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                <text>Happy End [Concordia University, 1979-1980]</text>
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                <text>D.B. Clarke Theatre, Concordia University, 1455 de Maisonneuve Blvd. W., Montreal, Quebec</text>
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                <text>1979-12-18 to 1980-01-06 [performances]</text>
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                <text>Hauptmann, Elisabeth; author/auteur. (pseudonym: Dorothy Lane)</text>
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                <text>Weill, Kurt; compos.</text>
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                <text>Cazalet, Joseph; dir./metteur en scène </text>
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                <text>Weber, Frederic; dir. music.</text>
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                <text>Reznicek, William; sets/scénogr.</text>
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                <text>Waln, Dustin; producer</text>
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                <text>Ernst, Gregg; act. (role: Captain Hannibal) | Kirwan Clark, Jo-Anne; act. (role: Lillian) | Langedyk, Jack; act. (role: Bill) | Parishudda, Deva; act. (role: Baby Face) | Tocco, Gill; act. (role: The Governor)</text>
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                <text>Brecht work(s)/oeuvre(s): Happy End</text>
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                <text>Bailey, Bruce. “‘Happy End’ worthwhile for Brecht fans.” The Gazette [Montreal], 20 Dec. 1979, p. 52.
Event ad, The Gazette [Montreal], 22 Dec. 1979, p. 60.</text>
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                <text>Catalog.: Sedigheh Hormozzadeh Ghalati, University of Ottawa</text>
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                <text>The Good Person of Setzuan [McMaster University, 1979-1980]</text>
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                <text>Berlau, Ruth; author/auteur. | Steffin, Margarete; author/auteur.</text>
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                <text>Brecht work(s)/oeuvre(s): Der gute Mensch von Sezuan</text>
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                <text>Schmidt, Klaus M., and Daniela Fromann. “Survey on Brecht Productions in the US and Canada from 1975/76 to 1985/86 with Comparative Figures in the FRG, GDR, and Austria.” Gestus: A Quarterly Journal of Brechtian Studies, vol. 2, no. 3, 1987, p. 243.</text>
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                <text>Catalog.: Sedigheh Hormozzadeh Ghalati, University of Ottawa</text>
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                <text>The Caucasian Chalk Circle [St. Francis Xavier University, 1979-1980]</text>
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                <text>St. Francis Xavier University</text>
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                <text>St. Francis Xavier University, 4130 University Ave, Antigonish, Nova Scotia</text>
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                <text>Berlau, Ruth; author/auteur.</text>
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                <text>Brecht work(s)/oeuvre(s): Der kaukasische Kreidekreis</text>
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                <text>Schmidt, Klaus M., and Daniela Fromann. “Survey on Brecht Productions in the US and Canada from 1975/76 to 1985/86 with Comparative Figures in the FRG, GDR, and Austria.” Gestus: A Quarterly Journal of Brechtian Studies, vol. 2, no. 3, 1987, p. 243.</text>
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                <text>Catalog.: Sedigheh Hormozzadeh Ghalati, University of Ottawa</text>
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                <text>La Vie de Galilée [Montréal, 1980]</text>
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                <text>Théâtre de la Grande Réplique, 200 rue Sherbrooke Ouest, Montréal, Québec</text>
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                <text>1980-10-16 à 1980-12-13 [représentations]</text>
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                <text>Bellavance, Ginette; compos.</text>
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                <text>Aubert, Roch; act. | Beaudoin, Sylvie; act. | Bédard, André; act. | Beaudry, Pierre; act. | Charbonneau, Alain; act. | Desgranges, Pascal; act. (rôle: Galilée) | Dumont, Yvon; act. | Dupont, Marie; act. | Lafontaine, Jean; act. | Laroche, Armand; act. | Lussier, Claude; act. | Maufette, Louise; act. | Seymour, Johanne; act. (rôle: jeune Andréa) | Tremblay, Larry; act.</text>
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                <text>Brecht work(s)/oeuvre(s): Leben des Galilei</text>
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                <text>Il y avait une reprise de la spectacle en 1981, qui avait lieu 1981-09-24 à 1981-10-17.</text>
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                <text>Avis de prolongation, Le Devoir, 8 déc. 1980, p. 13.
Canadian Theatre Review Yearbook 1981-82. Edited by Don Rubin, CTR Publications, York University, p. 233.
David, Gilbert. “Brecht Au Québec : Au-Delà Des Malentendus.” Jeu, vol. 43, 1987, pp. 115-129, p. 127, 129.
File Card, Bertolt Brecht Archive, Berlin, Germany.
Larue-Langlois, Jacques. “‘Galilée’ de Brecht : Une réussite d’équipe sur un sujet actuel.” Le Devoir, 20 oct. 1980, p. 8.</text>
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                <text>Catalog.: Annika Sauer, Université d'Ottawa</text>
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“La boîte à échos.” Le Devoir, 19 mai 1980, p. 14.</text>
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                <text>Event notice for "Bloop! Said Bertolt Brecht", The Province [Vancouver], 8 May 1980, p. D2.</text>
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                <text>Event notice, Victoria Times, 15 Feb. 1980, TV Weekly, p. 5.</text>
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                <text>Bancroft, Tony; act. (role: Magistrate) | Chochinov, Zev; act. | Merovitz, Allan; act. (role: Narrator) | Stearns, Sharon; act. (role: Kitchen Maid)</text>
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                <text>Dates and locations included: 26-28 June: Armstrong; 2-5 July: Vernon; 10-13 July: Kelowna; 18-20 July: Peachland; 24-26 July: Summerland; 12-16 Sept.: Calgary
“The first mask Melody made was for the 1980 Caravan Stage Company production of Bertolt Brecht’s Caucasian Chalk Circle. This mask was inspired by a photo of Brecht himself. The production, designed by Catherine Hahn, featured over 40 masks. This mask was created by sculpting with clay over a one gallon wine jug as a base before applying celastic and finishing with acrylic paint.” Salmon Arm Art Gallery.</text>
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                <text>“‘A Cast of Characters’ The Art of the Theatre Mask by Melody Anderson Spanning Four Decades of Productions.” Salmon Arm Art Gallery, static1.squarespace.com/static/601f02d110894c5483290ef3/t/63d59973317b5e3016a8733a/1674942839005/CastofCharacters_catalogue.pdf. Accessed 9 May 2023. 
Dunn, Katrina. Back-in-the-Land: Space and Anglophone Canada’s Professional Farm Theatres. 2016. University of British Columbia, MA Thesis, p. 155. http://hdl.handle.net/2429/57850.
Kieran, Brian. “Theatre, Caravan: They're One and the Same.” The Vancouver Sun, 25 July 1980, pp. 6L-7L.
Stroich, Vicki. Personal Interview. Conducted by Annika Sauer. 20 April 2023.</text>
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                <text>Canadian Theatre Review Yearbook 1980-81. Edited by Don Rubin, CTR Publications, York University, p. 153.</text>
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        <name>Ertmanis, Victor; act.</name>
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        <name>Gage, Patricia; act.</name>
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        <name>Galloway, Carole; act.</name>
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        <name>Guadagni, Nicky; act.</name>
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        <name>Mannheim, Ralph; trans./traduct.</name>
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        <name>Munro, Neil; act.</name>
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      <tag tagId="183">
        <name>Mutter Courage und ihre Kinder</name>
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      <tag tagId="436">
        <name>National Arts Centre / Centre national des Arts</name>
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      <tag tagId="1352">
        <name>Orenstein, Joan; act.</name>
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      <tag tagId="1329">
        <name>Perkins, Roger; dir. music.</name>
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        <name>Peters, John; act.</name>
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      <tag tagId="1354">
        <name>Pruner, Karl; act.</name>
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      <tag tagId="1333">
        <name>Ralston, Derek; act.</name>
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      <tag tagId="655">
        <name>Steffin, Margarete; author/auteur.</name>
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      <tag tagId="1334">
        <name>Teichroeb, Kevin; act.</name>
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        <name>theatre production / spectacle de théâtre</name>
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      <tag tagId="1328">
        <name>Wood, John; dir./metteur en scène</name>
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        <name>Zelniker, Michael; act.</name>
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                  <text>Brecht in/au Canada</text>
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                <text>A Respectable Wedding [Shaw Festival, 1980]</text>
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                <text>theatre production / spectacle de théâtre</text>
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          <element elementId="37">
            <name>Contributor</name>
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                <text>Shaw Festival</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Court House Theatre, 26 Queen St, Niagara-on-the-Lake, Ontario</text>
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            <name>Date</name>
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                <text>1980-06-27 to 1980-10-05 [performances]</text>
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          <element elementId="39">
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Benedetti, Jean; transl./traduct.</text>
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                <text>Thomas, Don; production stage manager | Woodrow; Dianne; stage management </text>
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                <text>Cox, Susan; act. (role: Mother) | Davies, Geraint-Wyn; act. (role: Young Man) | Douglass, Diane; act. (role: Wife) | Hutt, Peter; act. (role: Friend) | Kozlik, Al; act. (role: Husband) | McLellan, Nora; act. (role: Bride) | Pownall, Leon; act. (role: Father) | Volker, Francine; act. (role: Sister) | Ziegler, Joe; act. (role: Groom)</text>
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            <description>A language of the resource</description>
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            <description>An account of the resource</description>
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                <text>Brecht work(s)/oeuvre(s): Die Hochzeit</text>
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                <text>Occasion: Shaw Festival</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1352">
                <text>Canadian Theatre Review Yearbook 1980-81. Edited by Don Rubin, CTR Publications, York University, p. 276.
Czarnecki, Mark. “Gambling with the Greasepaint.” Maclean's, 21 July 1980, https://archive.macleans.ca/article/1980/7/21/gambling-with-the-greasepaint. 
Schmidt, Klaus M., and Daniela Fromann. “Survey on Brecht Productions in the US and Canada from 1975/76 to 1985/86 with Comparative Figures in the FRG, GDR, and Austria.” Gestus: A Quarterly Journal of Brechtian Studies, vol. 2, no. 3, 1987, pp. 237-250, see p. 248.</text>
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                <text>Catalog.: Annika Sauer, University of Ottawa</text>
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        <name>McLellan, Nora; act.</name>
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        <name>Niagara-on-the-Lake</name>
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        <name>Shaw Festival</name>
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