act. (role: Street Singer) | Benz, Robert; act. | Buckwold, Mary Ellen; act. | Fletcher, Donna; act. (role: Mrs. Peachum) | Gagne, Monte; act. (role: Lucy) | Grass, Brad; act. (role: Tiger Brown) | McKay, Bruce; act. | Radian, Vladimir; act. (role: Macheath) | Rayner, Jennifer; act. (role: Polly Peachum) | Sagal, Ajineen; act. | Stilwell, Barry; act.
Fuller, Cam. “Brecht’s Threepenny Opera a Relentlessly Acerbic Rant.” Star - Phoenix, Apr 15, 2002, pp. D2. “Threepenny Opera.” Persephone Theatre, https://persephonetheatre.org/shows/play/threepenny-opera/. Accessed 24 Aug. 2022.
Persephone Theatre, 100 Spadina Crescent, Saskatoon, Saskatchewan
An Aboriginal Journey with Brecht ... A Theatre Workshop [Banff, 2002]
“Aboriginal directors, actors, and other theatre professionals will be brought together with an expert in Bertolt Brecht's theatrical approach and methodology in an intensive exploratory master class, framed within an Aboriginal context.” Faculty: Uta Schuetz-Birnbaum, Alanis King, Robin Melting Tallow, David Deleary, Marrie Mumford. (The Banff Centre website) “On May 25, 2002, the Banff Centre for the Arts produced An Aboriginal Journey with Brecht. Uta Birnbaum and Stefan Scheuz, assisted by Alanis King (Odawa) and Robin Melting Tallow (Cree/Metis), directed the workshop, which included performers Muriel Miguel (Kuna-Rappahannock), Michelle Thrush (Cree), Lorne Cardinal (Cree), Sam Bob (Salish), Sid Bobb (Metis/Salish), Jonathan Fisher (Anishinaabe), Shaneen Ann Fox (Blackfoot), Cheri Maracle (Haudenosaunee), Jeremy Proulx (Anishinaabe) and Amy White (Anishinaabe).” (Carter, Note 1, p. 198)
Birnbaum, Uta; dir./metteur en scène | Scheuz, Stefan; dir./metteur en scène
King, Alanis; assistant director | Melting Tallow, Robin; assistant director
Bob, Sam; act. | Bobb, Sid; act. | Cardinal, Lorne; act. | Fisher, Jonathan; act. | Fox, Shaneen Ann; act. | Maracle, Cheri; act. | Miguel, Muriel; act. | Proulx, Jeremy; act. | Thrush, Michelle; act. | White, Amy; act.
"An Aboriginal Journey with Brecht." Banff Centre website, 2002, https://web.archive.org/web/20020911201832/http://www.banffcentre.ca/programs/ab_journey_brecht/detail.asp. “An Aboriginal Journey with Brecht...A Theatre Workshop Scripts, Music, and Lyrics." Alberta on Record, https://edit.albertaonrecord.ca/an-aboriginal-journey-with-brecht-a-theatre-workshop-scripts-music-and-lyrics. Carter, Jill. “Kicking the Heroin Habit: Memorializing the Survivance Skirmishes and Little Victories of the Merely Mortal Women Who Fought Them.” Solo Performance. Edited by Jenn Stephenson. Playwrights Canada Press, 2011, pp. 191-199.
Banff Centre Indigenous Arts Program | Banff Centre
Banff Centre, 107 Tunnel Mountain Drive, Banff, Alberta
The Threepenny Opera [Stratford Festival, 2002]
Ouimette, Stephen; dir./metteur en scène
Binkley, James; fight director | Currie, Louise; stage manager | D'Aquila, Diane; assistant director | Gianfrancesco, Michael; assistant designer | Greenwood, Wendy; resident assistant lighting designer | Hogan, David; fight captain, dance captain | McBoyle, Peter; sound designer | McCaw, Andrew; assistant lighting designer | Mogenson, Sandra; assistant musical director | Moyer, Marylu; production stage manager
Allison, Thom; act. (role: Crookfinger Jake, Street Singer) | Azulay, Charles; act. (role: Walt Dreary, Warden Smith) | Blair, Kyle; act. (role: Charles Filch, Messenger) | Carty, Shane; act. (role: Matt) | Chorostecki, Lara; act. (role: Beggar, Tart) | Coatsworth, Diana; act. (role: Polly Peachum) | Costain, Naomi; act. (role: Beggar, Tart) | Donaldson, Peter; act. (role: J.J. Peachum) | Fulton, Barbar; act. (role: Molly) | Gilmour, Susan; act. (role: Jenny) | Hansen, Kirk; act. (role: Constable #2) | Hogan, David; act. (role: Constable #1) | Mackintosh, Laird; act. (role: Reverend Kimball, Thief, Beggar) | Masswohl, George; act. (role: Tiger Brown) | McCamus, Tom; act. (role: Macheath) | McCarthy, Sheila; act. (role: Mrs. Peachum) | O'Brien, Cory; act. (role: Thief, Beggar, Army) | Rauchberger, Tony; act. (role: Thief, Beggar) | Robertson, Eric S.; act. (role: Bob the Saw) | Roth, Stephanie; act. (role: Dolly) | Sellors, Amy; act. (role: Betty) | Strasfeld, Sam; act. (role: Thief, Beggar, Army) | Street, Carly; act. (role: Coaxer) | Thiel, Regan; act. (role: Beggar, Tart) | Tracz, Mike; act. (role: Beggar, Thief) | Wilson, Blythe; act. (role: Lucy Brown, Beggar) | Yeretch, Robert; act. (role: Beggar, Thief)
Cushman, Robert. “The Failings of Bertolt Brecht: A Thinking Man’s Analysis: Mack the Knife just Doesn’t Cut it any More.” National Post, 8 June 2002, p. TO10. Hoile, Christopher. “The Threepenny Opera.” Stage Door, http://www.stage-door.com/Theatre/2002/Entries/2002/6/30_The_Threepenny_Opera.html. Huntington, Richard. “Stratford's `Threepenny Opera' Doesn't Shortchange Audience.” Buffalo News, 12 Aug. 2002, https://buffalonews.com/news/stratfords-threepenny-opera-doesnt-shortchange-audience/article_8d98a2b1-20de-539f-9cd9-5895c032e42e.html. "Studio Theatre Offers New Frontier for Artists." The Globe and Mail, Apr 18, 2002. "Threepenny Opera, The, 2002." Stratford Festival Archive, Production/Event Register, https://archives.stratfordfestival.ca/AIS/Details/productions/560.
Avon Theatre, 99 Downie Street, Stratford, Ontario
The Resistible Rise of Arturo Ui [University of Victoria, 2002]
Malcolm, Scott K.; movement director | Matheson, Tim; projection designer | Vickery, Tony; dramaturge | Yip, Yvonne; stage manager
Anderson, Cameron; act. | Braem, Meg; act. | Dreeshen, Annette; act. | Ferry, David; act. | Hindle, Jay; act. | Hinton, Trevor; act. | Hood, Katie; act. | Hopkins, Heming; act. | Klemak, Mike; act. | Lake, Ian; act. | Lamb, Theodora; act. | Lyall, Phillip; act. | Morris, Stephanie; act. | Newton, Al; act. | Prendergast, Monica; act. | Rose, Kenneth; act. | Stevenson, Zachary; act. | Taylor, Karen; act. | Ward, Allison; act. | Wilson, Colby; act. | Young, Melissa; act.
Clenman, David; musician/musicien. (conductor, keyboards, harmonium) | Erken, Didem; musician/musicien. (cello) | McDonald, Jackie; musician/musicien. (percussion) | De la Haye, Larry; musician/musicien. (clarinet)
Program for "Arturo Ui", University of Victoria, 2002. https://finearts.uvic.ca/theatre/mainstage/wp-content/uploads/2021/01/OCR2002.Nov_.14-30.The-Resistible-Rise-of-Arturo-UI.pdf. "The Resistible Rise of Arturo Ui." Phoenix Theatre, https://finearts.uvic.ca/theatre/mainstage/2002-2003-mainstage-season/the-resistible-rise-of-arturo-ui/. Accessed 27 May 2022.
Phoenix Theatre, 3800 Finnerty Road, Victoria, British Columbia
The producers received $3,940 in funding from the province for their community workshop series and mentorship program.
Nova Scotia Communications. “More Provincial Support for Cultural Activities.” Nova Scotia News Releases, 12 May 2003, https://novascotia.ca/news/release/?id=20030512001. "Rankin Sister Rises again in Chester Play." Daily News, Jun 12, 2003, pp. H22.
musical theatre production / spectacle de théâtre musical|theatre production / spectacle de théâtre|workshop / atelier
Chester Playhouse, 22 Pleasant St, Chester, Nova Scotia
The main author of "Happy End" was Elisabeth Hauptmann under the pseudonym Dorothy Lane.
Hauptmann, Elisabeth; author/auteur. (pseudonym: Dorothy Lane)
Bradecki, Tadeusz; dir./metteur en scène
Bannerman, Guy; act. (role: Jimmy ‘The Reverend’ Dexter) | Barclay, Neil; act. (role: Sam ‘Mammy’ Wurlizter) | Benson, Robert; act. (role: Cop) | Campbell, Benedict; act. (role: Bill Cracker) | Dennis, Kevin; act. (role: Brother Ben Owens) | Lillico, Jeff; act. (role: Johnny ‘Baby face’ Flint) | Lindstrom, Trish; act. (role: Sister Mary) | Millard, Peter; act. (role: Bob ‘The Professor’ Marker) | Nadajewski, Mike; act. (role: Salvation Army Captain) | Turvey, Jay; act. (role: Dr. Nakamura) | Ranney, Glynis; act. (role: ‘The Fly’) | Wilson, Blythe; act. (role: Lieutenant Lillian Holiday aka Hallelujah Lil)
Production credits for“Happy End." Ovrtur, https://ovrtur.com/production/2900739. Simpson, Herbert M. “Finishing Strong with the Elaborate and the Offbeat.” CITY News, 20 Aug. 2003, https://www.rochestercitynewspaper.com/rochester/finishing-strong-with-the-elaborate-and-the-offbeat/Content?oid=2127979.
musical theatre production / spectacle de théâtre musical
Real George Theatre, 85 Queen St., Niagara-on-the-Lake, Ontario
Les 7 péchés chapitaux des petits bourgeois [Ottawa, 2003]
Morin, Marie-Thé; mise en voix des chansons
Charrette, Nathaly; act. (rôle: Anna 1) | Dominique, Sasha; act. | Gendron, Mario; act. | Mensour, Dalelle; act. (rôle: Anna 2) | Simpson, Pierre; act.
Boivin, Daniel; musician/musicien. | Fairfield, Olivier; musician/musicien. | Saint-Pierre, Dominique; musician/musicien.
Gauthier, Natasha. "Treatment of Classic Work is Eighth Deadly Sin." The Ottawa Citizen, Sep 26, 2003, pp. D7. Production credits for “Les Sept Péchés Capitaux", Vox Théâtre, 24 Sept. 2013, https://voxtheatre.ca/spectacles/les-sept-peches-capitaux/. Proulx, Mélissa. “Les Sept Péchés Capitaux Des Petits Bourgeois : Écoutez-Moi Mon Père Car J'ai Péché...” Voir.ca, Mishmash Média, 25 Sept. 2003, https://voir.ca/scene/2003/09/24/les-sept-peches-capitaux-des-petits-bourgeois-ecoutez-moi-mon-pere-car-jai-peche/.
Catalog.: Annika Sauer, Université d'Ottawa
La Nouvelle Scène, 333 King Edward Ave, Ottawa, Ontario
Acker, Stephen; act. (role: Macheath) | D’Annunzio, Francie; act. | Grano, Bill; act. (role: Filch) | Halpin, Sue; act. (role: Mrs. Peachum) | Herbertson, Don; act. (role: Mr. Peachum) | Hill, Sheila; act. (role: Jenny) | Linklater, Geoff; act. (role: Street Singer) | Manning Albert, Jacqui; act. (role: Lucy, Smith) | McCaffery, Harry; act. (role: Fiona McEwan) | Moore, Florence; act. | Sprudz, Anda; act. (role: Polly Peachum) | Westerlund, Cheryl; act. (role: Dolly)
Usher, Leila; musician/musicien. (piano)
Peterson, Maureen. “Call this The Twopenny Opera.” Ottawa Journal, 29 April 1976, p. 71 Southworth, Jean. “New setting, no scenery for musical.” Ottawa Journal, 24 April 1976, p. 39. Swimmings, Betty. “Stylish staging of ‘Threepenny Opera’.” Ottawa Citizen, 29 April 1976, p. 77.
J. S. Woodsworth Secondary School, 159 Chesterton Drive, Ottawa, Ontario
La noce chez les petits bourgeois [École nationale de théâtre, 1976]
Claveau, Pierre; act. (rôle: l'ami) | Drouin, Marc; act. (rôle: le mari de la femme) | Dubois, Daniel; act. (rôle: le père de la mariée) | Dufour, Lisette; act. (rôle: la sœur) | Kilfoil, Katherine; act. (rôle: la mère) | Lambert, Louise; act. | Marier, Paule; act. (rôle: la mariée) | Marinier, Robert; act. (rôle: le marié) | Turcotte, Daniel; act.
David, Gilbert. “Brecht Au Québec : Au-Delà Des Malentendus.” Jeu, vol. 43, 1987, pp. 115–129, voir p. 116. Dumas, Carmel. “NTS good with Brecht caricatures.” The Gazette, 5 May 1976, p. 19. Avis d'événement, La Presse, 1 mai 1976, p. D6. Sabbath, Lawrence. “Brecht play overlong.” Montreal Star, 5 May 1976, p. B3. Schmidt and Fromann 1987, p. 241.
Catalog.: Sedigheh Hormozzadeh Ghalati, Université d'Ottawa
Monument-National, 1182, boul. Saint-Laurent, Montréal, Québec
The Exception and the Rule [Vancouver, 1976]
Bergman, Karin; act. | Fenwick, Ian; act. (role: merchant) | Griffiths, Don; act. | McCall, Gordon; act. (role: narrator) | McCulloch, Vicki; act. | Puttonen, Michael; act. | Puttonen, Susana; act.
Guildford, Peter Frederick. The Development of Professional Theatre in Vancouver. MA Thesis, University of British Columbia, 1981, p. 194. https://open.library.ubc.ca/media/download/pdf/831/1.0095420/1. Wyman, Max. “Touchstone group does Brecht justice.” Vancouver Sun, 1 May 1976, p. 27.
Vancouver Art Gallery, 1100 W Georgia St, Vancouver, British Columbia
The production was part of the first multicultural theatre festival in Montreal.
Akerblom, Maggy; director’s assistant | Gollner, Christa; stage manager | Roth, Ernest; musical director of the school orchestra of St. Lambert Elementary School
Galtier, Irene; act. | Geschitz, Georg; act. | Koch, Birgit; act. | Pottit, Erwin; act. | Richter, Hanna; act.
Kremer, Johanna. Die Geschichte des deutschsprachigen Theaters in Montreal von seinen Anfängen 1953 bis 1997. MA Thesis, Department of German Studies, McGill University, Montreal, March 1998.
Moyse Hall, McGill University, 853 Sherbrooke St W, Montreal, Quebec
The Threepenny Opera [University of Alberta, 1976]
The performance had to be moved indoors to the Studio Theatre of Corbett Hall on premiere night.
Atkins, Brian; act. (role: Tiger Brown) | Boyd, Pamela; act. (role: Jenny) | Dix-Hart, Jeremy; act. (role: Macheath) | Dutkiewicz, Dwight; act. (role: Reverend Kimball) | LeBel, Pauline; act. (role: Polly Peachum) | Murdoch, Mike; act. (role: Mr. Peachum) | Reese, Barbara; act. (role: Mrs. Peachum)
Event notice, Edmonton Journal, 7 June 1976, p. 18. Woolner, Dave. “Threepenny Opera a disaster.” Edmonton Journal, 10 June 1976, p. 41.
Torches Theatre, Courtyard of Corbett Hall, University of Alberta, 8205 114 St NW, Edmonton, Alberta
The Resistible Rise of Arturo Ui [Vancouver, 1976]
King, Sarah; stage management | White, Mary Lou; stage management
Akridge, David; act. (role: Bodyguard) | Bannerman, Guy; act. (role: Clark, Fish) | Crudo, Mario; act. (role: Young Dogsborough, Greenwool, Judge) | Grainge, Trish; act. (role: Betty Dullfeet) | Gray, Allan; act. (role: Giuseppe Givola, Bernie Bowl) | Hagan, Anna; act. (role: Dockdaisy) | Holland, Antony; act. (role: Butcher, Crockett, The Actor) | Johnston, Brigid; act. (role: Mrs. Sheet, A Wounded Woman) | Keurvorst, Derek; act. (role: Flake, The Prosecutor) | Maton, Andy; act. (role: Ernesto Roma) | McQueen, Jim; act. (role: Arturo Ui) | O’Sullivan, Barney; act. (role: Dogsborough) | Rigg, Jack; act. (role: The Barker, Ted Ragg, O’Casey, Dullfeet) | Waterhouse, Terry; act. (role: Emmanuele Giri)
Allen, Bob. “Brecht guns down Fuehrer.” The Province, 11 June 1976, p. 19. Allen, Bob. “Brecht message overpowered.” The Province, 19 June 1976, p. 35. Canadian Theatre Review Yearbook 1976, p. 45. Guildford, Peter Frederick. The Development of Professional Theatre in Vancouver. MA Thesis, University of British Columbia, 1981, p. 181. https://open.library.ubc.ca/media/download/pdf/831/1.0095420/1. Wyman, Max. “How heavily do you like your political messages underlined?” Vancouver Sun, 19 June 1976, p. 43.
1976-06-16 to 1976-07-03 [performances]; 1976-07-20 to 1976-08-06 [performances, Vancouver East Cultural Centre]
Frederic Wood Theatre, The University of British Columbia, 6354 Crescent Rd, Vancouver, British Columbia
The Caucasian Chalk Circle [Langara College, 2003]
Epstein, Josh; act. | Kurdum, Natalie; act. (role: Grusha) | Rideout, Kyle; act. | Schwarz, Nathan; act. (role: Simon Chachava, Grand Duke)
Gilchrist, Lara; musician/musicien. (pianist) | Epstein, Josh; musician/musicien. (saxophone) | Schwarz, Nathan; musician/musicien. (guitar) | Kurdum, Natalie; musician/musicien. (clarinet)
Penistan, Jane. “The Caucasian Chalk Circle.” Reviewvancouver, http://www.reviewvancouver.org/thcircle.htm.
Langara College, 100 W 49th Ave, Vancouver, British Columbia
La bonne âme du Setchouan [Ville de Québec, 2004]
Barsetti, Angelo; concepteur | Beauchamp, Sandrine; concepteur | Boucher, Étienne; concepteur | Larivière, Marie-France; concepteur
Allard, Stéphan; act. (rôle: les trois dieux) | Bedard, Emmanuel; act. | Bonin, Serge; act. | Côté, Lorraine; act. (rôle: Chin) | Descheneaux, Valérie; act. (rôle: Chan Té, Chui Ta) | Guay, Marie-Ginette; act. (rôle: la Femme) | Laroche, Valérie; act. | Ouellet, Patrick; act. | Ouellette, Jean-Sébastien; act. | Paquet, Édith; act. | Stephenson, Caroline; act. | Tremblay, Guy-Daniel; act.
Affiche de "La bonne âme du Setchouan", Théâtre du Trident, 2004. BanQ Numérique, https://numerique.banq.qc.ca/patrimoine/details/52327/3392891. Garand, Caroline. "De l’impossibilité de la bonté : La Bonne Âme de Se-Tchouan." Jeu: Revue de téâtre, no. 111 (2), 2004, pp. 54–55. Laliberté, Marie. “La bonne âme du Setchouan – Entrevue Avec Antoine Laprise : Le Feu Sacré.” Voir.ca, Mishmash Média, 8 Jan. 2004, https://voir.ca/scene/2004/01/08/la-bonne-ame-du-setchouan-entrevue-avec-antoine-laprise-le-feu-sacre/.
Salle Octave-Crémazie, Grand Théâtre de Québec, 269 Bd René-Lévesque E, Ville de Québec, Québec
“The evening will include songs from Weill and Bertholt Brecht's Happy End and Mahagonny songspiel, as well as tunes from The Threepenny Opera”. (Rankin)
Rankin, Bill. "Edmonton Opera Gets Creative with its Venues." Edmonton Journal, Apr 25, 2004, pp. B1.
opera production / spectacle d'opéra|recital / récital
Paramount Theatre, 10233 Jasper Ave, Edmonton, Alberta
Gay, John; author/auteur. | Hauptmann, Elisabeth; author./auteur.
Macdonald, Robert; transl./traduct. | Sams, Jeremy; transl./traduct.
Cooper, David: photography | Munn, Sheila; stage manager | Uyeda, Leslie: chorus director
Adams, David; act. | Chula, Babz; act. (role: Mrs. Peachum) | Callaghan, Patricia; act. | Goerz, Thomas; act. (role: Peachum) | Huck, Peter; act. | Mann, John; act. (role: Macheath) | Mcdonald, Shawn; act. | O’Callaghan, Patricia; act. (role: Polly Peachum) | Stilwell, Jean; act. (role: Narrator, Jenny) | Vitols, Vilma; act. (role: Lucy Brown)
Dykk, Lloyd. "Vancouver Opera Gambles on Rarities." The Vancouver Sun, Oct 09, 2003, p. C12. Dykk, Lloyd. "Panych Threepenny Brave Step for VO." The Vancouver Sun, Mar 17, 2004, p. C3. Paterson, Elizabeth. “Threepenny Opera.” Reviewvancouver, http://www.reviewvancouver.org/opthreepenny.htm. Accessed 25 May 2022. “The Threepenny Opera.” Nancy Bryant, http://www.nancybryant.ca/gallery/the-threepenny-opera/. Varty, Alexander. “Brechtian Bleakness Goes Bland.” The Georgia Straight, 25 Mar. 2004, https://www.straight.com/article/brechtian-bleakness-goes-bland.
Queen Elizabeth Theatre, 630 Hamilton Street, Vancouver, British Columbia
The Good Woman of Setzuan [Ryerson University, 2004]
Aamian, Anousha; act. (role: Persian God) | Desalaiz, Adrian; act. (role: Wong) | Dryden, Sarah; act. (role: Shen Te, Shui Ta) | Fowle, Christopher; act. (role: Christian God) | Gilchrist, Riley; act. (role: lover) | Gratto, Hayley; act. (role: Mrs. Shin) | Taylor, Alexis; act. (role: Hindu God) | Walker, Sophie; act. (role: landlady)
Evans, Peter. "Good Woman - Good Show". The Eyeopener, 1 Dec. 2004, https://theeyeopener.com/2004/12/good-woman-good-show/. Professional profile of Lisa Balkan, Lisa Balkan, Personal Website, http://lizabalkan.com/about-me/. “Stage Scenes.” NOW Magazine, Dec. 2004, https://nowtoronto.com/stage-scenes-2004-12-09.
Abrams Studio Theatre, 44 Gerrard St., Toronto, Ontario
“would-be Brechtian morality play about four women in Brecht’s life written by an eleven-woman collective” (Hoile)
Brebner, Morwyn; author/auteur. | Capraru, Jennifer; author/auteur. | Chan, Marjorie; author/auteur.
Capraru, Jennifer; dir./metteur en scène
Nosaty, Cathy; act. | Madoc-Jones, Ruth; act. | Mennell, Sarah; act. | Morgenstein, Stephanie; act. | Stubel, Camille; act.
Hoile, Christopher. “Review - That Time / Bébé.” Stage Door, 14 Dec. 2004, http://www.stage-door.com/Theatre/2004/Entries/2004/12/16_Beckett_%26_Brecht__That_Time___BeBe.html. "Stage." Toronto Star, Dec 16, 2004, pp. K09.
Theatre Centre, 1115 Queen St W, Toronto, Ontario
Embree, Marc; singer/chant. | Milenkovic, Michelle; singer/chant. | O'Callaghan, Patricia; singer/chant. | Ryan, Christopher; singer/chant. | Scully, Scott; singer/chant. | Somerville, Sheri; singer/chant.
Event notice for "Weill in Weimar 1926", "What's on." Edmonton Journal, Mar 01, 2005, pp. C5. Rankin, Bill. "Cabaret Evening is Interesting, Entertaining: It could use a Little Less Polish." Edmonton Journal, Mar 03, 2005, pp. C3.
Auden, W.H.; transl./traduct. | Kallman, Chester; transl./traduct.
Estacio, John; compos. | Weill, Kurt; compos.
Adams Willis, Vicki; dir./metteur en scène
Coulombe, Alain; act. (role: Anna’s Family) | McLennan, James; act. (role: Anna’s Family) | Pollack, Kathryn; act. (role: Anna 2) | Shaw, Eric; act. (role: Anna’s Family) | Stilwell, Jean; act. (role: Anna 1) | Sullivan, Curtis; act. (role: Anna’s Family)
Production notice for "Seven Deadly Sins", Calgary Wiki, https://calgary.fandom.com/wiki/Calendar/Archive. Clark, Bob. "Pride, Envy and Lust Drive Singer Stilwell: Calgary Opera Tackles Weill's Seven Deadly Sins." Calgary Herald, Mar 09, 2005, pp. F3.
Calgary Petroleum Club, 319 5 Ave SW, Calgary, Alberta
Remount of the 2003 production in the same festival. Bill Cracker in this production was first played by Ben Carlson, but then later replaced by Benedict Campbell at an unknown date. The main author of "Happy End" was Elisabeth Hauptmann under the pseudonym Dorothy Lane.
Barclay, Neil; act. (role: Sammy Wurlitzer) | Belleville, Donna; act. (role: Major Stone) | Campbell, Benedict; act. (role: Bill Cracker) | Carlson, Ben; act. (role: Bill Cracker) | Hughes, Douglas E.; act. (role: the Reverend) | Jamieson, Patty; act. (role: The Fly) | Leyshon, David; act. (role: Captain Hannibal Jackson) | Madden, Jeff; act. (role: Baby Face Flint) | Martell, Julie; act. (role: Sister Jane) | Miller, Peter; act. (role: the Professor) | Ranney, Glynis; act. (role: Lillian Holiday) | Turvey, Jay; act. (role: Dr. Nakamura) | Wilson, Blythe; act. (role: Lieutenant Lillian) | Wright, Jenny; act. (role: Sister Mary)
Hoile, Christopher. “Review - Happy End - Shaw Festival.” Stage Door, 8 Aug. 2005, http://www.stage-door.com/Theatre/2005/Entries/2005/8/8_Happy_End.html. Huntington, Richard. “Stiff Performances Leave 'Happy End' in Sad State.” Buffalo News, 22 June 2005, https://buffalonews.com/news/stiff-performances-leave-happy-end-in-sad-state/article_e77766e2-094c-5c96-b293-9b98713c9a15.html.
Royal George Theatre, 85 Queen St, Niagara-on-the-Lake, Ontario
The Caucasian Chalk Circle [Ryerson University, 2006]
Verecchia, Guillermo; dir./metteur en scène
Brennan, Maria; act. (role: Narrator) | Dzialoszynski, Jennifer; act. (role: Monk) | Malisic, Milan; act. (role: Ironshirt Corporeal) | McGee, Hayley; act. (role: Narrator) | Williams, Evan; act. (role: Ironshirt Blockhead)
“Caucasian Chalk Circle.” Ryerson School of Performance, 2006, https://ryersonperformance.ca/show/caucasian-chalk-circle. Accessed 10 Sept. 2018. “2006 Ryerson Theatre School.” Studylib.net, https://studylib.net/doc/17644543/2006-ryerson-theatre-school. The Varsity, 15 May 2006 - April 10, 2007, Internet Archive, https://archive.org/stream/thevarsity127/thevarsity127_djvu.txt.
Abrams Studio Theatre, 46 Gerrard St., Toronto, Ontario
Manheim, Ralph; transl./traduct. | Smith, William; transl./traduct.
Fenton, Michael. “Directing Baal in Calgary.” Communications from the International Brecht Society, vol. 36, Fall 2007, pp. 193–96.
The Good Woman of Setzuan [Queen's University, 2006]
D’Alessandro, Paul; act. (role: Wong) | Donovan, Matthew; act. (role: Mr. Shu Fu) | Dunbar, Allie; act. (role: God) | Robertson, Lesley; act. (role: God) | Van Dyck, Marni; act. (role: God) | Roy, Aimee; act. (role: Shen Te, Shui Ta)
Burns, Taylor. “Charity vs. Commerce.” Queen’s Journal, 10 Nov. 2006, https://www.queensjournal.ca/story/2006-11-10/arts/charity-vs-commerce/.
Rotunda Theatre, 85 Stuart St, Kingston, Ontario
Billon, Nicholas; dramaturage | Dryden, Nancy; production stage manager | Gregor, Janet; assistant stage manager | Lott, John; sound designer | Mengsha, Weyni; assistant director | Pihl, Elsa K.; apprentice stage manager | Powell, Patti; co-director
Blake, Michael; act. (role: Ned) | anitafrika, d’bi.young; act. (role: Ballad Singer, Nelly) | Guy-McGrath, Stephen; act. (role: Bob, Smith) | Hughes, Stuart; act. (role: Tiger Brown) | Johnson, David; act. (role: Reverend Kimball, Jimmy) | Lillico, Jeff; act. (role: Walt) | MacDonald, Kevin; act. (role: Jake) | Mader, Denise; act. (role: Nelly) | Mengesha, Weyni; act. (role: Betty) | O’Callaghan, Patricia; act. (role: Polly) | Palk, Nancy; act. (role: Mrs. Peachum) | Pinnock, Denise; act. (role: Dolly) | Ross, Mike; act. (role: Matt) | Schultz, Albert; act. (role: Macheath) | Villaverde, Jennifer; act. (role: Vixen, Lucy Brown) | Webster, William; act. (role: Peachum) | Wilson, Sarah; act. (role: Nenny)
Brasz, Franklin; musician/musicien. (rehearsal, alternate pianist) | Guy-McGrath, Stephan; musician/musicien. | Jestadt, Tom; musician/musicien. | Luminsky, Sasha; musician/musicien. | Ross, Mike; musician/musicien. | Skublics, Tom; musician/musicien. | Sportelli, Paul; musician/musicien. (piano)
Al-Solaylee, Kamal. “Missing: The Shock of Brecht.” The Globe and Mail, 1 Feb. 2007. www.theglobeandmail.com, https://www.theglobeandmail.com/arts/missing-the-shock-of-brecht/article721439/. Dupuis, Chris. Theatre Review: The Threepenny Opera | Xtra Magazine. 14 Feb. 2007, https://xtramagazine.com/culture/theatre-review-the-threepenny-opera-19627. Hoile, Christopher. Review - The Threepenny Opera - Soulpepper, Toronto. http://www.stage-door.com/Theatre/2007/Entries/2007/2/8_The_Threepenny_Opera.html. Kaplan, Jon. “Bold Brecht.” NOW Magazine, 8 Feb. 2007, https://nowtoronto.com/culture/theatre/bold-brecht. Ouzounian, Richard. “The Threepenny Opera - Variety.” Variety, 4 Feb. 2007, https://variety.com/2007/legit/reviews/the-threepenny-opera-6-1200510643/. Ouzounian, Richard. “Sponsored | A Penny for Your Soul.” The Toronto Star, 15 Feb. 2007. Toronto Star, https://www.thestar.com/sponsored_sections/2007/02/15/a_penny_for_your_soul.html. "The Threepenny Opera (2007)." The Toronto Theatre Database, https://ttdb.ca/shows/the-threepenny-opera/.
Young Centre for the Performing Arts, 55 Mill St., Bldg. 49, Toronto, Ontario
Mother Courage and Her Children [University of British Columbia, 2007]
Green, Alison; costumes | Lui, Mavis; costumes
Griffiths, Don; technical director | Ha, Michelle; assistant stage manager | Lister, Adrienne; assistant stage manager | Nahmens, Gua; assistant stage manager | Sage, Annie; assistant stage manager | Tattie, Casandra; stage manager
Anderson, Lois; act. (role: Anna Fierling, Mother Courage) | Anderson Kirby, Anoushka; act. (role: Young Kattrin) | Atkinson, Spencer; act. (role: Swiss Cheese) | Aqualine, Sean; act. (role: Sergeant, Fur Coat, Young Man, Leuftenant) | Cooper, Ira; act. (role: Eiliff) | Fillier, Hilary; act. (role: Regimental Clerk, Voices) | Fontaine, Nick; act. (role: Chaplain) | Frayne, Evan; act. (role: Cook) | Gilbert, Max; act. (role: Soldier, Voices, Soldier with Pike) | Goldbloom, Will; act. (role: Mercenary, Peasant, Servant, First Soldier) | Halloran, Maura; act. (role: Man With Patch, Farmer's Wife, Voices, Peasant Wife) | Harvey, Kim; act. (role: Mercenary, Old Woman, Voices, Peasant Son) | Hussein, Aslam; act. (role: Recruiting Officer, Young Soldier, Second Soldier) | Kraussler, Kevin; act. (role: Sergeant Armourer, Second Soldier, Voice, Peasant) | Lancaster, Courtney; act. (role: Kattrin, Singing Voice, Baby voice) | Myren, Gord; act. (role: Commander In Chief, Old Soldier, Singing Soldier, Voice) | Ranelli, Joanna; act. (role: Yvette) | Yamini, Carlos; act. (role: Old Colonel)
Penistan, Jane. “Mother Courage.” Reviewvancouver, http://www.reviewvancouver.org/th_mother_courage07.htm. Production credits for "Mother Courage and Her Children", Mother Courage and Her Children, University of British Columbia, 2007. http://archive.theatre.ubc.ca/mother_courage/credits.shtml.
Frederic Wood Theatre, 6354 Crescent Road, Vancouver, British Columbia
The Caucasian Chalk Circle [University of Waterloo, 2007]
Allen, Whitney; act. | Cruikshank, Amy; act. | Mabrucco, Peter; act. | McWebb, Anna; act. | Widmeyer, Sarah; act.
Degroot, Martin. “UW Students Bring Brecht Home for Spring.” The Record (Kitchener/Cambridge/Waterloo, ON). EBSCOhost, https://search.ebscohost.com/login.aspx?direct=true&db=rch&AN=Q4K275406419507&site=ehost-live. “Theatre Sees New Version of Classic.” Edited by Chris Redmond, UW Daily Bulletin, 14 Mar. 2007, https://bulletin.uwaterloo.ca/2007/mar/14we.html. “The Caucasian Chalk Circle.” Communication Arts, 2007, https://uwaterloo.ca/communication-arts/caucasian-chalk-circle. Accessed 21 Jan. 2021.
Department of Drama, University of Waterloo
Theatre of the Arts, 200 University Avenue West, Waterloo, Ontario
Brecht work(s)/oeuvre(s): Leben des Galilei
This production included a dinner at the venue.
Brister, Meaghan; act. (role: Virginia) | Courtenay, Stephanie; act. | Dobbs, Kathryn; act. | Dulmage, Sam; act. | Jaye, Laura; act. (role: Andrea Sarti) | Kepinski, Rapheal; act. | Kris, Yurij; act. | New, Peter; act. (role: Galileo) | Smith, Michael: act.
Professional profile of Kyla Gardiner, Personal Website, http://www.kylagardiner.com/about-kyla. “Life of Galileo.” Review From The House, https://www.reviewfromthehouse.com/review-seat/life-galileo. Event notice for "Life of Galileo", Stage Listings, The Vancouver Sun, Mar 29, 2007, pp. D39.
Western Front, 303 E 8th Ave E, Vancouver, British Columbia
L'opéra de 4 sous [Ville de Québec, 1977]
de Andrea, Guillermo; dir./metteur en scène
MacDougall, Alexandre; choreogr./chorégr.
Mailloux, Denis; lighting/éclairage | Savard, Robert; lighting/éclairage
Dion, Denise; régie | Mailloux, Denis; régie de production
Binet, Claude; act. (rôle: un mendiant, le gangster Eddy) | Bissonnette, Danielle; act. (rôle: Mme Peachum) | Bouchard, Raymond; act. (rôle: Brown) | Boutet, Jean-Jacqui; act. (rôle: un mendiant, le gangster Walter, le policier Smith) | Côté, Gaëtan; act. (rôle: un policier) | Daigle, Michel; act. (rôle: un mendiant, le gangster Jacob) | Dubois, Denise; act. (rôle: la tenancière) | Émond, Johanne; act. (rôle: Suky Tawdry, un mendiant) | Girard, Jacques; act. (rôle: Filch, Gangster, Mendiant) | Guay, Ginette; act. | Houde, Germain; act. (rôle: un mendiant, le gangster Matthias) | Hubert, Gaston; act. (rôle: le révérend Kimball, un mendiant) | Laberge, Marie; act. (rôle: Meneur de Jeu, Lucy) | Lemieux, Jean-Marie; act. (rôle: Peachum) | Munger, Léo; act. (rôle: Polly) | Robitaille, Pierrette; act. (rôle: Vieille putain, Gangster Jimmy) | Roy, Nicky; act. (rôle: Betty) | Simard, André; act. (rôle: un policier) | Thisdale, Jacques; act. (rôle: Mackie) | Tifo, Marie; act. (rôle: Jenny) | Tremblay, Jacques; act. (rôle: Gangster, Mendiant, Policier)
Brisson, Claude; musician/musicien. (saxophone) | Freeman, Arthur; musician/musicien. (trompette) | Hamada, Toshiaki; musician/musicien. (clarinette) | Houdy, Pierick; musician/musicien. (claviers) | Masse, Germain; musician/musicien. (percussion) | Myrand, François; musician/musicien. (contrebasse)
Affiche pour "L'Opéra de 4 sous", Théâtre Le Trident, 1977. BAnQ Numérique, https://collections.banq.qc.ca/ark:/52327/3392840. Canadian Theatre Review Yearbook 1977, p. 279. David, Gilbert. “Brecht Au Québec : Au-Delà Des Malentendus.” Jeu, vol. 43, 1987, pp. 115–129. Carte de fichier, Bertolt-Brecht-Archiv, Berlin, Allemagne. “L'opéra De Quat'sous.” Rappels.ca : Portail Du Théâtre Québécois, https://rappels.ca/fr/lop%C3%A9ra-de-quatsous-3. Sabbath, Lawrence. “L’Opera de Quat’Sous a triumph for Trident.” Montreal Star, 13 May 1977, p. B11.
Salle Octave-Crémazie, Grand Théâtre de Québec, 269 Bd. René-Lévesque E, Ville de Québec, Québec