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                <text>Screenshot of the first page of the RECRUIT.doc from Disk 2: "Are you interested in being a pathmakers role model" </text>
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                <text>Screenshot of the first page of the RECRUIT.doc from Disk 2: "Are you interested in being a pathmakers role model". Form to apply to become a pathmaker model. </text>
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                <text>Screenshot of Bitcurator processing of a document from the Monique Frize fonds 10-112, uOttawa Archives and Special Collections</text>
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                <text>Screenshot courtesy of ARCS</text>
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Ottawa, Ontario, Canada</text>
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                <text>Photograph of a sketch of the NAC salon with drawn people to give an idea of the function of the space as well as an attached letter on the back: "SALON | Salon of the National Arts Centre has direct access to the Royal Box of the Opera House-Concert Hall. It can be used for receptions and recitals. Three of the six walls will be decorated by an immense tapestry being designed by the French Painter Alfred Manessier and executed by the French weaver Plasse le Caisne."&#13;
Upper right corner of document: "151 Slater, Ottawa 4 (until/jusqu'à 1969)"</text>
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                <text>Wojtek (artist)</text>
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National Arts Centre, 151 Slater St, 4, Canada, Ontario, Ottawa</text>
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                <text>Hand drawn sketch of the design for Southam Hall in the NAC in black and white with letter attached: "OPERA HOUSE - CONCERT HALL | The 2214-seat Opera House is the largest theater of the three comprising the National Arts Center, Ottawa. Although the stage is the largest in Canada, the furthest seat in the house is only 114 feet from the stage. Acoustic shell on stage converts the opera house to a concert hall. Seating capacity is increased to 2334 when the orchestra pit is not in use. (Photo NAC #112)"</text>
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National Arts Center, 1 Elgin St, Ottawa, Ontario, Canada</text>
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                <text>Copyright © National Arts Centre. Used with permission.</text>
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                <text>Sketch of Switchboard from &lt;i&gt;The Unnatural and Accidental Women&lt;/i&gt;</text>
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                <text>croquis de standard téléphonique; sketch of switchboard; accessoire de scène; stage prop; &lt;i&gt;The Unnatural and Accidental Women&lt;/i&gt;; Centre national des Arts (CNA); National Arts Centre (NAC); Théâtre autochtone; Indigenous Theatre</text>
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                <text>This sketch was used for making a respective stage prop for the 2019 production of the play &lt;i&gt;The Unnatural and Accidental Women&lt;/i&gt; written by Marie Clements (published in 2005). The sketch contains a colourful depiction of the switchboard, details on materials and measurements, the date of creation, as well as close-up sketches of smaller elements.</text>
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Created in Ottawa, Ontario, Canada</text>
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                <text>Sketch: Orange, red, and gold Costume for Ferrando and Guglielmo in W. A. Mozart's "Cosi fan tutte"</text>
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                <text>This costume sketch was first created by Brian Jackson for the 1972 production of the opera "Cosi fan tutte" composed by Wolfgang Amadeus Mozart, and reprised for Festival Canada the following year. This sketch is assumed to be for the disguise costume created for Allan Monk and John Stewart and their characters Ferrando and Guglielmo. The drawing does not include the cape or belt found within the archive of the physical costume.</text>
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                <text>National Arts Centre Archives, costume collection; Ottawa, Ontario, Canada.</text>
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                <text>Item catalogued by Zoé Dumas, University of Ottawa.</text>
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                <text>Copyright © 1972 Brian Jackson, National Arts Centre. Used with Permission.</text>
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                  <text>The National Arts Centre of Canada's 1973 Summer Opera Festival</text>
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                  <text>Emily Calongcagong, University of Ottawa</text>
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                <text>Sketch: Red Dress, costume for Fiordiligi in W. A. Mozart's "Cosi fan tutte"</text>
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                <text>This costume sketch was first created by Brian Jackson for the 1972 production of the opera "Cosi fan tutte" composed by Wolfgang Amadeus Mozart, and reprised for Festival Canada the following year. This sketch is assumed to be for the red dress costume created for Patricia Wells and her character of Fiordiligi. </text>
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                <text>National Arts Centre Archives; Ottawa, Ontario, Canada.</text>
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                <text>Copyright © 1972 Brian Jackson, National Arts Centre</text>
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                  <text>Anderson, Brittany; Moïse, Stéphanie; Rivard, Joël</text>
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                <text>Jameson, Mrs. (Anna)</text>
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                <text>peuples autochtones; Indigenous peoples; voyages, Amérique du Nord; North America; Canada; 19e siècle; 19th century; exploration; femmes pionnières; women pioneers; journal de voyage; travel log</text>
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                <text>Copyright © Carleton University Library, Archives and Research Collections.</text>
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                <text>This switchboard was used as a prop in the 2019 production of the play &lt;em&gt;The Unnatural and Accidental Women&lt;/em&gt; written by Marie Clements in 1997. The character Rose operated the switchboard, which was designed to sit on the actress's lap and be supported by straps around her waist and over her shoulders.</text>
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                <text>physical object; switchboard; aluminium; copper; wood; brass; 53.5 x 33.5 cm.</text>
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                <text>"This time-lapse highlights the complex assembly and installation of the Southam Hall orchestra shell. It is, without a doubt, the shining star of the National Arts Centre’s Production Renewal Project.&#13;
&#13;
Designed by Diamond Schmitt Architects, Fisher Dachs Associates, Threshhold Acoustics and Engineering Harmonics, and manufactured by Wenger &amp; JR Clancy, the orchestra shell took more than 18 months to design and manufacture. Installation and assembly of the shell took three months and was completed by the NAC’s Production team in consultation with Wenger &amp; JR Clancy."&#13;
&#13;
***&#13;
&#13;
"Cette vidéo en accéléré met en évidence le montage et l’installation complexes de la coquille de l’orchestre de la salle Southam. C’est, sans aucun doute, la partie la plus marquante du projet de renouvellement de la production du Centre national des Arts.&#13;
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La conque a été conçue par un groupe formé de la firme canadienne Diamond Schmitt Architects, de Fisher Dachs Associates, de Threshhold Acoustics et d’Engineering Harmonics, puis fabriquée par Wenger &amp; JR Clancy. Sa conception et sa fabrication ont nécessité plus de 18 mois de travail. Par la suite, son installation et son assemblage ont été réalisés par l’équipe de production du CNA en consultation avec Wenger &amp; JR Clancy, sur une période de trois mois."&#13;
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Marnie Richardson, "Orchestra shell assembly and installation timelapse," National Arts Centre, 17 January 2019, https://nac-cna.ca/en/stories/story/orchestra-shell-assembly-and-installation. </text>
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Created in Ottawa, Ontario, Canada.</text>
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