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                <text>Manheim, Ralph; transl./traduct. | Smith, William; transl./traduct.</text>
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                <text>Schouten, Renée; stage manager | Wraggett, Wes; additional music and sound</text>
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                <text>Achtman, Arnie; act. (role: Young Man, Lupu, Woodcutter, Bolleboll) | Beny, Jude; act. (role: Luise, Sister, Soubrette, Maja, Waitress) | Bolt, David; act. (role: Mech, Landlady, Mjurk, Teddy, Gougou, Policeman) | Bowes, Geoffrey; act. (role: Johan Schmidt, Woodcutter) | de Pena, Katie; act. (role: Young Lady, Sister, Dancer, Young Woman) | Donat, Richard; act. (role: Guest, Teamster, Woodcutter) | Green, Janet-Laine; act. (role: Johanna, Waitress) | Jaffe, Chapelle; act. (role: Emilie Mech, Sophie, Waitress) | Jobin, Peter; act. (role: Piller, Teamster, Piano Player, Woodcutter, Watzmann) | Markle, Stephen; act. (role: Ekart) | Rubinek, Saul; act. (role: Baal) | Webster, William; act. (role: Pschierer, Teamster, Woodcutter, Beggar, Policeman)</text>
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                <text>Brecht work(s)/oeuvre(s): Baal</text>
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                <text>Canadian Theatre Review Yearbook 1977, edited by Don Rubin, CTR Publications, York University, p. 216.
Erdelyi, Joseph. “Rotten character, rotten play, and a rotten production.” Ottawa Citizen, 25 Feb. 1977, p. 60.
File Card, Bertolt-Brecht-Archiv, Berlin, Germany.
Galloway, Myron. “Early Brecht is emotional wringer.” Montreal Star, 25 Feb. 1977, p. B10.</text>
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                <text>Catalog.: Sedigheh Hormozzadeh Ghalati, University of Ottawa</text>
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                <text>Dessau, Paul; compos. </text>
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                <text>Brecht work(s)/oeuvre(s): Der gute Mensch von Sezuan</text>
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                <text>Canadian Theatre Review Yearbook 1974, p. 162.
Chusid, Harvey. “Tragedy a redeeming feature of this Good Woman of Setzuan.” Vancouver Sun, 16 April 1974, p. 35.</text>
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