"Remember" [Sir Landon Ronald]
title: First line of lyrics: Remember me when I am gone away
subject: genre: song
subject: solo: voice
subject: instrumentation: piano
subject: initial sharps/flats: two sharps
subject: initial time signature: 4/4
subject: male composer
description: Rossetti poem(s): "Remember"
description: Tempo markings: "Andante lamentoso"
creator: Landon, Ronald, Sir; music (1873-1938)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: In reference to the published works below: Gooch and Thatcher 4697
source: Reference: Gooch, Bryan N.S. and David S. Thatcher. Musical Settings of Early and Mid-Victorian Literature: A Catalogue. New York: Garland, 1979.
source: Reference: Ezust, Emily. The LiederNet Archive. http://www.lieder.net/lieder/index.html
source: Other data reference(s): Record for “Remember” Worldcat, http://www.worldcat.org/title/remember-song-words-by-c-rossetti/oclc/497294335&referer=brief_results. Accessed 29 Sept. 2018.
source: Cataloguer: Robyn Finlay, University of Ottawa
source: musical score: British Library, London
publisher: London: Enoch & Sons
date: 1915 [publication]
rights: "Copyright, MCMXV, by Enoch & Sons."
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 5 pages (pp. 2-6)
language: English
identifier: Record: CRM-remember-ronald
identifier: File(s): CRM-remember-ronald.pdf

"Remember Me" [Mario Castelnuovo-Tedesco]
title: First line of lyrics: Remember me when I am gone away
subject: genre: song
subject: chorus: women's SSA chorus
subject: instrumentation: piano
subject: initial sharps/flats: no sharps or flats
subject: initial time signature: 4/4
subject: origin: United States
subject: male composer
description: Rossetti poem(s): "Remember"
description: Tempo markings: "Slow and sad"
creator: Castelnuovo-Tedesco, Mario; music (American, born in Italy, 1895-1968)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: In reference to the published works below: Gooch and Thatcher 4692
source: Reference: Gooch, Bryan N.S. and David S. Thatcher. Musical Settings of Early and Mid-Victorian Literature: A Catalogue. New York: Garland, 1979.
source: Reference: Ezust, Emily. The LiederNet Archive. http://www.lieder.net/lieder/index.html
source: Cataloguer: Robyn Finlay, University of Ottawa
source: musical score: Castelnuovo-Tedesco, Mario. Four Christina Rossetti Songs. Galaxy Music Corp., 1952. University of Toronto Music Library, Toronto.
publisher: New York: Galaxy Music Corp.
date: 1952 [publication]
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 5 pages (pp. 2-6); performance time 2 minutes and 20 seconds
language: English
identifier: Opus: 153
identifier: Record: CRM-remember-castelnuovo-tedesco
identifier: File(s): CRM-remember-castelnuovo-tedesco.pdf

"The Silent Land" [Karl Reden]
title: First line of lyrics: Remember me when I am gone away,
subject: genre: song
subject: solo: voice
subject: chorus: SATB chorus
subject: instrumentation: piano
subject: initial sharps/flats: two flats
subject: initial time signature: 4/4
subject: origin: United States
subject: male composer
description: Rossetti poem(s): "Remember"
description: Tempo markings: "Andantino"
description: Notes: Sold as a "Companion To The Dream Land"
creator: Reden, Karl; music (American, a.k.a. Charles Crozat Converse, 1832-1918)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: In reference to the published works below: Ives DM10
source: Reference: Ives, Maura. Christina Rossetti: A Descriptive Bibliography. New Castle, DE: Oak Knoll Press, 2011.
source: Other data reference(s): "Two beautiful ballads with chorus ad lib." Sheet Music Consortium, UCLA Library, http://digital2.library.ucla.edu/sheetmusic/recordEdit.html?solrquery=names%3A(rossetti%2520remember)&previous=15&next=17&resultsurl=http://digital2.library.ucla.edu/sheetmusic/#fieldquery=names%3A(rossetti%2520remember)&searchType=regular&start=10&rows=10&usmFlag=false&keyword=rossetti%2520remember&titles=false&names=true&places=false&publishers=false&subjects=false&random=59&url=wustl_smc_5413.xml. Accessed Oct. 6, 2018.
source: Cataloguer: Robyn Finlay and Emily McConkey, University of Ottawa
source: Musical score: Sheet Music Collection, Washington University in St. Louis
publisher: St. Louis: Balmer & Weber
date: 1868 [publication]
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 3 pages (pp. 2-4)
language: English
identifier: Record: CRM-remember-reden
identifier: File(s): CRM-remember-reden.pdf

"Remember" [Glen Roven]
title: First line of lyrics: Remember me when I am gone away
title: Part of: "Symphony of Songs"
subject: genre: art song (lied)|song|choral music
subject: solo: tenor
subject: instrumentation: piano
subject: initial sharps/flats: three sharps
subject: initial time signature: 3/4
subject: other version 1: trio: three baritones
subject: other version 1 - instrumentation: piano
subject: other version 2 - chorus: women’s SSAA chorus
subject: other version 2 - instrumentation: a cappella|piano (for rehearsal only)
subject: other version 2 - initial sharps/flats: three sharps
subject: origin: United States
subject: male composer
description: Rossetti poem(s): "Remember"
description: Composition history: "This setting is part of a Symphony of Songs I composed, my Symphony No. 1. The Symphony is a setting of poetry from the books, Songs that Make Grown Men Cry and Songs That Make Grown Women Cry. I was very aware of the poem, having previously recorded the text alone on a collection of poetry I produced for CD called Poetic License. When I saw the poem in the collection I knew I would set it. There are some dissonant, complex songs in the Symphony and I felt the audience needed a 'break.' So I set this as a simple folk tune!" (Roven) "My Friend and colleague James Taylor, a vocal teacher at Virginia Common University, asked me if I had any compositions for the excellent a cappella women's choir at his university. In the score for women's SSAA chorus, Roven, comments on this version's origins: "I had recently finished my 'Symphony of Songs,' [...] Given the scope (and expense) of performing such a massive work, I was only too happy to start slowly and offer these these [sic.] excerpts for starters."
description: Tempo markings: "Andante ma cantabile"; quarter note = 98 [tenor solo]; "Andantino ma rubato è cantabile"; quarter note = 98 [SSAA]
description: Recordings: A rearranged version was recorded as a baritone trio by Tobias Greenhalgh, Steven Labrie, and Jarrett Ott on CD album titled "Remember" (Roven Records, 2018). YouTube, uploaded by Tobias Greenhalgh, 16 Aug. 2018, https://youtu.be/X7MaXEz0OI8.
description: Notes: The version for Women's SSAA chorus was published in a collection called "Four Songs for Women's Choir (SSAA, unaccompanied)" by composer Glen Roven, published by Tintagel Music in 2017.
creator: Roven, Glen; music (American, 1960-2018)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: Other data reference(s): Roven, Glen. "Regarding Rossetti Settings." Received by Mary Arseneau. 30 May 2018.
source: Cataloguer: Mary Arseneau, Robyn Finlay, and Emily McConkey, University of Ottawa
source: musical score for tenor: Glen Roven
source: musical score for SSAA: Roven, Glen. "Remember." Four Songs for Women's Choir. Tintagel Music, 2017, pp. 26-33. New York Public Library, New York.
publisher: Barking Bunny Music, a Division of Tintagel Music LLC [Tenor solo]; New York: Tintagel Music [SSAA]
date: 2016 [composition] [copyright]; 2017 [publication SSAA]; 2018 [publication Tenor solo]
rights: These scores are protected by copyright. All rights reserved. The scores appear on this website by kind permission of composer Glen Roven.
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 4 pages; performance time approx. 3 minutes [tenor solo];
language: English
identifier: Record: CRM-remember-roven
identifier: File(s): CRM-remember-roven-tenor.pdf; CRM-remember-roven-SSAA.pdf

"Sonnet" "Remember Me" [Halsey Stevens]
title: First line of lyrics: Remember me when I am gone away
subject: genre: song
subject: solo: low voice
subject: instrumentation: piano
subject: initial sharps/flats: no sharps or flats
subject: initial time signature: 3/2
subject: other version 1 - chorus: men's TBB chorus
subject: other version 1 - instrumentation: a cappella|piano (for rehearsal only)
subject: other version 1 - initial sharps/flats: no sharps or flats
subject: origin: United States
subject: male composer
description: Rossetti poem(s): "Remember"
description: Tempo markings: "Quasi adagio"; half note = 48 (Other Version 1)
description: Notes: Manuscript score.
creator: Stevens, Halsey; music (American, 1908-1989)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: In reference to the published works below: Gooch and Thatcher 4700
source: Reference: Gooch, Bryan N.S. and David S. Thatcher. Musical Settings of Early and Mid-Victorian Literature: A Catalogue. New York: Garland, 1979.
source: Reference: Ezust, Emily. The LiederNet Archive. http://www.lieder.net/lieder/index.html
source: Other data reference(s): "Remember me : for three-part male chorus." Worldcat, http://www.worldcat.org/title/remember-me-for-three-part-male-chorus/oclc/12252473&referer=brief_results. Accessed 29 Sept. 2018.
source: Cataloguer: Robyn Finlay, University of Ottawa
source: musical score for low voice: Baylor University Library, Texas
source: musical score for three-part male chorus: Biola University Library, La Mirada
publisher: Champaign: M. Foster Music Company (Other Version 1)
date: 1947 [composition]; 1973 [publication] [copyright] (Other Version 1)
rights: "COMPOSERS FACSIMILE EDITION Copyright 1954 Halsey Stevens. All Rights Reserved Including the Right of Public Performance for Profit." "Copyright © MCMLXXIII Halsey Stevens Sole Selling Agent: Mark Foster Music Company International Copyright Secured All Rights Secured" (Other Version 1)
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 3 pages (Manuscript Version); 6 pages; performance time 2 minutes and 5 seconds (Other Version 1)
language: English
identifier: Record: CRM-remember-stevens

"Come Back in Dreams" [Theo Marzials]
title: First line of lyrics: Come to me in the silence of the night
subject: genre: song|art song (lied)
subject: solo: voice
subject: instrumentation: piano
subject: initial sharps/flats: three flats
subject: initial time signature: 9/8
subject: other version 1 - solo: voice
subject: other version 1 - instrumentation: piano
subject: other version 1 - initial sharps/flats: one flat
subject: origin: United Kingdom
subject: male composer
description: Rossetti poem(s): "Echo"
description: Tempo markings: "Allegretto"
description: Notes: "No. 1 in F. No. 2 in E flat." In 1908, it was published in Schirmer's "Modern song favorites, Vol. II: a collection of twenty-two favorite songs" for high voice and piano and an identical one for low voice and piano.
creator: Marzials, Theo [Theophile Jules Henri]; music (English 1850-1920)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: In reference to the published works below: Gooch and Thatcher 4379; Ives DM83
source: Reference: Gooch, Bryan N.S. and David S. Thatcher. Musical Settings of Early and Mid-Victorian Literature: A Catalogue. New York: Garland, 1979.
source: Reference: Ives, Maura. Christina Rossetti: A Descriptive Bibliography. New Castle, DE: Oak Knoll Press, 2011.
source: Reference: Ezust, Emily. The LiederNet Archive. http://www.lieder.net/lieder/index.html
source: Cataloguer: Diana Bishara, University of Ottawa
source: musical score in E flat: Baillieu Library, University of Melbourn
publisher: London, Milan, Naples, Florence, Rome, Paris: Tito di Gio, Ricordi [1886]; New York: G. Schirmer, Inc. [1908]
date: 1886 [publication]; 1908 [publication]
rights: "Ricordi's Copyright"
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 5 pages
language: English
identifier: Record: CRM-echo-marzials
identifier: File(s): CRM-echo-marzials.pdf

"All things that pass" [Alex Tinlin]
title: First line of lyrics: All things that pass are woman's looking glass
title: Part of: "The Rossetti Songs"
subject: genre: vocal chamber music|song cycle|song
subject: solo: alto
subject: instrumentation: clarinet|viola|cello
subject: initial sharps/flats: two sharps
subject: initial time signature: 3/4
subject: origin: United Kingdom
subject: male composer
description: Rossetti poem(s): "Passing and Glassing"
description: Place in the larger work: The third song of three in the song cycle, "The Rossetti Songs," which includes 1. "Remember"; 2. "The Bourne"; 3. "All things that pass."
description: Notes about the text: Rossetti's line "They show her how her bloom must fade, / And she herself be laid" is changed to "They tell her when her bloom must fade / And how her self be laid" and the line "Brimful of good or ill" is changed to "Brimful of good and ill."
description: Composition history: When asked about what occasioned the composition of this song cycle and the selection of texts, composer Alex Tinlin commented: "The three pieces were written as an exercise in vocal writing within a small ensemble, and as far as I can remember we were given free reign over which texts we could set to music, though I think there were certain length constraints we had to adhere to. I have always liked the poem ‘Remember’, but in researching her other works I came across ‘The Bourne’ and ‘Passing and Glassing’ which I was initially attracted to by their relatively concise structure, which lent themselves well to musical adaptation, particularly ‘Passing and Glassing.' They are also wonderful poems, of course" (Tinlin, Alex. "Re: Rossetti Songs." Received by Mary Arseneau. 28 Feb. 2018).
description: Performance instructions: Composer Alex Tinlin added in personal correspondence that "it was intended as more of a jazzy voice rather than a classical mezzo soprano" (Tinlin, Alex. "Re: Rossetti Songs." Received by Mary Arseneau. 22 Feb. 2018).
description: Notes: A second version of the music scored for voice and piano was also created at a later date, but the mixed ensemble remains the composer's preferred version (Tinlin, Alex. "Re: Rossetti Songs." Received by Mary Arseneau. 28 Feb. 2018).
creator: Tinlin, Alex; music (British, born 1977)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: Other data reference(s): Tinlin, Alex. "Re: Rossetti Songs." Received by Mary Arseneau. 28 Feb. 2018.
source: Cataloguer: Mary Arseneau and Emily McConkey, University of Ottawa
source: musical score: Alex Tinlin
date: 1999 [copyright]
rights: This score is protected by copyright. All rights reserved. The score appears on this website by kind permission of composer Alex Tinlin.
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 9 pages (pp. 16-24)
language: English
identifier: Record: CRM-passingandglassing-tinlin
identifier: File(s): CRM-passingandglassing-tinlin.pdf

"The Bourne" [Alex Tinlin]
title: First line of lyrics: Underneath the growing grass
title: Part of: "The Rossetti Songs"
subject: genre: vocal chamber music|song cycle|song
subject: solo: alto
subject: instrumentation: clarinet|viola|cello
subject: initial sharps/flats: two sharps
subject: initial time signature: 6/8
subject: origin: United Kingdom
subject: male composer
description: Rossetti poem(s): "The Bourne"
description: Place in the larger work: The second song of three in the song cycle, "The Rossetti Songs," which includes 1. "Remember"; 2. "The Bourne"; 3. "All things that pass."
description: Composition history: When asked about what occasioned the composition of this song cycle and the selection of texts, composer Alex Tinlin commented: "The three pieces were written as an exercise in vocal writing within a small ensemble, and as far as I can remember we were given free reign over which texts we could set to music, though I think there were certain length constraints we had to adhere to. I have always liked the poem ‘Remember’, but in researching her other works I came across ‘The Bourne’ and ‘Passing and Glassing’ which I was initially attracted to by their relatively concise structure, which lent themselves well to musical adaptation, particularly ‘Passing and Glassing.' They are also wonderful poems, of course" (Tinlin, Alex. "Re: Rossetti Songs." Received by Mary Arseneau. 28 Feb. 2018).
description: Tempo markings: "Allegro assai"
description: Performance instructions: Composer Alex Tinlin added in personal correspondence that "it was intended as more of a jazzy voice rather than a classical mezzo soprano" (Tinlin, Alex. "Re: Rossetti Songs." Received by Mary Arseneau. 22 Feb. 2018).
description: Notes: A second version of the music scored for voice and piano was also created at a later date, but the mixed ensemble remains the composer's preferred version (Tinlin, Alex. "Re: Rossetti Songs." Received by Mary Arseneau. 28 Feb. 2018).
creator: Tinlin, Alex; music (British, born 1977)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: Other data reference(s): Tinlin, Alex. "Re: Rossetti Songs." Received by Mary Arseneau. 28 Feb. 2018.
source: Cataloguer: Mary Arseneau and Emily McConkey, University of Ottawa
source: musical score: Alex Tinlin
date: 1999 [copyright]
rights: This score is protected by copyright. All rights reserved. The score appears on this website by kind permission of composer Alex Tinlin.
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 6 pages (pp. 10-15)
language: English
identifier: Record: CRM-bourne-tinlin
identifier: File(s): CRM-bourne-tinlin.pdf

"Remember" [Alex Tinlin]
title: First line of lyrics: Remember me when I am gone away
title: Part of: "The Rossetti Songs"
subject: genre: vocal chamber music|song cycle|song
subject: solo: alto
subject: instrumentation: clarinet|viola|cello
subject: initial sharps/flats: one sharp
subject: initial time signature: 3/4
subject: origin: United Kingdom
subject: male composer
description: Rossetti poem(s): "Remember"
description: Place in the larger work: The first song of three in the song cycle, "The Rossetti Songs," which includes 1. "Remember"; 2. "The Bourne"; 3. "All things that pass."
description: Composition history: When asked about what occasioned the composition of this song cycle and the selection of texts, composer Alex Tinlin commented: "The three pieces were written as an exercise in vocal writing within a small ensemble, and as far as I can remember we were given free reign over which texts we could set to music, though I think there were certain length constraints we had to adhere to. I have always liked the poem ‘Remember’, but in researching her other works I came across ‘The Bourne’ and ‘Passing and Glassing’ which I was initially attracted to by their relatively concise structure, which lent themselves well to musical adaptation, particularly ‘Passing and Glassing.' They are also wonderful poems, of course" (Tinlin, Alex. "Re: Rossetti Songs." Received by Mary Arseneau. 28 Feb. 2018).
description: Performance instructions: Composer Alex Tinlin added in personal correspondence that "it was intended as more of a jazzy voice rather than a classical mezzo soprano" (Tinlin, Alex. "Re: Rossetti Songs." Received by Mary Arseneau. 22 Feb. 2018).
description: Notes: A second version of the music scored for voice and piano was also created at a later date, but the mixed ensemble remains the composer's preferred version (Tinlin, Alex. "Re: Rossetti Songs." Received by Mary Arseneau. 28 Feb. 2018).
creator: Tinlin, Alex; music (British, born 1977)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: Other data reference(s): Tinlin, Alex. "Re: Rossetti Songs." Received by Mary Arseneau. 28 Feb. 2018.
source: Cataloguer: Mary Arseneau and Emily McConkey, University of Ottawa
source: musical score: Alex Tinlin
date: 1999 [copyright]
rights: This score is protected by copyright. All rights reserved. The score appears on this website by kind permission of composer Alex Tinlin.
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 8 pages (pp. 2-9)
language: English
identifier: Record: CRM-remember-tinlin
identifier: File(s): CRM-remember-tinlin.pdf

"Echo" [Andrew Miller]
title: First line of lyrics: Come, come, come, come,
subject: genre: song|choral music|part song
subject: chorus: SATB chorus
subject: instrumentation: synthesizer
subject: initial sharps/flats: one sharp
subject: initial time signature: 4/4
subject: origin: United States
subject: male composer
description: Rossetti poem(s): "Echo"
description: Composition history: Miller suggests in a text preceding the score, that the "poem could be the voice of someone who has passed into the afterlife adds a deeply profound element of spirituality.”
description: Tempo markings: quarter note = 40
description: Performance instructions: "ethereal". “The synthesizer can be any electronic keyboard that is dynamically touch-sensitive, can sustain any number of pitches simultaneously, and contains 'synthetic strings' in its soundbank. For proper balance, it is ideal to plug the electronic keyboard into an amplifier or sound system. In this piece, the synthesizer fulfills multiple musical elements that are often not present and/or difficult to achieve in many choral settings, especially middle schools and smaller high schools. Essentially, it acts as a string orchestra or a low men's section, providing young singers in smaller choral programs the opportunity to experience a close semblance of singing sustained, 6 - 8 part divisi choral music.” “In this piece, dissonances are almost always approached by step for accessibility, and should be enjoyed to the fullest and sung into with confidence and round vowel shapes. An echo pattern is also a common and important element, in which voice parts repeat/imitate each other on the same word or syllable. In these instances, singers should usually emphasize their entrance and immediately decrease their dynamic, to create the illusion of a true 'echo'".
description: Notes: The work is divided in 4 sections: the first called "Come to me" (one sharp, quarter note = 40, "ethereal") is composed of the first 4 lines of the poem; the second "Come back in tears" (three flats, quarter note = 50, "with deep longing") of lines 5-6; the third "Oh dream how sweet" (five flats, quarter note = 60, "passionately") of the second stanza; the fourth "Yet come in dreams" (two flats, quarter note = 55) of third stanza.
creator: Miller, Andrew; music (American, active 2011)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: Cataloguer: Emma-Catherine Wilson and Roxanne Lafleur, University of Ottawa
source: musical score: "Echo (Andrew Miller)." Choral Public Domain Library, submitted by Andrew Miller, 3 Oct. 2011, http://www1.cpdl.org/wiki/index.php/Echo_(Andrew_Miller).
publisher: Andrew Miller
date: 2011 [published]
rights: Choral Public Domain Library (CPDL) License
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 9 pages
language: English
identifier: Record: CRM-echo-miller
identifier: File(s): CRM-echo-miller.pdf

"Remember" [David Hamilton]
title: First line of lyrics: Remember me when I am gone away
subject: genre: choral music|song
subject: chorus: women’s SSAA chorus
subject: instrumentation: flute|piano (for rehearsal only)
subject: initial sharps/flats: four flats
subject: initial time signature: 4/4
subject: origin: New Zealand
subject: male composer
description: Rossetti poem(s): "Remember"
description: Composition history: Commissioned by North Shore Ladies Choir (conductor, Sheila Fox Evans)."
description: Tempo markings: quarter note = 63-66; "With great gentleness"
creator: Hamilton, David; music (New Zealand, born 1955)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: Cataloguer: Mary Arseneau, University of Ottawa
source: musical score: David Hamiilton
date: 2006 [copyright]
rights: "COPYRIGHT © DAVID HAMILTON 2006." The score is protected by copyright. All rights reserved. The score appears on this website by kind permission of composer David Hamilton.
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 7 pages; performance time 4 minutes
language: English
identifier: Record: CRM-remember-hamilton
identifier: File(s): CRM-remember-hamilton.pdf

"Wife to Husband" [Alastair King]
title: First line of lyrics: Pardon the faults in me
title: Part of: "Three Christina Rossetti Settings"
subject: genre: song|song cycle
subject: solo: soprano
subject: instrumentation: orchestra
subject: initial sharps/flats: no sharps or flats
subject: initial time signature: 4/4
subject: origin: United Kingdom
subject: male composer
description: Rossetti poem(s): "Wife to Husband"
description: Place in the larger work: The second song of three in the song cycle called "Three Christina Rossetti Settings," which includes 1. "Gone For Ever"; 2. "Wife to Husband"; 3. "Echo."
description: Tempo markings: "Passionato con moto"; quarter note = 86
creator: King, Alastair; music (British, born 1967)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: Other data reference(s): "Three Christina Rossetti Settings (1996)." Wise Music Classical, https://www.wisemusicclassical.com/work/13673/. Accessed 1 March 2020.
source: Cataloguer: Roxanne Lafleur, University of Ottawa
source: This score is copyright protected. A score can be consulted here: "King THREE CHRISTINA ROSSETTI SETTINGS." Issuu, published 2 Jun. 2016, https://issuu.com/scoresondemand/docs/three_rossetti_13673/32.
publisher: Chester Music Ltd
date: 1996 [publication] [copyright]
rights: "© 2002 Chester Music Limited"
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 14 pages (pp. 19-32); complete song cycle performance time 15 minutes
language: English
identifier: Record: CRM-wifetohusband-king

"Come to me in the Silence of the Night" [Brian Blyth Daubney]
title: First line of lyrics: Come to me in the silence of the night
subject: genre: song
subject: solo: voice
subject: instrumentation: piano
subject: initial sharps/flats: three flats
subject: initial time signature: 3/4
subject: origin: United Kingdom
subject: male composer
description: Rossetti poem(s): "Echo"
description: Notes about the text: In the lyrics, the word "moonlight" replaces "sunlight" in line 4 of the Rossetti poem, "give" replaces "live" in first line of stanza 3, and the next two lines in the poem (ll. 14-15) were not included in the song.
creator: Daubney, Brian Blyth; music (English, born 1929)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: Cataloguer: Emily McConkey, University of Ottawa
source: musical score: Brian Blyth Daubney
date: 2019 [composition]
rights: This score is protected by copyright. All rights reserved. The score appears on the website by kind permission of composer Brian Blyth Daubney.
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 4 pages
language: English
identifier: Record: CRM-echo-daubney
identifier: File(s): CRM-echo-daubney.pdf

"Echo" [Michael Berkeley]
title: First line of lyrics: Come to me in the silence of the night
title: Part of: "Speaking Silence"
subject: genre: song|song cycle
subject: solo: baritone
subject: instrumentation: piano
subject: initial sharps/flats: no sharps or flats
subject: initial time signature: 3/4
subject: other version 1 - solo: mezzo-soprano
subject: other version 1 - instrumentation: harp
subject: origin: United Kingdom
subject: male composer
description: Rossetti poem(s): "Echo"
description: Place in the larger work: The second song of six in the song cycle "Speaking Silence" which includes 1. "Blow, northern wynd" (Anonymous); 2. "Echo" (Christina Rossetti); 3. "And is it night?" (Anonymous); 4. "The Ragged Wood" (W.B. Yeats); 5. "Pere du doux repos" (Pontus de Tyard [1521-1603]); 6. "Blow, northern wynd" (Anonymous).
description: Composition history: "'Speaking Silence' was originally written for the baritone David Wilson-Johnson."
description: Notes: "Speaking Silence" continues the theme of yearning and longing explored in Berkeley's previous song cycle "Songs of Awakening Love", which includes a setting of Christina Rossetti's "A Birthday". While "Songs of Awakening Love" explores first love, "Speaking Silence" comes at the end of the cycle of love.
creator: Berkeley, Michael; music (English, born 1948)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: Cataloguer: Diana Bishara and Roxanne Lafleur, University of Ottawa
source: musical score: Berkeley, Micheal. "Echo." Speaking Silence. Oxford University Press, pp. 4-11. University of Texas Libraries, The University of Texas at Austin.
publisher: Oxford, New York: Music Department, Oxford University Press
date: 1986 [composition]
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 8 pages (pp. 4-11); complete song cycle performance time 20 minutes
language: English
identifier: Record: CRM-echo-berkeley

"Echo" [Walter J. Lancaster]
title: First line of lyrics: Come to me in the silence of the night
subject: genre: song|parlour song
subject: solo: voice
subject: instrumentation: piano
subject: initial sharps/flats: one sharp
subject: initial time signature: 2/4
subject: origin: United Kingdom
subject: male composer
description: Rossetti poem(s): "Echo"
description: Composition history: "By kind permission of Messrs MacMillan."
description: Tempo markings: "Andante"
description: Dedication: "To my friend Edward Iles"
description: Notes: Published as part of the song collection called "Six Songs" which includes 1. "O Swallow Swallow" (Tennyson); 2. "When I have fears" (Keats); 3. "The Lady of the Lambs" (Alice Meynell); 4. "Echo" (Christina Rossetti); 5. "A Birthday" (Christina Rossetti); 6. "I arise from dreams of thee" (Percy Shelley).
creator: Lancaster, Walter J. [James]; music (English, active 1860-1952)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: Cataloguer: Sarah Pennington, University of Ottawa
source: musical score: Lancaster, Walter J. "Echo." Six Songs, London, Joseph Williams, pp. 14-15. Royal Academy of Music Library, London
publisher: London: Joseph Williams
date: n.d., 1900 ca [publication]
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 2 pages (pp. 14-15)
language: English
identifier: Record: CRM-echo-lancaster

"The Rainbow" [arr. unknown, music by Haydn]
title: First line of lyrics: If all were rain and never sun
subject: genre: song|hymn|sacred music|children's music
subject: chorus: congregational singing
subject: initial sharps/flats: one sharp
subject: initial time signature: 2/4
subject: origin: United States
subject: male composer
description: Rossetti poem(s): "'If all were rain and never sun'"
description: Notes: “Adapted from the Gipsy Rondo by Haydn”
creator: Haydn, Joseph; music (Austrian, 1732-1809)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
creator: Unknown; arrangement
source: Other data reference(s): Thomas, Edith Lovell. A First Book in Hymns and Worship. Abingdon Press, 1922. Hymnary.org, https://hymnary.org/hymnal/FBHW1922?page=0.
source: Cataloguer: Emily McConkey, University of Ottawa
source: musical score: "The Rainbow" (no. 59). A First Book in Hymns and Worship, edited by Edith Lovell Thomas, Abingdon Press, 1922, p. 40. Hymnary.org, https://hymnary.org/hymn/FBHW1922/page/40.
publisher: New York: Abingdon Press
date: 1922 [publication]
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 1 page
language: English
identifier: Record: CRM-ifallwererain-haydn
identifier: File(s): CRM-ifallwererain-haydn.jpg

"In the bleak midwinter" [Wayne Hooper]
title: First line of lyrics: In the bleak mid-winter
subject: genre: song|hymn|sacred music|Christmas music|carol
subject: chorus: congregational singing
subject: initial sharps/flats: three flats
subject: initial time signature: 4/4
subject: male composer
description: Rossetti poem(s): "A Christmas Carol" ("In the bleak mid-winter")
description: Notes about the text: This hymn sets the first, fourth, and fifth stanzas of Rossetti's poem.
description: Notes: The melody for this setting is called "UINTA."
creator: Hooper, Wayne; music (1920-2007)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: Reference: Hymnary.org, https://hymnary.org/
source: Other data reference(s): "In the bleak midwinter." Hymns for Worship, https://hymnsforworship.org/sdah-126-bleak-midwinter/. Accessed 8 May 2020. "126. In the bleak midwinter." Hymnary.org, https://hymnary.org/hymn/SDAH1985/126. Accessed 8 May 2020.
source: Cataloguer: Emily McConkey, University of Ottawa
source: musical score: Hooper, Wayne. "In the bleak midwinter." Seventh-Day Adventist Hymnal, Review and Herald Publishing Association, 1985, no. 126. Hymns for Worship, https://hymnsforworship.org/sdah-126-bleak-midwinter/. Accessed 8 May 2020.
source: This score is copyright protected. A score can be consulted here: Hooper, Wayne. "In the bleak midwinter." Seventh-Day Adventist Hymnal, Review and Herald Publishing Association, 1985, no. 126. Hymns for Worship, https://hymnsforworship.org/sdah-126-bleak-midwinter/. Accessed 8 May 2020.
publisher: Review and Herald Publishing Association
date: 1985 [publication] [copyright]
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 1 page
language: English
identifier: Record: CRM-christmascarolinthebleak-hooper

"How Far Is It to Bethlehem" [unknown composer]
title: First line of lyrics: How far is it to Bethlehem, not very far?
subject: genre: hymn|sacred music|anthem|choral music|Christmas music
subject: chorus: SATB chorus|congregational singing
subject: instrumentation: orchestra
subject: initial sharps/flats: one sharp
subject: initial time signature: 3/4
subject: origin: United States
subject: male arranger
description: Rossetti poem(s): "A Christmas Carol" ("In the bleak mid-winter")
description: Work contains texts by multiple authors
description: Notes about the text: This hymn combines two stanzas from Frances Alice Chesterton's poem "How far is it to Bethlehem?" with the final stanza of Christina Rossetti's poem "Christmas Carol (In the Bleak Mid-winter)."
description: Tempo markings: "Gently"; quarter note = 103
description: Performance instructions: A nine-part “Anthem Orchestration” with “SATB Choir and Opt. Congregation.”
creator: Unknown; music (English folk tune "Stowey")
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
creator: Chesterton, Frances Alice; text (British, 1869-1938)
creator: Daniels, Andrew; harmonization. Huntsinger, David; arrangement (American, born 1955). Christopher, Keith; orchestration (American).
source: Reference: Hymnary.org, https://hymnary.org/
source: Other data reference(s): "How Far Is It to Bethlehem." Celebrating Grace, https://www.celebrating-grace.com/520125. Accessed 6 May 2020. "How far is it to Bethlehem." Hymnary.org, https://hymnary.org/text/how_far_is_it_to_bethlehem. Accessed 6 May 2020.
source: Cataloguer: Emily McConkey, University of Ottawa
source: This score is copyright protected. A score can be consulted here: "How Far Is It to Bethlehem." Celebrating Grace, https://www.celebrating-grace.com/520125. Accessed 6 May 2020.
publisher: Macon: Celebrating Grace Music
date: 2010 [publication] [copyright]
rights: "Arr. and orchestration © 2010 Celebrating Grace Music, a division of Celebrating Grace, Inc. All rights reserved."
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
language: English
identifier: Record: CRM-christmascarolinthebleak-daniels

"Leaf from leaf Christ knows" [William Hawley]
title: First line of lyrics: Leaf from leaf Christ knows
title: Part of: "The Passion of Our Lord Jesus Christ According to St. John"
subject: genre: oratorio|choral music|sacred music
subject: chorus: SATB voices with divisi
subject: instrumentation: orchestra
subject: initial sharps/flats: no sharps or flats
subject: initial time signature: 4/4
subject: origin: United States
subject: male composer
description: Rossetti poem(s): "'Leaf from Leaf Christ Knows'"
description: Place in the larger work: The fourth passage in part 1 of the two part oratorio called "The Passion of Our Lord Jesus Christ According to St. John" (St. John Passion), which includes passages from the Gospel of John throughout; "Leaf from leaf Christ knows" (Christina Rossetti); "Sweet day, so cool, so calm, so bright" (from "Virtue" George Herbert), "Ah, Holy Jesus, How Hast Thou Offended" (Anglican hymn); "O Jesu, gone so far apart" (from “Vigil of St. Peter” Christina Rossetti), "Jesus mine, Jesus mine" (from “Song of Peter’s Soul” William Hawley), "O happy rose-bud blooming" (from “Gone For Ever” Christina Rossetti).
description: Tempo markings: "Allegretto"; quarter note = 82
description: Performance instructions: For SSAATTBB chorus, with orchestra composed of 2 flutes, 2 oboes, 3 clarinets in B flat, 2 bassoons, 2 horns in F, 2 trumpets in B flat, 2 trombones; 1 bass trombone, timpani, harp, organ and strings.
creator: Hawley, William; music (American, born 1950)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: Other data reference(s): Hawley, William. "Addendum to Hawley Christina Rossetti Settings." Received by Mary Arseneau. 29 Apr. 2020. "St. John Passion (Full Score)." Sheet Music Plus, https://www.sheetmusicplus.com/title/st-john-passion-full-score-digital-sheet-music/21189188. Accessed 30 Apr. 2020. "St. John Passion (Libretto)." Sheet Music Plus, https://www.sheetmusicplus.com/title/st-john-passion-libretto-digital-sheet-music/21200071. Accessed 30 Apr. 2020.
source: Cataloguer: Roxanne Lafleur, University of Ottawa
source: musical score: William Hawley
source: libretto: William Hawley
source: electronic playback of score: William Hawley
publisher: William Hawley
date: 2012 [copyright]
rights: "© 2012 William Hawley" This score, libretto and audio recording are protected by copyright. All rights reserved. The score, libretto and audio recording appear on this website by kind permission of composer William Hawley. To purchase musical scores or to request performance rights, please consult the composer’s website, www.williamhawley.net.
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score|libretto
format: 6 pages (pp. 15-20); libretto: 1 page (p. iii); part 1 performance time 45 minutes; complete oratorio performance time 81 minutes
format: Format 2: electronic playback of score
format: performance time 1 minute and 9 seconds
language: English
identifier: Record: CRM-leaffromleaf-hawley
identifier: File(s): CRM-leaffromleaf-hawley.pdf; CRM-leaffromleaf-hawley-libretto.pdf; CRM-leaffromleaf-hawley.mp3

"O happy rose-bud blooming" [William Hawley]
title: First line of lyrics: O happy rose-bud blooming
title: Part of: "The Passion of Our Lord Jesus Christ According to St. John"
subject: genre: oratorio|choral music|sacred music
subject: chorus: SATB voices with divisi
subject: instrumentation: orchestra
subject: initial sharps/flats: no sharps or flats
subject: initial time signature: 4/4
subject: origin: United States
subject: male composer
description: Rossetti poem(s): "Gone for Ever"
description: Place in the larger work: The twenty-first passage in part 1 of the two part oratorio called "The Passion of Our Lord Jesus Christ According to St. John" (St. John Passion), which includes passages from the Gospel of John throughout; "Leaf from leaf Christ knows" (Christina Rossetti); "Sweet day, so cool, so calm, so bright" (from "Virtue" George Herbert), "Ah, Holy Jesus, How Hast Thou Offended" (Anglican hymn); "O Jesu, gone so far apart" (from “Vigil of St. Peter” Christina Rossetti), "Jesus mine, Jesus mine" (from “Song of Peter’s Soul” William Hawley), "O happy rose-bud blooming" (from “Gone For Ever” Christina Rossetti).
description: Notes about the text: In the last line of text in this song, the word "same" in the Rossetti poem "Gone for Ever" was replaced by "dame".
description: Tempo markings: "a tempo, scorrevole"; quarter note = 63
description: Performance instructions: For "Evangelist Choir (4S 4A 4T 4B)" and SSAATTBB chorus, with orchestra composed of 2 flutes, 2 oboes, 3 clarinets in B flat, 2 bassoons, 2 horns in F, 2 trumpets in B flat, 2 trombones; 1 bass trombone, timpani, harp, organ and strings.
creator: Hawley, William; music (American, born 1950)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: Other data reference(s): Hawley, William. "Addendum to Hawley Christina Rossetti Settings." Received by Mary Arseneau. 29 Apr. 2020. "St. John Passion (Full Score)." Sheet Music Plus, https://www.sheetmusicplus.com/title/st-john-passion-full-score-digital-sheet-music/21189188. Accessed 30 Apr. 2020. "St. John Passion (Libretto)." Sheet Music Plus, https://www.sheetmusicplus.com/title/st-john-passion-libretto-digital-sheet-music/21200071. Accessed 30 Apr. 2020.
source: Cataloguer: Roxanne Lafleur, University of Ottawa
source: musical score: William Hawley
source: libretto: William Hawley
source: electronic playback of score: William Hawley
publisher: William Hawley
date: 2012 [copyright]
rights: "© 2012 William Hawley" This score, libretto and audio recording are protected by copyright. All rights reserved. The score, libretto and audio recording appear on this website by kind permission of composer William Hawley. To purchase musical scores or to request performance rights, please consult the composer’s website, www.williamhawley.net.
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score|libretto
format: 13 pages (pp. 69-81); llibretto: 1 page (p. vi); part 1 performance time 45 minutes; complete oratorio performance time 81 minutes.
format: Format 2: electronic playback of score
format: performance time 2 minutes and 36 seconds
language: English
identifier: Record: CRM-goneforever-hawley
identifier: File(s): CRM-goneforever-hawley.pdf; CRM-goneforever-hawley-libretto.pdf; CRM-goneforever-hawley.mp3

"O Jesu, gone so far apart" [William Hawley]
title: First line of lyrics: O Jesu, gone so far apart
title: Part of: "The Passion of Our Lord Jesus Christ According to St. John"
subject: genre: oratorio|sacred music
subject: solo: soprano|mezzo-soprano|tenor|bass
subject: instrumentation: orchestra
subject: initial sharps/flats: no sharps or flats
subject: initial time signature: 2/4
subject: origin: United States
subject: male composer
description: Rossetti poem(s): "Vigil of St. Peter"|"'The Chiefest among ten thousand'" ("O Jesu, better than thy gifts")
description: Place in the larger work: The sixteenth passage in part 1 of the two part oratorio called "The Passion of Our Lord Jesus Christ According to St. John" (St. John Passion), which includes passages from the Gospel of John throughout; "Leaf from leaf Christ knows" (Christina Rossetti); "Sweet day, so cool, so calm, so bright" (from "Virtue" George Herbert), "Ah, Holy Jesus, How Hast Thou Offended" (Anglican hymn); "O Jesu, gone so far apart" (from “Vigil of St. Peter” Christina Rossetti), "Jesus mine, Jesus mine" (from “Song of Peter’s Soul” William Hawley), "O happy rose-bud blooming" (from “Gone For Ever” Christina Rossetti).
description: Work contains multiple Christina Rossetti texts
description: Notes about the text: The text for this passage uses the complete text of poem "Vigil of St. Peter", followed by lines 6-9 of "'The Chiefest among ten thousand'" ("O Jesu, better than thy gifts").
description: Tempo markings: "Andante"; quarter note = 80
description: Performance instructions: "Soprano, Mezzo-Soprano, Tenor, Bass Soloists" with orchestra is composed of 2 flutes, 2 oboes, 3 clarinets in B flat, 2 bassoons, 2 horns in F, 2 trumpets in B flat, 2 trombones; 1 bass trombone, timpani, harp, organ and strings.
creator: Hawley, William; music (American, born 1950)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: Other data reference(s): Hawley, William. "Addendum to Hawley Christina Rossetti Settings." Received by Mary Arseneau. 29 Apr. 2020. "St. John Passion (Full Score)." Sheet Music Plus, https://www.sheetmusicplus.com/title/st-john-passion-full-score-digital-sheet-music/21189188. Accessed 30 Apr. 2020. "St. John Passion (Libretto)." Sheet Music Plus, https://www.sheetmusicplus.com/title/st-john-passion-libretto-digital-sheet-music/21200071. Accessed 30 Apr. 2020.
source: Cataloguer: Roxanne Lafleur, University of Ottawa
source: musical score: William Hawley
source: libretto: William Hawley
source: electronic playback of score: William Hawley
publisher: William Hawley
date: 2012 [copyright]
rights: "© 2012 William Hawley" This score, libretto and audio recording are protected by copyright. All rights reserved. The score, libretto and audio recording appear on this website by kind permission of composer William Hawley. To purchase musical scores or to request performance rights, please consult the composer’s website, www.williamhawley.net.
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score|libretto
format: 4 pages (pp. 46-49); libretto: 1 page (p. v); part 1 performance time 45 minutes; complete oratorio performance time 81 minutes
format: Format 2: electronic playback of score
format: performance time 1 minutes and 55 seconds
language: English
identifier: Record: CRM-vigilstpeter-hawley
identifier: File(s): CRM-vigilstpeter-hawley.pdf; CRM-vigilstpeter-hawley-libretto.pdf; CRM-vigilstpeter-hawley-mp3

"Contempt and pangs and haunting" [T. Booth]
title: First line of lyrics: Contempt and pangs and haunting fears
subject: genre: hymn|sacred music|song
subject: chorus: congregational singing
subject: initial sharps/flats: two flats
subject: initial time signature: 4/4
subject: origin: United States
description: Rossetti poem(s): "'An exceeding bitter cry'"
description: Notes: The tune is called "Aynard."
creator: Booth, T.; music
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
creator: L.B.L.; arrangement
source: Other data reference(s): "Contempt and pangs and haunting." Hymnary.org, https://hymnary.org/text/contempt_and_pangs_and_haunting. Accessed 5 May 2020.
source: Cataloguer: Emily McConkey, University of Ottawa
source: musical score: Booth, T. "Contempt and pangs and haunting." The Riverside Hymn Book, Fleming H. Revell Company, 1912, p. 210. Hymnary.org, https://hymnary.org/text/contempt_and_pangs_and_haunting. Accessed 5 May 2020.
publisher: New York: Fleming H. Revell Company
date: 1912 [publication]
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 1 page
language: English
identifier: Record: CRM-exceedingbitter-booth
identifier: File(s): CRM-exceedingbitter-booth.jpg

"A birthday" [Halfrid Nelson]
title: First line of lyrics: My heart is like a singing bird
subject: genre: song
subject: solo: high voice
subject: instrumentation: piano
subject: initial sharps/flats: one sharp
subject: initial time signature: 4/4
subject: origin: United States
subject: female composer
description: Rossetti poem(s): "A Birthday"
description: Tempo markings: "Moderato"
description: Notes: The Luther College copy of the score contains an inscription inside cover to Bartlett Butler from David T. Nelson; Luther College notes that the music is "by David T. Nelson's sister Halfrid Nelson" (Record for "A birthday").
creator: Nelson, Halfrid; music (American, died in Norway 1936)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: Other data reference(s): Record for "A birthday." WorldCat Discovery, Preus Library, Luther College, https://luther.on.worldcat.org/oclc/30385353. Accessed 4 Apr. 2019.
source: Cataloguer: Sarah Pennington, University of Ottawa
source: musical score: State University of New York (SUNY), Buffalo
date: n.d., circa 1900-1936 [composition]
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
format: 4 pages
language: English
identifier: Record: CRM-birthday-nelson
identifier: File(s): CRM-birthday-nelson.pdf

"A birthday" [Josef Alexander]
title: Part of: "Rossettiana: a celebration"
subject: genre: song|song cycle
subject: solo: soprano
subject: instrumentation: string quartet
subject: origin: United States
subject: male composer
description: Rossetti poem(s): "A Birthday"
description: Place in the larger work: The fifth song of five in the song cycle "Rossettiana," which includes 1. "Venus's looking glass"; 2. "Dream love"; 3. "A pause"; 4. "Moonshine"; 5. "A birthday."
description: Composition history: "Commissioned by 'The Bohemians' (New York Musicians Club)--for its 75th anniversary 1982" (Record for "Rossettiana : a celebration : song cycle : for soprano and string quartet").
description: Notes: Manuscript score.
creator: Alexander, Josef; music (American, 1908-1992)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: Other data reference(s): Record for "Rossettiana : a celebration : song cycle : for soprano and string quartet." WorldCat, http://www.worldcat.org/oclc/34170460. Accessed 1 Apr. 2019.
source: Cataloguer: Sarah Pennington, University of Ottawa
date: 1982 [composition]
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
language: English
identifier: Record: CRM-birthday-alexander

"Moonshine" [Josef Alexander]
title: Part of: "Rossettiana: a celebration"
subject: genre: song|song cycle
subject: solo: soprano
subject: instrumentation: string quartet
subject: origin: United States
subject: male composer
description: Rossetti poem(s): "Moonshine"
description: Place in the larger work: The fourth song of five in the song cycle "Rossettiana," which includes 1. "Venus's looking glass"; 2. "Dream love"; 3. "A pause"; 4. "Moonshine"; 5. "A birthday."
description: Composition history: "Commissioned by 'The Bohemians' (New York Musicians Club)--for its 75th anniversary 1982" (Record for "Rossettiana : a celebration : song cycle : for soprano and string quartet").
description: Notes: Manuscript score.
creator: Alexander, Josef; music (American, 1908-1992)
creator: Rossetti, Christina Georgina; text (English, 1830-1894)
source: Other data reference(s): Record for "Rossettiana : a celebration : song cycle : for soprano and string quartet." WorldCat, http://www.worldcat.org/oclc/34170460. Accessed 1 Apr. 2019.
source: Cataloguer: Emily McConkey, University of Ottawa
date: 1982 [composition]
rights: The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.
format: Format 1: musical score
language: English
identifier: Record: CRM-moonshine-alexander