15 10 296 Musical Work / Ouvrage musical Ensemble Type solo Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Descent from Parnassus Date A point or period of time associated with an event in the lifecycle of the resource 2012 Creator An entity primarily responsible for making the resource Balter, Marcos (b. 1974) Description An account of the resource Brazilian composer Marcos Balter composed "Descent from Parnassus" for solo flute. As included in the comments of Claire Chase's performance at the Art Institute of Chicago: "The Art Institute of Chicago commissioned a new work for Chase in January 2012 by the Chicago-based Brazilian composer and longtime collaborator Marcos Balter. The piece, scored for solo flutist doubling a virtuoso vocal part (from Dante’s Canto Paradiso), is inspired by Cy Twombly’s The First Part of the Return from Parnassus (1961), which resides in the Institute’s permanent collection. A short film of the work performed at the Art Institute in front of the painting was produced by Karen Chester with videography by Ross Karre." Duration: 12 minutes Source A related resource from which the described resource is derived Marcos Balter (personal website), <a href="https://marcosbalter.com/works/">https://marcosbalter.com/works/</a> Marcos Balter (coontact form), <a href="https://marcosbalter.com/contact/">https://marcosbalter.com/contact/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Balter, Marcos (b. 1974) flute / flûte solo Musical Work / Ouvrage musical Ensemble Type trio Instrumentation guitar / guitare flute / flûte viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Todas as Manhãs-Homenagem a Luiz Bonfá Date A point or period of time associated with an event in the lifecycle of the resource [2015] Creator An entity primarily responsible for making the resource Luis, João Description An account of the resource Brazilian composer João Luiz is a two-time Latin Grammy nominee guitarist, educator and composer. As written in the liner notes of an album by Luiz's ensemble Trio Virado, "Todas as Manhãs-Homenagem a Luiz Bonfá" was orginally for three guitars and written for the Mannes Guitar Seminar in 2011. The work "describes some of the scenes in the award-winning 1958 Brazilian film Blatk Orpheus. The famous song "Manha de Carnaval" by Luiz Bonfá is the main theme of the piece, which is the theme and variations backwards. There are a total of thirteen variations, culminating in a dramatic return of the Bonfa song. Todas as Manhãs notonly tells the story of Black Orpheus but also shows a variety of techniques, rhythms, and colors characteristic of Brazilian dances. The version for guitar, flute, and viola is dedicated to Trio Virado." Duration: 11 minutes Source A related resource from which the described resource is derived João Luiz (faculty profile, Hunter College), <a href="https://music.hunter.cuny.edu/faculty/full-time-faculty/joao-luiz/">https://music.hunter.cuny.edu/faculty/full-time-faculty/joao-luiz/</a> Trio Virado, "Todas as Manhãs-Homenagem a Luiz Bonfa" (YouTube), <a href="https://www.youtube.com/watch?v=9-6se5J2Z-s">https://www.youtube.com/watch?v=9-6se5J2Z-s</a> Trio Virado, Mangebeira (album, liner notes), <a href="https://www.soundset.com/album_files/SR1075/trioviradomangabeira_upload.pdf">https://www.soundset.com/album_files/SR1075/trioviradomangabeira_upload.pdf</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- flute / flûte guitar / guitare Luis, João trio viola / violon-alto Musical Work / Ouvrage musical Ensemble Type solo Instrumentation cello / violoncelle Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Echos nº 2 Date A point or period of time associated with an event in the lifecycle of the resource 2017 Creator An entity primarily responsible for making the resource Machado, Henrique Description An account of the resource Brazilian composer Henrique Machado composed "Echos No. 2" for solo cello. Source A related resource from which the described resource is derived Henrique Machado (personal website), <a href="https://www.henriquemachadocompositor.com/">https://www.henriquemachadocompositor.com/</a> Henrique Machado, "Echos n2" (YouTube), <a href="https://www.youtube.com/watch?v=FCC_u1_OVqs&ab_channel=HenriqueMachadoCompositor">https://www.youtube.com/watch?v=FCC_u1_OVqs&ab_channel=HenriqueMachadoCompositor</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- cello / violoncelle Machado, Henrique solo Musical Work / Ouvrage musical Ensemble Type trio Instrumentation harp / harpe piano saxophone Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Ursa Minor Date A point or period of time associated with an event in the lifecycle of the resource 2018 Creator An entity primarily responsible for making the resource Frazier, Michael (b. 1992) Description An account of the resource Black and Latino composer Michael Frazier specializes in acoustic, electronic, and electroacoustic music. As described on his website, he is invested in "exploring a kind of music that has a connection to a broader history of Black creative artistry." His 2018 composition "Ursa Minor" represents the composer's love of the Ursa Minor constellation, this trio features a prominent tenor sax line inspired by John Coltrane’s “Naima.” Source A related resource from which the described resource is derived Michael Frazier (personal website), <a href="https://www.michaelfraziermusic.com/compositions">https://www.michaelfraziermusic.com/compositions</a> Michael Frazier Music, Ursa Minor (2018) for tenor sax, harp and piano (Soundcloud), <a href="https://soundcloud.com/michael-frazier-music/ursa-minor">https://soundcloud.com/michael-frazier-music/ursa-minor</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- Frazier, Michael (b. 1992) harp / harpe piano saxophone trio Musical Work / Ouvrage musical Ensemble Type trio Instrumentation harp / harpe flute / flûte viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Melic Silhouettes Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource Frazier, Michael (b. 1992) Description An account of the resource Black and Latino composer Michael Frazier specializes in acoustic, electronic, and electroacoustic music. As described on his website, Frazier is invested in "exploring a kind of music that has a connection to a broader history of Black creative artistry." His 2015 composition "Melic Silhouettes" is a trio for flute, viola, and harp. It was written for Rosanna Moore and Trio Alexander. Source A related resource from which the described resource is derived Michael Frazier (personal website), <a href="https://www.michaelfraziermusic.com/compositions">https://www.michaelfraziermusic.com/compositions</a> Michael Frazier Music, Melic Silhouettes (2015) for Flute, Viola and Harp (Soundcloud), <a href="https://soundcloud.com/michael-frazier-music/melic-silhouettes-2015-for-flute-viola-and-harp">https://soundcloud.com/michael-frazier-music/melic-silhouettes-2015-for-flute-viola-and-harp</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- flute / flûte Frazier, Michael (b. 1992) harp / harpe trio viola / violon-alto Musical Work / Ouvrage musical Ensemble Type trio Instrumentation harp / harpe flute / flûte viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource time is an impatient thing Date A point or period of time associated with an event in the lifecycle of the resource 2018 Creator An entity primarily responsible for making the resource Frazier, Michael (b. 1992) Description An account of the resource Black and Latino composer Michael Frazier specializes in acoustic, electronic, and electroacoustic music. As described on his website, Frazier is invested in "exploring a kind of music that has a connection to a broader history of Black creative artistry." His 2018 composition "time is an impatient thing" was written for Trio Alexander. A composition for harp, viola, and flute that places the harp at the forefront of free, improvisatory gestures. Source A related resource from which the described resource is derived Michael Frazier (personal website), <a href="https://www.michaelfraziermusic.com/compositions">https://www.michaelfraziermusic.com/compositions</a> Michael Frazier Music, time is an impatient thing (2018) for Alto Flute, Viola, and Harp (Soundcloud), <a href="https://soundcloud.com/michael-frazier-music/time-is-an-impatient-thing-2018-for-alto-flute-viola-and-harp">https://soundcloud.com/michael-frazier-music/time-is-an-impatient-thing-2018-for-alto-flute-viola-and-harp</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- flute / flûte Frazier, Michael (b. 1992) harp / harpe trio viola / violon-alto Musical Work / Ouvrage musical Ensemble Type duo Instrumentation horn / cor piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Evening Reveries Date A point or period of time associated with an event in the lifecycle of the resource [2012] Creator An entity primarily responsible for making the resource Mustafa, Usamah Description An account of the resource Black horn player and compooser Usamah Mustafa composed "Evening Reveries" for horn and piano. Learn more about the composer on this <a href="https://www.facebook.com/HoughtonHorns/posts/composer-spotlight-usamah-mustafausamahs-musical-training-started-at-13-when-he-/3184370608258300/">Facebook interview with Houghton Horns</a>. Source A related resource from which the described resource is derived Steve Park, "Evening Reveries for Horn & Piano by Usamah Mustafa, Steve Park - Horn" (YouTube), <a href="https://www.youtube.com/watch?v=nzBvwwC4FQk&ab_channel=StevePark">https://www.youtube.com/watch?v=nzBvwwC4FQk&ab_channel=StevePark</a> Usama Mustafa, "Evening Reveries" (score), <a href="https://houghtonhorns.com/products/evening-reveries-for-horn-and-piano-by-usamah-mustafa-eveningrev">https://houghtonhorns.com/products/evening-reveries-for-horn-and-piano-by-usamah-mustafa-eveningrev</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- duo horn / cor Mustafa, Usamah piano Musical Work / Ouvrage musical Ensemble Type duo Instrumentation trombone piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Preludes Nos. 1-5 for Trombone Date A point or period of time associated with an event in the lifecycle of the resource 2008 Creator An entity primarily responsible for making the resource Amis, Kenneth (b. 1970) Description An account of the resource Bermudian tuba player and composer Kenneth Amis' "Preludes Nos. 1-5" was composed for Trombone and piano. The composition won the 2008 Eastern Trombone Worksho National Trombone Composition Competition. Duration: 13.5 minutes Source A related resource from which the described resource is derived Kenneth Amis, "Preludes Nos. 1-5 for Trombone" (Amis Musical Circle), <a href="https://www.amismusicalcircle.com/brass/br-002.htm">https://www.amismusicalcircle.com/brass/br-002.htm</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- Amis, Kenneth (b. 1970) duo piano trombone Musical Work / Ouvrage musical Ensemble Type duo Instrumentation horn / cor piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Preludes Nos. 1-5 for French Horn Date A point or period of time associated with an event in the lifecycle of the resource 2000 Creator An entity primarily responsible for making the resource Amis, Kenneth (b. 1970) Description An account of the resource Bermudian tuba player and composer Kenneth Amis' "Preludes Nos. 1-5" was composed for French Horn. Duration: 21 minutes Source A related resource from which the described resource is derived Kenneth Amis, "Preludes Nos. 1-5 for French Horn" (Amis Musical Circle), <a href="https://www.amismusicalcircle.com/brass/br-011.htm">https://www.amismusicalcircle.com/brass/br-011.htm</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 20+ minutes 20+ minutes 2000- Amis, Kenneth (b. 1970) duo horn / cor piano Musical Work / Ouvrage musical Ensemble Type solo Instrumentation harp / harpe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource After L'Addio / Felt Date A point or period of time associated with an event in the lifecycle of the resource 2014 Creator An entity primarily responsible for making the resource Gueglio, Tomás Description An account of the resource Argentinian composer Tomás Gueglio's "After L'Addio / Felt" was commissioned in spring 2014 and composed in collaboration with Ben Melsky. As written on the composer's website, "After L'Addio / Felt (2014) is a two movement piece composed in collaboration with Ben. The premiere of this work took place in a recital in which a performance of Salvatore Sciarrino's "Addio a Trachis" preceded. After L'Addio features varying levels of referentiality and filiation with "Addio...", from literal quoting to variation, to more esoteric and personal connections. Generally speaking, After is a frantic and highly tactile piece in which different levels of friction between hands and strings become syntactically relevant. Felt appears as the textural opposite of After in that the contact between performer and instrument is reduced considerably: the right hand plays with a felt pick for the entirety of the movement and the left hand features, for the most part, harmonics. Visit <a href="https://tomas-gueglio.squarespace.com/after-laddio">Gueglio's website</a> to read more. Duration: 9 minutes Source A related resource from which the described resource is derived Tomás Gueglio, "After L'Addio / Felt (2014)" (personal website), <a href="https://tomas-gueglio.squarespace.com/after-laddio">https://tomas-gueglio.squarespace.com/after-laddio</a> Tomás Gueglio, "After L'Addio / Felt (2014)" (score), <a href="https://static1.squarespace.com/static/51e0a32ae4b09140da99beef/t/5f3d8d7063224c6882cc836f/1597869428937/Tomas+Gueglio_After+L%27Addio%3AFelt+.pdf">https://static1.squarespace.com/static/51e0a32ae4b09140da99beef/t/5f3d8d7063224c6882cc836f/1597869428937/Tomas+Gueglio_After+L%27Addio%3AFelt+.pdf</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Gueglio, Tomás harp / harpe solo