15 10 296 Musical Work / Ouvrage musical Ensemble Type solo Instrumentation double bass / contrebasse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Sonata para Contrabajo Solo Date A point or period of time associated with an event in the lifecycle of the resource 2016 Creator An entity primarily responsible for making the resource Martin, Andrés Description An account of the resource Argentinian composer Andrés Martin's "Sonata para contrabajo solo" has four movements: I. Solo - Lento recitativo 2. Vacío - Tristísimo 3. Coraje - Moderato 4. Grita - Reciativo Duration: 18 minutes Source A related resource from which the described resource is derived Andrés Martin (personal website), <a href="https://www.andresmartin.net/">https://www.andresmartin.net/</a> DaddarioOrchestra, "Andrés Martín: Sonata for Solo Double Bass" (YouTube), <a href="https://www.youtube.com/watch?v=u17C1gPB7z0&ab_channel=DaddarioOrchestral">https://www.youtube.com/watch?v=u17C1gPB7z0&ab_channel=DaddarioOrchestral</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- double bass / contrebasse Martin, Andrés solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation trumpet / trompette horn / cor Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Musica invible for trumpet and Flügelhorn Date A point or period of time associated with an event in the lifecycle of the resource 2005 Creator An entity primarily responsible for making the resource Arditto, Cecilia (b. 1966) Description An account of the resource Argentinian composer Cecilia Arditto's "Musica invible" was composed in 2005 for trumpet and flügelhorn. On the composer's website, a description of the work states: "Música invisible / invisible music is an accumulative project based on the exploration of new possibilities for different instruments. The research on unusual techniques comes together with the exploration of new perception techniques. A melody in 1/32 tones in the flute not only deals with microtonality but also creates a new listening context; a trumpet player playing their instrument into a tin of water not only opens new acoustic possibilities for the instrument but also changes the theatrical role of the player in the concert. The catalogue of physical curiosities is subordinated to the creation of different ways of thinking the instrument, working in the abstract zone where the instrument loses its familiarity and becomes invisible. Musica invisible aims at combining the composers' view together with the performer's experience, as two complementary sides of the musical composition process." Duration: 15 minutes Source A related resource from which the described resource is derived Cecilia Arditto (personal website), <a href="https://wordpress.ceciliaarditto.com/musica-invisible/">https://wordpress.ceciliaarditto.com/musica-invisible/</a> Cecilia Arditto (works), <a href="https://wordpress.ceciliaarditto.com/works-post-wp/">https://wordpress.ceciliaarditto.com/works-post-wp/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- Arditto, Cecilia (b. 1966) solo trumpet / trompette Musical Work / Ouvrage musical Ensemble Type solo Instrumentation cello / violoncelle Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Paregamutiún (Amistad) Date A point or period of time associated with an event in the lifecycle of the resource 2010 Creator An entity primarily responsible for making the resource Solare, Juan Maria Description An account of the resource Argentinian composer Juan María Solare composed "Paregamutiún" for cello. Paregamutiún means "Friendship" and is based on four melodies of Armenian connotations. 1. Sevanavank (Monastry at the Black Lake) 2. Hayk (Armenian foundational patriarch) 3. Dzirani Dzar (Apricot tree) 4. Masis (Mount Ararat) A second version was arranged for horn, a thiird for viola, and a fourth for three celli. Duration: 10 minutes Source A related resource from which the described resource is derived Juan María Solare (personal website), <a href="https://www.juanmariasolare.com/index.html">https://www.juanmariasolare.com/index.html</a> Juan María Solare (Wikipedia), <a href="https://en.wikipedia.org/wiki/Juan_Mar%C3%ADa_Solare">https://en.wikipedia.org/wiki/Juan_Mar%C3%ADa_Solare</a> Juan María Solare (works catalogue), <a href="https://www.juanmariasolare.com/Solare_Works.pdf">https://www.juanmariasolare.com/Solare_Works.pdf</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- cello / violoncelle Solare, Juan Maria solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation cello / violoncelle Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Pentagonal Date A point or period of time associated with an event in the lifecycle of the resource 2008 Creator An entity primarily responsible for making the resource Solare, Juan Maria Description An account of the resource Argentinian composer Juan María Solare composed "Pentagonal", a suite of five pieces, for solo cello. They are dedicated to Juliane Dehning. The five movements can be performed individually. I. Andante II. Rítmico III. Chiasmus IV. Presto V. Lento Duration: 19 minutes Source A related resource from which the described resource is derived Juan María Solare (personal website), <a href="https://www.juanmariasolare.com/index.html">https://www.juanmariasolare.com/index.html</a> Juan María Solare (Wikipedia), <a href="https://en.wikipedia.org/wiki/Juan_Mar%C3%ADa_Solare">https://en.wikipedia.org/wiki/Juan_Mar%C3%ADa_Solare</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- cello / violoncelle Solare, Juan Maria solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Suite Op. 8, No, 1 Date A point or period of time associated with an event in the lifecycle of the resource 2020 (premier) Creator An entity primarily responsible for making the resource Parotti, Sergio Description An account of the resource Argentinian composer Sergio Parotti composed "Suite Op. 8, no. 1" for viola. Duration: 10 minutes Source A related resource from which the described resource is derived Sergio Parotti (personal website), <a href="https://www.sergioparotti.com.ar">https://www.sergioparotti.com.ar</a> Sergio Parotti, "Parotti - 82 - Suite Op 8 Nº 1 Preludio" (YouTube), <a href="https://www.youtube.com/watch?v=KawQyNy1ga8&ab_channel=SergioParotti">https://www.youtube.com/watch?v=KawQyNy1ga8&ab_channel=SergioParotti</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- Parotti, Sergio solo viola / violon-alto Musical Work / Ouvrage musical Ensemble Type duo Instrumentation harp / harpe guitar / guitare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource One Baroque Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource Gueglio, Tomás (b. 1980) Description An account of the resource Argentinian composer Tomás Gueglio wrote "One Baroque" for Ben Melsky and Jesse Langen. Duration: 6 minutes Source A related resource from which the described resource is derived Tomás Gueglio (personal website), <a href="https://tomas-gueglio.squarespace.com/one-baroque">https://tomas-gueglio.squarespace.com/one-baroque</a> Tomás Gueglio, "One Baroque" (score), <a href="https://static1.squarespace.com/static/51e0a32ae4b09140da99beef/t/5c3b77901ae6cfa74d654874/1547401105606/Tomas+Gueglio_One+Baroque.pdf">https://static1.squarespace.com/static/51e0a32ae4b09140da99beef/t/5c3b77901ae6cfa74d654874/1547401105606/Tomas+Gueglio_One+Baroque.pdf</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- duo Gueglio, Tomás (b. 1980) guitar / guitare harp / harpe Musical Work / Ouvrage musical Ensemble Type solo Instrumentation harp / harpe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource After L'Addio / Felt Date A point or period of time associated with an event in the lifecycle of the resource 2014 Creator An entity primarily responsible for making the resource Gueglio, Tomás Description An account of the resource Argentinian composer Tomás Gueglio's "After L'Addio / Felt" was commissioned in spring 2014 and composed in collaboration with Ben Melsky. As written on the composer's website, "After L'Addio / Felt (2014) is a two movement piece composed in collaboration with Ben. The premiere of this work took place in a recital in which a performance of Salvatore Sciarrino's "Addio a Trachis" preceded. After L'Addio features varying levels of referentiality and filiation with "Addio...", from literal quoting to variation, to more esoteric and personal connections. Generally speaking, After is a frantic and highly tactile piece in which different levels of friction between hands and strings become syntactically relevant. Felt appears as the textural opposite of After in that the contact between performer and instrument is reduced considerably: the right hand plays with a felt pick for the entirety of the movement and the left hand features, for the most part, harmonics. Visit <a href="https://tomas-gueglio.squarespace.com/after-laddio">Gueglio's website</a> to read more. Duration: 9 minutes Source A related resource from which the described resource is derived Tomás Gueglio, "After L'Addio / Felt (2014)" (personal website), <a href="https://tomas-gueglio.squarespace.com/after-laddio">https://tomas-gueglio.squarespace.com/after-laddio</a> Tomás Gueglio, "After L'Addio / Felt (2014)" (score), <a href="https://static1.squarespace.com/static/51e0a32ae4b09140da99beef/t/5f3d8d7063224c6882cc836f/1597869428937/Tomas+Gueglio_After+L%27Addio%3AFelt+.pdf">https://static1.squarespace.com/static/51e0a32ae4b09140da99beef/t/5f3d8d7063224c6882cc836f/1597869428937/Tomas+Gueglio_After+L%27Addio%3AFelt+.pdf</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Gueglio, Tomás harp / harpe solo Musical Work / Ouvrage musical Ensemble Type duo Instrumentation horn / cor piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Preludes Nos. 1-5 for French Horn Date A point or period of time associated with an event in the lifecycle of the resource 2000 Creator An entity primarily responsible for making the resource Amis, Kenneth (b. 1970) Description An account of the resource Bermudian tuba player and composer Kenneth Amis' "Preludes Nos. 1-5" was composed for French Horn. Duration: 21 minutes Source A related resource from which the described resource is derived Kenneth Amis, "Preludes Nos. 1-5 for French Horn" (Amis Musical Circle), <a href="https://www.amismusicalcircle.com/brass/br-011.htm">https://www.amismusicalcircle.com/brass/br-011.htm</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 20+ minutes 20+ minutes 2000- Amis, Kenneth (b. 1970) duo horn / cor piano Musical Work / Ouvrage musical Ensemble Type duo Instrumentation trombone piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Preludes Nos. 1-5 for Trombone Date A point or period of time associated with an event in the lifecycle of the resource 2008 Creator An entity primarily responsible for making the resource Amis, Kenneth (b. 1970) Description An account of the resource Bermudian tuba player and composer Kenneth Amis' "Preludes Nos. 1-5" was composed for Trombone and piano. The composition won the 2008 Eastern Trombone Worksho National Trombone Composition Competition. Duration: 13.5 minutes Source A related resource from which the described resource is derived Kenneth Amis, "Preludes Nos. 1-5 for Trombone" (Amis Musical Circle), <a href="https://www.amismusicalcircle.com/brass/br-002.htm">https://www.amismusicalcircle.com/brass/br-002.htm</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- Amis, Kenneth (b. 1970) duo piano trombone Musical Work / Ouvrage musical Ensemble Type duo Instrumentation horn / cor piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Evening Reveries Date A point or period of time associated with an event in the lifecycle of the resource [2012] Creator An entity primarily responsible for making the resource Mustafa, Usamah Description An account of the resource Black horn player and compooser Usamah Mustafa composed "Evening Reveries" for horn and piano. Learn more about the composer on this <a href="https://www.facebook.com/HoughtonHorns/posts/composer-spotlight-usamah-mustafausamahs-musical-training-started-at-13-when-he-/3184370608258300/">Facebook interview with Houghton Horns</a>. Source A related resource from which the described resource is derived Steve Park, "Evening Reveries for Horn & Piano by Usamah Mustafa, Steve Park - Horn" (YouTube), <a href="https://www.youtube.com/watch?v=nzBvwwC4FQk&ab_channel=StevePark">https://www.youtube.com/watch?v=nzBvwwC4FQk&ab_channel=StevePark</a> Usama Mustafa, "Evening Reveries" (score), <a href="https://houghtonhorns.com/products/evening-reveries-for-horn-and-piano-by-usamah-mustafa-eveningrev">https://houghtonhorns.com/products/evening-reveries-for-horn-and-piano-by-usamah-mustafa-eveningrev</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- duo horn / cor Mustafa, Usamah piano