19 10 296 Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Darshan Date A point or period of time associated with an event in the lifecycle of the resource 2018 Creator An entity primarily responsible for making the resource Esmail, Reena (b. 1983) Description An account of the resource Indian American composer Reena Esmail works between the worlds of Indian and Western classical music, and brings communities together through the creation of equitable musical spaces. As written in the program notes made available on her website: "Darshan means ‘seeing’ in Hindi. In the Hindu religion, to give ‘darshan’ is to see and worship God. As Vijay and I worked on this music together over three years, we began to see the divine in one another. This movement, in Raag Charukeshi, is the first movement of five, which will be written over a span of five years. It explores grief, in its many facets and forms." "Darshan" was commissioned by Vijay Gupta. It was first premiered (in its first iteration) with Taos New Music Group in Taos, New Mexico on September 22, 2018. Access the audio guide: <a href="https://www.reenaesmail.com/catalog-item/darshan/">https://www.reenaesmail.com/catalog-item/darshan/</a> Duration: 5.5 minutes Source A related resource from which the described resource is derived Reena Esmail, Darshan (program notes, personal website), <a href="https://www.reenaesmail.com/catalog-item/darshan/">https://www.reenaesmail.com/catalog-item/darshan/</a> Vijay Gupta, "Darshan - Charukeshi: Reena Esmail - Vijay Gupta, violin" (YouTube), <a href="https://www.youtube.com/watch?v=ArzRqKm_seU&ab_channel=VijayGupta">https://www.youtube.com/watch?v=ArzRqKm_seU&ab_channel=VijayGupta</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Esmail, Reena (b. 1983) solo violin / violon Musical Work / Ouvrage musical Ensemble Type solo Instrumentation double bass / contrebasse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Alaap in Raag Des Date A point or period of time associated with an event in the lifecycle of the resource 2021 Creator An entity primarily responsible for making the resource Bass, Sophia J. Description An account of the resource Indian American composer Sophia J. Bass composed "Alaap in Raag Des" for solo bass. The work was commissioned by Bass Players for Black Composers (BPBC) - (04/2021 to (06/2021). Duration: 7 minutes Source A related resource from which the described resource is derived Sophia J Bass (personal website), sophiajbass.com/cv Sophia J. Bass, Alaap in Raag Des (score), <a href="https://www.bassplayersforblackcomposers.com/scores/p/j4nuaaynyrg16tmylvo9wdctfm8at6">https://www.bassplayersforblackcomposers.com/scores/p/j4nuaaynyrg16tmylvo9wdctfm8at6</a> Bass Players for Black Composers, "BPBC Presents: Alaap in Raag Des by Sophia Bass || Michael Martin, double bass" (YouTube), <a href="https://www.youtube.com/watch?v=Wc5GT29lPHc&ab_channel=BassPlayersForBlackComposers">https://www.youtube.com/watch?v=Wc5GT29lPHc&ab_channel=BassPlayersForBlackComposers</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Bass, Sophia J. double bass / contrebasse solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Perfect Storm Date A point or period of time associated with an event in the lifecycle of the resource 2010 Creator An entity primarily responsible for making the resource Ran, Shulamit (b. 1949) Description An account of the resource Israeli-born American composer Shulamit Ran composed "Perfect Storm" for viola in 2010. Notes on the publisher's website state: "Melia Watras, a foremost performing violist and professor of viola, has commissioned a good number of composers for new works for her instrument. In her commission of Ran, she requested that a starting point be an excerpt from any established work in the viola's repertoire of Ran's choosing. Ran immediately turned to the haunting viola solo passage from Luciano Berio's Black Is the Color (from Folksongs). While the Berio is infused throughout Ran's Perfect Storm, she has crafted a sonic landscape of varied mood, using an array of the violist's skills and techniques in an impressive concert work. See a video excerpt on YouTube from the world premiere, which includes a discussion of the work by Ran and Watras." Dedication: In spirited gratitude to Melia Watras for her ispirare project, and to my "viola iinspiration" -- Black is the Color...from Folk Songs (1964) by Luciano Berio Duration: 10.5 minutes Source A related resource from which the described resource is derived Shulamit Ran (Wikipedia), <a href="https://en.wikipedia.org/wiki/Shulamit_Ran">https://en.wikipedia.org/wiki/Shulamit_Ran</a> Shulamit Ran, Perfect Storm (score), <a href="https://www.presser.com/114-41510-perfect+storm.html">https://www.presser.com/114-41510-perfect+storm.html</a> Shulamit Ran, Perfect Storm (Spotify), <a href="https://open.spotify.com/album/3i4AP1V1M33ehvjPT5cMhu?highlight=spotify:track:0bRftmcUXakkDd1qeFyMlN">https://open.spotify.com/album/3i4AP1V1M33ehvjPT5cMhu?highlight=spotify:track:0bRftmcUXakkDd1qeFyMlN</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Theodore Presser Company Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- Ran, Shulamit (b. 1949) solo viola / violon-alto Musical Work / Ouvrage musical Ensemble Type solo Instrumentation viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Sonata I "Whirl Dance" Date A point or period of time associated with an event in the lifecycle of the resource 2005 Creator An entity primarily responsible for making the resource Nishimura, Akira (b. 1953) Description An account of the resource Japanese composer Akira Nishimura composed "Whirl Dance" for solo viola. Duration: 9 minutes Source A related resource from which the described resource is derived Akiira Nishimura (Wikipedia), <a href="https://en.wikipedia.org/wiki/Akira_Nishimura">https://en.wikipedia.org/wiki/Akira_Nishimura</a> Hanna Lee, "Akira Nishimura Sonata for Solo Viola No.1 'Whirl Dance'" (YouTube), <a href="https://www.youtube.com/watch?v=j1gbNS_Si_o&ab_channel=HannaLee">https://www.youtube.com/watch?v=j1gbNS_Si_o&ab_channel=HannaLee</a> Akira Nishimura, Sonata I "Whirl Dance" (score), <a href="https://www.stretta-music.com/en/akira-sonatas-1-2-nr-488375.html">https://www.stretta-music.com/en/akira-sonatas-1-2-nr-488375.html</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Nishimura, Akira (b. 1953) solo viola / violon-alto Musical Work / Ouvrage musical Ensemble Type solo Instrumentation horn / cor Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource PoyoPoyo Date A point or period of time associated with an event in the lifecycle of the resource 2012 Creator An entity primarily responsible for making the resource Fujikura, Dai (b. 1977) Description An account of the resource Japanese composer Dai Fujikura wrote "Poyopoyo" on commission from Nobuaki Fukukawa, to whom the composition is also dedicated. This one movement work was premiered in Nagoya, October 2012. A highly challenging work for unaccompanied horn. On his website, Fujikura writes: "In Japanese the word poyopoyo describes something soft and squidgy, with a velvety texture - like the cheek of a four month old baby, which is how old my daughter was when I wrote this work. I experimented many things with the horn player Nobuaki Fukukawa whom the work was written for. I wanted to find a sound which is the antithesis of the stereotypical horn sound. To me the horn often sounds big and macho, and plays fanfare like music. I looked for sensitive, quiet, soft, and poetic sounds to symbolise poyopoyo. I experimented with the player over online video conferencing to get this effect. We settled on using a bass trombone harmon mute or a specially made harmon mute for horn. The player can open or close the mute with his hand to make the wah-wah effect, and throughout this piece the speed of this wah-wah effect varies to represent poyopoyo." Duration: 9 minutes Source A related resource from which the described resource is derived Dai Fujikura, "Dai Fujikura - poyopoyo for horn" (YouTube), <a href="https://www.youtube.com/watch?v=IcC0n-YhMx8&ab_channel=DaiFujikura">https://www.youtube.com/watch?v=IcC0n-YhMx8&ab_channel=DaiFujikura</a> Dai Fujikura, Poyopoyo : For Horn (2012) (score), <a href="https://www.tfront.com/p-431868-poyopoyo-for-horn-2012.aspx">https://www.tfront.com/p-431868-poyopoyo-for-horn-2012.aspx</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Ricordi Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Fujikura, Dai (b. 1977) horn / cor solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Samarasa Date A point or period of time associated with an event in the lifecycle of the resource 2014 Creator An entity primarily responsible for making the resource Fujikura, Dai (b. 1977) Description An account of the resource Japanese composer Dai Fujikura's "Samarasa" was composed in 2010 with a new version in 2014. As written on his website, Fujikura states: "'Samarasa' is a rough translation for 'mind at rest' in Sanskrit. I composed this piece for the violinist Hae-Sun Kang who is with Ensemble InterContemporain, commissioned by the Messiaen Festival which takes place in the French Alps. As I set to work on this piece, my focus fell on the right arm of the performer and the movement and speed of the bow. Whereas contemporary music tends to focus on the pitches (which would be the performer’s “left hand”, and its fingering) - and quite understandably so - I was more fascinated with the right arm, as was the case with my viola piece “flux”. The first part begins with the same note being played alternately on three strings, where the violinist’s bow maintains its normal movement while the “left hand” shifts geographically on violin’s fingerboard. This unconventional method produces an irregular kind of melody. During the compositional process I tried drawing the neck of a violin on a piece of paper and placing my fingers along it. The constant cross-string technique employed in the piece is another “unnatural” characteristic unique to string instruments." Duration: 9 minutes Source A related resource from which the described resource is derived Dai Fujikura, "Dai Fujikura - 'Samarasa' (new version) for violin" (YouTube), <a href="https://www.youtube.com/watch?v=CW0sCWPvaj0">https://www.youtube.com/watch?v=CW0sCWPvaj0</a> Dai Fujikura, Samarasa (score), <a href="https://www.prestomusic.com/sheet-music/products/7635905--dai-fujikura-samarasa">https://www.prestomusic.com/sheet-music/products/7635905--dai-fujikura-samarasa</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Ricordi Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Fujikura, Dai (b. 1977) solo violin / violon Musical Work / Ouvrage musical Ensemble Type solo Instrumentation viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Transformation III on five fragments of J.S. Bach for viola Date A point or period of time associated with an event in the lifecycle of the resource 2018 (published) Creator An entity primarily responsible for making the resource Nodaira, Ichiro (b. 1953) Description An account of the resource Japanese composer Ichiro Nodaira composer "Transformations III" on 5 Fragments of J.S. Bach for viola. Duration: 11 minutes Source A related resource from which the described resource is derived Ichiro Nodaira (personal website), <a href="https://ichironodaira.jp/profile-en/">https://ichironodaira.jp/profile-en/</a> Luosha Fang, "Ichiro Nodaira: TRANSFORMATION III on five fragments of J.S.Bach for viola----Luosha Fang" (YouTube), <a href="https://www.youtube.com/watch?v=lxx_iW1NuSI&ab_channel=LuoshaFang">https://www.youtube.com/watch?v=lxx_iW1NuSI&ab_channel=LuoshaFang</a> Ichiro Nodaira, Transformations III (score), <a href="https://www.sheetmusicplus.com/title/transformation-iii-sur-cinq-fragments-de-j-s-bach-sheet-music/21675810">https://www.sheetmusicplus.com/title/transformation-iii-sur-cinq-fragments-de-j-s-bach-sheet-music/21675810</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- Nodaira, Ichiro (b. 1953) solo viola / violon-alto Musical Work / Ouvrage musical Ensemble Type duo Instrumentation horn / cor piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Enchanted Forest Date A point or period of time associated with an event in the lifecycle of the resource 2013 Creator An entity primarily responsible for making the resource Tanaka, Karen (b. 1961) Description An account of the resource Japanese composer Karen Tanaka's "Enchanted Forest" was composed for horn and piano. The work is in three movements: 1. In the Woods 2. Whiispers in the Wind 3. Enchanged Forest The work was commissed by and written for Nobuaki Fukukawa and Yurie Miura. Premiered in Tokyo in July 2013. Duration: 12 minutes Source A related resource from which the described resource is derived Karen Tanaka (Wikipedia), <a href="https://en.wikipedia.org/wiki/Karen_Tanaka">https://en.wikipedia.org/wiki/Karen_Tanaka</a> Karen Tanaka, Enchanted Forest (score), <a href="https://www.tfront.com/p-362247-enchanted-forest-for-horn-and-piano-2013.aspx">https://www.tfront.com/p-362247-enchanted-forest-for-horn-and-piano-2013.aspx</a> Escola de Musica da UFRN, "Karen Tanaka, Enchanted Forest" (YouTube), <a href="https://www.youtube.com/watch?v=J5IM6pf8a64&ab_channel=EscoladeM%C3%BAsicadaUFRN">https://www.youtube.com/watch?v=J5IM6pf8a64&ab_channel=EscoladeM%C3%BAsicadaUFRN</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Project Schott New York Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- duo horn / cor piano Tanaka, Karen (b. 1961) Musical Work / Ouvrage musical Ensemble Type solo Instrumentation horn / cor Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Kleine Blume Date A point or period of time associated with an event in the lifecycle of the resource 2018 Creator An entity primarily responsible for making the resource Hosokawa, Toshio (b. 1955) Description An account of the resource Japanese composer Toshio Hosokawa's "Kleine Blume" is a one movement work written in honour of the 50th birthday of Michael Haefliger. The composition was premiered by Stefan Dohr in Bilbaeo, Spain in May 2011. Duration: 5 minutes Source A related resource from which the described resource is derived Toshio Hosokawa, Kleine Blume - for the 50th Birthday of Michael Haefliger (score), <a href="https://www.tfront.com/p-454300-kleine-blume-for-the-50th-birthday-of-michael-haefliger-for-horn.aspx">https://www.tfront.com/p-454300-kleine-blume-for-the-50th-birthday-of-michael-haefliger-for-horn.aspx</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Schott Japan 2000- horn / cor Hosokawa, Toshio (b. 1955) solo Musical Work / Ouvrage musical Ensemble Type duo Instrumentation horn / cor piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Miko Dance: Concerto for Horn in F and Orchestra Date A point or period of time associated with an event in the lifecycle of the resource 2006 Creator An entity primarily responsible for making the resource Hoshina, Hiroshi (b. 1936) Description An account of the resource Japanese composer, Hiroshi Hoshina's "Miko Dance" is a free-style concerto for solo horn and orchestra. The work was composed at the request of the Hoshina Academy Chamber Orhcestra Ensemble Harmonia. Duration: 13 minutes Source A related resource from which the described resource is derived Hiroshi Hoshina (Wind Repertory Project), <a href="https://www.windrep.org/Hiroshi_Hoshina">https://www.windrep.org/Hiroshi_Hoshina</a> Hiroshi Hoshina, Miko Dance (score), <a href="https://www.tfront.com/p-267956-miko-dance-concerto-for-horn-in-f-and-orchestra-2006-reduction-for-horn-and-piano.aspx">https://www.tfront.com/p-267956-miko-dance-concerto-for-horn-in-f-and-orchestra-2006-reduction-for-horn-and-piano.aspx</a> Philharmonic Winds HAMAMATSU, "Miko Dance for Solo Horn and Wind Orchestra by Hiroshi Hoshina" (YouTube), <a href="https://www.youtube.com/watch?v=Ibn_e9ihPPg&ab_channel=PhilharmonicWindsHAMAMATSUMusicOffice">https://www.youtube.com/watch?v=Ibn_e9ihPPg&ab_channel=PhilharmonicWindsHAMAMATSUMusicOffice</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Edition Bim Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- duo horn / cor Hoshina, Hiroshi (b. 1936) piano