17 10 296 Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Rhapsody no. 1 Date A point or period of time associated with an event in the lifecycle of the resource 2014 Creator An entity primarily responsible for making the resource Montgomery, Jessie (b. 1981) Description An account of the resource African-American composer Jessie Montgomery wrote "Rhapsody No. 1" for herself. As included in her program notes on her website, the Rhapsody "draws on inspiration from the Eugène Ysaÿe solo works and is intended to serve as both an étude and a stand-alone work. This piece is intended to be part of a set of 6 solo works, each of which will be inspired by an historical composer.  Visit <a href="https://www.jessiemontgomery.com/works/solo-and-duo/">Jessie Montgomery's website</a>. Duration: 7.5 minutes Source A related resource from which the described resource is derived Jessie Montgomery (personal website), <a href="https://www.jessiemontgomery.com/">https://www.jessiemontgomery.com/</a> Jessie Montgomery (works list, access to recording and score), <a href="https://www.jessiemontgomery.com/works/solo-and-duo/">https://www.jessiemontgomery.com/works/solo-and-duo/</a> Oregon Symphony, "Rhapsody No. 1, Jessie Montgomery" (YouTube), <a href="https://www.youtube.com/watch?v=3JLb_nAnLC8&ab_channel=OregonSymphony">https://www.youtube.com/watch?v=3JLb_nAnLC8&ab_channel=OregonSymphony</a> Jessie Montgomery, Rhapsody No. 1 (score), <a href="https://www.notationcentral.com/product/rhapsody-no-1-for-solo-violin/">https://www.notationcentral.com/product/rhapsody-no-1-for-solo-violin/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Sold by Jessie Montgomery Music Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Montgomery, Jessie (b. 1981) solo violin / violon Musical Work / Ouvrage musical Ensemble Type duo Instrumentation trombone electronics / électronique Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Amber Waves Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource Williams, Evan (b. 1988) Description An account of the resource African American composr and conductor Evan Williams wrote "Amber Waves" for trombone and interactive electronics. As written on the composer's website: Amber Waves is a reflection on my upbringing in the Midwest. I grew up (and my family still lives) on a street called Wheatfield Road, in the south suburbs of Chicago. This street is near a farm which grows wheat and corn. This improvisatory work pays homage to the simplicity, beauty, and vast openness of that place, and areas like it throughout the Midwest." Duration: 11 minutes Source A related resource from which the described resource is derived Evan Williams (personal website), <a href="https://www.evanwilliamsmusic.info">https://www.evanwilliamsmusic.info</a> Evan Williams, Amber Waves (description and recording), <a href="https://www.evanwilliamsmusic.info/amber-waves.html">https://www.evanwilliamsmusic.info/amber-waves.html</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- duo electronics / électronique trombone Williams, Evan (b. 1988) Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Four Portraits for Violin Date A point or period of time associated with an event in the lifecycle of the resource 2016 Creator An entity primarily responsible for making the resource Childs, Billy (b. 1957) Description An account of the resource Black composer, jazz pianist, arranger and conductor Billy Childs comosed "Four Portraits for Violin" on commission from Rachel Barton Pine. The premiere took place in 2017 by Rachel Barton Pine at the University of Kentucky. The work contains four movements: 1. Prelude and Allegro 2. Adagio Lirico 3. Pavane 4. Gigue. Source A related resource from which the described resource is derived Billy Childs (personal website), https://billychilds.com/ Billy Childs (Wikipedia), <a href="https://en.wikipedia.org/wiki/Billy_Childs">https://en.wikipedia.org/wiki/Billy_Childs</a> Billy Childs, Four Portraits : for solo violin (score), <a href="https://www.tfront.com/p-500695-four-portraits-for-solo-violin.aspx">https://www.tfront.com/p-500695-four-portraits-for-solo-violin.aspx</a> Grant Park Music Festival, "An Evening with Rachel Barton Pine and Billy Childs" (YouTube), <a href="https://www.youtube.com/watch?v=1ELDCoeYd9M">https://www.youtube.com/watch?v=1ELDCoeYd9M</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- Childs, Billy (b. 1957) solo violin / violon Musical Work / Ouvrage musical Ensemble Type solo Instrumentation bassoon / basson lute / luth viola / violon-alto bass clarinet / clarinette basse recorder / flûte à bec oboe / hautbois piano double bass / contrebasse hands / mains celesta / célesta clarinet / clarinette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource The Crown Suite Date A point or period of time associated with an event in the lifecycle of the resource ca. 2020 Creator An entity primarily responsible for making the resource Alabaca, Ahmed Description An account of the resource Black composer, conductor, songwriter, pianist and communiity facilitator, Ahmed Alabaca wrote "The Crown Suite" during the Covid-19 pandemic. Alabaca included the following description on their website: "A musical journey reflecting the emotional and physical weight of living through a global pandemic. What is the Crown Suite? When Los Angeles enforced stay at home orders, composer Ahmed Alabaca decided to compose a piece for a different instrument every day of the order. Ahmed asked Facebook what instruments should they write for and like that a 40+ list was formed. Initially the decision was for the sole purpose to stay busy and creative, but then Ahmed got to thinking 'This would be a great way to showcase not only my music, but also showcase all the Black and Brown musicians that are out there, along with educating communities on all the different instruments that exist'." 1. The Crown Suite Day 1 "The Bassoon" (4:04 min) 2. The Crown Suite Day 2 "The Lute Yeet" (3:50 min) 3. The Crown Suite Day 3 "The Viola" Maybe 19 Months?! (4:50 min) 4. The Crown Suite Day 4 "The Bass Clarinet" Smoke City (3:01 min) 5. The Crown Suite Day 5 "The Recorder" Farewell Wafa (4:16 min) 6. The Crown Suite Day 6 "The Oboe" Alone (4:14 min) 7. The Crown Suite Day 7 "The Piano" Cash in the Can Rag (5:38 min) 8. The Crown Suite Day 8 "The Upright Bass" Unexpected Guest (4:38 min) 9. The Crown Suite Day 9 "The Hand Duet" I Got You Babe (3:21 min) 10. The Crown Suite Day 17 "The Celesta" (1:47 min) 11. The Crown Suite Day 20 "The Bb Clarinet" (3:28 min) Duration: 42 minutes Source A related resource from which the described resource is derived Ahmed Alabaca (personal website), <a href="https://www.ahmedalabaca.com/the-crown-suite">https://www.ahmedalabaca.com/the-crown-suite</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Alabaca, Ahmed bass clarinet / clarinette basse bassoon / basson celesta / célesta clarinet / clarinette double bass / contrebasse hands / mains lute / luth oboe / hautbois piano recorder / flûte à bec solo viola / violon-alto Musical Work / Ouvrage musical Ensemble Type solo Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Danza De La Mariposa Date A point or period of time associated with an event in the lifecycle of the resource 2008 Creator An entity primarily responsible for making the resource Coleman, Valerie Description An account of the resource Black composer Valerie Coleman's "Danza de la Mariposa" "is a rhythmic, melodic tone poem, giving the listener a tour of South America. Inspired by the various species of butterflies inhabiting the continent, this work is full of rich color, with butterflies dancing and weaving in syncopated rhythms while alternating between the feel of 3 over 4 throughout. Its slower sections pay homage to the beautiful and sorrowful sounds in the style of Yaravi, a Peruvian lament song. The melodies and rhythm eventually evolve into the spirit and syncopation of Argentinean concert tango, and the conclusion returns to the feel of Yaravi. For advanced players." (from publisher's website) Duration: 7 minutes Source A related resource from which the described resource is derived Valerie Coleman, Danza de la Mariposa (Dance of the Butterfly) (score), <a href="https://www.flute4u.com/Coleman-V-Danza-de-la-Mariposa-Dance-of-the-Butterfly.html">https://www.flute4u.com/Coleman-V-Danza-de-la-Mariposa-Dance-of-the-Butterfly.html</a> FlutistSarahMiles, "Danza de la Mariposa" for solo flute by Valerie Coleman; Performed by Sarah Miles" (YouTube), <a href="https://www.youtube.com/watch?v=5WodsjApuyY&ab_channel=FlutistSarahMiles">https://www.youtube.com/watch?v=5WodsjApuyY&ab_channel=FlutistSarahMiles</a> Valerie Coleman, Danza de la Mariposa (score), <a href="https://www.fluteworld.com/product/danza-de-la-mariposa/">https://www.fluteworld.com/product/danza-de-la-mariposa/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Theodore Presser Company Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Coleman, Valerie flute / flûte solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation double bass / contrebasse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Tableau No. V Date A point or period of time associated with an event in the lifecycle of the resource 2019 Creator An entity primarily responsible for making the resource Davis, Tyson (b. 2000) Description An account of the resource Black composer Tyson Gholston Davis wrote "Tableau No. V" as part of a series of solo pieces. Each work, as the composer reflected, is for a different solo instrument and explores the expressive possibilities. Some composers of the latter half of the 20th century have explored this idea, notably Luciano Berio (14 Sequenzas), Vincent Persichetti (25 Parables), and Elliott Carter (6 Figments and 5 Retrachings). Coincidentally, these are some of my favorite composers. This Tableau was written for my friend Andrew Gantzer (Juilliard '23)." (See YouTube video in sources) Duration: 4 minutes Source A related resource from which the described resource is derived Tyson Davis (personal website), <a href="https://tysongholsdaviscomposer.com/">https://tysongholsdaviscomposer.com/</a> Tyson Davis, Tableau No. V (score), <a href="https://www.bassplayersforblackcomposers.com/scores/p/davis-tableau-no-v">https://www.bassplayersforblackcomposers.com/scores/p/davis-tableau-no-v</a> Tyson Gholston Davis, "Tyson Gholston Davis: Tableau No. V, for solo double bass (2019)" (YouTube), <a href="https://www.youtube.com/watch?v=j06JXhN3R5w&ab_channel=TysonGholstonDavis">https://www.youtube.com/watch?v=j06JXhN3R5w&ab_channel=TysonGholstonDavis</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Davis, Tyson (b. 2000) double bass / contrebasse solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation guitar / guitare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Soldier's Sonata Date A point or period of time associated with an event in the lifecycle of the resource 2007 Creator An entity primarily responsible for making the resource Flippin, Thomas Description An account of the resource Black composer Thomas Flippin's "A Soldier's Sonata" (2007, rev. 2020) depicts the psyche of a soldier in conflict. As indicated on the composer's website, it was "based on my relationships with Bosnian musicians Denis Azabagic and Vesna Mehinovic. Premiered in full at the Norfolk Music Festival, 2007. First movement is optional." Duration: 9 minutes Source A related resource from which the described resource is derived Thomas Flippin, A Soldier's Sonata (score), <a href="https://thomasflippin.com/products/a-soldiers-sonata">https://thomasflippin.com/products/a-soldiers-sonata</a> Thomas Flippin, A Soldier's Sonata (Spotify), <a href="https://open.spotify.com/album/76AddejumgqqS2ny4FFMOn?si=XgL4s1kRRnycRSlWsbaRaQ&nd=1">https://open.spotify.com/album/76AddejumgqqS2ny4FFMOn?si=XgL4s1kRRnycRSlWsbaRaQ&nd=1</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Flippin, Thomas guitar / guitare solo Musical Work / Ouvrage musical Ensemble Type duo Instrumentation guitar / guitare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Ten Kingdoms Date A point or period of time associated with an event in the lifecycle of the resource 2012 Creator An entity primarily responsible for making the resource Flippin, Thomas Description An account of the resource Black composer Thomas Flippin composed "Ten Kingdoms" (2014) based on the writings of Bartolome de las Casas. The composition was premiered in part with Madeleine Davidson at the Brooklyn Conservatory of Music in October 2012, and later in part with Christopher Mallett at Sheldon Concert Hall and Placitas New Mexico. I. Sail -- “Those that arriv'd ...from the remotest parts of Spain, and who pride themselves in the Name of Christians.” II. Trudge -- “Inhabitants would soon have wrought away their lives by hard working in the Mines, so that [the Spanish Prefect] might accumulate Gold by their bodies and Souls." III. Breathe -- “There can be nothing more cruel and detestable than the tyrannical usage of the Spainiards towards the Indians in their Pearl Fishing...If [they] rest themselves the Hangman is immediately upon them in a canoe... beating them [and] dragging them by the hair underwater, that they may drudge again.” Duration: 8 minutes Source A related resource from which the described resource is derived Thomas Flippin, Ten Kingdoms (score), <a href="https://thomasflippin.com/products/ten-kingdoms-for-guitar-duo">https://thomasflippin.com/products/ten-kingdoms-for-guitar-duo</a> CCM Guitar Studio, "Ten Kingdoms - Thoomas Flippin" (YouTube), <a href="https://www.youtube.com/watch?v=Ew0r8H9gdpo">https://www.youtube.com/watch?v=Ew0r8H9gdpo</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- duo Flippin, Thomas guitar / guitare Musical Work / Ouvrage musical Ensemble Type solo Instrumentation guitar / guitare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Scenes From America Date A point or period of time associated with an event in the lifecycle of the resource 2012 Creator An entity primarily responsible for making the resource Flippin, Thomas Description An account of the resource Black composer Thomas Flippin composed "Scenes from America" (2012) to depict the "transition from childhood to adulthood across three American scenes." I. Salt Creek, CA II. Chicago, IL III. New York Minute The work was premiered in part by Kenji Haba for Vox Novus series in NYC in 2011 and later premiered in full at the St. Louis Botanical Gardens Theater. Duration: 7 minutes Source A related resource from which the described resource is derived Thomas Flippin, Scenes from America (score), <a href="https://thomasflippin.com/products/scenes-from-america">https://thomasflippin.com/products/scenes-from-america</a> Emmanuel Lacopo, "Scenes from America // Thomas Flippin" (YouTube), <a href="https://www.youtube.com/watch?v=e1ALYOSysJc">https://www.youtube.com/watch?v=e1ALYOSysJc</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Vellini Publications Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Flippin, Thomas guitar / guitare solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation guitar / guitare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Neverland Date A point or period of time associated with an event in the lifecycle of the resource 2008 Creator An entity primarily responsible for making the resource Flippin, Thomas Description An account of the resource Black composer Thomas Flippin composed "Neverland" (2008) as a musical narrative based on a dream. The work was premiered in part by Dr. Julie Goldberg at Vandercook College of Music in Chicago (2007) and premiered in full at Yale University in 2008. I. Summons II. Feast III. Game Duration: 8 minutes Source A related resource from which the described resource is derived Thomas Flippin, Neverland (score), <a href="https://thomasflippin.com/products/iv2df8o5ge1hd9csyi3qis6l6tclx8">https://thomasflippin.com/products/iv2df8o5ge1hd9csyi3qis6l6tclx8</a> Thomas Flippin, Neverland (Spotify), <a href="https://open.spotify.com/album/76AddejumgqqS2ny4FFMOn?si=XgL4s1kRRnycRSlWsbaRaQ&nd=1">https://open.spotify.com/album/76AddejumgqqS2ny4FFMOn?si=XgL4s1kRRnycRSlWsbaRaQ&nd=1</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Flippin, Thomas guitar / guitare solo