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                <text>Loom weights are used to keep the warp (vertical) threads of the warp-weighted loom pulled tight and in place during weaving. This loom weight should be dated to the Archaic or Classical period on the basis of comparison to other loom weights from dated contexts, including loom weights in dated tomb assemblages in eastern Apulia, where this loom weight was found. In Italy most loom weights were made of fired clay, in coarse or fine fabric.This loom weight is made of a coarse ware type fabric with grey inclusions; it is yellowish beige in colour; there is a curvilinear (vegetal?) design incised on one side.</text>
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                <text>Cataloguer: Sabrina Mailloux and Antonia Holden (Curator), University of Ottawa</text>
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                <text>Loom weights are used to keep the warp (vertical) threads of the warp-weighted loom pulled tight and in place during weaving. This loom weight should be dated to the Archaic or Classical period on the basis of comparison to other loom weights from dated contexts, including loom weights in dated tomb assemblages in eastern Apulia, where this loom weight was found. In Italy most loom weights were made of fired clay, in coarse or fine fabric.This loom weight is made of a coarse ware type fabric, orange beige in colour; the surfaces of all four sides at the top are darker, and the colour is mottled (orange and black); however the colour starts from an even horizontal line, suggests that the loom weight was dipped in glaze before firing, and subsequently misfired resulting in the mottling; alternatively the entire loom weight may have been glazed, in which case the even colour at the top is simply a coincidence; there is an ovoid stamped impression on one side, possible a figure on a ship (?).</text>
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                <text>Cataloguer: Sabrina Mailloux and Antonia Holden (Curator), University of Ottawa</text>
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                <text>The images are provided by the Museum of Classical Antiquities, University of Ottawa. For contact information, visit the Museum website: https://arts.uottawa.ca/cla-srs/en/museum | Les images sont fournies par le Musée d'antiquités gréco-romaines de l'Université d’Ottawa. Visitez le site du musée pour les coordonnées : https://arts.uottawa.ca/cla-srs/fr/musee</text>
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                <text>Loom weights are used to keep the warp (vertical) threads of the warp-weighted loom pulled tight and in place during weaving. Pyramidal loom weights are by far the most common type found in Italy in the first millennium BCE. This loom weight should be dated to the Archaic or Classical period on the basis of comparison to other loom weights from dated contexts, including loom weights in dated tomb assemblages in eastern Apulia, where this loom weight was found. In Italy most loom weights were made of fired clay, in coarse or fine fabric.This loom weight is made of a coarse ware type fabric, orange beige in colour; there is a stamped impression at the bottom of one side, possibly made with a piece of  jewelry like a ring, (or an earring or fibula). </text>
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                <text>Loom weights are used to keep the warp (vertical) threads of the warp-weighted loom pulled tight and in place during weaving. Pyramidal loom weights are by far the most common type found in Italy in the first millennium BCE. This loom weight should be dated to the Archaic or Classical period on the basis of comparison to other loom weights from dated contexts, including loom weights in dated tomb assemblages in eastern Apulia, where this loom weight was found. In Italy most loom weights were made of fired clay, in coarse or fine fabric. This loom weight is made of a coarse-ware type fabric and is orangey-beige in colour; dark patches on the surface may be evidence of a possible dilute brown/black slip; there is an oval and a circular depression side-by-side near the base. It is possible that these impressions are fingermarks, made accidentally by the creator before firing. There is also a circular crater on another side, which is difficult to qualify as deliberate or accidental.   </text>
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                <text>Cataloguer: Eryn Ford, University of Ottawa</text>
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                <text>The images are provided by the Museum of Classical Antiquities, University of Ottawa. For contact information, visit the Museum website: https://arts.uottawa.ca/cla-srs/en/museum | Les images sont fournies par le Musée d'antiquités gréco-romaines de l'Université d’Ottawa. Visitez le site du musée pour les coordonnées : https://arts.uottawa.ca/cla-srs/fr/musee</text>
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                  <text>Established in 1975 as a teaching collection, the &lt;a href="https://arts.uottawa.ca/cla-srs/en/museum"&gt;Museum of Classical Antiquities&lt;/a&gt;&amp;nbsp;of the Department of Classics and Religious Studies aims to inspire interest in classical studies in students of all ages. Comprised of artefacts that reflect daily life during the period from the 7&lt;sup&gt;th&lt;/sup&gt; century B.C.E. to the 7&lt;sup&gt;th&lt;/sup&gt; century C.E., the permanent collection is enhanced by artefacts belonging to Canadian and foreign collectors.&lt;br /&gt;&lt;br /&gt;Please note that not all artefacts are &lt;a href="https://omeka.uottawa.ca/museumclassicalantiquities/items/browse?collection=2"&gt;currently available&lt;/a&gt;. New ones continue to be added.</text>
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                <text>Loom weights are used to keep the warp (vertical) threads of the warp-weighted loom pulled tight and in place during weaving. Pyramidal loom weights are by far the most common type found in Italy in the first millennium BCE. This loom weight should be dated to the Archaic or Classical period on the basis of comparison to other loom weights from dated contexts, including loom weights in dated tomb assemblages in eastern Apulia, where this loom weight was found. In Italy most loom weights were made of fired clay, in coarse or fine fabric. Trapezoidal loom weights are similar in shape to pyramidal ones, with a truncated, squared top, but a rectangular rather than a square base, generally making them much thinner than the pyramidal type. This loom weight is made of a coarse-ware type fabric and is greyish-beige in colour; there is a square-shaped stamp on two sides of the loom weight with markings, possibly scratches from wear or damage. </text>
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                <text>Repository Accession Number: 2014.5.36</text>
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                <text>Cataloguer: Eryn Ford, University of Ottawa</text>
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                <text>The images are provided by the Museum of Classical Antiquities, University of Ottawa. For contact information, visit the Museum website: https://arts.uottawa.ca/cla-srs/en/museum | Les images sont fournies par le Musée d'antiquités gréco-romaines de l'Université d’Ottawa. Visitez le site du musée pour les coordonnées : https://arts.uottawa.ca/cla-srs/fr/musee</text>
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                  <text>Established in 1975 as a teaching collection, the &lt;a href="https://arts.uottawa.ca/cla-srs/en/museum"&gt;Museum of Classical Antiquities&lt;/a&gt;&amp;nbsp;of the Department of Classics and Religious Studies aims to inspire interest in classical studies in students of all ages. Comprised of artefacts that reflect daily life during the period from the 7&lt;sup&gt;th&lt;/sup&gt; century B.C.E. to the 7&lt;sup&gt;th&lt;/sup&gt; century C.E., the permanent collection is enhanced by artefacts belonging to Canadian and foreign collectors.&lt;br /&gt;&lt;br /&gt;Please note that not all artefacts are &lt;a href="https://omeka.uottawa.ca/museumclassicalantiquities/items/browse?collection=2"&gt;currently available&lt;/a&gt;. New ones continue to be added.</text>
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                <text>Loom weights are used to keep the warp (vertical) threads of the warp-weighted loom pulled tight and in place during weaving. Pyramidal loom weights are by far the most common type found in Italy in the first millennium BCE. This loom weight should be dated to the Archaic or Classical period on the basis of comparison to other loom weights from dated contexts, including loom weights in dated tomb assemblages in eastern Apulia, where this loom weight was found. In Italy most loom weights were made of fired clay, in coarse or fine fabric.This loom weight is made of a fine-ware type fabric with black inclusions, which are visible particularly where sides are worn; it is pinkish-beige in colour; on one of the sides there is a circular stamp, possibly made with a ring. </text>
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                <text>Cataloguer: Eryn Ford, University of Ottawa</text>
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                <text>The images are provided by the Museum of Classical Antiquities, University of Ottawa. For contact information, visit the Museum website: https://arts.uottawa.ca/cla-srs/en/museum | Les images sont fournies par le Musée d'antiquités gréco-romaines de l'Université d’Ottawa. Visitez le site du musée pour les coordonnées : https://arts.uottawa.ca/cla-srs/fr/musee</text>
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            <description>A name given to the resource</description>
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                <text>Unknown (Greek)</text>
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                <text>Attic Greek</text>
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                <text>Style/Period: Attic</text>
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                <text>Repository: Museum of Classical Antiquities, University of Ottawa / Musée d'antiquités gréco-romaines, Université d'Ottawa</text>
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                <text>containers|culinary equipment</text>
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                <text>Materials/Techniques: black-glaze ware</text>
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                <text>Attic Type B skyphos with thin walls and ring foot; two handles one horizontal, one vertical both attached below rim. Light, thin black slip typical of this class. Resting surface of foot and base are reserved except for a ring painted around the interior of the base. Skyphoi with disparate handles are rarer than those with two horizontal handles. They were tailored for use in the Greek symposium, the banquet attended by Greek male citizens. The vertical handle was for drinking or dipping the cup into drink, while the horizontal handle allowed it to be hung up on a hook when not in use, between symposia.&#13;
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                <text>Repository Accession Number: 985.2.1</text>
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                <text>Record: UO-MCA-985-2-1</text>
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                <text>Cataloguer: Holly Brant, University of Ottawa; Curator, Antonia Holden</text>
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                <text>Photographer: Mélissa Mourez, University of Ottawa.</text>
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                <text>Image Date: 2018-07-19</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>The images are provided by the Museum of Classical Antiquities, University of Ottawa. For contact information, visit the Museum website: https://arts.uottawa.ca/cla-srs/en/museum | Les images sont fournies par le Musée d'antiquités gréco-romaines de l'Université d’Ottawa. Visitez le site du musée pour les coordonnées : https://arts.uottawa.ca/cla-srs/fr/musee</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>c. 150 CE</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown (Roman)</text>
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                <text>Roman North African</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Style/Period:  Roman; African terra sigillata</text>
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                <text>Discovery Site: Carthage, Tūnis, Wilāyat, Tunisia</text>
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                <text>Repository: Museum of Classical Antiquities, University of Ottawa / Musée d'antiquités gréco-romaines, Université d'Ottawa</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>decorative art|tools, equipment and materials</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Materials/Techniques: terracotta (clay material)</text>
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                <text>Measurements: 10 cm long; 2.5 cm high</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Light pinkish brown clay with light slip; pierced lug handle; flat nozzle with rounded termination, defined by two ridges at base;; recessed discus surrounded by two concentric grooves, followed by a pattern of short bars set perpendicular to the concentric grooves; pictured in the discus: a Melitan (Maltese) dog facing right with open mouth and a collar; the texture of its fur is rendered with notches;  beneath the belly of the dog is the filling hole; incised letters under base: STTROIL (?)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>oil lamps; lighting; utilitarian objects</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="6901">
                <text>Repository Accession Number: 995.13.4</text>
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                <text>Record: UO-MCA-995-13-4</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="6903">
                <text>Cataloguer: Emily Weedmark, University of Ottawa; Curator Antonia Holden</text>
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                <text>Photographer: Mélissa Mourez, Danielle Carr, University of Ottawa.</text>
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                <text>Image Date: 2018-07-19, 2018-03-07</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="6906">
                <text>The images are provided by the Museum of Classical Antiquities, University of Ottawa. For contact information, visit the Museum website: https://arts.uottawa.ca/cla-srs/en/museum | Les images sont fournies par le Musée d'antiquités gréco-romaines de l'Université d’Ottawa. Visitez le site du musée pour les coordonnées : https://arts.uottawa.ca/cla-srs/fr/musee</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Museum of Classical Antiquities Artefacts</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Established in 1975 as a teaching collection, the &lt;a href="https://arts.uottawa.ca/cla-srs/en/museum"&gt;Museum of Classical Antiquities&lt;/a&gt;&amp;nbsp;of the Department of Classics and Religious Studies aims to inspire interest in classical studies in students of all ages. Comprised of artefacts that reflect daily life during the period from the 7&lt;sup&gt;th&lt;/sup&gt; century B.C.E. to the 7&lt;sup&gt;th&lt;/sup&gt; century C.E., the permanent collection is enhanced by artefacts belonging to Canadian and foreign collectors.&lt;br /&gt;&lt;br /&gt;Please note that not all artefacts are &lt;a href="https://omeka.uottawa.ca/museumclassicalantiquities/items/browse?collection=2"&gt;currently available&lt;/a&gt;. New ones continue to be added.</text>
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                <text>Red Figure Footed Plate</text>
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                <text>Circa 4th century BCE</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown (Greek, Apulian)</text>
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                <text>Style/Period: Apulian; South Italian; Greek; Red-figure</text>
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                <text>decorative art|religious and cult objects</text>
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                <text>Materials/Techniques: terracotta (clay material); ceramic (material); wheel-made; red-figure vase painting</text>
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                <text>Measurements: 3.8 cm high; 22.6 cm in diameter (lip); 8.5 cm in diameter (foot)</text>
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                <text>The surface has a central tondo, in which is displayed a maenad in profile seated on what appears to be a rocky outcropping (heavily stylized), with hair swept up, and partly covered and held in place by a jeweled sakkos. She wears a diaphanous peplos (with an overfold), over a long-sleeved tunic, a necklace and several bracelets. In her left hand she holds what appears to be a mirror (stylized) and in her right hand two libation dishes. On each side of the composition along the frame of the tondo is a foliate decoration. Floating organic decorative elements fill the spaces on either side of the outcropping, and the space above the dishes. The tondo composition is framed by two concentric decorative borders; from inner to outer: a band of reserve, a band of ivy pattern. The rim is in reserve. Decorated in the red figure style and technique: prior to firing, details are rendered in black to indicate the folds of her garment; some use of white, and ochre paint for her jewelry, parts of her sakkos, details of the libation dishes and mirror, filling ornaments and the rocky outcropping; the contour of the figure and other parts of the decoration are in reserve. </text>
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                <text>Repository Accession Number: 993.1.1</text>
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                <text>Cataloguer: Samantha Chicoyne, University of Ottawa; Curator Antonia Holden</text>
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                <text>Photographer: Morgan Weir, University of Ottawa</text>
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                <text>The images are provided by the Museum of Classical Antiquities, University of Ottawa. For contact information, visit the Museum website: https://arts.uottawa.ca/cla-srs/en/museum | Les images sont fournies par le Musée d'antiquités gréco-romaines de l'Université d’Ottawa. Visitez le site du musée pour les coordonnées : https://arts.uottawa.ca/cla-srs/fr/musee</text>
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                <text>The surface has a central tondo, in which is displayed a female head in profile, with hair tied in a bun and held in place by a kekryphalos (hair net) highlighted with white and ochre paint. Below her chin is a small libation bowl, behind her head, a small mirror. The tondo composition is framed by a series of concentric decorative borders; from inner to outer: a border of wave pattern in red (reserve) is created by the juxtaposed black painted wave pattern; a band of reserve is followed by a border of leaves in white, and finally a pattern of bars on the rim. Decorated in the red figure style and technique: details are rendered prior to firing in black, with extensive use of white, and ochre paint for the decorative border, hairnet and details of libation bowl and mirror; the contour of the figure and parts of the libation bowl and mirror are in reserve. </text>
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                <text>Repository Accession Number: 992.1.1</text>
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                <text>Cataloguer: Samantha Chicoyne, University of Ottawa; Curator Antonia Holden</text>
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                <text>The images are provided by the Museum of Classical Antiquities, University of Ottawa. For contact information, visit the Museum website: https://arts.uottawa.ca/cla-srs/en/museum | Les images sont fournies par le Musée d'antiquités gréco-romaines de l'Université d’Ottawa. Visitez le site du musée pour les coordonnées : https://arts.uottawa.ca/cla-srs/fr/musee</text>
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                <text>Apulian kantharos with volute handles and stemmed foot; on each side is displayed a female head in profile with necklace and hair, worn in a bun and covered by a kekryphalos (hairnet); decorated in the red figure style and technique: details are rendered in black, white, and buff or beige before firing; the contour of the figures, parts of the kekryphalos and elements of the decoration are in reserve. </text>
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                <text>Repository Accession Number: 993.2.1</text>
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                <text>Cataloguer: Samantha Chicoyne, University of Ottawa; Curator Antonia Holden</text>
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                <text>The images are provided by the Museum of Classical Antiquities, University of Ottawa. For contact information, visit the Museum website: https://arts.uottawa.ca/cla-srs/en/museum | Les images sont fournies par le Musée d'antiquités gréco-romaines de l'Université d’Ottawa. Visitez le site du musée pour les coordonnées : https://arts.uottawa.ca/cla-srs/fr/musee</text>
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                  <text>Established in 1975 as a teaching collection, the &lt;a href="https://arts.uottawa.ca/cla-srs/en/museum"&gt;Museum of Classical Antiquities&lt;/a&gt;&amp;nbsp;of the Department of Classics and Religious Studies aims to inspire interest in classical studies in students of all ages. Comprised of artefacts that reflect daily life during the period from the 7&lt;sup&gt;th&lt;/sup&gt; century B.C.E. to the 7&lt;sup&gt;th&lt;/sup&gt; century C.E., the permanent collection is enhanced by artefacts belonging to Canadian and foreign collectors.&lt;br /&gt;&lt;br /&gt;Please note that not all artefacts are &lt;a href="https://omeka.uottawa.ca/museumclassicalantiquities/items/browse?collection=2"&gt;currently available&lt;/a&gt;. New ones continue to be added.</text>
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                <text>Discovery Site: Unknown</text>
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                <text>Repository: Museum of Classical Antiquities, University of Ottawa / Musée d'antiquités gréco-romaines, Université d'Ottawa</text>
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                <text>The front displays a female head in profile, with hair tied in a bun, and covered by a kekryphalos. The back displays a large palmette located beneath the vertical pouring handle attached at neck; florals extend from each side of the palmette, filling the spaces above and below the horizontal carrying handles located on each side of the vase. Decorated in the red figure style and technique: details are rendered in black, white, and ochre prior to firing; the contour of the figure, parts of the kekryphalos, and the decorative elements are in reserve. </text>
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                <text>Cataloguer: Samantha Chicoyne, University of Ottawa; Curator Antonia Holden</text>
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                <text>The images are provided by the Museum of Classical Antiquities, University of Ottawa. For contact information, visit the Museum website: https://arts.uottawa.ca/cla-srs/en/museum | Les images sont fournies par le Musée d'antiquités gréco-romaines de l'Université d’Ottawa. Visitez le site du musée pour les coordonnées : https://arts.uottawa.ca/cla-srs/fr/musee</text>
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                <text>The lower portion of the pig is block-like and terminates in a base, defined on one side by a slight carination. The front shows more detail than the other three sides: the legs are cursorily differentiated and the face is naturalistic with relatively detailed features. Colour: pinkish beige. Originally a child's rattle. </text>
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                <text>terracottas (sculptural works); figurines; figural toys; baby rattles</text>
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                <text>Repository Accession Number: 2014.5.3</text>
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                <text>Cataloguer: Emily Weedmark, University of Ottawa; Curator Antonia Holden</text>
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                <text>The images are provided by the Museum of Classical Antiquities, University of Ottawa. For contact information, visit the Museum website: https://arts.uottawa.ca/cla-srs/en/museum | Les images sont fournies par le Musée d'antiquités gréco-romaines de l'Université d’Ottawa. Visitez le site du musée pour les coordonnées : https://arts.uottawa.ca/cla-srs/fr/musee</text>
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                <text>Style/Period: Hellenistic; Late Classical; Romano-Egyptian</text>
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                <text>Shape: flat-based jug with single loop handle attached at rim and widest diameter of the body; the side opposite the handle is decorated with a protome of a ram, extending from just below the rim; the animal has a long neck and large eyes; the prominence of the head and its location on the other side, across from the handle (where the "tail" would be), makes the cup appear zoomorphic. The surface is brown with dark gray and green patches.</text>
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                <text>Repository Accession Number: 978.6.3</text>
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                <text>Cataloguer: Emily Weedmark, University of Ottawa; Curator Antonia Holden</text>
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                <text>The images are provided by the Museum of Classical Antiquities, University of Ottawa. For contact information, visit the Museum website: https://arts.uottawa.ca/cla-srs/en/museum | Les images sont fournies par le Musée d'antiquités gréco-romaines de l'Université d’Ottawa. Visitez le site du musée pour les coordonnées : https://arts.uottawa.ca/cla-srs/fr/musee</text>
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                <text>Colour: reddish brown with slip. Pegasus (winged horse) facing left. The composition is defined by two concentric ridges. The top of the nozzle is defined by two spiral elements on each side, with three dots in between. There is a filling hole beneath the belly of Pegasus. The pierced lug handle is adorned by two grooves along the top. </text>
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                <text>Cataloguer: Morgan Weir, University of Ottawa</text>
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                <text>The images are provided by the Museum of Classical Antiquities, University of Ottawa. For contact information, visit the Museum website: https://arts.uottawa.ca/cla-srs/en/museum | Les images sont fournies par le Musée d'antiquités gréco-romaines de l'Université d’Ottawa. Visitez le site du musée pour les coordonnées : https://arts.uottawa.ca/cla-srs/fr/musee</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Museum of Classical Antiquities Artefacts</text>
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                  <text>Established in 1975 as a teaching collection, the &lt;a href="https://arts.uottawa.ca/cla-srs/en/museum"&gt;Museum of Classical Antiquities&lt;/a&gt;&amp;nbsp;of the Department of Classics and Religious Studies aims to inspire interest in classical studies in students of all ages. Comprised of artefacts that reflect daily life during the period from the 7&lt;sup&gt;th&lt;/sup&gt; century B.C.E. to the 7&lt;sup&gt;th&lt;/sup&gt; century C.E., the permanent collection is enhanced by artefacts belonging to Canadian and foreign collectors.&lt;br /&gt;&lt;br /&gt;Please note that not all artefacts are &lt;a href="https://omeka.uottawa.ca/museumclassicalantiquities/items/browse?collection=2"&gt;currently available&lt;/a&gt;. New ones continue to be added.</text>
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            <name>Title</name>
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                <text>Statuette of faun (reproduction)</text>
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            <name>Date</name>
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                <text>Unknown</text>
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            <name>Creator</name>
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                <text>Unknown (Italian)</text>
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                <text>Style/Period: Roman (modern reproduction)</text>
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                <text>Repository: Museum of Classical Antiquities, University of Ottawa / Musée d'antiquités gréco-romaines, Université d'Ottawa</text>
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                <text>decorative art|sculpture</text>
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                <text>Materials/Techniques: Bronze (?) or other metal painted green; reproductions</text>
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                <text>Loose interpretation, a miniature of the Roman statue, the Dancing Faun, in the garden of the House of the Faun in Pompeii. </text>
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                <text>mythology; figurines; statuette; satyrs; fauns; dance; reproduction; Pompeii</text>
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                <text>Repository Accession Number: R989.5.3</text>
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                <text>Cataloguer: Morgan Weir, University of Ottawa</text>
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                <text>Photographer: Mélissa Mourez, University of Ottawa</text>
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                <text>The images are provided by the Museum of Classical Antiquities, University of Ottawa. For contact information, visit the Museum website: https://arts.uottawa.ca/cla-srs/en/museum | Les images sont fournies par le Musée d'antiquités gréco-romaines de l'Université d’Ottawa. Visitez le site du musée pour les coordonnées : https://arts.uottawa.ca/cla-srs/fr/musee</text>
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