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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Reference: Ives, Maura. Christina Rossetti: A Descriptive Bibliography. New Castle, DE: Oak Knoll Press, 2011.</text>
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                <text>Reference: Gooch, Bryan N.S. and David S. Thatcher. Musical Settings of Early and Mid-Victorian Literature: A Catalogue. New York: Garland, 1979.</text>
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                <text>musical score: "If a pig wore a wig." Kookoorookoo and Other Songs. London, Year Book Press, A. &amp; C. Black Ltd., 1916, p. 32. Scott Library, York University, Toronto.</text>
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                <text>"A rose has thorns as well as honey" [Charles H. Lloyd]</text>
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                <text>"Copyright, 1916, by The Year Book Press"</text>
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                <text>Rossetti poem(s): "'A rose has thorns as well as honey'"</text>
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                <text>Composition history: This song was composed for The Year Book Press Series book called "Kookoorookoo and Other Poems" (1916). On the title page of the H.F.W. Deane &amp; Sons publication, it states: "Words used by permission of Messrs. Macmillan &amp; Co., Ltd." "Koorookookoo and Other Poems" contains 26 songs, each setting a poem from Rossetti's collection "Sing-Song: A Nursery Rhyme Book." The Preface from "Koorookookoo and Other Poems" states: "'I will set as many as you like at once.' Such a stimulating remark from an English composer at the head of his profession could not fail to turn the scales in the mind of a hesitating Editor who wondered whether he was right in suggesting the musical treatment of the charming yet simple verses of Christina Rossetti. The Editor at once approached some of the many composers who have already shown through their sound work that there are men in England competent to help our children in forming a native musical appreciation based on contemporary English musical thought. One and all readily and cheerfully gave of their best, and the Editor and Publisher here record their grateful thanks. The Editor believes that the English public will welcome such work, and that the pleasure which the composers were pleased to express in doing the work will be equally felt by the children—grown-up and young—for whom this book is written. A unique 'Contents' page adds a touch of personal interest in the book." Ives (DM202-DM227) writes "the collection originated with Martin Ackerman, the editor of the Year Book Press Music Series."</text>
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        <name>Rossetti poem: "'A rose has thorns as well as honey'"</name>
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                <text>Reference: Ives, Maura. Christina Rossetti: A Descriptive Bibliography. New Castle, DE: Oak Knoll Press, 2011.</text>
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                <text>musical score: "The wind has such a rainy sound." Kookoorookoo and Other Songs. London, Year Book Press, A. &amp; C. Black Ltd., 1916, pp. 36-37. Scott Library, York University, Toronto.</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Composition history: This song was composed for The Year Book Press Series book called "Kookoorookoo and Other Poems" (1916). On the title page of the H.F.W. Deane &amp; Sons publication, it states: "Words used by permission of Messrs. Macmillan &amp; Co., Ltd." "Koorookookoo and Other Poems" contains 26 songs, each setting a poem from Rossetti's collection "Sing-Song: A Nursery Rhyme Book." The Preface from "Koorookookoo and Other Poems" states: "'I will set as many as you like at once.' Such a stimulating remark from an English composer at the head of his profession could not fail to turn the scales in the mind of a hesitating Editor who wondered whether he was right in suggesting the musical treatment of the charming yet simple verses of Christina Rossetti. The Editor at once approached some of the many composers who have already shown through their sound work that there are men in England competent to help our children in forming a native musical appreciation based on contemporary English musical thought. One and all readily and cheerfully gave of their best, and the Editor and Publisher here record their grateful thanks. The Editor believes that the English public will welcome such work, and that the pleasure which the composers were pleased to express in doing the work will be equally felt by the children—grown-up and young—for whom this book is written. A unique 'Contents' page adds a touch of personal interest in the book." Ives (DM202-DM227) writes "the collection originated with Martin Ackerman, the editor of the Year Book Press Music Series."</text>
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                <text>"© Douglas Brooks-Davies 2007. All rights reserved." This score is protected by copyright. All rights reserved. The score appears on the website by kind permission of Douglas Brooks-Davies.</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Composition history: "A setting for Lent, and especially Passion Sunday, of part of Christina Rossetti’s awesome and chilling poem of the same name. My simple SATB setting, with its minimal accompaniment and harmony and hints of recitative, is intended to suggest the remote bleakness of plainsong and thus underscore the utter loneliness of the one who refuses to listen to the caller, thereby himself becoming outcast and rejected. The Biblical roots of the poem lie in Lamentations, 1:12 and Isaiah, 53:3ff." ("Brooks-Davies: Despised and Rejected (anthem for Lent) SATB choir + piano")</text>
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                <text>This score is protected by copyright. All rights reserved. The score appears on the website by kind permission of Douglas Brooks-Davies.</text>
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                <text>Notes about the text: This song is a setting of stanzas 1, 3, 6, and 7, with minor textual deviations and rearrangements. Brooks-Davies also adds the words "Lullaby, lullaby" between stanzas 3 and 7.</text>
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                <text>This score is protected by copyright. All rights reserved. The score appears on the website by kind permission of Douglas Brooks-Davies.</text>
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                <text>Record: CRM-sleepingatlast-brooks-davies</text>
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                <text>"Sleeping at Last" [Douglas Brooks-Davies]</text>
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                <text>First line of lyrics: Sleeping, sleeping at last</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="73062">
                <text>This score is protected by copyright. All rights reserved. The score appears on the website by kind permission of Douglas Brooks-Davies.</text>
              </elementText>
              <elementText elementTextId="73063">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Rossetti poem(s): "'Sleeping at last'"</text>
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                <text>Notes about the text: This song is a setting of stanzas 1 and 2 only.</text>
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                <text>Tempo markings: quarter note = 65; "Tenderly"</text>
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      <name>Musical Setting</name>
      <description>Musical settings of Christina Rossetti poems (those published from JSTOR Forum only). </description>
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                <text>Winikoff, Michael; music (New Zealand)</text>
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                <text>Rossetti, Christina Georgina; text (English, 1830-1894)</text>
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                <text>Other data reference(s): "Remember me (Michael Winikoff)." ChoralWiki. www0.cpdl.org/wiki/index.php/Remember_me_(Michael_Winikoff). Accessed May 18, 2019. 
"Michael Winikoff." WordPress, https://winikoffmusic.wordpress.com/. Accessed May 18, 2019. </text>
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                <text>Cataloguer: Robyn Finlay and Emily McConkey, University of Ottawa</text>
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                <text>"Remember me (Michael Winikoff)." ChoralWiki. www0.cpdl.org/wiki/index.php/Remember_me_(Michael_Winikoff). Accessed May 18, 2019. </text>
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                <text>Record: CRM-remember-winikoff</text>
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                <text>File(s): CRM-remember-winikoff.pdf</text>
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            <name>Date</name>
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                <text>"Remember Me" [Michael Winikoff]</text>
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                <text>First line of lyrics: Remember me when I am gone away</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="73087">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Rossetti poem(s): "Remember"</text>
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              <elementText elementTextId="73089">
                <text>Notes about the text: "This piece was inspired by recent world events, specifically a number of violent attacks. I am mindful of the quotation from Leonard Bernstein: "This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before." This piece aims to be cathartic. My hope is that by expressing the grief and pain, we can then go on living without giving in to fear, anger, or hate." (ChoralWiki)</text>
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                <text>Performance instructions: "Performance notes: The first two bars: a single voice should commence by whispering "remember", followed by a chorus of whispers (each person in their own time). Simultaneously, the basses should start singing. The aim is for the bass entry to not be noticed. The next two bars: a single voice leads with "remember me", followed by the whisperers switching gradually from "remember" to "remember me". The whispering continues in each part until they start singing (so the Altos finish whispering last, in bar 8). Brackets indicate parts of the word that should not be sounded. Bars 49-50: the Alto part is the most important, and should stand out. The two fermata in bar 107 should be slight pauses (more like a rit, with an a tempo in the following bar)."</text>
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                <text>Performance history: "Remember me, and Nebo, Nebo, and I know a place, 26 and 27th of April 2019, University Presbyterian Church, Collegium Musicum at the University of Texas at Austin, directed by Rachel Davis. They have kindly given permission to share the recordings: Remember me, Nebo Nebo, I know a place." "Remember me (Michael Winikoff)."</text>
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              <elementText elementTextId="73093">
                <text>Recordings: "Remember Me." Lyrics by Christina Rossetti, performance by Rachel Davis, conductor, and Collegium Musicum at The University of Texas at Austin, 2019. Winkioff Music, https://profwinikoff.files.wordpress.com/2019/05/02-remember-me.mp3. Accessed 22 May 2020.</text>
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        <name>Rossetti poem: "Remember"</name>
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                <text>Other data reference(s): Daubney, Brian Blyth. "Coincidences." Received by Mary Arseneau, 15 June 2019.</text>
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                <text>This score is protected by copyright. All rights reserved. The score appears on the website by kind permission of Brian Blyth Daubney.</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Composition history: The composer was inspired to compose a setting for "Remember" by a reference to the poem in a television show he watched: "Strange how coincidences crop up. In one of our soap operas, An ex-teacher is helping a young student to pass her exam certificate and is teaching her poetry. The poem he has chosen is Christian Rossetti’s "Remember" (Daubney).</text>
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                <text>Reference: IMSLP Petrucci Music Library, http://imslp.org/</text>
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                <text>Other data reference(s): Locks, Steve. "Remember", Steve Locks Compositions, https://sites.google.com/view/stevelockscompositions/home/remember.</text>
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                <text>musical score: IMSLP Petrucci Music Library, https://imslp.org/wiki/Remember_(Locks%2C_Stephen_Mark). Accessed 2019.</text>
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                <text>"Remember" [source: https://imslp.org/wiki/Remember_(Locks%2C_Stephen_Mark)] by Stephen Mark Locks [https://sites.google.com/site/stevelocks/music], is licensed under Creative Commons Attribution-NonCommercial-NoDerivs 4.0,  https://creativecommons.org/licenses/by-nc-nd/4.0/. The work appears here unmodified.</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Composition history: "I was at a local concert and hadn't seen the program beforehand so I was pleasantly surprised to see the soloist in Berlioz Les nuits d'ete was a friend. I knew she was a singer but didn't know she did solo work and I heard later this was the first time she had sung with an orchestra. I was sitting right at the front and was only a few feet from her. When she spotted me she gave me her water bottle to look after which she swigged from between movements. I'd not heard this piece before and was very impressed both with the performance and the composition. (It is only a small amateur orchestra but they played very well).
When I got home I listened to the Berlioz again with the score and thought it sounded very advanced for its time and for being an early opus number. I thought I could see presaged in it elements that would be well developed by the great late romantic composers of big orchestral songs.
About a year previously I'd sketched the opening 90 seconds of a setting of Christina Rossetti's "Remember" for soprano and string orchestra. At the time this was for a competition but I was too busy then to spend enough time on it so I'd put it to one side, much as I'd liked the opening and had the feeling I should do something with it eventually.
After hearing the Berlioz I was inspired to pick this sketch up again, to orchestrate it for the same small orchestra I'd just heard and to finish it off, which took just a week to do (in a few evenings) as I felt quite driven to write this and had a compelling feeling for how it should go.
I'm familiar with the orchestral songs of Finzi, R. Strauss, Mahler and Schoenberg's Gurrelieder and I feel there are touches of some of these influences in this piece. Although the poem is about loss through death it is also quite life affirming, so I wanted to reflect that. It starts quite plaintively where the poem asks the surviving loved one to remember the other when dead but then later asks not to grieve or to remember if that causes suffering.
You'll notice the score includes words in italics near the end for some instrumental parts. This is not for then to sing but to remind them that the motifs they are playing at the end are from the "do not grieve" section (the "do not grieve"section was from a little sketch I made separately months ago and thought I must use this in something). I felt including the do not grieve music within the finishing words "Better by far you should forget and smile than that you should remember and be sad" worked within the sense of the poem to round the music off (and made for some nice gentle suspensions). Earlier I also I couldn't resist using the half octave changing direction on the words "half turn".
Most of my music is pretty light-hearted and I wanted to try something serious for a change, so this is it" (Locks).</text>
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                <text>Performance instructions: For orchestra (individual parts provided for flute, oboe, clarinet (in b flat), bassoon, horn (in F), trumpet (in b flat), timpani, violin, viola, violoncello, and double bass)</text>
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                <text>Recordings: "Steve Locks Remember." Lyrics by Christina Rossetti, performance by Computer Simulation. 2019. IMSLP, https://imslp.org/wiki/Remember_(Locks%2C_Stephen_Mark)</text>
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                <text>Pasatieri, Thomas; music (American, born 1945)</text>
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                <text>Other data reference(s): Record for "Duets for two voices and piano." WorldCat, http://www.worldcat.org/oclc/665195652. Accessed 17 Apr. 2020.&#13;
"Duets." Theodore Presser Company, https://www.presser.com/411-41123-duets.html. Accessed 17 Apr. 2020.</text>
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                <text>"Remember" [Thomas Pasatieri]</text>
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              <elementText elementTextId="73164">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Dedication: "to Florence and John Keating"</text>
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                <text>Other data reference(s): "The Methodist Hymn-Book with Tunes ‎#435." Hymnary.org, https://hymnary.org/hymn/Meth1933/435. Accessed 24 May 2020.</text>
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                <text>musical score: "Love is the key of life and death." Hymnary.org, https://hymnary.org/tune/lovest_thou_me_wiseman. Accessed 25 May 2020.</text>
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                <text>"The shepherds had an angel" [F.L. Wiseman]</text>
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            <name>Rights</name>
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              <elementText elementTextId="73202">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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                <text>Rossetti poem(s): "A Christmas Carol, for my Godchildren" ("The shepherds had an angel")</text>
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                <text>Notes: The tune is called "CHRISTINA."</text>
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                <text>"Copyright, 1904, by the Wesleyan Methodist Conference."</text>
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                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73251">
                <text>title unknown [setting of "'None other Lamb, none other Name'"] [Dr. Herbert Sanders]</text>
              </elementText>
              <elementText elementTextId="73252">
                <text>First line of lyrics: None beside thee</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73253">
                <text>The Christina Rossetti in Music project website is hosted in Canada at the University of Ottawa Library, and we aim to comply with Canadian copyright laws. If you believe we have violated Canadian copyright law, please contact us at christinarossettimusic@uottawa.ca. The Christina Rossetti in Music project is strictly not for profit and intended for research and educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73254">
                <text>Rossetti poem(s): "'None other Lamb, none other Name'"</text>
              </elementText>
              <elementText elementTextId="73255">
                <text>Notes: #115 in the Methodist Hymn and Tune Book. The tune is called "ROSSETTI."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="197">
        <name>chorus: congregational singing</name>
      </tag>
      <tag tagId="129">
        <name>hymn</name>
      </tag>
      <tag tagId="25">
        <name>language: English</name>
      </tag>
      <tag tagId="16">
        <name>male composer</name>
      </tag>
      <tag tagId="161">
        <name>origin: Canada</name>
      </tag>
      <tag tagId="880">
        <name>Rossetti poem: "'None other Lamb, none other Name'"</name>
      </tag>
      <tag tagId="118">
        <name>sacred music</name>
      </tag>
      <tag tagId="881">
        <name>Sanders, Herbert, Dr. (Canadian, born in England, 1878-1938)</name>
      </tag>
      <tag tagId="21">
        <name>song</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
