13 10 296 Musical Work / Ouvrage musical Ensemble Type duo Instrumentation clarinet / clarinette piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource The Featherheart Date A point or period of time associated with an event in the lifecycle of the resource 2016 Creator An entity primarily responsible for making the resource Ware, Lawren Brianna Description An account of the resource Black composer Lawren Brianna Ware composed "The Featherheart" for clarinet and piano in 2016. Duration: 5 minutes Source A related resource from which the described resource is derived Lawren Brianna Ware (personal website), <a href="https://www.lbwaremusic.com/">https://www.lbwaremusic.com/</a> Lawren Brianna Ware (store), <a href="https://www.lbwaremusic.com/b-ware-works-publishing-store">https://www.lbwaremusic.com/b-ware-works-publishing-store</a> Brianna Ware, "'The Featherheart' for clarinet and piano- World Premiere at AEIVA" (YouTube), <a href="https://www.youtube.com/watch?v=pvPI1qCGs3I&ab_channel=BriannaWare">https://www.youtube.com/watch?v=pvPI1qCGs3I&ab_channel=BriannaWare</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- clarinet / clarinette duo piano Ware, Lawren Brianna Musical Work / Ouvrage musical Ensemble Type trio Instrumentation harp / harpe clarinet / clarinette viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Recollection and Anticipation Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource Ware, Lawren Brianna Description An account of the resource Black composer Lawren Brianna Ware wrote "Recollection and Anticipation" for clarinet, viola, and harp in 2015. Source A related resource from which the described resource is derived Lawren Brianna Ware (personal website), <a href="https://www.lbwaremusic.com/">https://www.lbwaremusic.com/</a> Lawren Brianna Ware (store), <a href="https://www.lbwaremusic.com/b-ware-works-publishing-store">https://www.lbwaremusic.com/b-ware-works-publishing-store</a> Lawren Brianna Ware, "Recollection and Anticipation for clarinet, viola, and harp" (Soundcloud), <a href="https://soundcloud.com/lawrenbriannaware/recollection-and-anticipation-for-clarinet-viola-and-harp">https://soundcloud.com/lawrenbriannaware/recollection-and-anticipation-for-clarinet-viola-and-harp</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- clarinet / clarinette harp / harpe trio viola / violon-alto Ware, Lawren Brianna Musical Work / Ouvrage musical Ensemble Type duo Instrumentation oboe / hautbois piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Piece for Oboe and Piano Date A point or period of time associated with an event in the lifecycle of the resource [early 2000s] Creator An entity primarily responsible for making the resource Nombeko, Nailah Description An account of the resource Black composer Nailah Nombeko's "Pieces for Oboe and Piano" has been described as displaying "beautiful and invigorating-lyrical lines with staccato piano contrasting with legato oboe." See <a href="https://www.nailahnombeko.com/reviews.html">Nailah Nombeko's website</a>. Duration: 5.5 minutes Source A related resource from which the described resource is derived Nailah Nombeko (personal website), <a href="https://www.nailahnombeko.com/">https://www.nailahnombeko.com/</a> Nailah Nombeko, "Piece for Oboe and Piano" (YouTube), <a href="https://www.youtube.com/watch?v=WIUD1UzdbGU&ab_channel=NailahNombeko">https://www.youtube.com/watch?v=WIUD1UzdbGU&ab_channel=NailahNombeko</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- duo guitar / guitare Nombeko, Nailah oboe / hautbois Musical Work / Ouvrage musical Ensemble Type duo Instrumentation horn / cor piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Encore: For Horn in F and Piano Date A point or period of time associated with an event in the lifecycle of the resource 2000 Creator An entity primarily responsible for making the resource Hilliard, Quincy C. (b. 1954) Description An account of the resource Black composer Quincy C. Hilliard is a composer and professor in the School of Music & Performing Arts at the University of Louisiana at Lafayette. As written about "Encore" on the publisher's website: "Written as Concerto for Young Artist(s) and Band on commission from 1999 New Music Festival of Sandusky, Ohio, Encore has been published in the multiple versions and can be played by any standard wind and brass instrument. These versions are all compatible with the published band edition (Concerto for Young Artist{s}and Band-YPS11). The piece is in one movement, ABA form with a lyrical "Andante" framed by the opening "Allegro con energico" and its repeat. Encore - Quincy C. Hilliard" Duration: 5 minutes Source A related resource from which the described resource is derived Quincy C. Hilliard (faculty profile at University of Louisiana at Lafayette), <a href="https://music.louisiana.edu/faculty/hilliard">https://music.louisiana.edu/faculty/hilliard</a> Quincy C. Hilliard, Encore : For Horn in F and Piano (score), <a href="https://www.tfront.com/p-142183-encore-for-horn-in-f-and-piano.aspx">https://www.tfront.com/p-142183-encore-for-horn-in-f-and-piano.aspx</a> John F. Howe, "Quincy C. Hilliard: Encore | Performed by Jon F. Howe" (YouTube), <a href="https://www.youtube.com/watch?v=7YN-Y1Kt0AQ&ab_channel=JonF.Howe-Composer">https://www.youtube.com/watch?v=7YN-Y1Kt0AQ&ab_channel=JonF.Howe-Composer</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Carl Fischer Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- duo Hilliard, Quincy C. (b. 1954) horn / cor piano Musical Work / Ouvrage musical Ensemble Type solo Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource On a Poem by Miho Nonaka: Harvard Square Date A point or period of time associated with an event in the lifecycle of the resource 2013 Creator An entity primarily responsible for making the resource Okpebholo, Shawn (b. 1981) Description An account of the resource Black composer Shawn Okpebholo composed "On a Poem by Miho Nonaka: Harvard Square" in 2013 for solo flute. As written on the composer's website: "This composition – inspired by Harvard Square, a poem by the Japanese poet, Miho Nonaka – is a work for solo flute, composed for and premiered by virtuoso flutist, Caen Thomason-Redus. It was not my intention to, necessarily, text paint each word of the poem; rather, I tried to evoke the essence of the poem’s meaning. In one word, Nonaka describes her poem as being about ‘resonance.’ A natural term in the music world, the word ‘resonance’, figuratively speaking, can also mean evoking images, memories and emotions, which she beautifully achieves in Harvard Square. This composition is for the virtuoso flutist, utilizing various extended flute techniques. for example, the composition begins with the flute playing bamboo tones, a way for the modern western flute to, by using nontraditional fingerings (which I notated in the score), sound like a shakuhachi flute, a Japanese bamboo flute." Duration: 13 minutes Source A related resource from which the described resource is derived Shawn Okpebholo (personal website), <a href="https://www.shawnokpebholo.com/contact">https://www.shawnokpebholo.com/contact</a> Lisa Jaklitsch Westervelt, "Shawn Okpebholo - On a Poem by Miho Nonaka: Harvard Square for solo flute (Lisa Westervelt, Flute)" (YouTube), <a href="https://www.youtube.com/watch?v=nCNL08qN2pI">https://www.youtube.com/watch?v=nCNL08qN2pI</a> Shawn Okpebholo, On a Poem by Miho Nonaka: Harvard Square (score), <a href="https://www.shawnokpebholo.com/store/hi-1">https://www.shawnokpebholo.com/store/hi-1</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- flute / flûte Okpebholo, Shawn (b. 1981) solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation trumpet / trompette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Contrast Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource Anderson, T.J. (b. 1928) Description An account of the resource Black composer T.J. Anderson composed "Contrast" for Solo Bb trumpet. Duration: 5 minutes Source A related resource from which the described resource is derived T.J. Anderson, "Works" (personal website), <a href="https://www.tjandersonmusic.com/works.html">https://www.tjandersonmusic.com/works.html</a> T.J. Anderson, "Contrast for solo trumpet", <a href="https://composers.com/composers/tj-anderson/contrast-solo-trumpet">https://composers.com/composers/tj-anderson/contrast-solo-trumpet</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Bote & Bock Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Anderson, T.J. (b. 1928) solo trumpet / trompette Musical Work / Ouvrage musical Ensemble Type solo Instrumentation guitar / guitare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Neverland Date A point or period of time associated with an event in the lifecycle of the resource 2008 Creator An entity primarily responsible for making the resource Flippin, Thomas Description An account of the resource Black composer Thomas Flippin composed "Neverland" (2008) as a musical narrative based on a dream. The work was premiered in part by Dr. Julie Goldberg at Vandercook College of Music in Chicago (2007) and premiered in full at Yale University in 2008. I. Summons II. Feast III. Game Duration: 8 minutes Source A related resource from which the described resource is derived Thomas Flippin, Neverland (score), <a href="https://thomasflippin.com/products/iv2df8o5ge1hd9csyi3qis6l6tclx8">https://thomasflippin.com/products/iv2df8o5ge1hd9csyi3qis6l6tclx8</a> Thomas Flippin, Neverland (Spotify), <a href="https://open.spotify.com/album/76AddejumgqqS2ny4FFMOn?si=XgL4s1kRRnycRSlWsbaRaQ&nd=1">https://open.spotify.com/album/76AddejumgqqS2ny4FFMOn?si=XgL4s1kRRnycRSlWsbaRaQ&nd=1</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Flippin, Thomas guitar / guitare solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation guitar / guitare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Scenes From America Date A point or period of time associated with an event in the lifecycle of the resource 2012 Creator An entity primarily responsible for making the resource Flippin, Thomas Description An account of the resource Black composer Thomas Flippin composed "Scenes from America" (2012) to depict the "transition from childhood to adulthood across three American scenes." I. Salt Creek, CA II. Chicago, IL III. New York Minute The work was premiered in part by Kenji Haba for Vox Novus series in NYC in 2011 and later premiered in full at the St. Louis Botanical Gardens Theater. Duration: 7 minutes Source A related resource from which the described resource is derived Thomas Flippin, Scenes from America (score), <a href="https://thomasflippin.com/products/scenes-from-america">https://thomasflippin.com/products/scenes-from-america</a> Emmanuel Lacopo, "Scenes from America // Thomas Flippin" (YouTube), <a href="https://www.youtube.com/watch?v=e1ALYOSysJc">https://www.youtube.com/watch?v=e1ALYOSysJc</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Vellini Publications Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Flippin, Thomas guitar / guitare solo Musical Work / Ouvrage musical Ensemble Type duo Instrumentation guitar / guitare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Ten Kingdoms Date A point or period of time associated with an event in the lifecycle of the resource 2012 Creator An entity primarily responsible for making the resource Flippin, Thomas Description An account of the resource Black composer Thomas Flippin composed "Ten Kingdoms" (2014) based on the writings of Bartolome de las Casas. The composition was premiered in part with Madeleine Davidson at the Brooklyn Conservatory of Music in October 2012, and later in part with Christopher Mallett at Sheldon Concert Hall and Placitas New Mexico. I. Sail -- “Those that arriv'd ...from the remotest parts of Spain, and who pride themselves in the Name of Christians.” II. Trudge -- “Inhabitants would soon have wrought away their lives by hard working in the Mines, so that [the Spanish Prefect] might accumulate Gold by their bodies and Souls." III. Breathe -- “There can be nothing more cruel and detestable than the tyrannical usage of the Spainiards towards the Indians in their Pearl Fishing...If [they] rest themselves the Hangman is immediately upon them in a canoe... beating them [and] dragging them by the hair underwater, that they may drudge again.” Duration: 8 minutes Source A related resource from which the described resource is derived Thomas Flippin, Ten Kingdoms (score), <a href="https://thomasflippin.com/products/ten-kingdoms-for-guitar-duo">https://thomasflippin.com/products/ten-kingdoms-for-guitar-duo</a> CCM Guitar Studio, "Ten Kingdoms - Thoomas Flippin" (YouTube), <a href="https://www.youtube.com/watch?v=Ew0r8H9gdpo">https://www.youtube.com/watch?v=Ew0r8H9gdpo</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- duo Flippin, Thomas guitar / guitare Musical Work / Ouvrage musical Ensemble Type solo Instrumentation guitar / guitare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Soldier's Sonata Date A point or period of time associated with an event in the lifecycle of the resource 2007 Creator An entity primarily responsible for making the resource Flippin, Thomas Description An account of the resource Black composer Thomas Flippin's "A Soldier's Sonata" (2007, rev. 2020) depicts the psyche of a soldier in conflict. As indicated on the composer's website, it was "based on my relationships with Bosnian musicians Denis Azabagic and Vesna Mehinovic. Premiered in full at the Norfolk Music Festival, 2007. First movement is optional." Duration: 9 minutes Source A related resource from which the described resource is derived Thomas Flippin, A Soldier's Sonata (score), <a href="https://thomasflippin.com/products/a-soldiers-sonata">https://thomasflippin.com/products/a-soldiers-sonata</a> Thomas Flippin, A Soldier's Sonata (Spotify), <a href="https://open.spotify.com/album/76AddejumgqqS2ny4FFMOn?si=XgL4s1kRRnycRSlWsbaRaQ&nd=1">https://open.spotify.com/album/76AddejumgqqS2ny4FFMOn?si=XgL4s1kRRnycRSlWsbaRaQ&nd=1</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Flippin, Thomas guitar / guitare solo