"On the Land and the Sea" [Jan Meyerowitz]
other version 1 - instrumentation: piano|organ
Performance instructions: "SATB chorus and organ or piano ad libitum" (Ezust) (Gooch and Thatcher 4427)
Meyerowitz, Jan; music (American, born in Germany, became U.S. citizen in 1951, 1913-1998)
Rossetti, Christina Georgina; text (English, 1830-1894)
In reference to the published works below: Gooch and Thatcher 4427
Reference: Gooch, Bryan N.S. and David S. Thatcher. Musical Settings of Early and Mid-Victorian Literature: A Catalogue. New York: Garland, 1979.
Reference: Ezust, Emily. The LiederNet Archive. http://www.lieder.net/lieder/index.html
Other data reference(s): Carman, Judith E., et al. Art Song in the United States, 1759-2011. Fourth edition, Scarecrow Press, Inc., 2013, 1825. United States, Washington, Library of Congress, Copyright Office. Published Music: January-June 1953. Catalog of Copyright Entries, Third Series, vol. 7, part 5 A, no. 1, 1954, p. 192. Internet Archives, https://archive.org/details/catalogofcopyrig375li/page/192/mode/1up?view=theater&q=Meyerowitz. Accessed 7 Jul 2021.
Cataloguer: Roxanne Lafleur, University of Ottawa
1952 [publication]; 1954 [publication for SATB version]
The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
First line of lyrics: Every valley drinks
Place in the larger work: The third song of twelve in the song cycle called "A Goodly Heritage," which includes 1. "Under the Greenwood tree" (William Shakespeare); 2. "The Cuckoo" (John Bunyan); 3. "Winter Rain" (Christina Rossetti); 4. "The rewards of farming" (Anonymous); 5. "The Grasshopper" (Richard Lovelace); 6. "Rain after drought" (Sidney Gray); 7. "Autumn" (Canon Dixon); 8. "When Icicles hang by the wall" (William Shakespeare); 9. "To meadows" (Robert Herrick); 10. "The Echoing Green" (William Blake); 11. "Evening" (Percy Bysshe Shelley); 12. "Pleasure it is" (William Cornish)
Tempo markings: "Poco adagio"; quarter note = 52
Performance instructions: The title page includes the statement "Twelve Songs of the Countryside for Women's voices with accompaniment of String Orchestra and Pianoforte." "N.B. When the work is performed with pianoforte accompaniment the Introduction [of 'A Goodly Heritage'] may be omitted if desired"
Dedication: "For the Womens' Choirs of Surrey"
Jacob, Gordon; music (English, 1895-1984)
In reference to the published works below: Gooch and Thatcher 4897
Musical score: University of Ottawa Library, Ottawa
London: Joseph Williams Limited; New York: Mills Music Inc.
"Copyright 1950 by Joseph Williams Limited. | 29, Enford Street, Marylebone, London. W. I. | All Rights Reserved"
8 pages (pp. 17-23 in score with piano accompaniment); complete song cycle performance time 30 minutes
"Ferry Me across the Water" [Hagen, Daron]
Part of: "Three Silent Things"|"Letting Go"
instrumentation: violin|viola|cello|piano
other version 1 - instrumentation: piano
Rossetti poem(s): "'Ferry me across the water'"
Place in the larger work: The third song of twelve in the song cycle called "Three Silent Things," which includes 1. "I Depart as Air" (Walt Whitman); 2. "Despite and Still" (Robert Graves); 3. "Ferry Me Across the Water" (Christina Rossetti); 4. "Do I Love You?" (Jack Larson); 5. "Pitiless God" (Robinson Jeffers); 6. "Three Silent Things" (Adelaide Crapsey); 7. "Song Without Words (Instrumental); 8. "Just Now (Adelaide Crapsey); 9. "Specimen Case" (Walt Whitman); 10. "Rain in Spring" (Paul Goodman); 11. "Now That I Love You (Robert Graves); 12. "A Clear Day and No Memories" (Wallace Stevens). The second song of seven in the song cycle called "Letting Go," which includes 1. "A Suite of Appearances" (Mark Strand); 2. "Ferry Me across the Water"; 3. (Christina Rossetti); "Ghost Letter" (Richard McCann); 4. "'I'll sing a song to my love'" (Gwen Hagen); 5. "Prayer to Sparrow in Two Seasons" (Jeffrey Skinner); 6. "The Second Law" (Stephen Sandy); 7. "Psalm 150."
Composition history: "Three Silent Things is perhaps Hagen's most personal, introspective song cycle. From the start, the composer conceived of the cycle as a summation of, and a farewell to, his years in Philadelphia. Appropriately, he reached out to his closest friends at the time and composed a work that he could perform with them. [...] Hagen included Ferry Me Across the Water [to cycle "Three Silent Things"] because it was the first song that he had composed for Karen Hale, the singer in the ensemble, with whom he had performed it many times. (Hagen revised the song, years later, and included it in the song cycle Letting Go.)" ("Three Little Things...") "Letting Go was assembled from songs composed over the course of nearly two decades and completed as a cycle during the winter of 2002 in New York City. It consists of seven songs, all of which deal with love and death. [...] Ferry Me Across the Water was finished a decade earlier on 25 October 1983 in Philadelphia." ("Letting Go...")
Tempo markings: quarter note = 76 ("Letting Go") (Carman 1208b)
Performance instructions: "Flexible and Blue" ("Letting Go") (Carman 1208b)
Performance history: "['Three Silent Things'] Premiere: 13 April 1984 / Curtis Hall, Philadelphia, Pennsylvania / Karen Hale, soprano / Michaela Paetsch, violin / Lisa Ponton, viola / Robert LaRue, cello / Daron Hagen, piano" ("Three Silent Things...") "['Letting Go'] Premiere: 11 December 2002 / Auditório do Departamento de Comunicação e Arte da Universidade de Aveiro, Portugal / Claire Vangelisti, soprano / Alfredo Carerra, piano" ("Letting Go...")
Dedication: "for Karen, Michaela, Lisa, and Robert" ("Three Silent Things..."). "To Gilda Marie Lyons" [complete cycle] ("Letting Go...")
Notes: Review: "Daron Hagen, I know, won't set a song if he hasn't memorized the lyrics.... [This] cycle is heartbreaking [...] The harmonies in 'Ferry Me Across the Water' wander in a way that reminds me of Schoenberg and shift subtly into a conventional tonality at the end; Hagen does this enviably well. — Stephen Estep, American Record Guide, January-February, 2009" ("Letting Go...")
Hagen, Daron; music (American, born 1961)
Other data reference(s): "Letting Go." Daron Hagen, https://www.daronhagen.com/songs-and-cycles/letting-go. Accessed 5 Jul 2021. "Three Silent Things." Daron Hagen, https://www.daronhagen.com/songs-and-cycles/three-silent-things. Accessed 5 Jul 2021. Carman, Judith E., et al. Art Song in the United States, 1759-2011. Fourth edition, Scarecrow Press, Inc., 2013, 1208b.
Burning Sled Music ("Three Silent Things..."); New York: Carl Fischer ("Letting Go...")
1983 [composition]; 1984 [composition of "Three Silent Things"]; 2002 [composition of "Letting Go"] [copyright]
2 pages ("Letting Go") (Carman 1208b); complete "Letting Go" cycle performance time 18 minutes ("Letting Go..."); complete "Three Silent Things" cycle performance time 25 minutes ("Three Silent Things...")
"Who Has Seen the Wind?" [Edwin T. Childs]
First line of lyrics: Who has seen the wind?
Rossetti poem(s): "'Who has seen the wind?'"
Performance instructions: "Gently" "Two-part with Flute (or C Instrument) and Piano"
Recordings: "Who Has Seen the Wind?." J. W. Pepper, https://www.jwpepper.com/Who-Has-Seen-the-Wind%3F/10512918.item#/. Accessed 30 Jun 2021.
Childs, Edwin T.; music (American, born 1945)
Cataloguer: Atifa Munshi, University of Ottawa
This score is copyright protected. A score can be consulted here: "Who Has Seen the Wind?." J. W. Pepper, https://www.jwpepper.com/Who-Has-Seen-the-Wind%3F/10512918.item#/. Accessed 30 Jun 2021.
"Copyright © 2015 Choristers Guild. All rights reserved. | Reproduction of all or any part is prohibited without permission of the publisher. | The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net."
8 pages; performance time ca. 2 minutes and 20 seconds
First line of lyrics: The sunrise wakes the lark to sing
Notes: This song is one of two settings of poems by Christina Rossetti found in Eleanor Smith's Modern Music Series, third volume "A Second Book in Vocal Music" (1901), with C. E. Richard Mueller, and categorized in a section called "Songs of Nature." The following statement is found prominently on the title page of the book: "Wherein the study of musical structure is pursued through the consideration of complete melodic forms and practice based on exercises related to them."
Musical score: Smith, Eleanor. A Second Book of Vocal Music, The Modern Music Series, Silver, Burdett and Company, 1901, p. 80-81. HathiTrust, https://catalog.hathitrust.org/Record/006577591. Accessed 29 Jun 2021.
Scott, Foresman and Company; New York, Boston, Chicago: Silver, Burdett and Company
"Copyright, 1898, 1898 | By Scott, Foresman & Company. | Copyright, 1901, | By Silver, Burdett & Company."
File(s): CRM-birdraptures-attenhofer.pdf
"Six-eight Time Studies I" [unknown composer]
First line of lyrics: Fly away, fly away over the sea
Rossetti poem(s): "'Fly away, fly away over the sea'"
Notes: This song is one of two settings of poems by Christina Rossetti found in Eleanor Smith's Modern Music Series, third volume "A Second Book in Vocal Music" (1901), with C. E. Richard Mueller, The following statement is found prominently on the title page of the book: "Wherein the study of musical structure is pursued through the consideration of complete melodic forms and practice based on exercises related to them."
Musical score: Smith, Eleanor. A Second Book of Vocal Music, The Modern Music Series, Silver, Burdett and Company, 1901, p. 33. HathiTrust, https://catalog.hathitrust.org/Record/006577591. Accessed 29 Jun 2021.
First line of lyrics: The wind has such a rainy sound
Rossetti poem(s): "'The wind has such a rainy sound'"
Notes: This song is one of three settings of poems by Christina Rossetti found in "The Eleanor Smith Music Primer" (1911), in Part III: "Songs for Sight Seeing Practice." The Preface states that this book "presents a collection of songs to be used during the first year [...] The songs comprising the book will be found varied in origin and character, childlike in spirit and very simple in structure. [...] Music of lasting quality has been chosen--songs which, when remembered in later years, may be treasured as the foundation of mature good taste. Chief among these are the beautiful fold songs with which the book abounds."
Smith, Eleanor Sophia; music (American, 1858-1942)
Musical score: Smith, Eleanor. The Eleanor Smith Music Primer, American Book Company, 1911, p. 120. HathiTrust, https://catalog.hathitrust.org/Record/100414963. Accessed 29 Jun 2021.
New York, Cincinnati, Chicago: American Book Company
"Copyright, 1911, by Eleanor Smith -- Entered at Stationers' Hall, London -- Primer"
First line of lyrics: Birds sing in tune
Rossetti poem(s): "'January cold desolate'"
Notes about the text: This song is a setting of lines 5-8 only. In line 7, the word "And" in the poem was replaced by "Bright" in the lyrics.
Musical score: Smith, Eleanor. The Eleanor Smith Music Primer, American Book Company, 1911, p. 105. HathiTrust, https://catalog.hathitrust.org/Record/100414963. Accessed 29 Jun 2021.
"What Children May Say" [unknown composer]
Musical score: Smith, Eleanor. The Eleanor Smith Music Primer, American Book Company, 1911, p. 97. HathiTrust, https://catalog.hathitrust.org/Record/100414963. Accessed 29 Jun 2021.
"Bright-Eyed Daisies" [arr. Caroline Kohlsaat, music unknown composer]
First line of lyrics: Where pretty, bright-eyed daisies are
Rossetti poem(s): "'Where innocent bright-eyed daisies are'"
Notes about the text: In the lyrics, "pretty" replaces the word "innocent" in the first line of the poem.
Performance instructions: "An accompaniment, if added, should merely serve the melody." (Baker, "Introduction") "All so-called 'marks of expression' have been omitted. The words and tunes together should suggest both style and tempo. In general, it may be said that the songs should be sung lightly and with spontaneity." (Baker, "Contents")
Notes: This song is one of three settings of poems by Christina Rossetti found in Clara Belle Baker's "Songs for a Little Child" (1921). According to Gooch and Thatcher (4865), the song is set to an German air. It is in a section called "Flowers and Leaves." The book's introduction states: "The tunes used in the book have been chosen from the most naïve and charming of the old folk songs. [...] They are drawn from many nationalities: American, French, English, Swedish, German, Bohemian, Irish, Danish, Dutch, Lithuanian, Welsh, Russian, Syrian, Finnish, Sicilian. [...] The harmonizations in this book [by Caroline Kohlsaat] are in keeping with the simplicity and delicacy of the tunes. [...] In most instances, the form follows that of the original folk song, with the same rhyme scheme, the same phrasing, and a like simplicity."
Kohlsaat, Caroline; arrangement (American, 1875-1950)
In reference to the published works below: Gooch and Thatcher 4865
Other data reference(s): Baker, Clara Belle. Songs for the Little Child, Abingdon Press, 1925.
Musical score: Baker, Clara Belle. Songs for the Little Child, Abingdon Press, 1925, p. 24. Université Bishop's University, Sherbrooke.
New York, Cincinnati: The Abingdon Press
1921 [publication] [copyright]; 1922, 1925 [publication]
Record: CRM-whereinnocent-kohlsaat-unknown
File(s): CRM-whereinnocent-kohlsaat-unknown.pdf
"The Rainbow" [arr. Caroline Kohlsaat, music unknown composer]
First line of lyrics: Boats sail on the rivers
Rossetti poem(s): "'Boats sail on the rivers'"
Notes: This song is one of three settings of poems by Christina Rossetti found in Clara Belle Baker's "Songs for a Little Child" (1921). According to Gooch and Thatcher (4241), the song is set to an English air. It is in a section called "Wind and Weather." The book's introduction states: "The tunes used in the book have been chosen from the most naïve and charming of the old folk songs. [...] They are drawn from many nationalities: American, French, English, Swedish, German, Bohemian, Irish, Danish, Dutch, Lithuanian, Welsh, Russian, Syrian, Finnish, Sicilian. [...] The harmonizations in this book [by Caroline Kohlsaat] are in keeping with the simplicity and delicacy of the tunes. [...] In most instances, the form follows that of the original folk song, with the same rhyme scheme, the same phrasing, and a like simplicity."
In reference to the published works below: Gooch and Thatcher 4241
Musical score: Baker, Clara Belle. Songs for the Little Child, Abingdon Press, 1925, p. 37. Université Bishop's University, Sherbrooke.
File(s): CRM-boatssail-kohlsaat-unknown.pdf
"Lullaby" [arr. Caroline Kohlsaat, music unknown composer]
First line of lyrics: Flow'rs are closed and lambs are sleepingon
Rossetti poem(s): "'Lullaby, oh lullaby!'"
Notes about the text: The first line of the poem by Christina Rossetti is omitted from the lyrics in is setting.
Notes: This song is one of three settings of poems by Christina Rossetti found in Clara Belle Baker's "Songs for a Little Child" (1921). According to Gooch and Thatcher (4600), the song is set to a Croatian air. It is in a section called "Play and Rest." The book's introduction states: "The tunes used in the book have been chosen from the most naïve and charming of the old folk songs. [...] They are drawn from many nationalities: American, French, English, Swedish, German, Bohemian, Irish, Danish, Dutch, Lithuanian, Welsh, Russian, Syrian, Finnish, Sicilian. [...] The harmonizations in this book [by Caroline Kohlsaat] are in keeping with the simplicity and delicacy of the tunes. [...] In most instances, the form follows that of the original folk song, with the same rhyme scheme, the same phrasing, and a like simplicity."
In reference to the published works below: Gooch and Thatcher 4600
Musical score: Baker, Clara Belle. Songs for the Little Child, Abingdon Press, 1925, p. 65. Université Bishop's University, Sherbrooke.
File(s): CRM-lullabyoh-kohlsaat-unknown.pdf
First line of lyrics: "I've seen a hundred pretty things"
Rossetti poem(s): "'If the moon came from heaven'"
Notes about the text: This song is a setting of stanza 2 only.
Notes: This song is one of fourteen settings of poems by Christina Rossetti found in Eleanor Smith's Modern Music Series, first volume "A Primer of Vocal Music" (1901). It is in a section called "Songs of Nature." The following statement is found prominently on the title page of the book: "Wherein the study of musical structure is pursued through the consideration of complete melodic forms and practice based on exercises related to them" (1898-1901).
Musical score: Smith, Eleanor. A Primer of Vocal Music, The Modern Music Series, Silver, Burdett and Company, 1901, p. 17. Internet Archives, https://archive.org/details/modmusserprimer00smith. Accessed 3 Jun 2021.
"Copyright, 1898, 1899, 1900 | By Scott, Foresman & Company | Copyright, 1901 | By Silver, Burdett & Company"
First line of lyrics: Pinky white pigling
Notes about the text: This song is a setting of stanzas 3 and 4 only.
Notes: This song is one of fourteen settings of poems by Christina Rossetti found in Eleanor Smith's Modern Music Series, first volume "A Primer of Vocal Music" (1901). It is in a section called "Animals." The following statement is found prominently on the title page of the book: "Wherein the study of musical structure is pursued through the consideration of complete melodic forms and practice based on exercises related to them" (1898-1901).
Musical score: Smith, Eleanor. A Primer of Vocal Music, The Modern Music Series, Silver, Burdett and Company, 1901, p. 117. Internet Archives, https://archive.org/details/modmusserprimer00smith. Accessed 3 Jun 2021.
File(s): CRM-minnieandmattie-unknown.pdf
First line of lyrics: A pocket handkerchief to hem
Rossetti poem(s): "'A pocket handkerchief to hem'"
Notes: This song is one of fourteen settings of poems by Christina Rossetti found in Eleanor Smith's Modern Music Series, first volume "A Primer of Vocal Music" (1901). It is in a section called "Work." The following statement is found prominently on the title page of the book: "Wherein the study of musical structure is pursued through the consideration of complete melodic forms and practice based on exercises related to them" (1898-1901).
Musical score: Smith, Eleanor. A Primer of Vocal Music, The Modern Music Series, Silver, Burdett and Company, 1901, p. 74. Internet Archives, https://archive.org/details/modmusserprimer00smith. Accessed 3 Jun 2021.
File(s): CRM-pockethandkerchief-wilhelm.pdf
"The Mournful Linnets" [unknown composer]
First line of lyrics: Here what the mournful linnets say
Rossetti poem(s): "'Hear what the mournful linnets say'"
Notes: This song is one of fourteen settings of poems by Christina Rossetti found in Eleanor Smith's Modern Music Series, first volume "A Primer of Vocal Music" (1901). It is in a section called "Birds." The following statement is found prominently on the title page of the book: "Wherein the study of musical structure is pursued through the consideration of complete melodic forms and practice based on exercises related to them" (1898-1901).
Musical score: Smith, Eleanor. A Primer of Vocal Music, The Modern Music Series, Silver, Burdett and Company, 1901, p. 42. Internet Archives, https://archive.org/details/modmusserprimer00smith. Accessed 3 Jun 2021.
File(s): CRM-hearwhatthemournful-unknown.pdf
First line of lyrics: Where innocent, brightey'd daisies are
Notes: This song is one of fourteen settings of poems by Christina Rossetti found in Eleanor Smith's Modern Music Series, first volume "A Primer of Vocal Music" (1901). It is in a section called "Play." The following statement is found prominently on the title page of the book: "Wherein the study of musical structure is pursued through the consideration of complete melodic forms and practice based on exercises related to them" (1898-1901).
Musical score: Smith, Eleanor. A Primer of Vocal Music, The Modern Music Series, Silver, Burdett and Company, 1901, p. 41. Internet Archives, https://archive.org/details/modmusserprimer00smith. Accessed 3 Jun 2021.
First line of lyrics: Wrens and robbins in the hedge
Musical score: Smith, Eleanor. A Primer of Vocal Music, The Modern Music Series, Silver, Burdett and Company, 1901, p. 38. Internet Archives, https://archive.org/details/modmusserprimer00smith. Accessed 3 Jun 2021.
First line of lyrics: Pussy has a whisker'd face
initial sharps/flats: no sharps or flats
Rossetti poem(s): "'Pussy has a whiskered face'"
Notes about the text: The word "Kitty" in line 2 of the poem was replaced with "Pussy" in the lyrics.
Musical score: Smith, Eleanor. A Primer of Vocal Music, The Modern Music Series, Silver, Burdett and Company, 1901, p. 27. Internet Archives, https://archive.org/details/modmusserprimer00smith. Accessed 3 Jun 2021.
Rossetti poem(s): "'Wrens and robins in the hedge'"
Musical score: Smith, Eleanor. A Primer of Vocal Music, The Modern Music Series, Silver, Burdett and Company, 1901, p. 23. Internet Archives, https://archive.org/details/modmusserprimer00smith. Accessed 3 Jun 2021.
First line of lyrics: Dancing on the hill-tops
Rossetti poem(s): "'Dancing on the hill-tops'"
Notes about the text: The 1901 version contains all three stanzas of the poem except for lines 11-12 in the third stanza. The 1929 version omits the second stanza from the 1901 version.
Notes: This song is one of fourteen settings of poems by Christina Rossetti found in Eleanor Smith's Modern Music Series, first volume "A Primer of Vocal Music" (1901). It is in a section called "Action." The following statement is found prominently on the title page of the book: "Wherein the study of musical structure is pursued through the consideration of complete melodic forms and practice based on exercises related to them" (1898-1901). The song was then published in the collection "The Music Hour" Book Three, 1929 (Gooch and Thatcher 4337), 1937 (Record for "The Music Hour...") by Osbourne McConathy; W. Otto Miessner; Edward Bailey Birge; Mabel E. Bray.
In reference to the published works below: Gooch and Thatcher 4341
Other data reference(s): Record for "The Music Hour..." WorldCat, http://www.worldcat.org/oclc/9440567. Accessed 28 Jun 2021.
Musical score (1901): Smith, Eleanor. A Primer of Vocal Music, The Modern Music Series, Silver, Burdett and Company, 1901, p. 20. Internet Archives, https://archive.org/details/modmusserprimer00smith. Accessed 3 Jun 2021.
Musical score (1929): The Music Hour: Book Three, edited by Osbourne McConathy, et al., Silver, Burdett and Company, 1929, p. 25. Southern Connecticut State University Library, New Haven.
1898, 1899, 1900, 1901 [copyright] [publication]; 1929, 1938 [copyright] [publication]
"Copyright, 1898, 1899, 1900 | By Scott, Foresman & Company | Copyright, 1901 | By Silver, Burdett & Company" (Smith)
File(s): CRM-dancingonthehilltops-smith-1901.pdf; CRM-dancingonthehilltops-smith-1929.jpg
First line of lyrics: Currants on a bush
Rossetti poem(s): "'Currants on a bush'"
Notes: This song is one of fourteen settings of poems by Christina Rossetti found in Eleanor Smith's Modern Music Series, first volume "A Primer of Vocal Music" (1901). It is in a section called "Songs of Nature." The following statement is found prominently on the title page of the book: "Wherein the study of musical structure is pursued through the consideration of complete melodic forms and practice based on exercises related to them" (1898-1901). The song was then published in the collection "The Music Hour" Book One, 1928 (Gooch and Thatcher 4337), 1937 (Record for "The Music Hour...") by Osbourne McConathy; W. Otto Miessner; Edward Bailey Birge; Mabel E. Bray.
In reference to the published works below: Gooch and Thatcher 4337
Other data reference(s): Record for "The Music Hour: First Book." WorldCat, http://www.worldcat.org/oclc/929772323. Accessed 24 Jun 2021.
Musical score (1901): Smith, Eleanor. A Primer of Vocal Music, The Modern Music Series, Silver, Burdett and Company, 1901, p. 29. Internet Archives, https://archive.org/details/modmusserprimer00smith. Accessed 3 Jun 2021.
1898, 1899, 1900, 1901 [copyright] [publication]; 1928 [publication]; 1937 [copyright] [publication]
First line of lyrics: I took my heart in my hand
Composition history: "By permission of Messrs. Macmillan & Co Ltd"
Tempo markings: "Appasionato, ma non troppo Allegro"
Dedication: "Dedicated to Madame Liza Lehmann"
In reference to the published works below: Ives DM166
Reference: Ives, Maura. Christina Rossetti: A Descriptive Bibliography. New Castle, DE: Oak Knoll Press, 2011.
Cataloguer: Madeline Paiva, University of Ottawa
musical score: The British Library, London
"Copyright MDCCCXCVIII, by Chappell & Co"
First line of lyrics: Tremble, thou earth,
Rossetti poem(s): "'The earth shall tremble at the Look of Him'"
Tempo markings: "Andante maestoso"; quarter note = 108
Dedication: "To the Chapel Choir of Melbourne Grammar School"
Britton, Donald; music (Australian, born in England, 1919-2016)
Cataloguer: Anna MacDonald, University of British Columbia
London: Royal Academy of Music Library, London