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                <text>Senora Carrar's Rifles [Shaw Festival, 2012]</text>
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                <text>Brecht work(s)/oeuvre(s): Die Gewehre der Frau Carrar</text>
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                <text>The same production was done by the same contributor in 2014, although with a different cast.</text>
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                <text>Praxis. “Shaw Festival Directors Project: Presentation Day.” Praxis Theatre, 21 Sept. 2012, praxistheatre.com/category/shaw-festival-directors-project/.</text>
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                <text>Catalog.: Annika Sauer, University of Ottawa</text>
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                <text>The Resistible Rise of Arturo Ui [Shaw Festival, 2017]</text>
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                <text>Brecht work(s)/oeuvre(s): Der aufhaltsame Aufstieg des Arturo Ui</text>
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                <text>Carroll, Tim. “Reading Series 2017.” Shaw Magazine for Friends and Partners, 2017, p. 13.
Wise, Jennifer. Curriculum Vitae, https://www.uvic.ca/finearts/theatre/people/profiles/emeriti/wise-cv-lists1.pdf. Accessed 25 May 2022.</text>
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                <text>Catalog.: Jacqueline Timmermans, University of Ottawa</text>
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                <text>Murphy, Angela. “Drums disturbing, powerful production.” Expositor [Brantford, ON], 18 July 1992, p. 8.
Portman, Jamie. “Brecht’s early ‘comedy’ provides few laughs.” Ottawa Citizen, 14 July 1992, p. D10.</text>
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Huntington, Richard. “Stiff Performances Leave 'Happy End' in Sad State.” Buffalo News, 22 June 2005, https://buffalonews.com/news/stiff-performances-leave-happy-end-in-sad-state/article_e77766e2-094c-5c96-b293-9b98713c9a15.html. </text>
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