28 10 296 Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Pulsations Date A point or period of time associated with an event in the lifecycle of the resource 1974, revised 1993 Creator An entity primarily responsible for making the resource Alston, Lettie Beckon (b. 1953) Description An account of the resource Black composer Lettie Beckon Alston composed "Pulsations" in 1974 for violin, and revised in 1993. The composition is in three movements: 1. Gracefully, 2, Fast and Rhythmical, and 3. Slow with much expression. Duration: 7.5 minutes Source A related resource from which the described resource is derived Lettie Beckon Alston, "Pulsations for solo violin" (AllMusic), <a href="https://www.allmusic.com/composition/pulsations-for-solo-violin-mc0002466680">https://www.allmusic.com/composition/pulsations-for-solo-violin-mc0002466680</a> Lettie Beckon Alston, "Pulsations: for solo violin" (WorldCat), <a href="https://www.worldcat.org/title/162127771">https://www.worldcat.org/title/162127771</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 Alston, Lettie Beckon (b. 1953) solo violin / violon Musical Work / Ouvrage musical Ensemble Type solo Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Three Pieces for Flute Date A point or period of time associated with an event in the lifecycle of the resource 1980 Creator An entity primarily responsible for making the resource Moorman, Joyce Solomon (b. 1946) Description An account of the resource Black composer Joyce Solomon Moorman's "Three Pieces for Flute" was written in 1980. The score and recordings are available in the sources. See her Soundcloud profile for more music: <a href="https://soundcloud.com/jsm-13">https://soundcloud.com/jsm-13.</a> Duration: 4.5 minutes Source A related resource from which the described resource is derived Joyce Solomon Moorman (personal website), <a href="https://www.joycesolomonmoorman.com/">https://www.joycesolomonmoorman.com/</a> Joyce Solomon Moorman, Three Pieces for Flute (score), <a href="https://www.jwpepper.com/Three-Pieces-for-Flute/11346699.item#.YXGqb9mZNQI">https://www.jwpepper.com/Three-Pieces-for-Flute/11346699.item#.YXGqb9mZNQI</a> Rose Khorsandi, "Joyce Solomon Moorman Three Pieces for Solo Flute" (YouTube), <a href="https://www.youtube.com/watch?v=fBPF_o5v7CE">https://www.youtube.com/watch?v=fBPF_o5v7CE</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 1950-1999 flute / flûte Moorman, Joyce Solomon (b. 1946) solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Morning Thunder Date A point or period of time associated with an event in the lifecycle of the resource 1980 Creator An entity primarily responsible for making the resource Mumford, Jeffrey (b. 1955) Description An account of the resource Black composer Jeffrey Mumford's "morning thunder" for solo flute received its first performance on 15 December 1980. Duration: 8 minutes Source A related resource from which the described resource is derived Jeffrey Mumford (personal website), <a href="https://www.jeffreymumford.com/">https://www.jeffreymumford.com/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 flute / flûte Mumford, Jeffrey (b. 1955) solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource linear cycles VII (cambiamenti II) Date A point or period of time associated with an event in the lifecycle of the resource 1979 Creator An entity primarily responsible for making the resource Mumford, Jeffrey (b. 1955) Description An account of the resource Black composer Jeffrey Mumford's "linear cycles VII" (cambiamenti II) received its first performance by violinist Kurt Nikkanen on 22 July 1979. Duration: 8 minutes Source A related resource from which the described resource is derived Jeffrey Mumford (personal website), <a href="https://www.jeffreymumford.com/">https://www.jeffreymumford.com/</a> Jeffrey Mumford, linear cycles VII (iTunes), <a href="https://music.apple.com/ca/album/linear-cycles-vii-cambiamenti-ii/417256075?i=417256171">https://music.apple.com/ca/album/linear-cycles-vii-cambiamenti-ii/417256075?i=417256171</a> Kurt Nikkanen, "linear cycles VII (cambiamenti II)" (YouTube), <a href="https://www.youtube.com/watch?v=9yg9NVU2WDs">https://www.youtube.com/watch?v=9yg9NVU2WDs</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes Language A language of the resource English 0-10 minutes 1950-1999 Mumford, Jeffrey (b. 1955) solo violin / violon Musical Work / Ouvrage musical Ensemble Type duo Instrumentation clarinet / clarinette piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource A wind of suspended prominences Date A point or period of time associated with an event in the lifecycle of the resource 1981 Creator An entity primarily responsible for making the resource Mumford, Jeffrey (b. 1955) Description An account of the resource Black composer Jeffrey Mumford's "A Wind of Suspended Prominences" for clarinet and piano was premiered by clarinetist William Powell and pianist Zita Carno on April 17, 1981. Duration: 7 minutes Source A related resource from which the described resource is derived Jeffrey Mumford (personal website), <a href="https://www.jeffreymumford.com/">https://www.jeffreymumford.com/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 clarinet / clarinette duo Mumford, Jeffrey (b. 1955) piano Musical Work / Ouvrage musical Ensemble Type solo Instrumentation piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Sonata No. 2 for Piano Date A point or period of time associated with an event in the lifecycle of the resource 1956 Creator An entity primarily responsible for making the resource Walker, George (1922-2018) Description An account of the resource Black composer George Theophilus Walker composed "Sonata No. 2" for piano in 1956. The work has four movements: I. Theme and Variations II. Presto III. Adagio IV. Allegretto tranquillo Duration: 10 minutes Source A related resource from which the described resource is derived George Theophilus Walker (Wikipedia), <a href="https://en.wikipedia.org/wiki/George_Walker_(composer)">https://en.wikipedia.org/wiki/George_Walker_(composer)</a> George Walker, Piano Sonata No. 2 for piano (score), <a href="https://www.sheetmusicplus.com/title/piano-sonata-no-2-sheet-music/19261453">https://www.sheetmusicplus.com/title/piano-sonata-no-2-sheet-music/19261453</a> AlbanyRecordsUSA, "GEORGE WALKER: Sonata No. 2 for piano" (YouTube), <a href="https://www.youtube.com/watch?v=y4MXPBKxTG4&ab_channel=AlbanyRecordsUSA">https://www.youtube.com/watch?v=y4MXPBKxTG4&ab_channel=AlbanyRecordsUSA</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 1950-1999 piano solo Walker, George (1922-2018) Musical Work / Ouvrage musical Ensemble Type duo Instrumentation bassoon / basson piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Deformation V Date A point or period of time associated with an event in the lifecycle of the resource 1993 Creator An entity primarily responsible for making the resource Nash, Gary Powell Description An account of the resource Black composer Gary Nash composed "Deformation V" for bassoon and piano. As described on the <a href="https://garynash.musicaneo.com/about.html">composer's website</a>: "Deformation V, a six minute, single movement composition for bassoon and piano, completed February 6, 1993 was composed for Barrick Stees, bassoon and Phillip Hosford, piano and premiered by Mark Alex Williams, bassoon and Choonwoo Kim, piano on April 25, 1993 at the “Premieres of New Music Concert” at Michigan State University, East Lansing, MI. Out of all other “Deformation” compositions written by Gary Powell Nash, Deformation V is the most successful, in regards to the title relating to the overall musical outcome. Using J.S. Bach’s Allegro from Sonata II in A minor for Solo Violin as a major premise, Nash took the 3 most common musical events from the J.S. Bach model, which include five note arpeggios, octave displacement and the motive 8th, 16th, 16th, 8th, 8th, 8th, 8th, 8th note rhythm and manufactured newer melodies and musical events. Deformation V commences with the bassoon performing a direct quote from the J.S. Bach model while the piano plays sustained dissonances underneath, occurring through the first eight measures. At measure 9, the music becomes more and more obscure from the model as Nash implements those newer discoveries into the composition. Such discoveries/musical events include quintuplet rhythms derived from the five note arpeggios and metric modulations based on those same patterns. Deformation V features fast paced music throughout much of the composition with a contrasting slow section in the middle, which concludes with a solo cadenza and return to the fast music in the opening section, as also displayed in all other Gary Powell Nash “Deformations”." Duration: 6 minutes Source A related resource from which the described resource is derived Gary Nash (personal website), <a href="https://garynash.musicaneo.com/about.html">https://garynash.musicaneo.com/about.html</a> Gary Nash, Deformation V (score), <a href="https://www.sheetmusicplus.com/title/deformation-v-digital-sheet-music/19906550">https://www.sheetmusicplus.com/title/deformation-v-digital-sheet-music/19906550</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 bassoon / basson duo Nash, Gary Powell piano Musical Work / Ouvrage musical Ensemble Type solo Instrumentation piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Three Movements For Piano Date A point or period of time associated with an event in the lifecycle of the resource 1964 Creator An entity primarily responsible for making the resource Tillis, Frederick C. (1930-2020) Description An account of the resource Black composer Frederick C. Tillis's "Three Movements For Piano" was composed in 1964. Duration: 9 minutes Source A related resource from which the described resource is derived Frederick C. Tillis (personal website), <a href="https://www.fredtillis.com/">https://www.fredtillis.com/</a> Frederick C. Tillis (Wikipedia), <a href="https://en.wikipedia.org/wiki/Frederick_C._Tillis">https://en.wikipedia.org/wiki/Frederick_C._Tillis</a> Frederick C. Tillis, Three Movements For Piano (score), <a href="https://composers.com/composers/frederick-c-tillis/three-movements-piano">https://composers.com/composers/frederick-c-tillis/three-movements-piano</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 piano solo Tillis, Frederick C. (1930-2020) Musical Work / Ouvrage musical Ensemble Type duo Instrumentation horn / cor piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Spiritual Fantasy No. 5 Date A point or period of time associated with an event in the lifecycle of the resource 1982 Creator An entity primarily responsible for making the resource Tillis, Frederick C. (1930-2020) Description An account of the resource Black composer Frederick C. Tillis's "Spiritual Fantasy No. 5" for horn and piano was composed in 1982 and premiered by Laura Klock. Duration: 8.5 minutes Source A related resource from which the described resource is derived Frederick C. Tillis (personal website), <a href="https://www.fredtillis.com/">https://www.fredtillis.com/</a> Frederick C. Tillis (Wikipedia), <a href="https://en.wikipedia.org/wiki/Frederick_C._Tillis">https://en.wikipedia.org/wiki/Frederick_C._Tillis</a> Frederick C. Tillis, Spiritual Fantasy No. 5 (score), <a href="https://composers.com/composers/frederick-c-tillis/spiritual-fantasy-no-5">https://composers.com/composers/frederick-c-tillis/spiritual-fantasy-no-5</a> Laura Klock, "Spiritual Fantasy No. 5" (YouTube), <a href="https://www.youtube.com/watch?v=XPTGr7vdz4I&t=43s&ab_channel=LauraKlock-Topic">https://www.youtube.com/watch?v=XPTGr7vdz4I&t=43s&ab_channel=LauraKlock-Topic</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 1950-1999 duo horn / cor piano Tillis, Frederick C. (1930-2020) Musical Work / Ouvrage musical Ensemble Type solo Instrumentation piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Spiritual Fantasy No. 4 Date A point or period of time associated with an event in the lifecycle of the resource 1981 Creator An entity primarily responsible for making the resource Tillis, Frederick C. (1930-2020) Description An account of the resource Black composer Frederick C. Tillis's "Spiritual Fantasy No. 4" for piano was composed in 1981 on commission from Vivian Taylor. Taylor premiered the work in Boston Massachusetts. The description for the work from the <a href="https://composers.com/composers/frederick-c-tillis/spiritual-fantasy-no-4">American Composers Alliance website states</a>: "As an accomplished jazz musician, Fredrick Tillis expresses himself by infusing European classical music tradition with the spirit of American Black vernacular music. Spiritual Fantasy No. 4 for Piano (1981) draws from various Gospel melodies including Nobody Knows the Trouble I’ve Seen, Jacob’s Ladder, and others. Tillis' Spritual Fantasy series for various solo and ensemble combinations are widely known by performers and scholars." Duration: 10.5 minutes Source A related resource from which the described resource is derived Frederick C. Tillis (personal website), <a href="https://www.fredtillis.com/">https://www.fredtillis.com/</a> Frederick C. Tillis (Wikipedia), <a href="https://en.wikipedia.org/wiki/Frederick_C._Tillis">https://en.wikipedia.org/wiki/Frederick_C._Tillis</a> Frederick C. Tillis, Spiritual Fantasy No. 4 (score), <a href="https://composers.com/composers/frederick-c-tillis/spiritual-fantasy-no-4">https://composers.com/composers/frederick-c-tillis/spiritual-fantasy-no-4</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 1950-1999 piano solo Tillis, Frederick C. (1930-2020)