6 10 296 Musical Work / Ouvrage musical Instrumentation flute / flûte piano Ensemble Type duo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Fanmi Imen Description An account of the resource The title Fanmi Imèn is Haitian Creole for Maya Angelou’s famous work, Human Family. Both the musical and literary poems acknowledge differences within mankind, either due to ethnicity, background, or geography, but Angelou’s refrain: “we are more alike, my friends, than we are unlike,” reaffirms our humanity as a reminder of unity. Coleman’s work draws inspiration from French flute music blending with an underlying pentatonicism found in Asian traditions, a caravan through Middle Eastern parts of the world merging with Flamenco, and an upbeat journey southward into Africa with the sounds of Kalimba (thumb piano). Fanmi Imèn was commissioned by the National Flute Association for its 2018 High School Soloist Competition. Creator An entity primarily responsible for making the resource Coleman, Valerie Source A related resource from which the described resource is derived <a href="https://www.justflutes.com/shop/product/fanmi-imen-poem-flute-piano-valerie-coleman#gref">https://www.justflutes.com/shop/product/fanmi-imen-poem-flute-piano-valerie-coleman#gref</a> Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Instrumentation flute / flûte piano Ensemble Type duo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Amazonia Description An account of the resource Amazonia is a dedication to what is considered to be the “lungs of the earth”, and is a poem that describes its natural beauty that progressively becomes destroyed, as the dark aspects of human nature intrude upon its vitality. The work begins at Sunrise with the sounds of nocturnal animals like frogs and insects enjoying the last parts of the night, the sounds of croaking and leaves moving erratically throughout the foliage. Tree frogs, Tamarin monkeys, and macaws sing their sounds, while drips of dew fall from the leaves, and provides a raindrop-esque motif throughout the first part of the work. The opening motif in the flute gives a fragmented taste of the grooves and rhythms found in Brazilian music. As the Amazonia scene is set, a simple melody emerges representing the carefree children of the Amazon, who innocently play throughout the jungle and river, immune to the dangers that lurk around them. The melody itself is a sweet dance that turns to a more mature stance that describes the peaceful pride of the tribal adults. Theirs is an intentional way of life that is unimpeded by technology and urban landscape, greed and crime. Following a brief flute cadenza, the section ends with a still life Sunset of reds, oranges and yellows. As the work unfolds, darker elements soon cloud the landscape, in a section called, Menacing. The piano ominously marks the entrance of poachers and mercenaries into the rainforest, with an aggressive yet stealthy march. Their job is to drive out the tribes from the forest through intimidation and assault. Here the flute becomes the aggressor as its lower register articulates the word, fire, in Morse code as an impending signal to the burnings that will soon occur. Elements of Samba emerge within the Piu Mosso section (ms. 180), with the piano part dancing a macabre dance that symbolizes greed, as corporate interests circle the forest like vultures about to feast on the defenseless. Shouts, run, and anger precede the start of fire trickling through the rainforest, signified by a single note shared between the flute and piano that chromatically undulates and becomes more intense as the fires build and consume. Amazonia ends on an intense panic of shrieks and screams. As the fires in the Amazon rainforest have decimated thousands of acres, I felt it important to memorialize what was once a natural wonder undisturbed by the greed of man. Creator An entity primarily responsible for making the resource Coleman, Valerie Source A related resource from which the described resource is derived <a href="https://www.vcolemanmusic.com/amazonia.html">https://www.vcolemanmusic.com/amazonia.html</a> Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Instrumentation flute / flûte Ensemble Type solo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Danza de la Mariposa Description An account of the resource Valerie Coleman’s Danza de la Mariposa is a rhythmic, melodic tone poem, giving the listener a tour of South America. Inspired by the various species of butterflies inhabiting the continent, this work is full of rich color, with butterflies dancing and weaving in syncopated rhythms while alternating between the feel of 3 over 4 throughout. Its slower sections pay homage to the beautiful and sorrowful sounds in the style of Yaravi, a Peruvian lament song. The melodies and rhythm eventually evolve into the spirit and syncopation of Argentinean concert tango, and the conclusion returns to the feel of Yaravi. For advanced players. Creator An entity primarily responsible for making the resource Coleman, Valerie Source A related resource from which the described resource is derived <a href="https://www.presser.com/114-41504-danza-de-la-mariposa.html">https://www.presser.com/114-41504-danza-de-la-mariposa.html</a> Publisher An entity responsible for making the resource available Presser Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Instrumentation flute / flûte piano Ensemble Type duo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource The Centralia Mine Project Creator An entity primarily responsible for making the resource Carter, Derek Douglas Source A related resource from which the described resource is derived <a href="https://www.derekdouglascarter.com/">https://www.derekdouglascarter.com/</a> Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Instrumentation flute / flûte clarinet / clarinette piano Ensemble Type trio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Glass Project Description An account of the resource Derek Douglas Carter (b.1994, he/him) is a composer, conductor, and artist currently residing in Kentucky. His music has been performed across the Midwest, New England, the South, as well as in Canada, Poland, and Spain. Carter has been a festival participant in the Charlotte New Music Festival, Synthetis Summer Courses, the Valencia International Performance Academy, the Loretto Project, and Domaine Forget. He has worked with ensembles and soloists including the Illinois State Symphonic Winds, University of Louisville Symphony Orchestra, University of Louisville Sinfonietta, Orchestra Enigmatic, Ensemble Dal Niente, Beo String Quartet, E-Mex Ensemble, Ensemble Paramirabo, Longleash Trio, Durward Ensemble, Orlando Cela, Parker Ramsey, Mieko Kanno, and a plethora of student performers. Creator An entity primarily responsible for making the resource Carter, Derek Douglas Source A related resource from which the described resource is derived <a href="https://omeka.uottawa.ca/music-enlivened/admin/items/add">https://omeka.uottawa.ca/music-enlivened/admin/items/add</a> Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Instrumentation flute / flûte Ensemble Type duo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Story for 2 Flutes Description An account of the resource Derek Douglas Carter (b.1994, he/him) is a composer, conductor, and artist currently residing in Kentucky. His music has been performed across the Midwest, New England, the South, as well as in Canada, Poland, and Spain. Carter has been a festival participant in the Charlotte New Music Festival, Synthetis Summer Courses, the Valencia International Performance Academy, the Loretto Project, and Domaine Forget. He has worked with ensembles and soloists including the Illinois State Symphonic Winds, University of Louisville Symphony Orchestra, University of Louisville Sinfonietta, Orchestra Enigmatic, Ensemble Dal Niente, Beo String Quartet, E-Mex Ensemble, Ensemble Paramirabo, Longleash Trio, Durward Ensemble, Orlando Cela, Parker Ramsey, Mieko Kanno, and a plethora of student performers. Creator An entity primarily responsible for making the resource Carter, Derek Douglas Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Instrumentation flute / flûte clarinet / clarinette saxophone violin / violon cello / violoncelle piano Ensemble Type ensemble Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Dawn Description An account of the resource Derek Douglas Carter is a composer and conductor whose music has been performed across the eastern United States, as well as in Canada, Poland, and Spain. He has worked with ensembles including Ensemble Dal Niente, Beo String Quartet, E-Mex Ensemble, Ensemble Paramirabo, Longleash, Durward Ensemble, Orlando Cela, Mieko Kanno, and a plethora of student performers and ensembles. Carter holds a BM in Music Composition/Theory from Illinois State, as well as an MM in Music Composition and an MM in Orchestral Conducting from the University of Louisville. Creator An entity primarily responsible for making the resource Carter, Derek Douglas Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Instrumentation flute / flûte clarinet / clarinette viola / violon-alto Ensemble Type trio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Atonement Description An account of the resource Derek Douglas Carter (b.1994, he/him) is a composer, conductor, and artist currently residing in Kentucky. His music has been performed across the Midwest, New England, the South, as well as in Canada, Poland, and Spain. Carter has been a festival participant in the Charlotte New Music Festival, Synthetis Summer Courses, the Valencia International Performance Academy, the Loretto Project, and Domaine Forget. He has worked with ensembles and soloists including the Illinois State Symphonic Winds, University of Louisville Symphony Orchestra, University of Louisville Sinfonietta, Orchestra Enigmatic, Ensemble Dal Niente, Beo String Quartet, E-Mex Ensemble, Ensemble Paramirabo, Longleash Trio, Durward Ensemble, Orlando Cela, Parker Ramsey, Mieko Kanno, and a plethora of student performers. Creator An entity primarily responsible for making the resource Carter, Derek Douglas Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Instrumentation flute / flûte oboe / hautbois clarinet / clarinette bassoon / basson horn / cor Ensemble Type ensemble Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource 2 Pieces for Wind Quintet Description An account of the resource Derek Douglas Carter (b.1994, he/him) is a composer, conductor, and artist currently residing in Kentucky. His music has been performed across the Midwest, New England, the South, as well as in Canada, Poland, and Spain. Carter has been a festival participant in the Charlotte New Music Festival, Synthetis Summer Courses, the Valencia International Performance Academy, the Loretto Project, and Domaine Forget. He has worked with ensembles and soloists including the Illinois State Symphonic Winds, University of Louisville Symphony Orchestra, University of Louisville Sinfonietta, Orchestra Enigmatic, Ensemble Dal Niente, Beo String Quartet, E-Mex Ensemble, Ensemble Paramirabo, Longleash Trio, Durward Ensemble, Orlando Cela, Parker Ramsey, Mieko Kanno, and a plethora of student performers. Creator An entity primarily responsible for making the resource Carter, Derek Douglas Source A related resource from which the described resource is derived <a href="https://www.derekdouglascarter.com/">https://www.derekdouglascarter.com/</a> Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Voyeuristic Absurdities Description An account of the resource Leslie Savoy Burrs has captivated audiences across the United States and Europe with his exciting, distinctive sound -- an inspired combination of classical virtuosity and dazzling improvisation. He has appeared as guest soloist and composer with the Philadelphia Orchestra, Baltimore, Atlanta, Louisville, New Jersey and Richmond Symphonies. In addition, his performances with the Duke Ellington Band, The Philly Pops and the Moers Jazz Festival in Germany distinguish him as an artist of great depth and versatility. Creator An entity primarily responsible for making the resource Burrs, Leslie Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000-