16 10 296 Musical Work / Ouvrage musical Ensemble Type duo Instrumentation harp / harpe guitar / guitare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource One Baroque Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource Gueglio, Tomás (b. 1980) Description An account of the resource Argentinian composer Tomás Gueglio wrote "One Baroque" for Ben Melsky and Jesse Langen. Duration: 6 minutes Source A related resource from which the described resource is derived Tomás Gueglio (personal website), <a href="https://tomas-gueglio.squarespace.com/one-baroque">https://tomas-gueglio.squarespace.com/one-baroque</a> Tomás Gueglio, "One Baroque" (score), <a href="https://static1.squarespace.com/static/51e0a32ae4b09140da99beef/t/5c3b77901ae6cfa74d654874/1547401105606/Tomas+Gueglio_One+Baroque.pdf">https://static1.squarespace.com/static/51e0a32ae4b09140da99beef/t/5c3b77901ae6cfa74d654874/1547401105606/Tomas+Gueglio_One+Baroque.pdf</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- duo Gueglio, Tomás (b. 1980) guitar / guitare harp / harpe Musical Work / Ouvrage musical Ensemble Type solo Instrumentation viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Suite Op. 8, No, 1 Date A point or period of time associated with an event in the lifecycle of the resource 2020 (premier) Creator An entity primarily responsible for making the resource Parotti, Sergio Description An account of the resource Argentinian composer Sergio Parotti composed "Suite Op. 8, no. 1" for viola. Duration: 10 minutes Source A related resource from which the described resource is derived Sergio Parotti (personal website), <a href="https://www.sergioparotti.com.ar">https://www.sergioparotti.com.ar</a> Sergio Parotti, "Parotti - 82 - Suite Op 8 Nº 1 Preludio" (YouTube), <a href="https://www.youtube.com/watch?v=KawQyNy1ga8&ab_channel=SergioParotti">https://www.youtube.com/watch?v=KawQyNy1ga8&ab_channel=SergioParotti</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- Parotti, Sergio solo viola / violon-alto Musical Work / Ouvrage musical Ensemble Type solo Instrumentation cello / violoncelle Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Pentagonal Date A point or period of time associated with an event in the lifecycle of the resource 2008 Creator An entity primarily responsible for making the resource Solare, Juan Maria Description An account of the resource Argentinian composer Juan María Solare composed "Pentagonal", a suite of five pieces, for solo cello. They are dedicated to Juliane Dehning. The five movements can be performed individually. I. Andante II. Rítmico III. Chiasmus IV. Presto V. Lento Duration: 19 minutes Source A related resource from which the described resource is derived Juan María Solare (personal website), <a href="https://www.juanmariasolare.com/index.html">https://www.juanmariasolare.com/index.html</a> Juan María Solare (Wikipedia), <a href="https://en.wikipedia.org/wiki/Juan_Mar%C3%ADa_Solare">https://en.wikipedia.org/wiki/Juan_Mar%C3%ADa_Solare</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- cello / violoncelle Solare, Juan Maria solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation cello / violoncelle Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Paregamutiún (Amistad) Date A point or period of time associated with an event in the lifecycle of the resource 2010 Creator An entity primarily responsible for making the resource Solare, Juan Maria Description An account of the resource Argentinian composer Juan María Solare composed "Paregamutiún" for cello. Paregamutiún means "Friendship" and is based on four melodies of Armenian connotations. 1. Sevanavank (Monastry at the Black Lake) 2. Hayk (Armenian foundational patriarch) 3. Dzirani Dzar (Apricot tree) 4. Masis (Mount Ararat) A second version was arranged for horn, a thiird for viola, and a fourth for three celli. Duration: 10 minutes Source A related resource from which the described resource is derived Juan María Solare (personal website), <a href="https://www.juanmariasolare.com/index.html">https://www.juanmariasolare.com/index.html</a> Juan María Solare (Wikipedia), <a href="https://en.wikipedia.org/wiki/Juan_Mar%C3%ADa_Solare">https://en.wikipedia.org/wiki/Juan_Mar%C3%ADa_Solare</a> Juan María Solare (works catalogue), <a href="https://www.juanmariasolare.com/Solare_Works.pdf">https://www.juanmariasolare.com/Solare_Works.pdf</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- cello / violoncelle Solare, Juan Maria solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation trumpet / trompette horn / cor Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Musica invible for trumpet and Flügelhorn Date A point or period of time associated with an event in the lifecycle of the resource 2005 Creator An entity primarily responsible for making the resource Arditto, Cecilia (b. 1966) Description An account of the resource Argentinian composer Cecilia Arditto's "Musica invible" was composed in 2005 for trumpet and flügelhorn. On the composer's website, a description of the work states: "Música invisible / invisible music is an accumulative project based on the exploration of new possibilities for different instruments. The research on unusual techniques comes together with the exploration of new perception techniques. A melody in 1/32 tones in the flute not only deals with microtonality but also creates a new listening context; a trumpet player playing their instrument into a tin of water not only opens new acoustic possibilities for the instrument but also changes the theatrical role of the player in the concert. The catalogue of physical curiosities is subordinated to the creation of different ways of thinking the instrument, working in the abstract zone where the instrument loses its familiarity and becomes invisible. Musica invisible aims at combining the composers' view together with the performer's experience, as two complementary sides of the musical composition process." Duration: 15 minutes Source A related resource from which the described resource is derived Cecilia Arditto (personal website), <a href="https://wordpress.ceciliaarditto.com/musica-invisible/">https://wordpress.ceciliaarditto.com/musica-invisible/</a> Cecilia Arditto (works), <a href="https://wordpress.ceciliaarditto.com/works-post-wp/">https://wordpress.ceciliaarditto.com/works-post-wp/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- Arditto, Cecilia (b. 1966) solo trumpet / trompette Musical Work / Ouvrage musical Ensemble Type solo Instrumentation double bass / contrebasse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Sonata para Contrabajo Solo Date A point or period of time associated with an event in the lifecycle of the resource 2016 Creator An entity primarily responsible for making the resource Martin, Andrés Description An account of the resource Argentinian composer Andrés Martin's "Sonata para contrabajo solo" has four movements: I. Solo - Lento recitativo 2. Vacío - Tristísimo 3. Coraje - Moderato 4. Grita - Reciativo Duration: 18 minutes Source A related resource from which the described resource is derived Andrés Martin (personal website), <a href="https://www.andresmartin.net/">https://www.andresmartin.net/</a> DaddarioOrchestra, "Andrés Martín: Sonata for Solo Double Bass" (YouTube), <a href="https://www.youtube.com/watch?v=u17C1gPB7z0&ab_channel=DaddarioOrchestral">https://www.youtube.com/watch?v=u17C1gPB7z0&ab_channel=DaddarioOrchestral</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- double bass / contrebasse Martin, Andrés solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation double bass / contrebasse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Juan Soldado Suite Date A point or period of time associated with an event in the lifecycle of the resource 2009 Creator An entity primarily responsible for making the resource Martin, Andrés Description An account of the resource Argentinian composer Andrés Martin wrote the "Juan Soldado Suite" for solo bass, a work with seven contrasting movements. On the website of the Juan Soldado Suite, Martin writes: "The piece uses the complete range of the instrument, exploring a variety of timbres and techniques, enriched by the use of basic electronic effects (Reverb, Delay, Chorus, etc.) which enhance the timbral variety and amplify certain harmonics and multiphonics. [...] Many of the movements of the Juan Soldado Suite are about different states of mind, such as “Rage” (musically describing Juan Soldado running for his life and the executors shooting him, watched by many of Tijuana´s citizens who wanted justice and to see him die…) or the “Elegy”, which imagines what Juan Soldado sang to himself when informed that he was sentenced to die. “The Myth” describes how the stories and rumors that began surfacing after his death grew and grew, until they brought to life the Myth of Juan Soldado, the Saint of Migrants. How can someone start as a murderer and rapist and end up being a Saint??? The Juan Soldado Suite does not intend to tell a linear story or be a descriptive work. The piece is inspired by this particular story, but also speaks to broader human ideas and experiences. Some movements of the Juan Soldado Suite for Solo Bass are currently published by the American publisher Really Good Music and can be purchased at their website: <a href="https://www.reallygoodmusic.com">www.reallygoodmusic.com</a>." Duration: 15 minutes Source A related resource from which the described resource is derived Andrés Martin (personal website), <a href="https://www.andresmartin.net/">https://www.andresmartin.net/</a> Juan Soldado Suite (website), <a href="https://juansoldadosuite.wordpress.com/about/">https://juansoldadosuite.wordpress.com/about/</a> Rob Catinella, "Andrés Martin, Juan Soldado Suite - Elegia" [2nd movement] (YouTube), <a href="https://www.youtube.com/watch?v=BHNvQFJp7ec&ab_channel=RobertCatinella">https://www.youtube.com/watch?v=BHNvQFJp7ec&ab_channel=RobertCatinella</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- double bass / contrebasse Martin, Andrés solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Wood That Sings Date A point or period of time associated with an event in the lifecycle of the resource 2019 Creator An entity primarily responsible for making the resource Davids, Brent Michael Description An account of the resource American Indian citizen of the Stockbridge-Munsee Band of the Mohican Nation, Brent Michael Davids' "Wood That Sings" was composed for solo violin. As written on the composer's website, "Wood That Sings is composed for solo viiolin with scordatura re-tuning of its low string, evokes the rhythms and refrains of the single-stringed Apache violin. The Western violin's G string is tuned down to a low A in bass clef, creating the characteristic 'buzzy' quality that spawned the Apache violin's 'buzzer' nickname. The work contains an Apache violin-like melody and the rhythms borrow from both the duple and triple beats of indigenous songs. Western musical techniques are also incorporated, such as double, triple and quadruple stops, harmonic and tritone sonorities, and printed music notation, all of which do not occur in traditional Apache violin songs. Often twisting and leaping from one to another, the indigenous and western phrases bounce like horsehair bows would dance on either a Western or Apache stringed instrument. The work is intended to be a strong, challenging, virtuosic, shake-a-leg experience for both performer and audience." The work was comissiooned by Dr. Katherine McLin and edited by Michael DiBarry. Source A related resource from which the described resource is derived Brent Michael Davids (bio), <a href="https://www.seeadot.com/composers/brent-michael-davids">https://www.seeadot.com/composers/brent-michael-davids</a> Brent Michael Davids, Wood That Songs (score), <a href="https://www.brentmichaeldavids.com/store.html?fbclid=IwAR16g-1W6FQn5sp_5UTazLAgwFR-sL_yOxhPyRrX_T-csgknNcZrqEzl4VI#">https://www.brentmichaeldavids.com/store.html?fbclid=IwAR16g-1W6FQn5sp_5UTazLAgwFR-sL_yOxhPyRrX_T-csgknNcZrqEzl4VI#</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Davids, Brent Michael solo violin / violon Musical Work / Ouvrage musical Ensemble Type solo Instrumentation viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Sonoran Storm Date A point or period of time associated with an event in the lifecycle of the resource 2016 Creator An entity primarily responsible for making the resource Ngwenyama, Nokuthula (b. 1976) Description An account of the resource American composer of Zimbabwean (Ndebele) and Japanese descent Nokuthula Ngwenyama composed "Sonoran Storm" for viola in 2016. As liner notes describe: "Humidity rises in the desert. That scorch blaster hitting teh face feels fuller and expectant upon exit. Haboob dust causes a metal gate to clang. It's bulging brown outside. Feet scamper across parched earth as clouds approach. Expanding into the atmosphere, they amass to quench aridity's obsession. Anti-trades carry sea moisture across Baja California to the Sierra Madres during the monsoons. It drifts north across el Camino del Diablo and swirls above the Mogollon Rim. Cumulus giants, made stronger by el Nino, dwart the eastern landscape. The sun sets, the earth cools, and the desert braces for thermal dynamism. Tree branches partner with updrafts while downdrafts pelt the land. Angular veins shoot through darkness. Thunder rumbles with an abusive baritone's vigor while the saguaro leads succulents in thirsty supplication, arms toward the sky. Statis tendrils demand audience: jagged voltage constructs melody in joyful obeisance. Virga stop teasing as ten miles of heaven drop to the floor (section A). Big weather enjoys a snail-paced game of bumper cars, reforming whilst aboreal cards stand empty. It's calm. Is it over? Abated leaves bathe in temporary starlight (section B). But summer westerlies do not relent, and another thunderhead descends. The romp resumes, culminating in a celebration of renewal and life (section A1). Sonoran Storm received its world premiere April 15, 2016 in Zipper Hall at The Colburn School in Los Angeles with members of the advanced modern dancers chorographed by Tamsin Carlson." See full notes: <a href="https://thulamusic.com/sonoranstormbooklet/">https://thulamusic.com/sonoranstormbooklet/</a> Source A related resource from which the described resource is derived Nokuthula Endo Ngwenyama (personal website), <a href="https://thulamusic.com/">https://thulamusic.com/</a> Nokuthula Endo Ngwenyama (Wikipedia), <a href="https://en.wikipedia.org/wiki/Nokuthula_Ngwenyama">https://en.wikipedia.org/wiki/Nokuthula_Ngwenyama</a> Red Rocks Music Festival, "Sonoran Storm" (YouTube), <a href="https://www.youtube.com/watch?v=JYhiDCOuJuA">https://www.youtube.com/watch?v=JYhiDCOuJuA</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- Ngwenyama, Nokuthula (b. 1976) solo viola / violon-alto Musical Work / Ouvrage musical Ensemble Type solo Instrumentation double bass / contrebasse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Between Worlds Date A point or period of time associated with an event in the lifecycle of the resource 2019 Creator An entity primarily responsible for making the resource Simon, Carlos (b. 1986) Description An account of the resource African-American composer, curator and activist Carlos Simon wrote "Between Worlds" for solo violin or cello or solo double bass. The text related to the project and its title are borrowed from and organized in relation to Leslie Umberger's Smithsoninan American Art Museum exhibit Between Worlds: The ARt of Bill Traylor, the first major retrospective organized for an artist born into slavery. From the composer's website: "Bill Traylor was born a slave in Alabama in 1853 and died in 1949. He lived long enough to see the United States of America go through many social and political changes. He was an eyewitness to the Civil War, Emancipation, Reconstruction, Jim Crow segregation and the Great Migration. As a self taught visual artist, his work reflects two separate worlds— rural and urban, black and white, old and new. In many ways the simplified forms in Traylor’s artwork tell of the complexity of his world, creativity, and inspiring bid for self-definition in a dehumanizing segregated culture. This piece is inspired by the evocative nature as a whole and not one piece by Traylor. Themes of mystical folklore, race, and religion pervade Traylor’s work. I imagine these solo pieces as a musical study; hopefully showing Traylor’s life between disparate worlds." Duration: 4 minutes Source A related resource from which the described resource is derived Carlos Simon (personal website), <a href="https://www.carlossimonmusic.com/">https://www.carlossimonmusic.com/</a> Carlos Simon, Between Worlds (score), <a href="https://www.carlossimonmusic.com/works/between-worlds-2">https://www.carlossimonmusic.com/works/between-worlds-2</a> University of Michigan School of Music, Theatre & Dance, "Celebrating MLK // Between Worlds by Carlos Simon // Bethlehem Kelley, violin" (YouTube), <a href="https://www.youtube.com/watch?v=am8hSZSsSgE&ab_channel=UniversityofMichiganSchoolofMusic%2CTheatre%26Dance">https://www.youtube.com/watch?v=am8hSZSsSgE&ab_channel=UniversityofMichiganSchoolofMusic%2CTheatre%26Dance</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- double bass / contrebasse Simon, Carlos (b. 1986) solo