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                <text>Man is Man [Ryerson University, 1983]</text>
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                <text>Hauptmann, Elisabeth; author/auteur.</text>
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                <text>Schmidt, Klaus M., and Daniela Fromann. “Survey on Brecht Productions in the US and Canada from 1975/76 to 1985/86 with Comparative Figures in the FRG, GDR, and Austria.” Gestus: A Quarterly Journal of Brechtian Studies, vol. 2, no. 3, 1987, p. 244.</text>
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                <text>Schmidt, Klaus M., and Daniela Fromann. “Survey on Brecht Productions in the US and Canada from 1975/76 to 1985/86 with Comparative Figures in the FRG, GDR, and Austria.” Gestus: A Quarterly Journal of Brechtian Studies, vol. 2, no. 3, 1987, p. 244.</text>
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                <text>La noce chez les petits bourgeois [École nationale de théâtre, 1984]</text>
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                <text>David, Gilbert. “Brecht Au Québec : Au-Delà Des Malentendus.” Jeu, vol. 43, 1987, pp. 115-129, voir p. 116.</text>
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                <text>Canada on Stage: 1982-1986. Toronto: Communications Centre, Professional Association of Canadian Theatres, 1989, p. 423.</text>
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                <text>Catalog.: Annika Sauer, University of Ottawa</text>
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                <text>Burliuk, Greg. “Crowded Gangster Fable Saved by a Single Performance.” The Kingston Whig-Standard, 9 Mar. 1984, p. 14. 
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Firth, John. “Life's a (Seedy) Cabaret.” Whitehorse Daily Star, 20 Jan. 1984, pp. 8–9.</text>
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David, Gilbert. “Brecht Au Québec : Au-Delà Des Malentendus.” Jeu, vol. 43, 1987, pp. 1115-129, voir p. 117, p. 128, p. 129.
Lévesque, Robert. “Le Mois Brecht. Heureux Hasard: Trois Pièces Du Grand Dramaturge Allemand Prennent l’affiche Presque En Même Temps.” Le Devoir, 14 Jan. 1984, pp. 13, 18.
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                <text>Chatel, Carole; act. (rôle: Jenny Smith) | Gai, Claude; act. (rôle: Fatty le Fondé de Pouvoir) | Julien, Pauline; act. (rôle: Leocadia Begbick) | Lalonde, Robert; act. (rôle: Jack O’Brien, Toby Higgins) | Leriche, Raymond; act. (rôle: Billy Tiroir-Caisse) | Marien, Robert; act. (rôle: Jimmy Mahoney) | Marquis, Claude; act. (rôle: Moïse La Trinité)</text>
              </elementText>
              <elementText elementTextId="9910">
                <text>Buisson, Bernard; musician/musicien. (piano) | Gadouas, Catherine; musician/musicien. (instruments à vent) | Sivard, Claude; musician/musicien. (contrebasse)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2662">
                <text>lang.: French / français</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2663">
                <text>Brecht work(s)/oeuvre(s): Aufstieg und Fall der Stadt Mahagonny</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2664">
                <text>Canada on Stage: 1982-1986. Toronto: Communications Centre, Professional Association of Canadian Theatres, 1989, p. 261.
David, Gilbert. “Brecht Au Québec : Au-Delà Des Malentendus.” Jeu, vol. 43, 1987, pp. 115-129, voir p. 129.
“La Compagnie De L'Échiquier Et La Compagnie De Quat'sous Présentent Grandeur Et Décadence De La Ville De Mahagonny, Opéra De B. Brecht Et K. Weill.” BAnQ, 1984, https://collections.banq.qc.ca/ark:/52327/2456427. 
Lévesque, Robert. “Le Mois Brecht. Heureux Hasard: Trois Pièces Du Grand Dramaturge Allemand Prennent l’affiche Presque En Même Temps.” Le Devoir, 14 Jan. 1984, pp. 13, 18.
Simard, Mireille. “L’échappée de Pauline Julien.” Le Devoir, 14 Jan. 1984, p. 17.</text>
              </elementText>
              <elementText elementTextId="2665">
                <text>Catalog.: Annika Sauer, Université d'Ottawa</text>
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      <tag tagId="1195">
        <name>1980-1989</name>
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        <name>1984</name>
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      <tag tagId="801">
        <name>Aufstieg und Fall der Stadt Mahagonny</name>
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      <tag tagId="2073">
        <name>Buisson, Bernard; dir. music.</name>
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      <tag tagId="2081">
        <name>Buisson, Bernard; musician/musicien.</name>
      </tag>
      <tag tagId="2076">
        <name>Chatel, Carole; act.</name>
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      <tag tagId="2074">
        <name>Demers, Michel; sets/scénogr.</name>
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      <tag tagId="2082">
        <name>Gadouas, Catherine; musician/musicien.</name>
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      <tag tagId="1933">
        <name>Gai, Claude; act.</name>
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      <tag tagId="604">
        <name>Hauptmann, Elisabeth; author/auteur.</name>
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      <tag tagId="1609">
        <name>Hausvater, Alexandre; dir./metteur en scène</name>
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      <tag tagId="486">
        <name>Julien, Pauline; act.</name>
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      <tag tagId="2071">
        <name>La Compagnie de l’Échiquier</name>
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      <tag tagId="2072">
        <name>La Compagnie de Quat’Sous</name>
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      <tag tagId="2077">
        <name>Lalonde, Robert; act.</name>
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      <tag tagId="2078">
        <name>Leriche, Raymond; act.</name>
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        <name>Marien, Robert; act.</name>
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      <tag tagId="2080">
        <name>Marquis, Claude; act.</name>
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      <tag tagId="45">
        <name>Montreal</name>
      </tag>
      <tag tagId="882">
        <name>musical theatre production / spectacle de théâtre musical</name>
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      <tag tagId="16">
        <name>Quebec</name>
      </tag>
      <tag tagId="2083">
        <name>Sivard, Claude; musician/musicien.</name>
      </tag>
      <tag tagId="2084">
        <name>Théâtre de Quat'Sous</name>
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      <tag tagId="2075">
        <name>Thibault, Louise; costumes</name>
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      <tag tagId="466">
        <name>Weill, Kurt; compos.</name>
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