22 10 296 Musical Work / Ouvrage musical Ensemble Type solo Instrumentation bassoon / basson Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Bassoon Set Date A point or period of time associated with an event in the lifecycle of the resource 2003 Creator An entity primarily responsible for making the resource Hailstork, Adolphus (b. 1941) Description An account of the resource Black composer Adolphus Cunningham Hailstork III's compositional style blends musical ideas from both the African American and European traditions. Hailstork's "Bassoon Set" was composed at the request of Geneva Southall for the students of the National Association of Negro Musicians. The work contains four movements: I. Moderato con anima II. Vivo III. Lento e teneramente IV. Allegretto Duration: 5 minutes Source A related resource from which the described resource is derived Adolphus Hailstork (personal website), <a href="https://www.adolphushailstork.com/">https://www.adolphushailstork.com/</a> Adolphus Hailstork (Wikipedia), <a href="https://en.wikipedia.org/wiki/Adolphus_Hailstork">https://en.wikipedia.org/wiki/Adolphus_Hailstork</a> Adolphus Hailstorm, Bassoon Set (score), <a href="https://www.trevcomusic.com/products/tp-41179-hailstork-bassoon-set-bsn-solo">https://www.trevcomusic.com/products/tp-41179-hailstork-bassoon-set-bsn-solo</a> Neftali Monsalves, "Valery Popov Recital Bassoon" (YouTube), <a href="https://www.youtube.com/watch?v=lChs4I6Yrgk&ab_channel=LecolionWashington-Topic">https://www.youtube.com/watch?v=lChs4I6Yrgk&ab_channel=LecolionWashington-Topic</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Theodore Presser Company Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- bassoon / basson Hailstork, Adolphus (b. 1941) solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Homeland Date A point or period of time associated with an event in the lifecycle of the resource 2018 Creator An entity primarily responsible for making the resource Loggins-Hull, Allison Description An account of the resource Black composer Allison Loggins-Hull composed "Homeland" for solo flute. Program notes on <a href="https://www.flutronix.com/shop/homeland/">flutronix.com state</a>: "'Homeland' (2018) was written shortly after Hurricane Maria stormed through Puerto Rico in 2017. Maria represented the increasing strength of natural disasters and the intense, sometimes deadly, repercussions of climate change. While this was going on, there was also a rise of political and social turmoil in the United States, and global unrest throughout the world, including the Civil War crisis in Syria. For weeks, the news was flooded with these stories. With so many people throughout the world dealing with tragic domestic issues, I began to think about the meaning of home during a crisis. What does home mean when the land has been destroyed? What does it mean when there’s been a political disaster, or a human disaster? How does a person feel patriotic when they feel unwelcomed at the same time? Homeland is a musical interpretation and exploration of those questions. The flute opens with timbral trills representing troubled waters, then transitions into passages that are anxious and distorted. There is a moment of hope and optimism, a remembrance of past struggles that have been overcome, followed by an off-putting play on the Star Spangled Banner, representing an unraveling of patriotism. In the end we come full circle, still with unanswered and unresolved questions." Commissioned by The Texas Flute Society for the 2018 Myrna Brown Competition. Duration: 6.5 minutes Source A related resource from which the described resource is derived Allison Loggins-Hull (personal website), <a href="https://allisonloggins.com/">https://allisonloggins.com/</a> Allison Loggins-Hull, Homeland (score), <a href="https://www.flutronix.com/shop/homeland/">https://www.flutronix.com/shop/homeland/</a> Tara Oconnor, "Allison Loggins-Hull: Homeland" (YouTube), <a href="https://www.youtube.com/watch?v=Ddm1pwPcOLE">https://www.youtube.com/watch?v=Ddm1pwPcOLE</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- flute / flûte Loggins-Hull, Allison solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation double bass / contrebasse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Mulch Awareness Month Date A point or period of time associated with an event in the lifecycle of the resource 2020 Creator An entity primarily responsible for making the resource Dunston, Nick (b. 1996) Description An account of the resource African American bassist and composer Nick Dunston has been named in the New York Times as an "indispensable player of th eNew York avant-garde." His composition, "Mulch Awareness Month" was composed for contrabass. The piece, as Dunston explains at the start of Samuel Zagnit's July 2020 performance on YouTube, tries to "provide with the performer a set of tools for improvising, for cultivating a sonic environment, and for then explorig that sonic environment. while also providing the performer with a sense of direction and suggestions for performing." Duration: 7.5 minutes Source A related resource from which the described resource is derived Nick Dunston: Mulch Awareness Month for solo double bass (blog and recording), <a href="https://dbbpublications.gumroad.com/l/mulchawarenessmonth">https://dbbpublications.gumroad.com/l/mulchawarenessmonth</a> Nick Dunston, Mulch Awareness Month (score), <a href="https://www.bassplayersforblackcomposers.com/scores/p/dunston-mulch-awareness-month">https://www.bassplayersforblackcomposers.com/scores/p/dunston-mulch-awareness-month</a> Bass Players for Black Composers, "Nick Dunston: Mulch Awareness Month" (YouTube), <a href="https://www.youtube.com/watch?v=iRjHMDONZ6k&ab_channel=BassPlayersForBlackComposers">https://www.youtube.com/watch?v=iRjHMDONZ6k&ab_channel=BassPlayersForBlackComposers</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- double bass / contrebasse Dunston, Nick (b. 1996) solo Musical Work / Ouvrage musical Ensemble Type duo Instrumentation harp / harpe guitar / guitare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Message in a Bottle Date A point or period of time associated with an event in the lifecycle of the resource 2016 Creator An entity primarily responsible for making the resource Abou-Afach, Kinan (b. 1977) Description An account of the resource Acclaimed Syrian-born cellist, oud player, and composer, Kinan Abou-Afach composed "Message in a Bottle" for guitar and harp. It is a suite-like work in 4 movements. <a href="https://www.kinanmusic.com/contact-2/">Contact the composer</a> for more information on the score and/or availability of a recording. Duration: unknown Source A related resource from which the described resource is derived Kinan Abou-Afach (personal website), <a href="https://www.kinanmusic.com/">https://www.kinanmusic.com/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- Abou-Afach, Kinan (b. 1977) duo guitar / guitare harp / harpe Musical Work / Ouvrage musical Ensemble Type solo Instrumentation piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource In the Bottoms Date A point or period of time associated with an event in the lifecycle of the resource 1913 Creator An entity primarily responsible for making the resource Dett, Robert Nathaniel (1882-1943) Description An account of the resource Black Canadian-American composer, organist, pianist, choral director, and music professor Robert Nathaniel Dett's "In the Bottoms", is subtitled "Suite caractéristique". The suite for piano has five movements: 1. Prelude (Night) 2. His Song 3. Honey (Humoresque) 4. Barcarolle (Morning) 5. Dance (Juba) The fifth movement of "In the Bottoms" is one of his most played works. Duration: 15 minutes Source A related resource from which the described resource is derived Robert Nathaniel Dett (Wikipedia), <a href="https://en.wikipedia.org/wiki/Robert_Nathaniel_Dett">https://en.wikipedia.org/wiki/Robert_Nathaniel_Dett</a> Robert Nathaniel Dett, "In the Bottoms" (score, IMSLP), <a href="https://imslp.org/wiki/In_the_Bottoms_(Dett,_Robert_Nathaniel)">https://imslp.org/wiki/In_the_Bottoms_(Dett,_Robert_Nathaniel)</a> SoupyMold, "Robert Nathaniel Dett, In the Bottoms (1913)" (YouTube), <a href="https://www.youtube.com/watch?v=3Um4sAWVxUg">https://www.youtube.com/watch?v=3Um4sAWVxUg</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1900-1949 Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 1900-1949 Dett, Robert Nathaniel (1882-1943) piano solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Three Visions Date A point or period of time associated with an event in the lifecycle of the resource 1936 Creator An entity primarily responsible for making the resource Grant Still, William (1895-1978) Description An account of the resource Black composer William Grant Still (known as the "Dean of Afro-American Composers") wrote the "Three Visions" suite in 1935 for solo piano. As written in the<a href="https://en.wikipedia.org/wiki/Three_Visions"> Wikipedia article</a> on this work, the composer's daughter Judith Anne Still indicated that "The three segments of the suite, Dark Horsemen, Summerland, and Radiant Pinnacle, tell the story of the human soul after death: the body expires, and the soul goes on to an apocalyptic judgment. If it is seen that the past life has been a good one, the soul may enter “heaven,” or “Summerland”. After a period of time, the soul may reincarnate to learn additional earthly lessons on the human plane. Some souls reincarnate many times in a constant circular progress toward Godly perfection." Three Visions was composed by Still for his wife, Verna Arvey, who first played the composition in Los Angeles in 1936. Duration: 11 minutes Source A related resource from which the described resource is derived William Grant Still, "Three Visions" (Wikipedia), <a href="https://en.wikipedia.org/wiki/Three_Visions">https://en.wikipedia.org/wiki/Three_Visions</a> Opus Illuminate, "William Grant Still: Three Visions" (YouTube), <a href="https://www.youtube.com/watch?v=dVnoNlG1dGY">https://www.youtube.com/watch?v=dVnoNlG1dGY</a> William Grant Still, Three Visions (score), <a href="https://musescore.com/moonlarke/william-grant-still-three-visions-1936">https://musescore.com/moonlarke/william-grant-still-three-visions-1936</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1900-1949 Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 1900-1949 Grant Still, William (1895-1978) piano solo Musical Work / Ouvrage musical Ensemble Type duo Instrumentation oboe / hautbois piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Incantation and Dance Date A point or period of time associated with an event in the lifecycle of the resource 1945 Creator An entity primarily responsible for making the resource Still, William Grant (1895-1978) Description An account of the resource Black composer William Grant Still (known as the "Dean of Afro-American Composers") wrote the "Incantation and Dance" for oboe and piano. Duration: 5.5 minutes Source A related resource from which the described resource is derived William Grant Still (website), <a href="https://williamgrantstillmusic.com/">https://williamgrantstillmusic.com/</a> William Grant Still (Wikipedia), <a href="https://en.wikipedia.org/wiki/William_Grant_Still">https://en.wikipedia.org/wiki/William_Grant_Still</a> William Grant Still, Incantation and Dance (score), <a href="https://www.sheetmusicplus.com/title/incantation-and-dance-sheet-music/4620541">https://www.sheetmusicplus.com/title/incantation-and-dance-sheet-music/4620541</a> Pedja Muzijevic, "Incantation and Dance for Oboe and Piano" (YouTube), <a href="https://www.youtube.com/watch?app=desktop&v=PitTVEfIco0">https://www.youtube.com/watch?app=desktop&v=PitTVEfIco0</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1900-1949 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1900-1949 duo guitar / guitare oboe / hautbois Still, William Grant (1895-1978) Musical Work / Ouvrage musical Ensemble Type duo Instrumentation bassoon / basson piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Sonata for Bassoon and Piano Date A point or period of time associated with an event in the lifecycle of the resource 1941 Creator An entity primarily responsible for making the resource Kay, Ulysses (1917-1995) Description An account of the resource Black composer Ulysses Kay wrote this one-movement piece in 1941 while he was studying at Yale with Paul Hindemith. According to the <a href="https://stores.imaginemusicpublishing.com/sonata-for-bassoon-and-piano-pdp003/">publisher's website</a>, "The Sonata for Bassoon and Piano has been unavailable for fifty years and is now presented for the first time in a clean, legible edition." Duration: 6 minutes Source A related resource from which the described resource is derived Ulysses Simpson Kay (Wikipedia), <a href="https://en.wikipedia.org/wiki/Ulysses_Kay">https://en.wikipedia.org/wiki/Ulysses_Kay</a> Ulysses Kay, Sonata for Bassoon and Piano (score), <a href="https://stores.imaginemusicpublishing.com/sonata-for-bassoon-and-piano-pdp003/">https://stores.imaginemusicpublishing.com/sonata-for-bassoon-and-piano-pdp003/</a> Lecolion Washington, Jr., Legacy: Works for Bassoon by African-American Composers (AllMusic), <a href="https://www.allmusic.com/album/legacy-works-for-bassoon-by-african-american-composers-mw0001865472">https://www.allmusic.com/album/legacy-works-for-bassoon-by-african-american-composers-mw0001865472</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1900-1949 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1900-1949 bassoon / basson duo Kay, Ulysses (1917-1995) piano Musical Work / Ouvrage musical Ensemble Type duo Instrumentation oboe / hautbois piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Suite in B Date A point or period of time associated with an event in the lifecycle of the resource 1943 Creator An entity primarily responsible for making the resource Kay, Ulysses (1917-1995) Description An account of the resource Black composer Ulysses Kay "composed his 'Suite in B for Oboe and Piano' in 1943, finishing the piece at Quonset Point, Rhode Island in July. He withdrew the work, along with several other compositions, in the mid-1950s. The distinguished musicologist, lexicographer, and composer Nicholas Slonimsky (1894-1995) commented on this act of self-criticism in an article published in 1957: 'Some of the material he rejects is of excellent quality and it would be a pity if he would physically destroy the manuscripts.' Kay did try to destroy all the copies of the Suite in B for Oboe and Piano, but a few have survived. Slonimsky's assessment is correct, at least in this instance. The 'Suite in B for Oboe and Piano' is a fine work, reflecting careful craftsmanship. Cast in three movements, the work pays homage to the multi-movement structure of a NeoBaroque suite with its opening Prelude, the Recitative and Air, and the final Dance. Kay employed a twentieth-century harmonic language: The first movement begins in B minor and ends in D major. The second movement is in D major but ends on a tonic major seventh chord. The final movement explores some different tonal areas but is firmly rooted in B major. Prairie Dawg Press is proud to be able to make the Suite in B for Oboe and Piano available once again to oboists. We hope that it will prove to be a useful addition to the recital repertoire. The 'Suite in B' received its first public performance while Kay was in residence at the American Academy in Rome as a recipient of the American Prix de Rome. Oboist Pietro Accaroni and pianist Gherardo Macarini premiered the piece on 29 November 1949." Duration: 10 minutes Source A related resource from which the described resource is derived Ulysses Simpson Kay (Wikipedia), <a href="https://en.wikipedia.org/wiki/Ulysses_Kay">https://en.wikipedia.org/wiki/Ulysses_Kay</a> Ulysses Kay, Suite in B (score), <a href="https://stores.imaginemusicpublishing.com/suite-in-b/">https://stores.imaginemusicpublishing.com/suite-in-b/</a> Kay Ulysses Kay, Suite in B Minor (score), <a href="https://www.trevcomusic.com/products/pdp-044-kay-ulysses-suite-in-b-ob-pn">https://www.trevcomusic.com/products/pdp-044-kay-ulysses-suite-in-b-ob-pn</a> Ulysses Kay, "Ulysses Kay: Suite in B" (YouTube), <a href="https://www.youtube.com/watch?v=w3KaTwKd7KI">https://www.youtube.com/watch?v=w3KaTwKd7KI</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1900-1949 Publisher An entity responsible for making the resource available Imagine Music Publishing Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 1900-1949 duo guitar / guitare Kay, Ulysses (1917-1995) oboe / hautbois Musical Work / Ouvrage musical Ensemble Type solo Instrumentation piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Sonata in E Minor for piano Date A point or period of time associated with an event in the lifecycle of the resource 1932 Creator An entity primarily responsible for making the resource Price, Florence (1887-1953) Description An account of the resource Black composer Florence Price composed the "Sonata in E Minor" for piano in 1932. The composition won First Price in the 1932 Rodman Wanamaker music contest, the same year her Symphony in E Minor won overall honours. Duration: 21 minutes Source A related resource from which the described resource is derived Florence Price (Wikipedia), <a href="https://en.wikipedia.org/wiki/Florence_Price">https://en.wikipedia.org/wiki/Florence_Price</a> Florence Price, Sonata in E Minor (score), <a href="https://www.sheetmusicplus.com/title/sonata-in-e-minor-sheet-music/3190097">https://www.sheetmusicplus.com/title/sonata-in-e-minor-sheet-music/3190097</a> Schmitt Music, "David Korevaar performing Sonata in E minor by Florence Price" (YouTube), <a href="https://www.youtube.com/watch?v=J4_dTuBccPs">https://www.youtube.com/watch?v=J4_dTuBccPs</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1900-1949 Publisher An entity responsible for making the resource available G. Schirmer Format The file format, physical medium, or dimensions of the resource 20+ minutes 1900-1949 20+ minutes piano Price, Florence (1887-1953) solo