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                <text>Notes: In a review in "The Musical World", 30 December 1882, p. 819 (Ives DM47), the composer is referred to as simply C. A. Rankin and presumed to be a man. </text>
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                <text>Reference: Ives, Maura. Christina Rossetti: A Descriptive Bibliography. New Castle, DE: Oak Knoll Press, 2011.</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>"The Song of September" [Catharine A. Ranken]</text>
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                <text>Notes: In a review in "The Musical World", 30 December 1882, p. 819 (Ives DM47), the composer is referred to as simply C. A. Rankin and presumed to be a man. </text>
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                <text>Reference: Ives, Maura. Christina Rossetti: A Descriptive Bibliography. New Castle, DE: Oak Knoll Press, 2011.</text>
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                <text>Other data reference(s): Record for "Twelve Songs, from the Months, a Pageant, Poetry by C. Rossetti." WorldCat, http://www.worldcat.org/oclc/498797067. Accessed 28 March 2022.</text>
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                <text>Record: CRM-monthsapageant-ranken-9</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>First line of lyrics: Wheat sways heavy, oats are airy</text>
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                <text>Reference: Ives, Maura. Christina Rossetti: A Descriptive Bibliography. New Castle, DE: Oak Knoll Press, 2011.</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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        <name>Stanton, Walter Kendall (English, 1891-1978)</name>
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                <text>"Summer" [Paul Sturman]</text>
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                <text>First line of lyrics: Winter is cold-hearted</text>
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                <text>Place in the larger work: The second song of four in the song cycle called "Seasons," which includes 1. "Spring" (Sir John Davies); 2. "Summer" (Christina Rossetti); 3. "Autumn" (Joshua Sylvester); 4. "Winter" (Anonymous).</text>
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                <text>Notes: The song cycle is number 96 in a series called "Unison Songs."</text>
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                <text>7 pages (pp. 5-11); complete song cycle performance time 6 minutes</text>
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                <text>In reference to the published works below: Gooch and Thatcher 4810</text>
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                <text>Reference: Gooch, Bryan N.S. and David S. Thatcher. Musical Settings of Early and Mid-Victorian Literature: A Catalogue. New York: Garland, 1979.</text>
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                <text>Cataloguer: Emily McConkey, University of Ottawa</text>
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                <text>musical score: Northwestern University Music Library, Edmonton, Illinois</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Record: CRM-summer-sturman</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="93384">
                <text>"Copyright MCMLXXIV by Edwin Ashdown Ltd, LONDON. NW2 6QR. | EA 37625"</text>
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              <elementText elementTextId="93393">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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            <description>A language of the resource</description>
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        <name>choral music</name>
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        <name>chorus: unison chorus</name>
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        <name>language: English</name>
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        <name>male composer</name>
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        <name>origin: United Kingdom</name>
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        <name>piano</name>
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        <name>Rossetti poem: "Summer"</name>
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        <name>song</name>
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        <name>song cycle</name>
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                <text>"Summer Days for Me" [Laurence H. Davies]</text>
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            <name>Creator</name>
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                <text>1962 [copyright] [publication]</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="93346">
                <text>London: J.B. Cramer &amp; Co.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>genre: song|part song</text>
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                <text>chorus: children's unison chorus</text>
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                <text>origin: United Kingdom</text>
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              <elementText elementTextId="93351">
                <text>male composer</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Rossetti poem(s): "Summer"</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Contains tonic sol-fa notation</text>
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                <text>4 pages</text>
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                <text>In reference to the published works below: Gooch and Thatcher 4806</text>
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                <text>Reference: Gooch, Bryan N.S. and David S. Thatcher. Musical Settings of Early and Mid-Victorian Literature: A Catalogue. New York: Garland, 1979.</text>
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                <text>Other data reference(s): "Summer days for me : unison song for children's voices." WorldCat, http://www.worldcat.org/oclc/810519555. Accessed 25 March 2022.</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Record: CRM-summer-davies</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="93362">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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        <name>Contains tonic sol-fa notation</name>
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      <tag tagId="1634">
        <name>Davies, Laurence H. (British, 1911-1983)</name>
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        <name>male composer</name>
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        <name>part song</name>
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      <tag tagId="5">
        <name>piano</name>
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        <name>Rossetti poem: "Summer"</name>
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                <text>"When a mounting skylark sings" [Hermann Löhr]</text>
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                <text>Performance instructions: "This song may also be had separately in B♭, C &amp; D."</text>
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              <elementText elementTextId="93333">
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                <text>"Copyright, MCMII by Chappell &amp; Co, Ltd. | New Edition, Copyright. MCMVIII, by Chappell &amp; Co, Ltd."</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Tempo markings: "Moderato ma non troppo."</text>
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                <text>Cataloguer: Anna MacDonald, University of British Columbia</text>
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                <text>musical score: Royal Academy of Music Library, London</text>
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                <text>Record: CRM-onesea-sidegrave-lohr</text>
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                <text>"This song may be sung in public without fee or license except at theatres and music halls. The right of public representation or performance upon or by means of any mechanical instrument is strictly reserved. The public performance of any parodied version of this song is strictly prohibited. Copyright, MCMIX, by Chappell &amp; Co Ltd."</text>
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                <text>"Who has seen the wind?" [David Eisenband]</text>
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                <text>First line of lyrics: Who has seen the wind?</text>
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                <text>Eisenband, David; music (American, born 1987)</text>
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                <text>genre: choral music</text>
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                <text>chorus: SATB voices with divisi</text>
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                <text>instrumentation: a cappella|piano (for rehearsal only)</text>
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                <text>Rossetti poem(s): "'Who has seen the wind?'"</text>
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                <text>Performance instructions: The score starts with the instruction "like gusts of wind" following the tempo marking "Tempo rubato", with no time signature. "Performance notes: In addition to SATB, the piece calls for a 'Wind' part. Its notes, notated with X's, represent unvoiced wind-sounds. The wind part should consist of a few members of the choir, who may join their usual voice parts when possible. | C.I.A.D. stands for Continue Individual As Directed. After the choir holds the notes under the fermatas marked with C.I.A.D, the conductor should point to individual singers in sweeping fashion accross [sic] the choir, directing them to continue singing their parts individually. The note values are only meant to show relative duration, and singers may arrive at the normal fermatas end of their phrases ad libitum before being cut off together. The resulting dynamic swells should produce a gust-like effect in a spacial sense. | The oscillating notes surrounded by boxes and the lines marked ad lib. should be performed individually and may spill over the barlines. The boxed material should produce clustery, swelling, background sonorities. The ad lib. lines should produce canon-like melodic trails."</text>
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                <text>Performance history: Performed by the American Creators Chorus, with conductor Craig Hella Johnson, on July 2, 2013 in Beall Concert Hall, University of Oregon, Eugene, Oregon. As part of the Oregon Bach Festival Composers Symposium. "Special thanks to Matthew Oltmann and Craig Hella Johnson." (“Who has seen the wind? 2013") (Campbell)&#13;
Performed by members of the University of Oregon choirs, with conductor David Eisenband, February 2014 in Beall Concert Hall, University of Oregon, Eugene, OR. As part of Eisenband’s Masters recital.&#13;
Performed by the Varsity Choir of Sheldon High School, with conductor David Eisenband, December 2016, Sheldon High School Auditorium, Eugene, OR. As part of the Sheldon Music Winter Choral Concert. &#13;
Performed by the Singers of New and Ancient Music (SONAM) Chorus, with conductor Allen Friedman, April 2017, in Durham, North Carolina.</text>
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                <text>Recordings: Eisenband, David. "Who has seen the wind? (2013)." Performance by American Creators Chorus, conducted by Craig Hella Johnson, conductor, 2 Jul. 2013, Beall Concert Hall, University of Oregon, Eugene. Bandcamp, https://davideisenband.bandcamp.com/track/who-has-seen-the-wind-2013. Accessed 13 Oct. 2020.&#13;
Eisenband, David. "Who Has Seen the Wind." Performance by American Creators Chorus, Craig Hella Johnson, conductor, 2013 Oregon Bach Festival Composers Symposium. SoundCloud, uploaded 31 Oct. 2013, https://soundcloud.com/deisenband/who-has-seen-the-wind.</text>
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                <text>Other data reference(s): Campbell, Brett. "New Voices." Oregon ArtsWatch, 4 July 2013. Oregan ArtsWatch Archives, https://archive.orartswatch.org/new-voices/. Accessed 24 March 2022.&#13;
Eisenband, David. "Re: Discussing choral setting." Received by Mary Arseneau, 20 Oct. 2020.&#13;
“Who has seen the wind? (2013).” Bandcamp, https://davideisenband.bandcamp.com/track/who-has-seen-the-wind-2013. Accessed 13 Oct. 2020.</text>
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                <text>Cataloguer: Jacob Spence and Roxanne Lafleur, University of Ottawa</text>
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              <elementText elementTextId="93287">
                <text>"© David Eisenband 2014." This score is protected by copyright. All rights reserved. The score appears on this website by kind permission of composer David Eisenband.</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>First line of lyrics: Crack your first nut and light your first fire</text>
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                <text>Place in the larger work: The seventh song of seven in the song cycle called "Rossetti Songs," settings of Christina Rossetti poems. The songs include 1. "The Bourne"; 2. "The Pancake"; 3. "Lullaby"; 4. "from Goblin Market"; 5. "The Swallow"; 6. "Home by Different Ways"; 7. "October Canzonet."</text>
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                <text>Performance history: "[F]irst performance Cincinnati, November 22nd, 2008" by MUSE, Cincinnati’s Women’s Choir, artistic director Catherine Roma ("Rossetti Songs").</text>
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