11 10 296 Musical Work / Ouvrage musical Ensemble Type duo Instrumentation bass trombone / trombone basse piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Jazz Triptych Date A point or period of time associated with an event in the lifecycle of the resource 2014 Creator An entity primarily responsible for making the resource Wilborn, David (b. 1961) Description An account of the resource Black composer David Wilborn composed "Jazz Triptych" for bass trombone and piano. According to Warwick Music website: "Jazz Triptych was written at the request of English bass trombonist Jonathan Warburton. It is a setting of three diverse jazz styles in a concert setting for bass trombone and piano. Each movement captures characters and rhythmic features of a particular jazz genre. Although originally composed, each movement references the compositional style of historical masters who are credited for making their own style of jazz popular. The movements express the idea of the composer meeting each historical figure individually in an attempt to gain a better understanding of their jazz style. Figuratively, the composer sets out on a pleasant walk with each composer for an interview. The result is a fusion of compositional ideas in which both personalities (the composer and the historical figure) emerge. Each jazz style becomes an expansion of a hybrid jazz-classical style. The featured genres include: ragtime, tango and boogie." Source A related resource from which the described resource is derived David Wilborn (bio, C. Alan Publications), <a href="https://c-alanpublications.com/wilborn-david/">https://c-alanpublications.com/wilborn-david/</a> Jordan Harris, "The Graduate Recital of Jordan Harris" [David F. Wilborn's Jazz Tiptych is the second work programmed] (YouTube), <a href="https://www.youtube.com/watch?v=InGX2_Rt5-k&ab_channel=JordanHarris">https://www.youtube.com/watch?v=InGX2_Rt5-k&ab_channel=JordanHarris</a> David Wilborn, Jazz Triptych (score), <a href="https://www.warwickmusic.com/p/jfG3/">https://www.warwickmusic.com/p/jfG3/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- bass trombone / trombone basse solo Wilborn, David (b. 1961) Musical Work / Ouvrage musical Ensemble Type duo Instrumentation trombone piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Concertino Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource Wilborn, David (b. 1961) Description An account of the resource Black composer David Wilborn composed this "Concertino" for trombone and piano. Duration: 10 minutes Source A related resource from which the described resource is derived David Wilborn (bio, C. Alan Publications), <a href="https://c-alanpublications.com/wilborn-david/">https://c-alanpublications.com/wilborn-david/</a> Jamey Morgan, "David Wilborn - Concertino (2015)" (YouTube), <a href="https://www.youtube.com/watch?v=wTGed8tA8r4&ab_channel=JameyMorgan-Trombone">https://www.youtube.com/watch?v=wTGed8tA8r4&ab_channel=JameyMorgan-Trombone</a> David Wilborn, Concertino (score), <a href="https://www.hickeys.com/music/brass/trombone/tenor_trombone/solos_with_piano/products/sku112811-wilborn-david-concertino.php">https://www.hickeys.com/music/brass/trombone/tenor_trombone/solos_with_piano/products/sku112811-wilborn-david-concertino.php</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- duo piano trombone Wilborn, David (b. 1961) Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource 24 Caprices for Solo Violin Date A point or period of time associated with an event in the lifecycle of the resource 2010-2020 Creator An entity primarily responsible for making the resource Abraham, Immanuel T. Description An account of the resource Black composer Dr. Immanuel T. Abraham composed the "24 Caprices for Solo Violin" between 2010 and 2020. As indicated on the composer's website: "These twenty-four caprices are my collection of advanced repertoire for unaccompanied violin written between 2010 and 2020. The number of works is a tribute to four violin performer- composers of the past whose works I have studied, performed, and taught. Each wrote a collection of 24 caprices for solo violin as well. Namely, these are Pierre Gaviniès (1728-1800), Jaques Pierre Joseph Rode (1774-1830), Niccolò Paganini (1782-1840), and Jakob Dont (1815-1888). As a performer, my unaccompanied bookings accommodate a broad range of venues. Between 2010 and 2020, these venues included large rock-concert amphitheaters, yoga summits, juried doctoral-recitals, American String Teacher’s Association (ASTA) conferences, livestream events in Nigeria, live solo soundtracking for theaters and film festivals, televised events for the Public Broadcasting Service (PBS), and many more. For those engagements and many more, I wrote and performed my own music. That process immediately granted the realization of my most authentic output as a musician— my twenty-four caprices for solo violin. As such, all of them are very personal, and an ever-deepening experience to perform. There is something here for a wide range of violinists. This collection contains clear influences of the baroque (3 fugues), romanticism, impressionism, jazz, American fiddle, rock, tango, and more. These are all new, tonal, and eclectic compositions that purposefully fill gaps I experienced in the extant solo violin repertoire. Over the years several of these have been distributed individually. I have enjoyed many brilliant performances by colleagues, professors, students, and other artists. Here, for the first time, all twenty-four are presented together. I enthusiastically look forward to every performance following this edition!" Source A related resource from which the described resource is derived Dr. Immanuel T. Abraham, 24 Caprices for Solo Violin (score), <a href="https://www.theviolindoctor.org/compositions">https://www.theviolindoctor.org/compositions</a> Dr. Immanuel T. Abraham, 24 Caprices for Solo violin (score), <a href="https://www.swstrings.com/product/music/violin/SH-24CPRSVN">https://www.swstrings.com/product/music/violin/SH-24CPRSVN</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Edition testore 2000- Abraham, Immanuel T. solo violin / violon Musical Work / Ouvrage musical Ensemble Type solo Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Melodia Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource Lacy, Eric Brian Description An account of the resource Black composer Eric Brian "Lacy's Melodia" is a collection of five short pieces for solo flute. Source A related resource from which the described resource is derived Eric Brian Lacy (personal website), <a href="https://www.ericbrianlacy.com/home">https://www.ericbrianlacy.com/home</a> Eric Brian Lacy, Melodia (score excerpts), <a href="https://www.ericbrianlacy.com/_files/ugd/08826c_3a39a9a21e834accb6480765c5338f7b.pdf">https://www.ericbrianlacy.com/_files/ugd/08826c_3a39a9a21e834accb6480765c5338f7b.pdf</a> Eric Brian Lacy, contact form, <a href="https://www.ericbrianlacy.com/contact">https://www.ericbrianlacy.com/contact</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- flute / flûte Lacy, Eric Brian solo Musical Work / Ouvrage musical Ensemble Type duo Instrumentation guitar / guitare clarinet / clarinette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Anthem for Unity Date A point or period of time associated with an event in the lifecycle of the resource 2005 Creator An entity primarily responsible for making the resource Bryant, Freddie Description An account of the resource Black composer Freddie Bryant's Anthem for "Unity" is a 12-minute multi-movement piece for guitar and clarinet. The work was commissioned by Darryl Harper. Duration: 12 minutes Source A related resource from which the described resource is derived Darryl Harper, "Anthem for Unity" (Soundcloud), <a href="https://soundcloud.com/darryl-harper-jazz/2-03-anthem-for-unity">https://soundcloud.com/darryl-harper-jazz/2-03-anthem-for-unity</a> Freddie Bryant, "Anthem for Unity" (score), <a href="https://drive.google.com/file/d/12SZ1E0U-jUy3ckbyYnM1uxQEAf5vcsNP/view?usp=sharing">https://drive.google.com/file/d/12SZ1E0U-jUy3ckbyYnM1uxQEAf5vcsNP/view?usp=sharing</a> Kitty Axelson-Berry, "A Few Questions for Jazz Guitarist Freddie Bryant" (Amhers INDY), <a href="https://www.amherstindy.org/2022/04/01/a-few-questions-for-jazz-guitarist-freddie-bryant/">https://www.amherstindy.org/2022/04/01/a-few-questions-for-jazz-guitarist-freddie-bryant/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- Bryant, Freddie clarinet / clarinette duo guitar / guitare Musical Work / Ouvrage musical Ensemble Type duo Instrumentation trumpet / trompette piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Lonnie and Lonie Date A point or period of time associated with an event in the lifecycle of the resource 2019 Creator An entity primarily responsible for making the resource Lewis, George E. (b. 1952) Description An account of the resource Black composer George Lewis composed "Lonnie and Lonie" for trumpet and piano. The work received its world premiere on November 24, 2019 by trumpeter Glen Whitehead, pianist Susan Grace, and the Chamber Orchestra of the Springs. The work was commissioned in grand collaboration between UCCS, Colorado College and the Chamber Orchestra of the Spring. As written in the composer's <a href="https://www.facebook.com/events/1137016606688267">program notes provided on Facebook</a>: "This work was inspired by my twin uncles, Lonnie and Lonie Griffith, who as teenagers were frequently tasked with watching over me while my parents were at work on weekends. We would go to horror movies like Mr. Sardonicus, where the director himself calls for a vote on whether the title character should suffer or escape the consequences of his depredations. Later, at the now-defunct Illinois Slag and Ballast Company, where Lonnie and Lonie were supervisors, they got me a job cleaning out railroad cars during a particularly intense Chicago winter. Lonnie and Lonie expressed both complementary and contrasting views of the world, a circumstance that, in line with my general understanding of the important trope of depiction in American music (Ives, Ellington, and Carter, for examples), is perfectly suited to the deployment of the concerto form, which has offered composers the opportunity to enact both agonistic and cooperative dramaturgical experiences of the dialogue among soloist(s) and orchestra. I’d like to provide this small hint to you automobile buffs out there as to which soloist represents “Lonnie” and which “Lonie”: I remember when both were driving “muscle cars”--a Dodge Charger (Lonnie) and an SS396 Chevrolet Chevelle (Lonie). In the concluding double cadenza, the soloists, driving fast and noisily through the narrower streets of Chicago’s Englewood district, head each other off at the pass before the work’s emphatic, but somehow pensive conclusion. This work is dedicated to Lonnie Griffith (1947-) and the memory of Lonie Griffith (1947-2002). I would like to thank Glen Whitehead, Susan Grace, Maestro Thomas Wilson, and the Chamber Orchestra of the Springs for bringing this project to full fruition." Duration: 12 minutes Source A related resource from which the described resource is derived George E. Lewis (Wikipedia), <a href="https://en.wikipedia.org/wiki/George_E._Lewis">https://en.wikipedia.org/wiki/George_E._Lewis</a> George E. Lewis (faculty profile, Columbia University), <a href="https://music.columbia.edu/bios/george-e-lewis">https://music.columbia.edu/bios/george-e-lewis</a> George Lewis, Lonnie and Lonie (Facebook premiere post), <a href="https://www.facebook.com/events/1137016606688267">https://www.facebook.com/events/1137016606688267</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- duo Lewis, George E. (b. 1952) piano trumpet / trompette Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Bleu Date A point or period of time associated with an event in the lifecycle of the resource 2011 Creator An entity primarily responsible for making the resource Walker, George (1922-2018) Description An account of the resource Black composer George Theophilus Walker composed "Bleu" in 2011 for violin. Duration: 4.5 minutes Source A related resource from which the described resource is derived George Theophilus Walker (Wikipedia), <a href="https://en.wikipedia.org/wiki/George_Walker_(composer)">https://en.wikipedia.org/wiki/George_Walker_(composer)</a> George Walker, Bleu for violin (score), <a href="https://store.subitomusic.com/index.php?main_page=product_info&cPath=3_121_1109&products_id=6994">https://store.subitomusic.com/index.php?main_page=product_info&cPath=3_121_1109&products_id=6994</a> AlbanyRecordsUSA, "GEORGE WALKER: "Bleu" for unaccompanied violin" (YouTube), <a href="https://www.youtube.com/watch?v=7JKl93zInyw&ab_channel=AlbanyRecordsUSA">https://www.youtube.com/watch?v=7JKl93zInyw&ab_channel=AlbanyRecordsUSA</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- solo violin / violon Walker, George (1922-2018) Musical Work / Ouvrage musical Ensemble Type solo Instrumentation piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Contrasts for Piano Date A point or period of time associated with an event in the lifecycle of the resource 2001 Creator An entity primarily responsible for making the resource Adams, H. Leslie (b. 1932) Description An account of the resource Black composer H. Leslie Adams' "Constrasts" includes ten short pieces for piano. Composed in 1961, the short pieces iinclude: Sentence, Lament, Ragtime, Procession, Etude, Prelude, Frolic, Romance, Dialogue, and Episode. Duration: 12 minutes Source A related resource from which the described resource is derived H. Leslie Adams (personal website), <a href="https://www.hleslieadams.com/">https://www.hleslieadams.com/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- Adams, H. Leslie (b. 1932) piano solo Musical Work / Ouvrage musical Ensemble Type duo Instrumentation trumpet / trompette piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Grand March for trumpet and piano Date A point or period of time associated with an event in the lifecycle of the resource 2017 Creator An entity primarily responsible for making the resource Adams, H. Leslie (b. 1932) Description An account of the resource Black composer H. Leslie Adams' "Grand March for Trumpet and Piano" received its world premiere on September 26, 2021 at the Rocky River United Metodist Chuch in Rocky River, Ohio by Etienne Massicotte (Trumpet) and Nicole DiPaolo (piano). Duration: 8 minutes Source A related resource from which the described resource is derived H. Leslie Adams (personal website), <a href="https://www.hleslieadams.com/">https://www.hleslieadams.com/</a> Etienne Massicotte, "WORLD PREMIERE: Dr. H. Leslie Adams - Grand March for Trumpet and Piano" (YouTube), <a href="https://www.youtube.com/watch?v=8O2OsNnUFkA&feature=youtu.be">https://www.youtube.com/watch?v=8O2OsNnUFkA&feature=youtu.be</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Adams, H. Leslie (b. 1932) duo piano trumpet / trompette Musical Work / Ouvrage musical Ensemble Type duo Instrumentation oboe / hautbois piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Loving Touches Date A point or period of time associated with an event in the lifecycle of the resource 2013 Creator An entity primarily responsible for making the resource Adams, H. Leslie (b. 1932) Description An account of the resource Black composer H. Leslie Adams' "Loving Touches for Oboe and Piano" is a two-movement work. I. Andante II. Freely; Allegretto Duration: 18 minutes Source A related resource from which the described resource is derived H. Leslie Adams (personal website), <a href="https://www.hleslieadams.com/">https://www.hleslieadams.com/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- Adams, H. Leslie (b. 1932) duo guitar / guitare oboe / hautbois