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      <name>Musical Setting</name>
      <description>Musical settings of Christina Rossetti poems (those published from JSTOR Forum only). </description>
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                <text>Hewitt Jones, Thomas; music (English, born 1984)</text>
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                <text>Rossetti, Christina Georgina; text (English, 1830-1894)</text>
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                <text>Other data reference(s): "In the bleak midwinter." Royal School of Church Music, https://www.rscmshop.com/hewitt-jones-in-the-bleak-midwinter.html?___store=german. Accessed 6 Mar 2017.</text>
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                <text>Cataloguer: Emily McConkey, University of Ottawa</text>
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                <text>This score is copyright protected. A score can be consulted here: "In the bleak midwinter." Royal School of Church Music, https://www.rscmshop.com/hewitt-jones-in-the-bleak-midwinter.html?___store=german. Accessed 6 Mar 2017.</text>
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                <text>genre: Christmas music|choral music|sacred music|song</text>
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                <text>The Royal School of Church Music</text>
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                <text>Record: CRM-christmascarolinthebleak-hewittjones</text>
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                <text>2011 [copyright]</text>
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                <text>"In the bleak mid-winter" [Thomas Hewitt Jones]</text>
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                <text>First line of lyrics: In the bleak mid-winter </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Rossetti poem(s): "A Christmas Carol" ("In the bleak mid-winter")</text>
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                <text>Tempo markings: "Sorrowful, intense"; quarter note = c.75</text>
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                <text>Keane, Robert; music (Australian, born 1948)</text>
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                <text>Cataloguer: Sarah Pennington, University of Ottawa</text>
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                <text>musical score: University of New South Wales, Australia</text>
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                <text>instrumentation: piano</text>
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                <text>Format 1: musical score</text>
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                <text>8 pages (pp. 48-55)</text>
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                <text>Broadway, New South Wales: Australian Music Centre</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Record: CRM-uphill-keane</text>
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                <text>1984 January 1 [composition]</text>
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                <text>"Uphill" [Robert Keane]</text>
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                <text>First line of lyrics: Does the road wind up-hill all the way?</text>
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                <text>Part of: "An End"</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="55479">
                <text>"The copyright of this score belongs to its composer [Robert Keane]." This score is protected by copyright. All rights reserved. </text>
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              <elementText elementTextId="55480">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Rossetti poem(s): "Up-Hill"</text>
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                <text>Place in the larger work: The eleventh song of 12 in the song cycle of Rossetti poem settings called "An End" which includes 1. "Summer"; 2. "Somewhere or other"; 3. "A Birthday"; 4. "Song 1"; 5."From Metastasio"; 6. "Song 2"; 7. "Song 3"; 8. "Remember"; 9. "An end." 10. "Lines - circa 1875"; 11. "Uphill"; 12. "Sleeping at last." </text>
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                <text>Notes about the text: The three stanzas of Christina Rossetti's poem "Passing and Glassing" are interspersed throughout the song cycle, with the first stanza at the beginning of the cycle, the second between songs 6 and 7, and the third at the end of the song cycle.</text>
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                <text>Tempo markings: "Adagio'; half note = 144; quarter note = 72</text>
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                <text>Performance instructions: "A cycle of songs, for Soprano &amp; Piano, to poems of Christina Rossetti (1830-94)." At the beginning of this piece, a note underneath the time signature says "very steady + precisely measured." A note written by the composer at the end of the score explains "Though the songs are intended to be sung in the cycle-form here presented, they can be sung separately, and each is self contained. All metronome markings are suggestions only, as are Pedal marks and fingering."</text>
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                <text>Dedication: "For Janet Dowd"</text>
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                <text>Notes: A note on the first page of the score indicates that the song cycle is an "Hommage a Benjamin Britten."</text>
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                <text>Rose, Kathryn; music (Canadian, active in United Kingdom, born 1980)</text>
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                <text>Other data reference(s): Record for "Up-Hill (Kathryn Rose)." Choral Public Domain Library, http://www2.cpdl.org/wiki/index.php/Up-Hill_(Kathryn_Rose). Accessed 30 Mar. 2019.</text>
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                <text>Cataloguer: Sarah Pennington, University of Ottawa</text>
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                <text>musical score: Choral Public Domain Library, http://www2.cpdl.org/wiki/index.php/Up-Hill_(Kathryn_Rose). Accessed 22 July 2019.</text>
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            <description>The topic of the resource</description>
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                <text>genre: choral music|song|sacred music</text>
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                <text>chorus: women’s SA chorus</text>
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                <text>instrumentation: piano</text>
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                <text>initial sharps/flats: one sharp</text>
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                <text>initial time signature: 4/4</text>
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                <text>origin: United Kingdom</text>
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                <text>female composer</text>
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                <text>Format 1: musical score</text>
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                <text>Record: CRM-uphill-rose</text>
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                <text>File(s): CRM-uphill-rose.pdf</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2014 pre [composition]</text>
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                <text>"Up-Hill" [Kathryn Rose]</text>
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                <text>First line of lyrics: Does the road wind up-hill all the way?</text>
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                <text>Kathryn Rose, composer: "This work is licensed under the Creative Commons Attributions-ShareAlike 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/4.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. For a .pdf of this work please contact artsyhonker@gmail.com."</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Rossetti poem(s): "Up-Hill"</text>
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                <text>Tempo markings: "Moderato"</text>
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                <text>Performance instructions: "Intended to be sung antiphonally" (Record for "Up-Hill (Kathryn Rose)").</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>In reference to the published works below: Ives DM5</text>
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                <text>Reference: Ives, Maura. Christina Rossetti: A Descriptive Bibliography. New Castle, DE: Oak Knoll Press, 2011.</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Reference: IMSLP Petrucci Music Library, http://imslp.org/</text>
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                <text>"© Canzona Music Dieren - The Netherlands," and composer Kees Schoonenbeck; Creative Commons Attribution 4.0, https://imslp.org/wiki/IMSLP:Creative_Commons_Attribution_4.0. No changes have been made to the attached document.</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Place in the larger work: The third song of three in the song cycle "Songs on life and death" which includes 1. "Come to me" (Christina Rossetti); 2. "Do not stand..." (Mary Elizabeth Frye); 3. "Uphill" (Christina Rossetti).</text>
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                <text>Other data reference(s): Raphael, Juliet. Madrigal and Minstrelsy. Albert &amp; Charles Boni, 1927.</text>
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                <text>Cataloguer: Sarah Pennington, University of Ottawa</text>
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                <text>musical score: Raphael, Juliet. Madrigal and Minstrelsy. Albert &amp; Charles Boni, 1927. Mary Mellish Archibald Memorial Library, Mount Allison University, Sackville, New Brunswick</text>
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                <text>genre: madrigal|song</text>
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                <text>female composer</text>
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                <text>Format 1: musical score</text>
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                <text>2 pages (pp. 87-88)</text>
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                <text>New York: Albert &amp; Charles Boni</text>
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                <text>Record: CRM-uphill-raphael</text>
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                <text>1927 ca [publication]</text>
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                <text>"Up-hill" [Juliet Raphael]</text>
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                <text>First line of lyrics: Does the road wind up-hill all the way?</text>
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            <name>Rights</name>
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              <elementText elementTextId="55356">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Rossetti poem(s): "Up-Hill"</text>
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                <text>Composition history: A composer's note alongside the score explains that Raphael "endeavored to translate the words of the poets into music" which she was inspired to do after hearing James Stephens chant the verses of "Fifteen Acres." She was "strongly impressed [. . .] by the close interrelationship of the cadence, rhythm, tone, and accent in his chanting, and in the music which the words had suggested." In her other settings since, she has kept "the melody as closely as possible in consonance with the spirit and metrical form of the verses." She goes on to write, "For example, the poem 'Up-hill' consists of eight questions and eight answers. The questions, in a minor tone, modulate successively upward, one half-step - a frantic quest for the solution of the eternal query - whither? The answers are treated in a major key, mysterious, confident, final." (Raphael, xi)</text>
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                <text>Tempo markings: "Adagietto"</text>
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                <text>Performance instructions: In the Author's Note, Raphael writes "The music has been done only as a setting for the words - sung or chanted. To those who love poetry, and love to hear it read, chanted, or sung, this book is offered." (Raphael, xii)</text>
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                <text>Dedication: "To My Father"</text>
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                <text>Notes: The fifteenth song of seventeen in the song collection called "Madrigal and minstrelsy" which includes 1."Laughing song" (William Blake); 2. "Song" (Christina Rossetti); 3. "The fifteen acres" (James Stephens); 4. "A woman's last word" (Robert Browning); 5. "Music, when soft voices die" (Percy Shelley); 6. "Home they brought her warrior dead" (Alfred, Lord Tennyson;) 7. "Matin song" (Thomas Heywood); 8. "Little lamb" (William Blake); 9. "Sonnet XXIX" (William Shakespeare); 10. "Song no. 2" (Stephens); 11. "The fiddler of Dooney" (William Butler Yeats); 12. "Arab love song" (Francis Thompson); 13. "Night" (William Blake); 14. "Give a man a horse he can ride" (James Thomson); 15. "Up-hill" (Christina Rossetti); 16. "Nurse's song" (William Blake); 17. "When you are old" (William Butler Yeats). Each setting is accompanied by an illustration by Marc Harchberger (American, 1900-1975), who also illustrated the cover of the collection.</text>
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                <text>Hall, Juliana; music (American, born 1958)</text>
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                <text>Reference: Ezust, Emily. The LiederNet Archive. http://www.lieder.net/lieder/index.html</text>
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                <text>Other data reference(s): Hall, Juliana. "CHRISTINA’S WORLD." Julianahall.com, https://www.julianahall.com/christinas-world/. Accessed 1 Apr. 2019.</text>
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                <text>Cataloguer: Sarah Pennington, University of Ottawa</text>
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                <text>Musical score: Yale Music Library, Connecticut</text>
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                <text>This score is copyright protected. A score can be consulted here: "Christina's World." E.C. Schirmer Music Company, https://www.canticledistributing.com/catalog/product/view/sku/8566*. Accessed 1 Apr. 2019.</text>
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                <text>genre: art song (lied)|song cycle|song</text>
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                <text>instrumentation: piano</text>
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                <text>female composer</text>
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                <text>Format 1: musical score</text>
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              <elementText elementTextId="55318">
                <text>13 pages (pp. 48-60); complete song cycle performance time 18 minutes</text>
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            <name>Language</name>
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              <elementText elementTextId="55319">
                <text>English</text>
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            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="55320">
                <text>Boston: E.C. Schirmer Music Co.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="55321">
                <text>Record: CRM-uphill-hall</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="55323">
                <text>2016 [composition]; 2017 [publication]</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="55324">
                <text>"Up-hill" [Juliana Hall]</text>
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              <elementText elementTextId="55325">
                <text>First line of lyrics: Does the road wind up-hill all the way?</text>
              </elementText>
              <elementText elementTextId="86192">
                <text>Part of: "Christina's World"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="55326">
                <text>"© Copyright 2017 by E.C. Schirmer Music Company, Inc., a division of ECS Publishing Group. www.ecspublishing.com All rights reserved."</text>
              </elementText>
              <elementText elementTextId="55327">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="55328">
                <text>Rossetti poem(s): "Up-Hill"</text>
              </elementText>
              <elementText elementTextId="55329">
                <text>Place in the larger work: The fifth song of five in the song cycle  called "Christina's World," settings of Christina Rossetti poems. The songs include 1. "A birthday"; 2. "Who has seen the wind?"; 3. "Amor mundi"; 4. "When I am dead, my dearest"; 5. "Up-hill."</text>
              </elementText>
              <elementText elementTextId="55330">
                <text>Composition history: Composed for soprano Gwen Coleman Detwiler, of the Cincinnati College-Conservatory’s voice faculty (Hall). On her website, Juliana Hall writes that "'the five songs of “Christina’s World,' on poems by Christina Rossetti, loosely follow a narrative arc beginning with the joyful emotions of true love, and continuing with darker observations about the nature of being alive and of the questions of life and death, the tension of which is resolved at the end of the cycle with a positive sense that as one approaches the end of this life, all will be well and find a place of welcome and rest" (Hall).</text>
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              <elementText elementTextId="55331">
                <text>Tempo markings: quarter note = 66</text>
              </elementText>
              <elementText elementTextId="55332">
                <text>Performance instructions: "An Arduous Path"</text>
              </elementText>
              <elementText elementTextId="55333">
                <text>Performance history: Performed on April 18, 2017 at Wyoming Presbyterian Church (Hall) by soprano Gwen Coleman Detwiler and Marie-France Lefebvre on piano.</text>
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              <elementText elementTextId="55334">
                <text>Dedication: "for Gwen Coleman Detwiler"</text>
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        <name>art song (lied)</name>
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        <name>Hall, Juliana (American, born 1958)</name>
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        <name>piano</name>
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        <name>Rossetti poem: "Up-Hill"</name>
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        <name>solo: soprano</name>
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      <name>Musical Setting</name>
      <description>Musical settings of Christina Rossetti poems (those published from JSTOR Forum only). </description>
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            <name>Creator</name>
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              <elementText elementTextId="55274">
                <text>Shaffer, Jeanne E.; music (American, 1925-2007)</text>
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                <text>Rossetti, Christina Georgina; text (English, 1830-1894)</text>
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              <elementText elementTextId="55276">
                <text>Cataloguer: Sarah Pennington, University of Ottawa</text>
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                <text>musical score: Toronto Music Library, Toronto</text>
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                <text>instrumentation: piano</text>
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                <text>initial sharps/flats: no sharps or flats</text>
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                <text>4 pages (pp. 1-4); complete song cycle performance time 13 minutes</text>
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                <text>Washington, D.C.: Sisra Publications</text>
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                <text>Opus: 207, number 1</text>
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                <text>Record: CRM-uphill-shaffer</text>
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            <name>Date</name>
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                <text>1997 [publication] [copyright]</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="55294">
                <text>"Up-hill" [Jeanne E. Shaffer]</text>
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              <elementText elementTextId="55295">
                <text>First line of lyrics: Does the road wind up-hill all the way?</text>
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              <elementText elementTextId="85773">
                <text>Part of: "Christina Rossetti, My Mother and Me"</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="55296">
                <text>"Copyright © 1997 by Arsis Press | 1719 Bay Street, S.E., Washington D.C. 20003 | All Rights Reserved."</text>
              </elementText>
              <elementText elementTextId="55297">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="55298">
                <text>Rossetti poem(s): "Up-Hill"</text>
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              <elementText elementTextId="55299">
                <text>Place in the larger work: The first song of five in the song cycle called "Christina Rossetti, My Mother and Me," settings of Christina Rossetti poems. The songs include 1. "Uphill"; 2. "Sleeping At Last"; 3. "Song"; 4. "Remember"; 5. "Another Spring".</text>
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                <text>Tempo markings: "Maestoso"; quarter note = 58</text>
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                <text>Performance instructions: This solo is for mezzo-soprano or baritone.</text>
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                <text>Dedication: "In Memory of Mother"</text>
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                <text>Other data reference(s): "Michael Bertram: Associate Artist." Australian Music Centre, December 2016, https://www.australianmusiccentre.com.au/artist/bertram-michael. Accessed 27 Feb. 2018.&#13;
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Other data reference(s): Record for "Does the Road wind uphill all the way?". British Library, http://explore.bl.uk/BLVU1:LSCOP-ALL:BLL01004390945. Accessed 27 Feb. 2018.</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Other data reference(s): "Around the World in 80 Minutes: 1." SOUNZ, July 31, 2010, Centre for New Zealand Music, https://www.sounz.org.nz/events/2005?locale=en. Accessed 2 Dec. 2019.
"Around the World in 80 Minutes: 2." SOUNZ, Aug 1, 2010, Centre for New Zealand Music, https://www.sounz.org.nz/events/2006?locale=en. Accessed 2 Dec. 2019.</text>
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                <text>"Copyright © David Hamilton 2010." This score is protected by copyright. All rights reserved. The score appears on this website by kind permission of composer David Hamilton.</text>
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                <text>"This score is protected by copyright. All rights reserved by George Harris."</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Notes about the text: Substitutes "Shall I meet other wayfarers by night?" for "Shall I meet other wayfarers at night?" in the third stanza.</text>
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                <text>Other data reference(s): Rorem, Ned. Liner notes. Ned Rorem: The Nantucket Songs and Other Songs. Anthology of Recorded Music, Inc., 2007. New World Records, http://www.newworldrecords.org/album.cgi?rm=view&amp;album_id=17439.</text>
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                <text>"This score is protected by copyright. All rights reserved by Boosey &amp; Hawkes, Inc."</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Place in the larger work: The fifth song of ten in the song cycle called "Nantucket Songs" which includes 1. "From Whence Cometh Song?" (Theodore Roethke); 2. "The Dance" (William Carlos Williams); 3. "Nantucket" (William Carlos Williams); 4. "Go, Lovely Rose" (Edmund Waller); 5. "Up-Hill" (Christina Rossetti); 6. "Mother, I Cannot Mind my Wheel" (Walter Savage Landor); 7. "Fear of Death" (John Ashbery); 8. "Thoughts of a Young Girl" (John Ashbery); 9. "Ferry Me Across the Water" (Christina Rossetti); 10. "The Dancer" (Edmund Waller).</text>
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                <text>Composition history: A note on the score states that "the cycle was commissioned by the Elizabeth Sprague Coolidge Foundation. It was composed between November, 1978 and May, 1979 on the island of Nantucket, hence the title. An apt subtitle might be 'Popular Songs', insofar as "Popular" means "entertaining" as opposed to "classically" indirect. Indeed, these songs -- merry or complex or strange though their texts may seem -- aim away from the head and toward the diaphragm. They are, as collegians say, emotional rather than intellectual, and need not to be understood to be enjoyed."</text>
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                <text>Performance history: First public and broadcast performance was by soprano Phyllis Bryn-Julson with Ned Rorem at the piano, at the Coolidge Auditorium of the Library of Congress, October 30, 1979.</text>
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                <text>Other data reference(s): Record for "Magnificat". Music Online: Classical Scores Library, Volume III, Alexander Street, https://search.alexanderstreet.com/view/work/bibliographic_entity|score_movement|2339360. Accessed 27 Feb. 2018. This source maybe restricted except to subscribing institutions or individuals. </text>
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                <text>Opus: 52</text>
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                <text>"Up-hill" [Christopher Roland Brown]</text>
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                <text>Part of: "Magnificat"</text>
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                <text>"This score is protected by copyright. All rights reserved by Chester Roland Brown and Chester Music."</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Place in the larger work: Section III(a) of 10 sections in "Magnificat" as follows: I. "Magnificat"; I (a). "O we can wait no longer" (Walt Whitman); II. "Et Misericordia"; II (a). "Who is at my window" (Anonymous); III. "Fecit potenciam"; III (a). "Up-hill" (Christina Rossetti); IV. "Suscept Israel"; IV (a). "If there had anywhere appeared"; "Interlude"; V. "Gloria Patri" (Record for Magnificat).</text>
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                <text>In reference to the published works below: Gooch and Thatcher 4841</text>
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                <text>Reference: Gooch, Bryan N.S. and David S. Thatcher. Musical Settings of Early and Mid-Victorian Literature: A Catalogue. New York: Garland, 1979.</text>
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                <text>Other data reference(s): Banfield, Stephen. Sensibility and English Song: Critical Studies of the Early Twentieth Century. Cambridge University Press, 1985, pp. 26, 529.</text>
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                <text>Cataloguer: Sarah Pennington and Roxanne Lafleur, University of Ottawa</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Performance history: "While a pupil at RCM [Royal College of Music], he accompanied Anna Russell in a performance of his 'At the mid hour of night' and 'Up-hill' before Queen Victoria at Windsor Castle in June 1887" (Banfield, p. 26).</text>
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                <text>Notes: Manuscript available at The Library of Gonville and Caius College, University of Cambridge (Gooch and Thatcher 4841).</text>
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                <text>Reference: Gooch, Bryan N.S. and David S. Thatcher. Musical Settings of Early and Mid-Victorian Literature: A Catalogue. New York: Garland, 1979.</text>
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                <text>Other data reference(s): Record for “Uphill”. Hollis Classic, Harvard Libraries, Harvard University, http://id.lib.harvard.edu/alma/990032557470203941/catalog. Accessed 13 Feb. 2018.</text>
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                <text>In reference to the published works below: Ives DM15; Gooch and Thatcher 4838</text>
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                <text>Reference: Ives, Maura. Christina Rossetti: A Descriptive Bibliography. New Castle, DE: Oak Knoll Press, 2011.</text>
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                <text>Reference: Gooch, Bryan N.S. and David S. Thatcher. Musical Settings of Early and Mid-Victorian Literature: A Catalogue. New York: Garland, 1979.</text>
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                <text>Other data reference(s): Record for "Two Songs, Written by C. Rossetti. The Music by Sibyl." British Library, http://explore.bl.uk/BLVU1:LSCOP-ALL:BLL01004657177. Accessed 27 Oct. 2019.
Review of Two Songs, by Sibyl. The Musical Times, Volume 14, 1 August 1870, p. 567. Google Books, https://books.google.ca/books?id=-lZGAQAAMAAJ&amp;lpg=PA567&amp;dq=up-hill%20sibyl%20composer&amp;pg=PA567#v=onepage&amp;q=up-hill%20sibyl%20composer&amp;f=false.
Review of Two Songs, by Sibyl. The Musical World, Volume 48, 30 July 1870, p. 513. Google Books, https://books.google.ca/books?id=VJMPAAAAYAAJ&amp;lpg=PA513&amp;dq=up-hill%20sibyl%20composer&amp;pg=PA513#v=onepage&amp;q=up-hill%20sibyl%20composer&amp;f=false.</text>
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                <text>female composer</text>
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              <elementText elementTextId="55026">
                <text>London: A. Weekes &amp; Co. Ltd.</text>
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                <text>Record: CRM-uphill-sibyl</text>
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                <text>"Up Hill" [Sibyl]</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="55032">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Notes about the text: The first line of Rossetti's poem is "Does the road wind up-hill all the way?" but the first line of Sibyl's song is "Does the road go up hill all the way?" The final two lines of the poem are "Will there be beds for me and all who seek? / Yea, beds for all who come," while the last two lines of the song are "Will then be rest for me and all who seek. Yea rest for all who come."</text>
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                <text>Tempo markings: "Un poco lento"</text>
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                <text>Performance instructions: "molto legato"</text>
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              <elementText elementTextId="55037">
                <text>Notes: The second song in the song collection called "Two Songs" by Sibyl, which includes 1. "When I am dead, my dearest" (Christina Rossetti); 2. "Up Hill" (Christina Rossetti).</text>
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          <element elementId="39">
            <name>Creator</name>
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              <elementText elementTextId="54990">
                <text>Fergusson, George; music</text>
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                <text>Rossetti, Christina Georgina; text (English, 1830-1894)</text>
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                <text>In reference to the published works below: Gooch and Thatcher 4836</text>
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                <text>Reference: Gooch, Bryan N.S. and David S. Thatcher. Musical Settings of Early and Mid-Victorian Literature: A Catalogue. New York: Garland, 1979.</text>
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                <text>Record: CRM-uphill-fergusson</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="55006">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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Westby, James. "Castelnuovo-Tedesco, Mario." Grove Music Online, 2001. Oxford University Press. https://doi.org/10.1093/gmo/9781561592630.article.05128</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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"Goblin Market (2005)." British Youth Music Theatre, https://britishyouthmusictheatre.org/shows/goblin-market-2005. Accessed 17 March 2017.
Personal correspondence with librettist Kath Burlinson and Sean Gray of Josef Weinberger Limited.</text>
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                <text>initial sharps/flats: no sharps or flats</text>
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                <text>initial time signature: 12/8</text>
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                <text>origin: United Kingdom</text>
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                <text>male composer</text>
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                <text>Format 1: musical score</text>
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                <text>188 pages; performance time 75 minutes</text>
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                <text>English</text>
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                <text>London: Josef Weinberger Limited</text>
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                <text>Record: CRM-goblinmarket-mitchell</text>
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                <text>File(s): CRM-goblinmarket-mitchell-titlepage.pdf</text>
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                <text>2003 [copyright]; 2009 February [publication]</text>
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            <name>Title</name>
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                <text>"Goblin Market" [Conor Mitchell]</text>
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                <text>First line of lyrics: And so, Jeannie dwindled and went grey, and grew thin, until finally, Jeannie died.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="54895">
                <text>This work is protected by copyright. For permissions and licensing rights please contact publisher Josef Weinberger Limited, London.</text>
              </elementText>
              <elementText elementTextId="54896">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Rossetti poem(s): "Goblin Market"</text>
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                <text>Notes about the text: Kath Burlinson’s libretto/book for this chamber musical adds a significant amount of new creative content, specifically, new characters and both spoken dialogue and sung original poetic text that are not part of Rossetti’s poem. The ghost of Jeannie [sic] is added as a solo singing role, and a new narrative frame is also introduced. This new narrative frame draws on details from Rossetti’s fictional work "Speaking Likenesses" (1874).</text>
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                <text>Composition history: Commissioned by the National Youth Musical Theatre.</text>
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                <text>Tempo markings: "Moderato 4 / Ghostly"</text>
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                <text>Performance instructions: "A Chamber Musical in One Act, adapted from the poem by Christina Rossetti." Musical score with occasional brief sections of spoken dialogue; musical score for six female soloists, a large ensemble forming SATB chorus, orchestra accompaniment. "Goblin Market is a sung through work for ensemble and orchestra. What makes this piece different is that all of the main roles are for women and girls. The ensemble comprises of any number of young people. This is not an easy work. The score is a complex in harmonies, counterpoints and the orchestration is rich and dense. Goblin Market works at the opera-musical interface and is a challenging work for any company." ("Goblin Market")</text>
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                <text>Performance history: Lyric Theatre, Belfast. Youth Music Theatre UK production, George Square Theatre, Edinburgh, Edinburgh Festival, August 2005 ("Goblin Market (2005)"); view the album of 125 photos of this production on Flickr: https://flic.kr/s/aHsjCUxcKB. University of Cumbria, April 2009 and December 2013.</text>
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                <text>Notes: A chamber musical in one act, with musical numbers consisting of "Overture" (pp. 1-3); "Prologue" (pp. 4-10); "Chapter One" (pp. 11-23); "Chapter Two" (pp. 24-44); "Chapter Three" (pp. 45-56); "Chapter Four" (pp. 57-74); "Chapter Five" (pp. 75-95); "Chapter Six" (pp. 96-111); "Chapter Seven" (pp. 112-124); "Chapter Eight" (pp. 124-148); "Chapter Nine" (pp. 149-167); "Chapter Ten" (pp. 168-188). </text>
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        <name>Burlinson, Kath (British)</name>
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        <name>language: English</name>
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        <name>Mitchell, Conor (Northern Irish)</name>
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        <name>Rossetti poem: "Goblin Market"</name>
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        <name>solo: female voice</name>
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      <name>Musical Setting</name>
      <description>Musical settings of Christina Rossetti poems (those published from JSTOR Forum only). </description>
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            <name>Creator</name>
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                <text>Magrill, Samuel; music (American, born 1952)</text>
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                <text>Rossetti, Christina Georgina; text (English, 1830-1894)</text>
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                <text>Magrill, Samuel; abridged text (American, born 1952)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Other data reference(s): Magrill, Samuel. "Re: Goblin Market." Received by Mary Arseneau, 15 Nov. 2016.</text>
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                <text>Cataloguer: Mary Arseneau, University of Ottawa</text>
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                <text>Musical score: Jerome Library, Bowling Green State University, Bowling Green, Ohio. </text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>genre: choral music</text>
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                <text>chorus: SATB chorus</text>
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                <text>instrumentation: piano</text>
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                <text>initial sharps/flats: no sharps or flats</text>
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                <text>initial time signature: 4/4</text>
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                <text>male composer</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Format 1: musical score</text>
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                <text>39 pages; performance time approximately 6 minutes</text>
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            <name>Language</name>
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                <text>English</text>
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            <name>Identifier</name>
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              <elementText elementTextId="54861">
                <text>Record: CRM-goblinmarket-magrill</text>
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                <text>File(s): CRM-goblinmarket-magrill.pdf</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="54863">
                <text>1996</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="54864">
                <text>"Goblin Market" [Samuel Magrill]</text>
              </elementText>
              <elementText elementTextId="54865">
                <text>First line of lyrics: Morning and evening</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="54866">
                <text>"© Samuel Magrill 1996." This score is protected by copyright. All rights reserved. The score appears on this website by kind permission of composer Samuel Magrill.</text>
              </elementText>
              <elementText elementTextId="54867">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Rossetti poem(s): "Goblin Market"</text>
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                <text>Notes about the text: Setting of part of the poem "Goblin Market" (lines 1-86)</text>
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                <text>Composition history: Commissioned by Dr. Lon Dehnert, director of the UCO Concert Chorale, University of Central Oklahoma.</text>
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                <text>Tempo markings: quarter note = ca. 90</text>
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              <elementText elementTextId="54872">
                <text>Performance history: 1. Celebrating a Quarter of a Century of Compositions: Music of Samuel Magrill, Mitchell Hall Theatre, University of Central Oklahoma, Edmond, Oklahoma, 5 September 1996; 2. Music From Manuscript, The University of Central Oklahoma Choral Society, Mitchell Hall Theatre, University of Central Oklahoma, Edmond, Oklahoma, 14 October 1996; 3. The University of Central Oklahoma Choral Society performing at the Society of Composers' Regional Conference, Concert III, Potter Auditorium, Raley Chapel, Oklahoma Baptist University, Shawnee, Oklahoma, 21 February 1997 (Magrill)</text>
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        <name>Magrill, Samuel (American, born 1952)</name>
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        <name>Rossetti poem: "Goblin Market"</name>
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