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      <description>Musical settings of Christina Rossetti poems (those published from JSTOR Forum only). </description>
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                <text>Cataloguer: Emily McConkey, University of Ottawa</text>
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                <text>Opus: 10, number 4</text>
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                <text>"Song" [Joel Sachs]</text>
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                <text>First line of lyrics: When I am dead, my dearest</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Rossetti poem(s): "Song" ("When I am dead, my dearest")</text>
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                <text>Thomas, Richard Pearson; music (American, born 1957)</text>
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                <text>"Birthday" [Richard Pearson Thomas]</text>
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                <text>"©2007 R. Pearson Thomas | Portage Press Publishing"</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Rossetti poem(s): "A Birthday"</text>
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                <text>Place in the larger work: The first song of three in the song cycle called "Twilight," settings of Christina Rossetti poems. The songs include 1. "A Birthday"; 2. "Mirage"; 3. "Song".</text>
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                <text>Notes about the text: Thomas substitutes "like a water'd shoot" for "in a water'd shoot" and "on a halcyon sea" for "in a halcyon sea." The first line of the poem "my heart is like a singing bird" is repeated at the end of the song.</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Place in the larger work: The second song of three in the song cycle called "Twilight," settings of Christina Rossetti poems. The songs include 1. "A Birthday"; 2. "Mirage"; 3. "Song".</text>
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                <text>Boston: E. C. Schirmer Music Company</text>
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                <text>"© Copyright 2010 by E. C. Schirmer Music Company. A division of ECS Publishing, Boston, Massachusetts. All rights reserved."</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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Three Poems of Christina Rossetti, performance by Kindra Scharich, mezzo-soprano, Kevin Korth, piano. E. C. Schirmer Music Company, https://www.canticledistributing.com/catalog/product/view/id/53383/s/three-poems-of-christina-rossetti-conte-david-medium-voice/. Accessed 3 Dec. 2020.
Three Poems of Christina Rossetti, performance by Brian Thorsett, tenor, Steven Bailey, piano. E. C. Schirmer Music Company, https://www.canticledistributing.com/catalog/product/view/id/53382/s/three-poems-of-christina-rossetti-conte-david-high-voice/. Accessed 3 Dec. 2020.</text>
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                <text>This score is copyright protected. A score can be consulted here: "Three Poems of Christina Rossetti." ECS Publishing Group, www.canticledistributing.com/catalog/product/view/id/53383/s/three-poems-of-christina-rossetti-conte-david-medium-voice/ (for mezzo-soprano); www.canticledistributing.com/catalog/product/view/id/53382/s/three-poems-of-christina-rossetti-conte-david-high-voice/ (for high voice). Accessed 23 March 2020.</text>
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                <text>Boston: E. C. Schirmer Music Company</text>
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                <text>First line of lyrics: Come to me in the silence of the night</text>
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                <text>Part of: "Three Poems of Christina Rossetti"</text>
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              <elementText elementTextId="63951">
                <text>"© Copyright 2010 by E. C. Schirmer Music Company. A division of ECS Publishing, Boston, Massachusetts. All rights reserved."</text>
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              <elementText elementTextId="63952">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Place in the larger work: The second song of three in the song cycle called “Three Poems of Christina Rossetti,” settings of Christina Rossetti poems. The songs include 1. “Rest”; 2. “Echo"; 3. "A Hope Carol".</text>
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                <text>Recordings: "Echo." Three Poems of Christina Rossetti, performance by Catherine Cook, mezzo-soprano and Steven Bailey, piano, 2010. Song of America, https://songofamerica.net/song/echo/. Accessed 18 Apr. 2020.
Three Poems of Christina Rossetti, performance by Kindra Scharich, mezzo-soprano, Kevin Korth, piano. E. C. Schirmer Music Company, https://www.canticledistributing.com/catalog/product/view/id/53383/s/three-poems-of-christina-rossetti-conte-david-medium-voice/. Accessed 3 Dec. 2020.
Three Poems of Christina Rossetti, performance by Brian Thorsett, tenor, Steven Bailey, piano. E. C. Schirmer Music Company, https://www.canticledistributing.com/catalog/product/view/id/53382/s/three-poems-of-christina-rossetti-conte-david-high-voice/. Accessed 3 Dec. 2020.</text>
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"A Hope Carol." Song of America, https://songofamerica.net/song/hope-carol/. Accessed 18 Apr. 2020.</text>
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                <text>other version 1 - initial sharps/flats: no sharps or flats</text>
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                <text>performance time 4 minutes; complete song cycle performance time 15 minutes</text>
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            <name>Publisher</name>
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                <text>Boston: E. C. Schirmer Music Company</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Record: CRM-hopecarol-conte</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2008 [composition] [copyright]; 2010 [publication] [copyright]</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"A Hope Carol" [David Conte]</text>
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              <elementText elementTextId="63972">
                <text>First line of lyrics: A night was near</text>
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              <elementText elementTextId="63973">
                <text>Part of: "Three Poems of Christina Rossetti"</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="63974">
                <text>"© Copyright 2008 by E. C. Schirmer Music Company. A division of ECS Publishing, Boston, Massachusetts. All rights reserved."</text>
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              <elementText elementTextId="63975">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Rossetti poem(s): "A Hope Carol"</text>
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                <text>Place in the larger work: The third song of three in the song cycle called “Three Poems of Christina Rossetti,” settings of Christina Rossetti poems. The songs include 1. “Rest”; 2. “Echo"; 3. "A Hope Carol".</text>
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                <text>Composition history: "‘A Hope Carol’ was composed as a choral piece in 2006. A version for solo voice was composed in 2007 [2008?] and is dedicated to Elizabeth Mannion." ("Three Poems of Christina Rossetti"). "The song was originally composed in 2008. In 2010, David Conte published two more settings of Christina Rossetti to form the song set Three Poems of Christina Rossetti. The song is still published alone and as part of the song cycle." ("A Hope Carol")</text>
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                <text>Tempo markings: "Moderately, not too slow"; dotted quarter note = 72</text>
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                <text>Recordings: Conte, David. "A Hope Carol." Three Poems of Christina Rossetti, performance by Catherine Cook, mezzo-soprano and Steven Bailey, piano, 2010. Song of America, https://songofamerica.net/song/hope-carol/. Accessed 18 Apr. 2020.
Three Poems of Christina Rossetti, performance by Kindra Scharich, mezzo-soprano, Kevin Korth, piano. E. C. Schirmer Music Company, https://www.canticledistributing.com/catalog/product/view/id/53383/s/three-poems-of-christina-rossetti-conte-david-medium-voice/. Accessed 3 Dec. 2020.
Three Poems of Christina Rossetti, performance by Brian Thorsett, tenor, Steven Bailey, piano. E. C. Schirmer Music Company, https://www.canticledistributing.com/catalog/product/view/id/53382/s/three-poems-of-christina-rossetti-conte-david-high-voice/. Accessed 3 Dec. 2020.</text>
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                <text>Dedication: "to Elizabeth Mannion"</text>
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                <text>Lambert, Edward; music (English, born 1951)</text>
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                <text>Rossetti, Christina Georgina; text (English, 1830-1894)</text>
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                <text>Reference: IMSLP Petrucci Music Library, http://imslp.org/</text>
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                <text>Other data reference(s): "Rossetti Requiem." Edward Lambert, http://www.edwardlambert.co.uk/rossetti-requiem.html. Accessed 14 March 2019. </text>
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                <text>Cataloguer: Robyn Finlay and Roxanne Lafleur, University of Ottawa</text>
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                <text>Music scores for original and 2019 revision: "Rossetti Requiem (Lambert, Edward)." IMSLP Petrucci Music Library, https://imslp.org/wiki/Rossetti_Requiem_(Lambert%2C_Edward). Accessed 12 Feb. 2019.</text>
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            <description>The topic of the resource</description>
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                <text>genre: oratorio|requiem|choral music</text>
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                <text>solo: mezzo-soprano</text>
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                <text>instrumentation: orchestra</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Format 1: musical score</text>
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                <text>23 pages (pp. 5-26); complete requiem performance time 55 minutes (original complete score). 24 pages (pp. 5-28); complete requiem performance time 45 minutes (2019 revised complete score)</text>
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                <text>English</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="63995">
                <text>Edward Lambert</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="63996">
                <text>Record: CRM-songwheniamdead-lambert</text>
              </elementText>
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                <text>File(s): CRM-songwheniamdead-lambert-2010.pdf; CRM-songwheniamdead-lambert-2019.pdf</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="63998">
                <text>2010 [composition] [copyright]; 2019 [revised composition]</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="63999">
                <text>"When I am dead" [Edward Lambert]</text>
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              <elementText elementTextId="64000">
                <text>First line of lyrics: When I am dead, my dearest</text>
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              <elementText elementTextId="64001">
                <text>Part of: "Rossetti Requiem"</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64002">
                <text>"© 2010 The composer's rights are asserted," Rossetti Requiem (Lambert, Edward), https://imslp.org/wiki/Rossetti_Requiem_(Lambert%2C_Edward) by Edward Lambert, http://www.edwardlambert.co.uk, is licenced under  IMSLP:Performance Restricted Attribution-NonCommercial-ShareAlike 3.0, https://imslp.org/wiki/IMSLP:Performance_Restricted_Attribution-NonCommercial-ShareAlike_3.0 (like the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license (https://creativecommons.org/licenses/by-nc-sa/3.0/) except no performance rights are granted to the user)</text>
              </elementText>
              <elementText elementTextId="64003">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64004">
                <text>Rossetti poem(s): "Song" ("When I am dead, my dearest")</text>
              </elementText>
              <elementText elementTextId="64005">
                <text>Place in the larger work: The first movement of nine in the oratorio called "Rossetti Requiem" which includes: 1. Mezzo-soprano solo: "When I am dead"; 2. Chorus: "Vanity of vanities"; 3. Tenor solo: "A voice said"; 4. Chorus: "When my love"; 5. Soprano solo: "Remember me"; 6. Chorus: "Frost-locked all the winter"; 7. Bass solo: "Come to me"; 8. Chorus: "Somewhere or other"; 9. Quartet and Chorus: "Does the road wind uphill?"</text>
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              <elementText elementTextId="64006">
                <text>Composition history: The composer makes the following comments about his composition: "Mankind’s spiritual journey through life and our attitude to death provide the themes of Christina Rossetti’s best work: the relationships between living and loving on the one hand, and grieving and memory on the other. The first poem in this cycle confronts the physical reality of death and tauntingly asks how far memory will reach beyond the grave. After musing on the transience of worldly things (no.2), the poet embarks on a spiritual quest (no.3). Love and youth are recalled (no.4) before a reflection that the ultimate act of love is to relinquish it (no.5). Even spring-life is destined to die (no.6), yet grief is hard to bear and memories are real (no.7). All we can do is search (no.8) and our journey will be its own reward (no.9)" ("Rossetti Requiem").</text>
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              <elementText elementTextId="64007">
                <text>Tempo markings: eighth note = 84 (original complete score); eighth note = 108 (2019 revised complete score)</text>
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                <text>Performance instructions: It states on the 2019 revised complete score that "Rossetti Requiem is a setting of texts by Christina Rossetti for soloists [soprano, mezzo-soprano, tenor, bass], choir [soprano, alto, tenor, bass] and orchestra [2 flutes doubling piccolo; 2 bassoons (2nd doubling contrabassoon), 2 horns in F, percussion (3 deep concert toms, bass drum, vibraphone, tambourine, cymbal), violins 1, violins 2, violas, cellos, double bass)]." The original score did not list bass drum and states "2 bassoons (one doubling contrabassoon)." Lambert also states "The movements should, as far as possible, be performed without a break; where a pause is essential it should come after the 6th movement" (original complete score) and "The movements should, as far as possible, be performed without a break" (2019 revised complete score).</text>
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              <elementText elementTextId="64009">
                <text>Performance history: First performed November 2010 by Jacqueline Pischorn (soprano), Grace Wain (mezzo-soprano), Paul Robinson (tenor), Ian Caddy (bass), and Newbury Chamber Choir &amp; Orchestra, conducted by the composer ("Rossetti Requiem").</text>
              </elementText>
              <elementText elementTextId="64010">
                <text>Recordings: "Rossetti Requiem." SoundCloud, uploaded by MusicJug, 2013, https://soundcloud.com/musicjug/sets/rossetti-requiem. Accessed 3 Dec. 2019.</text>
              </elementText>
              <elementText elementTextId="64011">
                <text>Dedication: "for the Newbury chamber choir (2010)"</text>
              </elementText>
              <elementText elementTextId="64012">
                <text>Notes: On the composer's website, an electronic simulation of the music and a vocal score with keyboard accompaniment, "an approximate reduction of the orchestra score intended for rehearsal only", are available ("Rossetti Requiem").</text>
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        <name>choral music</name>
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        <name>solo: mezzo-soprano</name>
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                <text>Reference: IMSLP Petrucci Music Library, http://imslp.org/</text>
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                <text>Other data reference(s): "Rossetti Requiem." Edward Lambert, http://www.edwardlambert.co.uk/rossetti-requiem.html. Accessed 14 March 2019. </text>
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                <text>Cataloguer: Robyn Finlay and Roxanne Lafleur, University of Ottawa</text>
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                <text>Music scores for original and 2019 revision: "Rossetti Requiem (Lambert, Edward)." IMSLP Petrucci Music Library, https://imslp.org/wiki/Rossetti_Requiem_(Lambert%2C_Edward). Accessed 12 Feb. 2019.</text>
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            <description>The topic of the resource</description>
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                <text>genre: oratorio|requiem|choral music</text>
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              <elementText elementTextId="64020">
                <text>chorus: SATB chorus</text>
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                <text>instrumentation: orchestra</text>
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                <text>initial sharps/flats: no sharps or flats</text>
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                <text>initial time signature: 4/4</text>
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                <text>male composer</text>
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                <text>Format 1: musical score</text>
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                <text>21 pages (pp. 27-57); complete requiem performance time 55 minutes (original complete score). 32 pages (pp. 29-60); complete requiem performance time 45 minutes (2019 revised complete score)</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Publisher</name>
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                <text>Edward Lambert</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="64030">
                <text>Record: CRM-onecertainty-lambert</text>
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                <text>File(s): CRM-onecertainty-lambert-2010.pdf; CRM-onecertainty-lambert-2019.pdf</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2010 [composition] [copyright]; 2019 [revised composition]</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Vanity of vanities" [Edward Lambert]</text>
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                <text>First line of lyrics: Vanity of vanities, the Preacher saith</text>
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                <text>"© 2010 The composer's rights are asserted," Rossetti Requiem (Lambert, Edward), https://imslp.org/wiki/Rossetti_Requiem_(Lambert%2C_Edward) by Edward Lambert, http://www.edwardlambert.co.uk, is licenced under  IMSLP:Performance Restricted Attribution-NonCommercial-ShareAlike 3.0, https://imslp.org/wiki/IMSLP:Performance_Restricted_Attribution-NonCommercial-ShareAlike_3.0 (like the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license (https://creativecommons.org/licenses/by-nc-sa/3.0/) except no performance rights are granted to the user)</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Rossetti poem(s): "One Certainty"</text>
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                <text>Place in the larger work: The second movement of nine in the oratorio called "Rossetti Requiem" which includes: 1. Mezzo-soprano solo: "When I am dead"; 2. Chorus: "Vanity of vanities"; 3. Tenor solo: "A voice said"; 4. Chorus: "When my love"; 5. Soprano solo: "Remember me"; 6. Chorus: "Frost-locked all the winter"; 7. Bass solo: "Come to me"; 8. Chorus: "Somewhere or other"; 9. Quartet and Chorus: "Does the road wind uphill?"</text>
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                <text>Composition history: The composer makes the following comments about his composition: "Mankind’s spiritual journey through life and our attitude to death provide the themes of Christina Rossetti’s best work: the relationships between living and loving on the one hand, and grieving and memory on the other. The first poem in this cycle confronts the physical reality of death and tauntingly asks how far memory will reach beyond the grave. After musing on the transience of worldly things (no.2), the poet embarks on a spiritual quest (no.3). Love and youth are recalled (no.4) before a reflection that the ultimate act of love is to relinquish it (no.5). Even spring-life is destined to die (no.6), yet grief is hard to bear and memories are real (no.7). All we can do is search (no.8) and our journey will be its own reward (no.9)" ("Rossetti Requiem").</text>
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                <text>Tempo markings: quarter note = 54 (original complete score); quarter note = 80 (2019 revised complete score)</text>
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                <text>Performance instructions: It states on the 2019 revised complete score that "Rossetti Requiem is a setting of texts by Christina Rossetti for soloists [soprano, mezzo-soprano, tenor, bass], choir [soprano, alto, tenor, bass] and orchestra [2 flutes doubling piccolo; 2 bassoons (2nd doubling contrabassoon), 2 horns in F, percussion (3 deep concert toms, bass drum, vibraphone, tambourine, cymbal), violins 1, violins 2, violas, cellos, double bass)]." The original score did not list bass drum and states "2 bassoons (one doubling contrabassoon)." Lambert also states "The movements should, as far as possible, be performed without a break; where a pause is essential it should come after the 6th movement" (original complete score) and "The movements should, as far as possible, be performed without a break" (2019 revised complete score).</text>
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                <text>Performance history: First performed November 2010 by Jacqueline Pischorn (soprano), Grace Wain (mezzo-soprano), Paul Robinson (tenor), Ian Caddy (bass), and Newbury Chamber Choir &amp; Orchestra, conducted by the composer ("Rossetti Requiem").</text>
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                <text>Recordings: "Rossetti Requiem." SoundCloud, uploaded by MusicJug, 2013, https://soundcloud.com/musicjug/sets/rossetti-requiem. Accessed 3 Dec. 2019.</text>
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                <text>Dedication: "for the Newbury chamber choir (2010)"</text>
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                <text>Notes: On the composer's website, an electronic simulation of the music and a vocal score with keyboard accompaniment, "an approximate reduction of the orchestra score intended for rehearsal only", are available ("Rossetti Requiem").</text>
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                <text>Lambert, Edward; music (English, born 1951)</text>
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                <text>Reference: IMSLP Petrucci Music Library, http://imslp.org/</text>
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                <text>Other data reference(s): "Rossetti Requiem." Edward Lambert, http://www.edwardlambert.co.uk/rossetti-requiem.html. Accessed 14 March 2019. </text>
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                <text>Music scores for original and 2019 revision: "Rossetti Requiem (Lambert, Edward)." IMSLP Petrucci Music Library, https://imslp.org/wiki/Rossetti_Requiem_(Lambert%2C_Edward). Accessed 12 Feb. 2019.</text>
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                <text>genre: oratorio|requiem|choral music</text>
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                <text>Format 1: musical score</text>
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                <text>18 pages (pp. 58-75); complete requiem performance time 55 minutes (original complete score). 19 pages (pp. 61-79); complete requiem performance time 45 minutes (2019 revised complete score)</text>
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                <text>English</text>
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                <text>Edward Lambert</text>
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            <name>Identifier</name>
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              <elementText elementTextId="64064">
                <text>Record: CRM-twopursuits-lambert</text>
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              <elementText elementTextId="64065">
                <text>File(s): CRM-twopursuits-lambert-2010.pdf; CRM-twopursuits-lambert-2019.pdf</text>
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                <text>2010 [composition] [copyright]; 2019 [revised composition]</text>
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                <text>"A voice said" [Edward Lambert]</text>
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                <text>First line of lyrics: A voice said 'Follow, follow': and I rose</text>
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                <text>Part of: "Rossetti Requiem"</text>
              </elementText>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="64070">
                <text>"© 2010 The composer's rights are asserted," Rossetti Requiem (Lambert, Edward), https://imslp.org/wiki/Rossetti_Requiem_(Lambert%2C_Edward) by Edward Lambert, http://www.edwardlambert.co.uk, is licenced under  IMSLP:Performance Restricted Attribution-NonCommercial-ShareAlike 3.0, https://imslp.org/wiki/IMSLP:Performance_Restricted_Attribution-NonCommercial-ShareAlike_3.0 (like the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license (https://creativecommons.org/licenses/by-nc-sa/3.0/) except no performance rights are granted to the user)</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Rossetti poem(s): "Two Pursuits"</text>
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              <elementText elementTextId="64073">
                <text>Place in the larger work: The third movement of nine in the oratorio called "Rossetti Requiem" which includes: 1. Mezzo-soprano solo: "When I am dead"; 2. Chorus: "Vanity of vanities"; 3. Tenor solo: "A voice said"; 4. Chorus: "When my love"; 5. Soprano solo: "Remember me"; 6. Chorus: "Frost-locked all the winter"; 7. Bass solo: "Come to me"; 8. Chorus: "Somewhere or other"; 9. Quartet and Chorus: "Does the road wind uphill?"</text>
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              <elementText elementTextId="64074">
                <text>Composition history: The composer makes the following comments about his composition: "Mankind’s spiritual journey through life and our attitude to death provide the themes of Christina Rossetti’s best work: the relationships between living and loving on the one hand, and grieving and memory on the other. The first poem in this cycle confronts the physical reality of death and tauntingly asks how far memory will reach beyond the grave. After musing on the transience of worldly things (no.2), the poet embarks on a spiritual quest (no.3). Love and youth are recalled (no.4) before a reflection that the ultimate act of love is to relinquish it (no.5). Even spring-life is destined to die (no.6), yet grief is hard to bear and memories are real (no.7). All we can do is search (no.8) and our journey will be its own reward (no.9)" ("Rossetti Requiem").</text>
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                <text>Tempo markings: eighth note = 72 (original complete score); eighth note = 84 (2019 revised complete score)</text>
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                <text>Performance instructions: It states on the 2019 revised complete score that "Rossetti Requiem is a setting of texts by Christina Rossetti for soloists [soprano, mezzo-soprano, tenor, bass], choir [soprano, alto, tenor, bass] and orchestra [2 flutes doubling piccolo; 2 bassoons (2nd doubling contrabassoon), 2 horns in F, percussion (3 deep concert toms, bass drum, vibraphone, tambourine, cymbal), violins 1, violins 2, violas, cellos, double bass)]." The original score did not list bass drum and states "2 bassoons (one doubling contrabassoon)." Lambert also states "The movements should, as far as possible, be performed without a break; where a pause is essential it should come after the 6th movement" (original complete score) and "The movements should, as far as possible, be performed without a break" (2019 revised complete score).</text>
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                <text>Performance history: First performed November 2010 by Jacqueline Pischorn (soprano), Grace Wain (mezzo-soprano), Paul Robinson (tenor), Ian Caddy (bass), and Newbury Chamber Choir &amp; Orchestra, conducted by the composer ("Rossetti Requiem").</text>
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              <elementText elementTextId="64078">
                <text>Recordings: "Rossetti Requiem." SoundCloud, uploaded by MusicJug, 2013, https://soundcloud.com/musicjug/sets/rossetti-requiem. Accessed 3 Dec. 2019.</text>
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                <text>Dedication: "for the Newbury chamber choir (2010)"</text>
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                <text>Notes: On the composer's website, an electronic simulation of the music and a vocal score with keyboard accompaniment, "an approximate reduction of the orchestra score intended for rehearsal only", are available ("Rossetti Requiem").</text>
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                <text>Other data reference(s): "Rossetti Requiem." Edward Lambert, http://www.edwardlambert.co.uk/rossetti-requiem.html. Accessed 14 March 2019. </text>
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                <text>Music scores for original and 2019 revision: "Rossetti Requiem (Lambert, Edward)." IMSLP Petrucci Music Library, https://imslp.org/wiki/Rossetti_Requiem_(Lambert%2C_Edward). Accessed 12 Feb. 2019.</text>
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                <text>genre: oratorio|requiem|choral music</text>
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                <text>chorus: SATB chorus</text>
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                <text>Format 1: musical score</text>
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                <text>17 pages (pp. 76-92); complete requiem performance time 55 minutes (original complete score). 20 pages (pp. 80-99); complete requiem performance time 45 minutes (2019 revised complete score)</text>
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                <text>Record: CRM-inthelane-lambert</text>
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                <text>File(s): CRM-inthelane-lambert-2010.pdf; CRM-inthelane-lambert-2019.pdf</text>
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                <text>"When my love" [Edward Lambert]</text>
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                <text>First line of lyrics: When my love came home to me</text>
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                <text>Part of: "Rossetti Requiem"</text>
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                <text>"© 2010 The composer's rights are asserted," Rossetti Requiem (Lambert, Edward), https://imslp.org/wiki/Rossetti_Requiem_(Lambert%2C_Edward) by Edward Lambert, http://www.edwardlambert.co.uk, is licenced under  IMSLP:Performance Restricted Attribution-NonCommercial-ShareAlike 3.0, https://imslp.org/wiki/IMSLP:Performance_Restricted_Attribution-NonCommercial-ShareAlike_3.0 (like the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license (https://creativecommons.org/licenses/by-nc-sa/3.0/) except no performance rights are granted to the user)</text>
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                <text>Rossetti poem(s): "In the Lane"|"A Birthday"</text>
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                <text>Place in the larger work: The fourth movement of nine in the oratorio called "Rossetti Requiem" which includes: 1. Mezzo-soprano solo: "When I am dead"; 2. Chorus: "Vanity of vanities"; 3. Tenor solo: "A voice said"; 4. Chorus: "When my love"; 5. Soprano solo: "Remember me"; 6. Chorus: "Frost-locked all the winter"; 7. Bass solo: "Come to me"; 8. Chorus: "Somewhere or other"; 9. Quartet and Chorus: "Does the road wind uphill?"</text>
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                <text>Notes about the text: Text from Rossetti's poem "In the Lane" is interspersed with text from her poem "A Birthday" in this order: the first four lines of "In the Lane," the first stanza of "A Birthday," the second stanza of "In the Lane," the second stanza of "A Birthday," the third stanza of "In the Lane." The final lines of the two poems are sung in unison.</text>
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                <text>Composition history: The composer makes the following comments about his composition: "Mankind’s spiritual journey through life and our attitude to death provide the themes of Christina Rossetti’s best work: the relationships between living and loving on the one hand, and grieving and memory on the other. The first poem in this cycle confronts the physical reality of death and tauntingly asks how far memory will reach beyond the grave. After musing on the transience of worldly things (no.2), the poet embarks on a spiritual quest (no.3). Love and youth are recalled (no.4) before a reflection that the ultimate act of love is to relinquish it (no.5). Even spring-life is destined to die (no.6), yet grief is hard to bear and memories are real (no.7). All we can do is search (no.8) and our journey will be its own reward (no.9)" ("Rossetti Requiem").</text>
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                <text>Performance instructions: It states on the 2019 revised complete score that "Rossetti Requiem is a setting of texts by Christina Rossetti for soloists [soprano, mezzo-soprano, tenor, bass], choir [soprano, alto, tenor, bass] and orchestra [2 flutes doubling piccolo; 2 bassoons (2nd doubling contrabassoon), 2 horns in F, percussion (3 deep concert toms, bass drum, vibraphone, tambourine, cymbal), violins 1, violins 2, violas, cellos, double bass)]." The original score did not list bass drum and states "2 bassoons (one doubling contrabassoon)." Lambert also states "The movements should, as far as possible, be performed without a break; where a pause is essential it should come after the 6th movement" (original complete score) and "The movements should, as far as possible, be performed without a break" (2019 revised complete score).</text>
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                <text>Performance history: First performed November 2010 by Jacqueline Pischorn (soprano), Grace Wain (mezzo-soprano), Paul Robinson (tenor), Ian Caddy (bass), and Newbury Chamber Choir &amp; Orchestra, conducted by the composer ("Rossetti Requiem").</text>
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                <text>Recordings: "Rossetti Requiem." SoundCloud, uploaded by MusicJug, 2013, https://soundcloud.com/musicjug/sets/rossetti-requiem. Accessed 3 Dec. 2019.</text>
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                <text>Dedication: "for the Newbury chamber choir (2010)"</text>
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                <text>Notes: On the composer's website, an electronic simulation of the music and a vocal score with keyboard accompaniment, "an approximate reduction of the orchestra score intended for rehearsal only", are available ("Rossetti Requiem").</text>
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                <text>Other data reference(s): "Rossetti Requiem." Edward Lambert, http://www.edwardlambert.co.uk/rossetti-requiem.html. Accessed 14 March 2019. </text>
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                <text>Music scores for original and 2019 revision: "Rossetti Requiem (Lambert, Edward)." IMSLP Petrucci Music Library, https://imslp.org/wiki/Rossetti_Requiem_(Lambert%2C_Edward). Accessed 12 Feb. 2019.</text>
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                <text>16 pages (pp. 93-108); complete requiem performance time 55 minutes (original complete score). 14 pages (pp. 100-113); complete requiem performance time 45 minutes (2019 revised complete score)</text>
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                <text>"Remember Me" [Edward Lambert]</text>
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                <text>First line of lyrics: Remember me, Remember me when I am gone away</text>
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                <text>Part of: "Rossetti Requiem"</text>
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                <text>"© 2010 The composer's rights are asserted," Rossetti Requiem (Lambert, Edward), https://imslp.org/wiki/Rossetti_Requiem_(Lambert%2C_Edward) by Edward Lambert, http://www.edwardlambert.co.uk, is licenced under  IMSLP:Performance Restricted Attribution-NonCommercial-ShareAlike 3.0, https://imslp.org/wiki/IMSLP:Performance_Restricted_Attribution-NonCommercial-ShareAlike_3.0 (like the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license (https://creativecommons.org/licenses/by-nc-sa/3.0/) except no performance rights are granted to the user)</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Rossetti poem(s): "Remember"</text>
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                <text>Place in the larger work: The fifth movement of nine in the oratorio called "Rossetti Requiem" which includes: 1. Mezzo-soprano solo: "When I am dead"; 2. Chorus: "Vanity of vanities"; 3. Tenor solo: "A voice said"; 4. Chorus: "When my love"; 5. Soprano solo: "Remember me"; 6. Chorus: "Frost-locked all the winter"; 7. Bass solo: "Come to me"; 8. Chorus: "Somewhere or other"; 9. Quartet and Chorus: "Does the road wind uphill?"</text>
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                <text>Composition history: The composer makes the following comments about his composition: "Mankind’s spiritual journey through life and our attitude to death provide the themes of Christina Rossetti’s best work: the relationships between living and loving on the one hand, and grieving and memory on the other. The first poem in this cycle confronts the physical reality of death and tauntingly asks how far memory will reach beyond the grave. After musing on the transience of worldly things (no.2), the poet embarks on a spiritual quest (no.3). Love and youth are recalled (no.4) before a reflection that the ultimate act of love is to relinquish it (no.5). Even spring-life is destined to die (no.6), yet grief is hard to bear and memories are real (no.7). All we can do is search (no.8) and our journey will be its own reward (no.9)" ("Rossetti Requiem").</text>
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                <text>Tempo markings: eighth note = 54 (original complete score); eighth note = 54 (2019 revised complete score)</text>
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                <text>Performance instructions: It states on the 2019 revised complete score that "Rossetti Requiem is a setting of texts by Christina Rossetti for soloists [soprano, mezzo-soprano, tenor, bass], choir [soprano, alto, tenor, bass] and orchestra [2 flutes doubling piccolo; 2 bassoons (2nd doubling contrabassoon), 2 horns in F, percussion (3 deep concert toms, bass drum, vibraphone, tambourine, cymbal), violins 1, violins 2, violas, cellos, double bass)]." The original score did not list bass drum and states "2 bassoons (one doubling contrabassoon)." Lambert also states "The movements should, as far as possible, be performed without a break; where a pause is essential it should come after the 6th movement" (original complete score) and "The movements should, as far as possible, be performed without a break" (2019 revised complete score).</text>
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                <text>Performance history: First performed November 2010 by Jacqueline Pischorn (soprano), Grace Wain (mezzo-soprano), Paul Robinson (tenor), Ian Caddy (bass), and Newbury Chamber Choir &amp; Orchestra, conducted by the composer ("Rossetti Requiem").</text>
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                <text>Recordings: "Rossetti Requiem." SoundCloud, uploaded by MusicJug, 2013, https://soundcloud.com/musicjug/sets/rossetti-requiem. Accessed 3 Dec. 2019.</text>
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                <text>Dedication: "for the Newbury chamber choir (2010)"</text>
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                <text>Notes: On the composer's website, an electronic simulation of the music and a vocal score with keyboard accompaniment, "an approximate reduction of the orchestra score intended for rehearsal only", are available ("Rossetti Requiem").</text>
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                <text>Other data reference(s): "Rossetti Requiem." Edward Lambert, http://www.edwardlambert.co.uk/rossetti-requiem.html. Accessed 14 March 2019. </text>
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                <text>genre: oratorio|requiem|choral music</text>
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                <text>63 pages (pp. 108-170); complete requiem performance time 55 minutes (original complete score). 64 pages (pp. 114-177); complete requiem performance time 45 minutes (2019 revised complete score)</text>
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                <text>"Frost-locked all the winter" [Edward Lambert]</text>
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                <text>"© 2010 The composer's rights are asserted," Rossetti Requiem (Lambert, Edward), https://imslp.org/wiki/Rossetti_Requiem_(Lambert%2C_Edward) by Edward Lambert, http://www.edwardlambert.co.uk, is licenced under  IMSLP:Performance Restricted Attribution-NonCommercial-ShareAlike 3.0, https://imslp.org/wiki/IMSLP:Performance_Restricted_Attribution-NonCommercial-ShareAlike_3.0 (like the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license (https://creativecommons.org/licenses/by-nc-sa/3.0/) except no performance rights are granted to the user)</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Rossetti poem(s): "Spring"</text>
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                <text>Place in the larger work: The sixth movement of nine in the oratorio called "Rossetti Requiem" which includes: 1. Mezzo-soprano solo: "When I am dead"; 2. Chorus: "Vanity of vanities"; 3. Tenor solo: "A voice said"; 4. Chorus: "When my love"; 5. Soprano solo: "Remember me"; 6. Chorus: "Frost-locked all the winter"; 7. Bass solo: "Come to me"; 8. Chorus: "Somewhere or other"; 9. Quartet and Chorus: "Does the road wind uphill?"</text>
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                <text>Composition history: The composer makes the following comments about his composition: "Mankind’s spiritual journey through life and our attitude to death provide the themes of Christina Rossetti’s best work: the relationships between living and loving on the one hand, and grieving and memory on the other. The first poem in this cycle confronts the physical reality of death and tauntingly asks how far memory will reach beyond the grave. After musing on the transience of worldly things (no.2), the poet embarks on a spiritual quest (no.3). Love and youth are recalled (no.4) before a reflection that the ultimate act of love is to relinquish it (no.5). Even spring-life is destined to die (no.6), yet grief is hard to bear and memories are real (no.7). All we can do is search (no.8) and our journey will be its own reward (no.9)" ("Rossetti Requiem").</text>
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                <text>Tempo markings: quarter note = 132 (original complete score); "Tutti", quarter note = 132 (2019 revised complete score)</text>
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                <text>Performance instructions: It states on the 2019 revised complete score that "Rossetti Requiem is a setting of texts by Christina Rossetti for soloists [soprano, mezzo-soprano, tenor, bass], choir [soprano, alto, tenor, bass] and orchestra [2 flutes doubling piccolo; 2 bassoons (2nd doubling contrabassoon), 2 horns in F, percussion (3 deep concert toms, bass drum, vibraphone, tambourine, cymbal), violins 1, violins 2, violas, cellos, double bass)]." The original score did not list bass drum and states "2 bassoons (one doubling contrabassoon)." Lambert also states "The movements should, as far as possible, be performed without a break; where a pause is essential it should come after the 6th movement" (original complete score) and "The movements should, as far as possible, be performed without a break" (2019 revised complete score).</text>
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                <text>Performance history: First performed November 2010 by Jacqueline Pischorn (soprano), Grace Wain (mezzo-soprano), Paul Robinson (tenor), Ian Caddy (bass), and Newbury Chamber Choir &amp; Orchestra, conducted by the composer ("Rossetti Requiem").</text>
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                <text>Recordings: "Rossetti Requiem." SoundCloud, uploaded by MusicJug, 2013, https://soundcloud.com/musicjug/sets/rossetti-requiem. Accessed 3 Dec. 2019.</text>
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                <text>Dedication: "for the Newbury chamber choir (2010)"</text>
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                <text>Notes: On the composer's website, an electronic simulation of the music and a vocal score with keyboard accompaniment, "an approximate reduction of the orchestra score intended for rehearsal only", are available ("Rossetti Requiem").</text>
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                <text>Reference: IMSLP Petrucci Music Library, http://imslp.org/</text>
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                <text>Other data reference(s): "Rossetti Requiem." Edward Lambert, http://www.edwardlambert.co.uk/rossetti-requiem.html. Accessed 14 March 2019. </text>
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                <text>Music scores for original and 2019 revision: "Rossetti Requiem (Lambert, Edward)." IMSLP Petrucci Music Library, https://imslp.org/wiki/Rossetti_Requiem_(Lambert%2C_Edward). Accessed 12 Feb. 2019.</text>
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                <text>genre: oratorio|requiem|choral music</text>
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                <text>20 pages (pp. 170-189); complete requiem performance time 55 minutes (original complete score). 18 pages (pp. 178-195); complete requiem performance time 45 minutes (2019 revised complete score)</text>
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                <text>Edward Lambert</text>
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                <text>"Come to me" [Edward Lambert]</text>
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                <text>First line of lyrics: Come to me in the silence of the night</text>
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                <text>Part of: "Rossetti Requiem"</text>
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                <text>"© 2010 The composer's rights are asserted," Rossetti Requiem (Lambert, Edward), https://imslp.org/wiki/Rossetti_Requiem_(Lambert%2C_Edward) by Edward Lambert, http://www.edwardlambert.co.uk, is licenced under  IMSLP:Performance Restricted Attribution-NonCommercial-ShareAlike 3.0, https://imslp.org/wiki/IMSLP:Performance_Restricted_Attribution-NonCommercial-ShareAlike_3.0 (like the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license (https://creativecommons.org/licenses/by-nc-sa/3.0/) except no performance rights are granted to the user)</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Rossetti poem(s): "Echo"</text>
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                <text>Place in the larger work: The seventh movement of nine in the oratorio called "Rossetti Requiem" which includes: 1. Mezzo-soprano solo: "When I am dead"; 2. Chorus: "Vanity of vanities"; 3. Tenor solo: "A voice said"; 4. Chorus: "When my love"; 5. Soprano solo: "Remember me"; 6. Chorus: "Frost-locked all the winter"; 7. Bass solo: "Come to me"; 8. Chorus: "Somewhere or other"; 9. Quartet and Chorus: "Does the road wind uphill?"</text>
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                <text>Composition history: The composer makes the following comments about his composition: "Mankind’s spiritual journey through life and our attitude to death provide the themes of Christina Rossetti’s best work: the relationships between living and loving on the one hand, and grieving and memory on the other. The first poem in this cycle confronts the physical reality of death and tauntingly asks how far memory will reach beyond the grave. After musing on the transience of worldly things (no.2), the poet embarks on a spiritual quest (no.3). Love and youth are recalled (no.4) before a reflection that the ultimate act of love is to relinquish it (no.5). Even spring-life is destined to die (no.6), yet grief is hard to bear and memories are real (no.7). All we can do is search (no.8) and our journey will be its own reward (no.9)" ("Rossetti Requiem").</text>
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                <text>Tempo markings: eighth note = 84 (original complete score); eighth note = 104 (2019 revised complete score)</text>
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                <text>Performance instructions: It states on the 2019 revised complete score that "Rossetti Requiem is a setting of texts by Christina Rossetti for soloists [soprano, mezzo-soprano, tenor, bass], choir [soprano, alto, tenor, bass] and orchestra [2 flutes doubling piccolo; 2 bassoons (2nd doubling contrabassoon), 2 horns in F, percussion (3 deep concert toms, bass drum, vibraphone, tambourine, cymbal), violins 1, violins 2, violas, cellos, double bass)]." The original score did not list bass drum and states "2 bassoons (one doubling contrabassoon)." Lambert also states "The movements should, as far as possible, be performed without a break; where a pause is essential it should come after the 6th movement" (original complete score) and "The movements should, as far as possible, be performed without a break" (2019 revised complete score).</text>
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                <text>Performance history: First performed November 2010 by Jacqueline Pischorn (soprano), Grace Wain (mezzo-soprano), Paul Robinson (tenor), Ian Caddy (bass), and Newbury Chamber Choir &amp; Orchestra, conducted by the composer ("Rossetti Requiem").</text>
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                <text>Recordings: "Rossetti Requiem." SoundCloud, uploaded by MusicJug, 2013, https://soundcloud.com/musicjug/sets/rossetti-requiem. Accessed 3 Dec. 2019.</text>
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                <text>Dedication: "for the Newbury chamber choir (2010)"</text>
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                <text>Notes: On the composer's website, an electronic simulation of the music and a vocal score with keyboard accompaniment, "an approximate reduction of the orchestra score intended for rehearsal only", are available ("Rossetti Requiem").</text>
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                <text>Reference: IMSLP Petrucci Music Library, http://imslp.org/</text>
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                <text>Other data reference(s): "Rossetti Requiem." Edward Lambert, http://www.edwardlambert.co.uk/rossetti-requiem.html. Accessed 14 March 2019. </text>
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                <text>Music scores for original and 2019 revision: "Rossetti Requiem (Lambert, Edward)." IMSLP Petrucci Music Library, https://imslp.org/wiki/Rossetti_Requiem_(Lambert%2C_Edward). Accessed 12 Feb. 2019.</text>
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                <text>genre: oratorio|requiem|choral music</text>
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                <text>chorus: SATB chorus</text>
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                <text>7 pages (pp. 195-201 - vocal section); complete requiem performance time 55 minutes (original complete score). 4 pages (pp. 201-204 - vocal section); complete requiem performance time 45 minutes (2019 revised complete score)</text>
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                <text>"Somewhere or other" [Edward Lambert]</text>
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                <text>First line of lyrics: Somewhere or other there must surely be</text>
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                <text>Part of: "Rossetti Requiem"</text>
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                <text>"© 2010 The composer's rights are asserted," Rossetti Requiem (Lambert, Edward), https://imslp.org/wiki/Rossetti_Requiem_(Lambert%2C_Edward) by Edward Lambert, http://www.edwardlambert.co.uk, is licenced under  IMSLP:Performance Restricted Attribution-NonCommercial-ShareAlike 3.0, https://imslp.org/wiki/IMSLP:Performance_Restricted_Attribution-NonCommercial-ShareAlike_3.0 (like the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license (https://creativecommons.org/licenses/by-nc-sa/3.0/) except no performance rights are granted to the user)</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Rossetti poem(s): "Somewhere or Other"</text>
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                <text>Place in the larger work: The eighth movement of nine in the oratorio called "Rossetti Requiem" which includes: 1. Mezzo-soprano solo: "When I am dead"; 2. Chorus: "Vanity of vanities"; 3. Tenor solo: "A voice said"; 4. Chorus: "When my love"; 5. Soprano solo: "Remember me"; 6. Chorus: "Frost-locked all the winter"; 7. Bass solo: "Come to me"; 8. Chorus: "Somewhere or other"; 9. Quartet and Chorus: "Does the road wind uphill?"</text>
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              <elementText elementTextId="64246">
                <text>Composition history: The composer makes the following comments about his composition: "Mankind’s spiritual journey through life and our attitude to death provide the themes of Christina Rossetti’s best work: the relationships between living and loving on the one hand, and grieving and memory on the other. The first poem in this cycle confronts the physical reality of death and tauntingly asks how far memory will reach beyond the grave. After musing on the transience of worldly things (no.2), the poet embarks on a spiritual quest (no.3). Love and youth are recalled (no.4) before a reflection that the ultimate act of love is to relinquish it (no.5). Even spring-life is destined to die (no.6), yet grief is hard to bear and memories are real (no.7). All we can do is search (no.8) and our journey will be its own reward (no.9)" ("Rossetti Requiem").</text>
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                <text>Tempo markings: "Choir, sempre sotto voce", Eighth note = 63 (original complete score); "Tutti, sempre sotto voce", half note = 48 (2019 revised complete score) </text>
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              <elementText elementTextId="64248">
                <text>Performance instructions: In the original score, the time signature for this movement is 4/8, the same only for the instrumental part at the beginning of the movement in the 2019 revised score. It states on the 2019 revised complete score that "Rossetti Requiem is a setting of texts by Christina Rossetti for soloists [soprano, mezzo-soprano, tenor, bass], choir [soprano, alto, tenor, bass] and orchestra [2 flutes doubling piccolo; 2 bassoons (2nd doubling contrabassoon), 2 horns in F, percussion (3 deep concert toms, bass drum, vibraphone, tambourine, cymbal), violins 1, violins 2, violas, cellos, double bass)]." The original score did not list bass drum and states "2 bassoons (one doubling contrabassoon)." Lambert also states "The movements should, as far as possible, be performed without a break; where a pause is essential it should come after the 6th movement" (original complete score) and "The movements should, as far as possible, be performed without a break" (2019 revised complete score).</text>
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                <text>Performance history: First performed November 2010 by Jacqueline Pischorn (soprano), Grace Wain (mezzo-soprano), Paul Robinson (tenor), Ian Caddy (bass), and Newbury Chamber Choir &amp; Orchestra, conducted by the composer ("Rossetti Requiem").</text>
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              <elementText elementTextId="64250">
                <text>Recordings: "Rossetti Requiem." SoundCloud, uploaded by MusicJug, 2013, https://soundcloud.com/musicjug/sets/rossetti-requiem. Accessed 3 Dec. 2019.</text>
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                <text>Dedication: "for the Newbury chamber choir (2010)"</text>
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              <elementText elementTextId="64252">
                <text>Notes: On the composer's website, an electronic simulation of the music and a vocal score with keyboard accompaniment, "an approximate reduction of the orchestra score intended for rehearsal only", are available ("Rossetti Requiem").</text>
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        <name>Lambert, Edward (English, born 1951)</name>
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      <name>Musical Setting</name>
      <description>Musical settings of Christina Rossetti poems (those published from JSTOR Forum only). </description>
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                <text>Lambert, Edward; music (English, born 1951)</text>
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                <text>Rossetti, Christina Georgina; text (English, 1830-1894)</text>
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                <text>Reference: IMSLP Petrucci Music Library, http://imslp.org/</text>
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                <text>Other data reference(s): "Rossetti Requiem." Edward Lambert, http://www.edwardlambert.co.uk/rossetti-requiem.html. Accessed 14 March 2019. </text>
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                <text>Cataloguer: Robyn Finlay and Roxanne Lafleur, University of Ottawa</text>
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                <text>Music scores for original and 2019 revision: "Rossetti Requiem (Lambert, Edward)." IMSLP Petrucci Music Library, https://imslp.org/wiki/Rossetti_Requiem_(Lambert%2C_Edward). Accessed 12 Feb. 2019.</text>
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                <text>genre: oratorio|requiem|choral music</text>
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                <text>chorus: SATB chorus</text>
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                <text>quartet: SATB</text>
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                <text>initial sharps/flats: no sharps or flats</text>
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                <text>origin: United Kingdom</text>
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                <text>male composer</text>
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                <text>Format 1: musical score</text>
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              <elementText elementTextId="64268">
                <text>32 pages (pp. 202-233); complete requiem performance time 55 minutes (original complete score). 33 pages (pp. 205-237); complete requiem performance time 45 minutes (2019 revised complete score)</text>
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                <text>English</text>
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            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="64270">
                <text>Edward Lambert</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="64271">
                <text>Record: CRM-uphill-lambert</text>
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                <text>File(s): CRM-uphill-lambert-2010.pdf; CRM-uphill-lambert-2019.pdf</text>
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            </elementTextContainer>
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            <name>Date</name>
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              <elementText elementTextId="64273">
                <text>2010 [composition] [copyright]; 2019 [revised composition]</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64274">
                <text>"Does the road wind uphill?" [Edward Lambert]</text>
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              <elementText elementTextId="64275">
                <text>First line of lyrics: Does the road wind uphill all the way?</text>
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                <text>Part of: "Rossetti Requiem"</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64277">
                <text>"© 2010 The composer's rights are asserted," Rossetti Requiem (Lambert, Edward), https://imslp.org/wiki/Rossetti_Requiem_(Lambert%2C_Edward) by Edward Lambert, http://www.edwardlambert.co.uk, is licenced under  IMSLP:Performance Restricted Attribution-NonCommercial-ShareAlike 3.0, https://imslp.org/wiki/IMSLP:Performance_Restricted_Attribution-NonCommercial-ShareAlike_3.0 (like the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license (https://creativecommons.org/licenses/by-nc-sa/3.0/) except no performance rights are granted to the user)</text>
              </elementText>
              <elementText elementTextId="64278">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Rossetti poem(s): "Up-Hill"</text>
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              <elementText elementTextId="64280">
                <text>Place in the larger work: The ninth movement of nine in the oratorio called "Rossetti Requiem" which includes: 1. Mezzo-soprano solo: "When I am dead"; 2. Chorus: "Vanity of vanities"; 3. Tenor solo: "A voice said"; 4. Chorus: "When my love"; 5. Soprano solo: "Remember me"; 6. Chorus: "Frost-locked all the winter"; 7. Bass solo: "Come to me"; 8. Chorus: "Somewhere or other"; 9. Quartet and Chorus: "Does the road wind uphill?"</text>
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              <elementText elementTextId="64281">
                <text>Composition history: The composer makes the following comments about his composition: "Mankind’s spiritual journey through life and our attitude to death provide the themes of Christina Rossetti’s best work: the relationships between living and loving on the one hand, and grieving and memory on the other. The first poem in this cycle confronts the physical reality of death and tauntingly asks how far memory will reach beyond the grave. After musing on the transience of worldly things (no.2), the poet embarks on a spiritual quest (no.3). Love and youth are recalled (no.4) before a reflection that the ultimate act of love is to relinquish it (no.5). Even spring-life is destined to die (no.6), yet grief is hard to bear and memories are real (no.7). All we can do is search (no.8) and our journey will be its own reward (no.9)" ("Rossetti Requiem").</text>
              </elementText>
              <elementText elementTextId="64282">
                <text>Tempo markings: quarter note = 54 (original complete score); quarter note = 60 (2019 revised complete score)</text>
              </elementText>
              <elementText elementTextId="64283">
                <text>Performance instructions: It states on the 2019 revised complete score that "Rossetti Requiem is a setting of texts by Christina Rossetti for soloists [soprano, mezzo-soprano, tenor, bass], choir [soprano, alto, tenor, bass] and orchestra [2 flutes doubling piccolo; 2 bassoons (2nd doubling contrabassoon), 2 horns in F, percussion (3 deep concert toms, bass drum, vibraphone, tambourine, cymbal), violins 1, violins 2, violas, cellos, double bass)]." The original score did not list bass drum and states "2 bassoons (one doubling contrabassoon)." Lambert also states "The movements should, as far as possible, be performed without a break; where a pause is essential it should come after the 6th movement" (original complete score) and "The movements should, as far as possible, be performed without a break" (2019 revised complete score).</text>
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              <elementText elementTextId="64284">
                <text>Performance history: First performed November 2010 by Jacqueline Pischorn (soprano), Grace Wain (mezzo-soprano), Paul Robinson (tenor), Ian Caddy (bass), and Newbury Chamber Choir &amp; Orchestra, conducted by the composer ("Rossetti Requiem").</text>
              </elementText>
              <elementText elementTextId="64285">
                <text>Recordings: "Rossetti Requiem." SoundCloud, uploaded by MusicJug, 2013, https://soundcloud.com/musicjug/sets/rossetti-requiem. Accessed 3 Dec. 2019.</text>
              </elementText>
              <elementText elementTextId="64286">
                <text>Dedication: "for the Newbury chamber choir (2010)"</text>
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              <elementText elementTextId="64287">
                <text>Notes: On the composer's website, an electronic simulation of the music and a vocal score with keyboard accompaniment, "an approximate reduction of the orchestra score intended for rehearsal only", are available ("Rossetti Requiem").</text>
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        <name>origin: United Kingdom</name>
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        <name>requiem</name>
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        <name>Rossetti poem: "Up-Hill"</name>
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      <name>Musical Setting</name>
      <description>Musical settings of Christina Rossetti poems (those published from JSTOR Forum only). </description>
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            <name>Creator</name>
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              <elementText elementTextId="64288">
                <text>Thomas, Augusta Read; music (American, born 1964)</text>
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                <text>Rossetti, Christina Georgina; text (English, 1830-1894)</text>
              </elementText>
              <elementText elementTextId="64694">
                <text>Komachi, Ono; text (Japanese, active 9th century). Browning, Robert; text (English, 1849-1912). Flaubert, Gustave; text (French, 1821-1880). Kshetrayya; text (Indian, active 17th century). Sappho; text (Archaic Greek, c. 630 – c. 570 BC). Cummings, E.E.; text (English, 1894-1962). Anonymous; text ("Ancient Egyptian Love Lyric"). Hopkins, Gerard Manley; text (English, 1844-1889). Merwin, W. S. [William Stanley]; text (American, 1927-2019). Pindar; text (Ancient Greek, c. 518 – 438 BC). Neruda, Pablo; text (Chilean, 1904-1973). Browning, Elizabeth Barrett; text (English, 1806-1861). Lady Kasa; text (Japanese, active 8th century).</text>
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              <elementText elementTextId="64695">
                <text>Merwin, W.S. [William Stanley]; translation of Neruda text (American, 1927-2019)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="64290">
                <text>Other data reference(s): "In My Sky at Twilight — Songs of Passion and Love (2002)." Wise Music Classical, https://www.wisemusicclassical.com/work/33848/. Accessed 24 March 2020.
"In My Sky at Twilight (2002)." Augusta Read Thomas, http://www.augustareadthomas.com/composition/inmysky.html. Accessed 24 March 2020.</text>
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              <elementText elementTextId="64291">
                <text>Cataloguer: Emily McConkey, University of Ottawa</text>
              </elementText>
              <elementText elementTextId="64696">
                <text>This score is copyright protected. A score can be consulted here: "In My Sky at Twilight — Songs of Passion and Love (2002)." Wise Music Classical, https://www.wisemusicclassical.com/work/33848/. Accessed 24 March 2020.</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="64292">
                <text>genre: song</text>
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              <elementText elementTextId="64293">
                <text>solo: soprano</text>
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              <elementText elementTextId="64294">
                <text>instrumentation: piano|orchestra</text>
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              <elementText elementTextId="64295">
                <text>initial sharps/flats: no sharps or flats</text>
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              <elementText elementTextId="64296">
                <text>initial time signature: 3/4</text>
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              <elementText elementTextId="64297">
                <text>origin: United States</text>
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              <elementText elementTextId="64298">
                <text>female composer</text>
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          </element>
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            <name>Format</name>
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              <elementText elementTextId="64299">
                <text>Format 1: musical score</text>
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              <elementText elementTextId="64300">
                <text>78 pages; performance time 22 minutes</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="64301">
                <text>English</text>
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            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="64302">
                <text>G. Schirmer Inc.</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="64303">
                <text>Record: CRM-echo-thomas</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2002 [publication] [copyright]</text>
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          <element elementId="50">
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                <text>"In My Sky at Twilight" [Augusta Read Thomas]</text>
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              <elementText elementTextId="64306">
                <text>First line of lyrics: Ablaze with desire</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64307">
                <text>"Copyright © 2018 by G. Schirmer, Inc. (ASCAP) New Yorker, NY. International Copyright Secured. All Rights Reserved."</text>
              </elementText>
              <elementText elementTextId="64308">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
              </elementText>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="64309">
                <text>Rossetti poem(s): "Echo"</text>
              </elementText>
              <elementText elementTextId="64310">
                <text>Work contains texts by multiple authors</text>
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                <text>Notes about the text: This work is divided into two sections and includes excerpts from the following literary works: I. "Deeper than all Roses": "Kokinshu" (Ono no Komachi), "The Ring and the Book" (Robert Browning), "Madame Bovary" (Gustave Flaubert), "Dancing-Girl's Song" (Kshetrayya), "to Atthis" (Sappho), "somewhere I have never travelled, gladly beyond" (E.E. Cummings), "Ancient Egyptian Love Lyric" (Anonymous, ca. 1085-570 B.C.), "Repeat that, repeat" (Gerard Manley Hopkins), "Kore" (W.S. Merwin), "Moonrise June 19, 1876" (Gerard Manley Hopkins); II. "Lament": "Echo" (Christina Rossetti),"The stars and the rivers" (Pindar), "In My Sky At Twilight" (Pablo Neruda, translated by W.S. Merwin), "Sonnet XLIII, From the Portuguese" (Elizabeth Barrett Browning), "I shall think of you" (Lady Kasa). Of Rossetti's poem "Echo," Thomas includes only the last four lines: "Come back to me in dreams, that I may give / Pulse for pulse, breath for breath: / Speak low, lean low, / As long ago, my love, how long ago."</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Composition history: "Written for the Choirs of Pembroke College, Cambridge, for performance on the centenary of the Armistice that ended World War 1."</text>
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                <text>Other data reference(s): "De Profundis." Georgia Stitt, https://georgiastitt.com/music-library/de-profundis/. Accessed 26 March 2020.
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                <text>First line of lyrics: Oh why is heaven built so far</text>
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                <text>Composition history: "I really don’t remember writing this piece. That’s an odd thing to say, especially in such a permanent format as this one, but the truth is that this music rang through my head as I was reading the poem for the first time, and I simply felt moved to write it down. Christina Rossetti’s words often do that for me, in a way that not many other poets’ words have the ability to do. There’s something so aching and haunting in her text; the challenge, as I’ve said before, is to fill up the space between the words without actually getting in the way of their meaning."</text>
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                <text>Performance instructions: "The wonderful Judith Clurman asked me to clarify some of the dynamics in this piece, and in tracking them I found myself resisting the urge to identify just how loud each crescendo should be. I know that my definition of mezzo piano might be different from yours, and so the secret (which is no secret) is that the phrases should just be musical. They should swell and retract, they should push and pull. Use the dynamic markings as a guide, but if your forte is filled with passion and your piano is filled with reverence, you’re probably singing it exactly as I intended."</text>
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                <text>Performance history: "I’d like to extend my soulful thanks to Jeremy Faust and the International Orange Chorale in San Francisco. They premiered this piece for me back in 2004 and gave me my most beautiful first recording of it."</text>
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                <text>This score is copyright protected. A score can be consulted here: "Echo." Canadian Music Centre, https://www.musiccentre.ca/node/11909. Accessed 26 March 2020.</text>
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                <text>"Echo" [Thomas Schudel]</text>
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                <text>First line of lyrics: Come to me in the silence of the night</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="64382">
                <text>"© Thomas Schudel, 1992"</text>
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              <elementText elementTextId="64383">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Rossetti poem(s): "Echo"</text>
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                <text>Tempo markings: "Adagio"</text>
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                <text>Dedication: "for Lynn Channing"</text>
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                <text>Notes: Also published in the "Canadian Art Songs for High Voice", selected and edited by Phyllis Mailing, Alberta Keys Music Publishing Co. Ltd. 2003, pp. 1-5.</text>
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        <name>Schudel, Thomas (Canadian, born in the United States, 1937)</name>
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                <text>In reference to the published works below: Ives DM44, DM41</text>
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                <text>Reference: Ives, Maura. Christina Rossetti: A Descriptive Bibliography. New Castle, DE: Oak Knoll Press, 2011.</text>
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                <text>Reference: Ezust, Emily. The LiederNet Archive. http://www.lieder.net/lieder/index.html</text>
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                <text>Cataloguer: Sarah Pennington, University of Ottawa</text>
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                <text>Musical score: British Library, London</text>
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                <text>5 pages</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="64402">
                <text>London: Boosey &amp; Co.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Record: CRM-birthday-moncrieff</text>
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                <text>File(s): CRM-birthday-moncrieff.pdf</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1882 [publication]</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="64405">
                <text>"My Heart is Like a Singing Bird" [Mrs. L. Moncrieff]</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64406">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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            <description>An account of the resource</description>
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                <text>Rossetti poem(s): "A Birthday"</text>
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                <text>Composition history: "In September 1881, [Theo] Marzials and "Mrs. Moncrieff" had apparently written to [Christina Rossetti] regarding a setting of the poem. However, it is unclear from [Rossetti's] response whether Marzials was setting the poem by himself, or with (or for), Moncrieff, herself a singer and composer who published her own setting in 1882." (Ives DM41)</text>
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                <text>Tempo markings: "Allegro grazioso"</text>
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                <text>Performance history: "Sung by Miss Wakefield" (Ives DM44).</text>
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                <text>Dedication: "The Music Composed &amp; Dedicated to Miss Louise Johnston" for No. 1 in F (Ives DM44); "Dedicated to Miss Louise Johnston"</text>
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                <text>Notes: "Available in two keys: 'No 1 in F' and 'No 2 in G' are both printed on the cover" (Ives DM44).</text>
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        <name>Moncrieff, Nita Gaetano, Mrs. Lynedoch Moncrieff (British, born Antoinette Gaëtano in 1851)</name>
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      <tag tagId="339">
        <name>Rossetti poem: "A Birthday"</name>
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      <name>Musical Setting</name>
      <description>Musical settings of Christina Rossetti poems (those published from JSTOR Forum only). </description>
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                <text>Keats, Horace; music (Australian, born in England, 1895-1945)</text>
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                <text>Rossetti, Christina Georgina; text (English, 1830-1894)</text>
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                <text>Other data reference(s): "Echo." National Library of Australia, trove.nla.gov.au/work/33985770. Accessed 2 Mar. 2018.
Keats, Brennan. "Re: permission request." Received by Mary Arseneau. 10 April 2018.</text>
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                <text>Cataloguer: Diana Bishara and Roxanne Lafleur, University of Ottawa</text>
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                <text>musical score: Wirripang Pty Ltd, Australia.</text>
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              <elementText elementTextId="64622">
                <text>musical score for voice: Wirripang Pty Ltd, Australia.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>genre: song|art song (lied)</text>
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                <text>instrumentation: piano|flute|violin</text>
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                <text>initial time signature: 6/8</text>
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                <text>other version 1 - solo: soprano</text>
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                <text>other version 1 - instrumentation: piano</text>
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                <text>other version 1 - initial sharps/flats: five flats</text>
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                <text>male composer</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>6 pages; performance time 4 minutes</text>
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              </elementText>
            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="64425">
                <text>Culburra Beach, N.S.W. : Publications by Wirripang</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="64426">
                <text>Record: CRM-echo-keats</text>
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              <elementText elementTextId="64438">
                <text>File(s): CRM-echo-keats.pdf; CRM-echo-keats-voice.pdf</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1936 [composition]; 1999 [copyright]</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="64428">
                <text>"Echo" [Horace Keats]</text>
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              <elementText elementTextId="64429">
                <text>First line of lyrics: Come to me in the silence of the night</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64430">
                <text>© Copyright Publications by Wirripang Pty Ltd., Australia, 1999, ISMN M720007816. This score is protected by copyright. All rights reserved. The score appears in the Christina Rossetti in Music archive by kind permission of the copyright holder, Wirripang Pty Ltd., Australia. It is illegal to copy or distribute works that are protected by copyright. All site users are responsible to comply with the copyright laws in the country from which they access the Christina Rossetti in Music site.</text>
              </elementText>
              <elementText elementTextId="65010">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
              </elementText>
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            <description>An account of the resource</description>
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                <text>Rossetti poem(s): "Echo"</text>
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              <elementText elementTextId="64432">
                <text>Composition history: Keats was known as the "poet’s composer," bringing the work of Australian and many overseas poets to a wider audience. This composition was completed on 14 January 1936. The "Notes on Horace Keats and this Song" that are included in the score state that "Keats’s eldest son [Russell (1921-1942)] was a flautist, so there is little doubt that he, as well as his mother performed this work. The work does not appear to have been used by the composer in later years. I suspect the death ["in the infamous Battle of Savo Island, whilst serving in HMAS Canberra" (Keats)] of this son five years after the composition of the work, would evoke memories too painful for the composer and his wife."</text>
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                <text>Tempo markings: "Moderato"; dotted quarter note = 80</text>
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                <text>Performance instructions: "Song with flute or violin and piano."</text>
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              <elementText elementTextId="64626">
                <text>Recordings: "Echo." Echo: the Songs of Horace Keats, performance by Wendy Dixon, soprano, Marina Marsden, violin, David Miller, piano at Eugene Goossens Hall, ABC Centre, Ultimo, Sydney on 11-15 December 2000, ABC Classics, 2000. "Echo: the Songs of Horace Keats." Australian Music Centre, https://www.australianmusiccentre.com.au/product/echo-the-songs-of-horace-keats. Accessed 26 March 2020.
"Echo." Piano and ... Performance by Emma Knott, flute, David Miller, piano, arranged by Brennan Keats, Wirripang, 2005, "Piano and ...." Australian Music Centre, https://www.australianmusiccentre.com.au/product/piano-and. Accessed 26 March 2020.
"Echo." On the wire: Australian music for flute ensemble / Stables Ensemble. Performance by Stable Ensemble (piccolo, 4 flutes, alto flute, bass flute) at Sydney Conservatorium of Music in 2005, Wirripang, 2010, "On the wire: Australian music for flute ensemble / Stables Ensemble." Australian Music Centre, https://www.australianmusiccentre.com.au/product/on-the-wire-australian-music-for-flute-ensemble. Accessed 26 March 2020.
"Echo." A poet's composer / songs by Horace Keats. Music by Horace Keats, performance by Jane Parkin, soprano, Alexa Still, flute, Clemens Leske, piano at Track Down studios, Sydney,  Wirripang, 2011. "A poet's composer / songs by Horace Keats." Australian Music Centre, https://www.australianmusiccentre.com.au/product/a-poet-s-composer. Accessed 26 March 2020.
"Echo." Movement. Performed by Louise Page, soprano, Phillipa Candy, piano, The Linden String Quartet: Marina Marsden, Emily Long, violins, Justine Marsden, viola, Elizabeth Neville, cello, and Janet Webb, flute at National Portrait Gallery, Australia, Wirripang, 2015. "Movement." Australian Music Centre, https://www.australiancomposers.com.au/products/movement, Accessed 31 March 2020.</text>
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                <text>Notes: The version for soprano and piano is listed for "Grade: 8"</text>
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        <name>origin: Australia</name>
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        <name>piano</name>
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        <name>Rossetti poem: "Echo"</name>
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        <name>violin</name>
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  <item itemId="2113" public="1" featured="0">
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              <name>Title</name>
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                  <text>JSTOR Forum Records</text>
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      <name>Musical Setting</name>
      <description>Musical settings of Christina Rossetti poems (those published from JSTOR Forum only). </description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/.</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Somerset, Henry Richard Charles, Lord; music (English, 1849-1932)</text>
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                <text>Rossetti, Christina Georgina; text (English, 1830-1894)</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="64441">
                <text>In reference to the published works below: Ives DM131; Gooch and Thatcher 4385</text>
              </elementText>
              <elementText elementTextId="64442">
                <text>Reference: Ives, Maura. Christina Rossetti: A Descriptive Bibliography. New Castle, DE: Oak Knoll Press, 2011.</text>
              </elementText>
              <elementText elementTextId="64443">
                <text>Reference: Gooch, Bryan N.S. and David S. Thatcher. Musical Settings of Early and Mid-Victorian Literature: A Catalogue. New York: Garland, 1979.</text>
              </elementText>
              <elementText elementTextId="64444">
                <text>Reference: Ezust, Emily. The LiederNet Archive. http://www.lieder.net/lieder/index.html</text>
              </elementText>
              <elementText elementTextId="64445">
                <text>Cataloguer: Diana Bishara, University of Ottawa</text>
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              <elementText elementTextId="65648">
                <text>musical score in F: "Echo: song / the words by Christina Rossetti ; the music by Henry Somerset." National Library of Australia, https://trove.nla.gov.au/version/40236813. Accessed 27 March 2020.</text>
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                <text>musical score in A: "Echo: song / the words by Christina Rossetti ; the music by Henry Somerset." National Library of Australia, https://trove.nla.gov.au/version/42994048. Accessed 27 March 2020.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>genre: song</text>
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                <text>solo: voice</text>
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                <text>instrumentation: piano</text>
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              <elementText elementTextId="64449">
                <text>initial sharps/flats: one flat</text>
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                <text>initial time signature: 4/4</text>
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                <text>other version 1 - solo: voice</text>
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                <text>other version 1 - instrumentation: piano</text>
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                <text>other version 1 - initial sharps/flats: one sharp</text>
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                <text>other version 2 - solo: voice</text>
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              <elementText elementTextId="64455">
                <text>other version 2 - instrumentation: piano</text>
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              <elementText elementTextId="64456">
                <text>other version 2 - initial sharps/flats: three sharps</text>
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                <text>origin: United Kingdom</text>
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              <elementText elementTextId="64458">
                <text>male composer</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Format 1: musical score</text>
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              <elementText elementTextId="64460">
                <text>5 pages</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="64462">
                <text>London, New York, Melbourne: Chappell and Co. Ltd.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Record: CRM-echo-somerset</text>
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                <text>File(s): CRM-echo-somerset-F.pdf; CRM-echo-somerset-A.pdf</text>
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            <name>Date</name>
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                <text>1895 [publication]</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Echo" [Lord Henry Somerset]</text>
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                <text>First line of lyrics: Come to me in the silence of the night</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64468">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Rossetti poem(s): "Echo"</text>
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                <text>Composition history: "The words printed by kind permission of Messrs. Macmillan and Co."</text>
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                <text>Tempo markings: "Adagio con espressione"</text>
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                <text>Notes: "No. 1 in F; No.2 in G; No.3 in A."</text>
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        <name>song</name>
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