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                <text>Canada admitted a total of 300 French Antillean women between 1911 and 1931 to work as domestics in Quebec. The families hiring these women were primarily weathy businessmen, journalists, and elected statesmen. According to a letter from Jane Doe begging the Immigration Department to break its exclusion rules, "I simply must get one of these French Negresses because my sister got one and she swears that they are the best at mopping floors. The fact that they are devout Christian girls also means that I won't fear that they will steal from us the way that Finnish girls do."</text>
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                <text>Guadeloupean immigrant woman headed to Montreal as a domestic worker, 1911</text>
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                <text>Marthe LaFramboise to Minister of Immigration, 11 November 1912</text>
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                <text>Library and Archives Canada, RG 32, f. 1234.</text>
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                <text>Canadian Prairies With A Barn</text>
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                <text>A picture taken of a farm in the Canadian Prairies as part of a Photo Gallery of the Canadian Prairies. This is the cover image for my homepage. I wanted a picture of the prairies because that is the topic of my exhibit. It is also welcoming and appealing.</text>
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                <text>Art of Travel. “Canadian Prairies: A Photo Gallery.” Accessed November 19, 2025. https://artoftravel.tips/canadian-prairies-a-photo-gallery/</text>
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                <text>Rufus Rockhead, founder of popular nightclub Rockhead’s Paradise joined the Canadian Expeditionary Force in 1918. Serving with the Canadian Forestry Corps in France, Rockhead cut down trees and would process them for the construction of barracks, roads, trenches, and ammunition boxes until he was honourably discharged in March 1919. For his service, he received the British War Medal and Victory Medal. &#13;
&#13;
The First World War brought forth a rise of jazz, with the first ever records being released in New York, 1917, 3 years after Canada joined the fight and months before the United States. Being a time of change both musically and globally, Jazz was quickly spread around with bands accompanying regiments, causing many people to hear this new sound, Rockhead included. </text>
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                <text>Rufus Nathaniel Rockhead, 1992-1993, First World War Personnel Records, 8414, f. 41, Library and Archives Canada, Ottawa, ON, Canada </text>
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                <text>Revolutionary Friendship Is As Deep As The Ocean</text>
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                <text>This is a 1975 propaganda poster from the People’s Republic of China and made by the artist Guo Hongwu, it is meant to emphasize the mutualistic and supportive relationship of China for African countries, here specifically Congo, with it presenting agricultural growth and economic prosperity as a result of Chinese aid. The importance of this image rests with its dual message and ways of viewing. On the one hand, it represents a deep support between Chinese and African communities with this poster commemorating the relationship between China and Congo in bright and vivid imagery. On the other hand this image is a symbol of fear for a country, like Canada, who associates this burgeoning relationship as an attempt for Communist China to expand its influence over African countries. The former opinion presents a purposeful and positive dynamic, the latter opinion presents a pessimistic and dismissive dynamic.</text>
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                <text>The image can be found in the following article: &lt;br /&gt;&lt;br /&gt;Putzel, Louis. “File 2”. &lt;em&gt;ResearchGate&lt;/em&gt;, January 2012. https://www.researchgate.net/figure/Chinese-propaganda-poster-from-1975-depicting-Ch inese-agricultural-aid-to-Africa-Chinese_fig2_250130290.</text>
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International Institute of Social History (current holder)&#13;
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                <text>This is a poster created by Emory Douglas and posted in the New York Times entitled “Afro-American Solidarity” in 1969, which depicts the image of a Black Panther (a woman part of the Black Panther social and political organization in the United States) spreading the idea of anti-colonial struggle and the need for solidarity amongst oppressed groups globally. While these last two images have been produced in America, their impact hasn’t been confined to just that country and it's worth examining its effects on attitudes in Canada.</text>
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            <name>Creator</name>
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                <text>Emory Douglas</text>
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            <name>Source</name>
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              <elementText elementTextId="59">
                <text>This image can be found in the following article:&#13;
&#13;
Lippert, Angelina. “A Century of Posters Protesting Violence Against Black Americans.” Poster House, June 13, 2020. &#13;
https://posterhouse.org/blog/a-century-of-posters-protesting-violence-against-black-americans/.</text>
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            <name>Publisher</name>
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                <text>The New York Times (appearing in)</text>
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            <name>Date</name>
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                <text>1969</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Likely All Rights Reserved (from Emory Douglas)</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>JPG file</text>
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            <name>Language</name>
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                <text>English</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Digital image of physical poster </text>
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        <src>https://omeka.uottawa.ca/mathieu-black-canadian-history-exhibit/files/original/f2d8688e3507397d64334e22ce7954c6.jpg</src>
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          <element elementId="50">
            <name>Title</name>
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                <text>Who We Are</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>Chinese Canadian protesters </text>
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            <name>Description</name>
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                <text>This is a photograph taken of Chinese Canadians during the 1979-80 protests against the CTV W5 broadcast entitled “Campus Giveaway”. Currently presented by the Chinese Canadian National Council (CCNC), this photograph represents a significant chapter in the formation of national Chinese Diasporic organizations and growth of late 20th century Chinese Canadian movements. Taken from a different angle however, that of how it was seen from those in superordinate positions in society, this photograph can be seen as an act causing anxiety. It's not only that a large and visible minority, Chinese-descended persons, are proudly proclaiming an identity of being Chinese-Canadian, they also are mobilizing in thousands across the country to challenge their marginalization in society. During a time when Chinese could be used synonymously with Communist or foreign agents, a movement championing human rights and led by the Chinese diaspora could be met with much hostility. </text>
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            <name>Creator</name>
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                <text>Chinese Canadian National Council</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>The image can be found in the following website: &#13;
&#13;
Chinese Canadian National Council for Social Justice. “Who We Are.” https://ccncsj.ca/who-we-are/.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="71">
                <text>Chinese Canadian National Council</text>
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            <name>Date</name>
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                <text>Likely around 1979-1980</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="73">
                <text>Not explicitly stated but likely All rights reserved</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="74">
                <text>JPG file</text>
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            <name>Language</name>
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                <text>English</text>
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        <src>https://omeka.uottawa.ca/mathieu-black-canadian-history-exhibit/files/original/06764990e66f539f3dceb4f5474cb01d.jpg</src>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="77">
                <text>Students Await Arrest After Police Broke Up A February 1969 Sit-in At Sir George Williams University (name used in source article)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Sir George Williams Affair arrests</text>
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            <name>Description</name>
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                <text>This is a photograph taken of the aftermath of protests in 1969, where students occupied the computer room of the Sir George Williams University (now Concordia) until violently dispersed by police. This moment comes during a time of increased unified resistance and activism amongst African diaspora in Montreal and, as will be elaborated on by further sources, is a significant moment in the development of the National Black Coalition of Canada (NBCC). While the testimonials of these protestors and the circulation of images showing how they were forcefully handled was powerful in garnering support, it is again important to see this from a different angle. For a superordinate role, in this context largely being White anglophones, these protests appeared to be violent and destructive, enforcing already existing stereotypes of African-Descended Canadians as being disorderly. Some focused more on the millions of dollars worth of property damage to computers and the building due to the protests rather than the injury to protestors as result of the methods used to quell it.</text>
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                <text>Jim Reed (reporter for CBC)</text>
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                <text>Image can be found in the following article: &lt;br /&gt;&lt;br /&gt;Friedman, Jordan. “1969 Sir George Wiliams protest was Canada's civil rights reckoning.” &lt;em&gt;USA Today&lt;/em&gt;, March 27, 2019. https://www.usatoday.com/story/news/investigations/2019/03/27/black-history-sir-george-williams-affair-canada-civil-rights/2809147002/.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>CBC (likely origin given Jim Reed's affiliation)&#13;
&#13;
National Film Board (they own the documentary in which USA Today got this photo)</text>
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            <name>Date</name>
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                <text>1969</text>
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            <name>Rights</name>
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              <elementText elementTextId="84">
                <text>Likely All Rights Reserved</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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