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                  <text>The National Arts Centre of Canada's 1973 Summer Opera Festival</text>
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                <text>Press Clipping: "This Cosi memorable in matter of music" for the Globe and Mail by John Kraglund</text>
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                <text>This press clipping describes the opera Cosi fan tutte held at the National Arts Centre. This journal article mainly describes the improvements to Cosi fan tutte from the 1972 production to the 1973 production. In paticular, Kraglund mentions the NAC's conductor at the time, Mario Bernardi, and his excellence in musical direction.  </text>
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                <text>Item catalogued by Zoé Dumas, University of Ottawa.</text>
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                <text>Copyright © 1973 The Globe and Mail. Used with Permission from the National Arts Centre.</text>
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                <text>Press Clipping: "Cosi fan tutte back, charming as ever" for the Ottawa Citizen by Lauretta Thistle</text>
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                <text>This press clipping describes the opera Cosi fan tutte held at the National Arts Centre. Brian Jackson, Brian MacDonald, and Mario Bernardi are mentioned for their great work with the opera. Thistle focuses more on the individual singers, describing in great detail their vocal performance as well as their hard work from the 1972 production to the 1973 production of the opera. Thistle describes the six main singers who play the roles of Fiordiligi, Dorabella, Guglielmo, Ferrando, Despina, and Don Alfonso. </text>
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                <text>National Arts Centre Archives, press clipping collection; Ottawa, Ontario, Canada.</text>
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                <text>7/25/1973</text>
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                <text>Item catalogued by Zoé Dumas, University of Ottawa.</text>
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                <text>Copyright © 1973 Ottawa Citizen. Used with Permission from the National Arts Centre.</text>
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Published in Ottawa, Ontario, Canada</text>
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                <text>Press Clipping: "NAC revival of 'Cosi' tops last year's version" for the Ottawa Journal by Blythe Young</text>
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                <text>This press clipping describes the opera Cosi fan tutte held at the National Arts Centre. Brian Jackson, Brian MacDonald, and Mario Bernardi are mentioned for their great work with the opera, as well as the four main characters in the opera. In paticular, Young describes the vocal excellence of Patricia Wells, Rosalind Elias, Alan Monk, and John Stewart, as well as their ease in singing as a group.</text>
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                <text>National Arts Centre Archives, press clipping collection; Ottawa, Ontario, Canada.</text>
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                <text>Item catalogued by Zoé Dumas, University of Ottawa.</text>
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                <text>Copyright © 1973 Ottawa Journal. Used with Permission from the National Arts Centre.</text>
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                <text>UO-LC-NAC-pressclipping_collection-OttawaJournal_Cosi-1973</text>
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Published in Ottawa, Ontario, Canada</text>
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                <text>Sketch: Orange, red, and gold Costume for Ferrando and Guglielmo in W. A. Mozart's "Cosi fan tutte"</text>
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                <text>costume; image; Jackson, Brian; Ferrando; Guglielmo; Centre national des Arts; National Art Centre; 1972; 1973</text>
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                <text>This costume sketch was first created by Brian Jackson for the 1972 production of the opera "Cosi fan tutte" composed by Wolfgang Amadeus Mozart, and reprised for Festival Canada the following year. This sketch is assumed to be for the disguise costume created for Allan Monk and John Stewart and their characters Ferrando and Guglielmo. The drawing does not include the cape or belt found within the archive of the physical costume.</text>
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                <text>National Arts Centre Archives, costume collection; Ottawa, Ontario, Canada.</text>
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                <text>Item catalogued by Zoé Dumas, University of Ottawa.</text>
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                <text>Copyright © 1972 Brian Jackson, National Arts Centre. Used with Permission.</text>
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                <text>image; watercolour drawing</text>
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