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                <text>Portrait of Emanuel Abraham Aguilar&amp;nbsp;(British, 1824-1904), London-based Jewish composer and pianist and brother of Anglo-Jewish novelist Grace Aguilar. He collaborated with Christina Rossetti on the only 19th-century musical setting of "Goblin Market."</text>
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                <text>&lt;em&gt;Emanuel Aguilar&lt;/em&gt;. n.d. Jewish Music Research Centre, The Hebrew University of Jerusalem.&amp;nbsp;https://www.jewish-music.huji.ac.il/content/emanuel-aguilar. Accessed 17 Apr. 2017.</text>
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                <text>Review of school performance of "Goblin Market: Cantata" [Aguilar]</text>
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                <text>rod. "Women Composers."&amp;nbsp;&lt;em&gt;Fragmented Mind: occasional attempts to catch the drift&lt;/em&gt;,&amp;nbsp; https://reinholdsite.wordpress.com/2015/07/09/women-composers/. Accessed 27 Sept. 2017.&lt;em&gt;&lt;br /&gt;&lt;/em&gt;</text>
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                <text>An original program was donated to the &lt;em&gt;Christina Rossetti in Music&amp;nbsp;&lt;/em&gt;project by Dr. Lorraine Janzen Kooistra, Ryerson University</text>
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      <name>Musical Setting</name>
      <description>Musical settings of Christina Rossetti poems (those published from JSTOR Forum only). </description>
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                <text>Aguilar, Emanuel Abraham; music (English, 1824-1904)</text>
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                <text>Rossetti, Christina Georgina; adapted text (English, 1830-1894)</text>
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                <text>Aguilar, Emanuel Abraham; adapted text (English, 1824-1904)</text>
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                <text>In reference to the published works below: Ives DM39; Gooch and Thatcher 4430</text>
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              <elementText elementTextId="54480">
                <text>Reference: Ives, Maura. Christina Rossetti: A Descriptive Bibliography. New Castle, DE: Oak Knoll Press, 2011.</text>
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                <text>Reference: Gooch, Bryan N.S. and David S. Thatcher. Musical Settings of Early and Mid-Victorian Literature: A Catalogue. New York: Garland, 1979.</text>
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                <text>Cataloguer: Mary Arseneau, University of Ottawa</text>
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                <text>Musical score: Firestone Library, Princeton University, Princeton, New Jersey, United States </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>genre: cantata|choral music</text>
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                <text>solo: treble voice</text>
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                <text>chorus: SSA chorus</text>
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                <text>duet: two treble voices</text>
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                <text>instrumentation: piano</text>
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                <text>initial sharps/flats: one flat</text>
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                <text>initial time signature: 2/4</text>
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                <text>origin: United Kingdom</text>
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                <text>male composer</text>
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                <text>Format 1: musical score</text>
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                <text>58 pages</text>
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                <text>London: Hutchings &amp; Romer</text>
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                <text>Record: CRM-goblinmarket-aguilar</text>
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                <text>File(s): CRM-goblinmarket-aguilar.pdf; CRM-goblinmarket-aguilar-covertitlepage.jpg; CRM-goblinmarket-aguilar-titlepage.jpg; CRM-goblinmarket-aguilar-index-p1.jpg; CRM-goblinmarket-aguilar-p14-top.jpg; CRM-goblinmarket-aguilar-pp16-17.jpg; CRM-goblinmarket-aguilar-p21.jpg; CRM-goblinmarket-aguilar-p22.jpg</text>
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                <text>1880 [publication]</text>
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                <text>"Goblin Market: Cantata" [Emanuel Aguilar]</text>
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                <text>First line of lyrics: Morning and evening</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Rossetti poem(s): "Goblin Market"</text>
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                <text>Notes about the text: "The Words adapted by permission of the Authoress, Christina Rossetti" (title page). Rossetti met personally with Emanuel Aguilar to discuss the textual revisions to her poem, and she gave her explicit approval to the adapted and abridged text of “Goblin Market” that serves as Aguilar's libretto. The libretto is thus an authorially approved variant text of "Goblin Market." </text>
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                <text>Tempo markings: "Allegretto"; quarter note = 132</text>
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                <text>Performance instructions: Cantata for solo voice, chorus, and piano, consisting of an instrumental introduction and seven numbers: "Introduction" (p. 1); 1. Chorus with Solos, "Come Buy, Come Buy" (pp. 2-17); 2. Duet [Lizzie and Laura], "Dear, You Should Not Stay So Late" (pp. 18-22); 3. Chorus, "Sleep Song" (pp. 23-25); 4. Solo [Laura], "Early in the Morning" (pp. 26-29); 5. Solo [Lizzie], "'Woe is Me' (A week later.)" (pp. 30-32); 6. A--Appearance of the Goblins, B--Chorus with Solo [Lizzie] "'Look at our apples' (Lizzie's Interview With the Goblins)" (pp. 33-44); 7. [Lizzie, Laura and Chorus], Finale, "Laura! Come now in the Garden" (pp. 45-58).</text>
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                <text>Performance history: &#13;
&#13;
</text>
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